Space

Review: True love’s kiss on Orphan Black

SPOILER ALERT: Please do not read on unless you’ve seen the Season 3, Episode 6 of Orphan Black, titled “Certain Agony of the Battlefield.

Poor Paul. Such a noble death for the shady character. We never really knew whose side he was on until tonight, when he fully admitted to Sarah that it was her he loved all along. Looking back, it was fairly obvious that they were going to kill him off: A) he was disrupting the Castor camp completely by jailing Mommy and the rest, B) he had feelings for Sarah, their captive, and C) with Cal in the picture, Paul’s character had kind of hit a dead end.

Still, he went out fighting, and fighting hard. For the first time in my Orphan Black viewing time, I actually came to like Paul. We knew who he was working for, and it made all the difference. When he revealed that he was secretly packing a grenade in the end scene there, I actually let out a cheer. For once it was “Go, Paul!” instead of “Ugh, it’s Paul again.”

Interesting, too, how Beth was brought back to the forefront. Sure, Art mentioned he was in love with her a couple episodes ago, but we got to live and breathe Beth again. She’s downright creepy in Sarah’s hallucinatory dream, but drops a pearl of wisdom on Sarah prior to her waking up: “Stop asking why, and start asking who.” Before the end of the episode, we have both Paul and Sarah asking “Who?” They get answers, but not full ones.

Seems Mommy and her crew are illegally testing the Castor virus/disease/infection on unsuspecting women—enough to fill a couple black books—and they’re testing it so it can be used as a weapon. Mommy doesn’t seem to have any problems with it, and her complete lack of conscience indicates to me that she’ll be dead before the end of the season. She is irredeemable now, having killed Paul, almost killed Sarah and infected multiple strangers. Can’t wait for her to get her comeuppance (hopefully from Helena).

Helena in the desert was one of the greatest Orphan Black scenes to date. When she ate Pupok for sustenance, I smiled wide. (Does that make me a sick person?) I swear I could watch a Helena-only spinoff, no problem.

Another scene for the history books is, of course, the Donnie and Alison “making it rain” scene. The music, the flying money, the sexual gestures, the underwear … it’s something you or I would do if we won the lottery. Orphan Black hasn’t really been doing that very much this season: crazy stuff that makes us laugh. We want the zany, non-sensical interactions. Remember when Felix wore those assless chaps? Or when Scott and his nerd friends were playing that fantasy board game? Like that. This was a nice reminder of what the show can offer outside of sci-fi and drama. Despite that scene, I still contend the Alison/Donnie plot is by far the weakest one. So the couple wants to “take it to the next level” in the drug-dealing game? SO. WHAT. The whole thing is so pointless and derivative, I can’t even believe it’s still going on. Thank goodness Maslany and Bruun are so fantastic, otherwise this would have been disastrous.

In other news, Cosima got some! (Her storyline also steps outside the main plot, but she’s still fully involved in the goings-on. This is how it should be done with Alison.) We even got to see naked Tat back. Usually it’s just man bum on this show, so I approve of the change. The love triangle I prophesied last week has come to pass. Delphine is back in town and lurking on the sidelines, and yes, even taking pictures of Shay and Cosima’s date. I guess Shay is trustworthy, then? We can never forget what Beth said: “Start asking who.” So I still don’t trust her.

We see Rachel at the end, crying. She’s either broken or ready to kill; those are the only two options. She seemed kind of broken to me this time, what do all of you think?

Clone of the Week: Sarah. Girl went to hell and back, plus she lost a man who loved her and was reunited with her daughter and sister(s)—Helena in reality, and Beth and Kira in dreamland. Oh, and she almost died. Three times.

Random Thoughts:

  • The only reason I can come up with as to why the Alison/Donnie plot is still going on: eventually the clones will need money for something. Alison will be there to provide it.
  • Rachel vs. Felix. More please. And FINALLY Felix gets in there, really angry and relentless. It’s more believable that his character would do something rather than just sit around with Mrs. S.
  • Prettttttttty sure Kristian Bruun’s balls were visible in the money scene.
  • How does Alison not care at all about her sisters or their welfare? It seems very far-fetched that she hasn’t even called them, not to mention know anything about the situation with Castor.
  • Helena: “I regret nothing.”
  • Shay’s hair was totally a wig, right? What is it with this show and bad wigs?
  • Felix: “Now nut up and take me to the cyclops.”

Orphan Black airs Saturdays at 9 p.m. ET/PT on Space.

Chris Jancelewicz

Chris Jancelewicz

Chris has been an entertainment reporter for almost a decade, covering Canadian and international TV and movies for numerous publications. Mostly known for his work at The Huffington Post, Chris has conducted hundreds of celebrity interviews, including Hugh Hefner, Scarlett Johansson and Michael C. Hall -- just to name a few. You can follow him on Twitter at @CJancelewicz.
Chris Jancelewicz

Latest posts by Chris Jancelewicz (see all)

Facebooktwittergoogle_plusredditlinkedinmail

One thought on “Review: True love’s kiss on Orphan Black”

  1. Oh yeah this was the top episode of the season so far. Agree with you on finally liking Paul. i wish I could find the soundtrack for the last 5 minutes of the episode.

    Also enjoyed the new side of Felix and surprisingly felt bad for Rachel. Towards the end I think Felix felt he went too far and backed off partially out of shame.

    Never fully trusted Delphine and I’m glad I didn’t, missing Cosima is no excuse for using resources to stalk her. You creep on her Facebook if you want but that’s it! She’s really become the new Rachel: Drinking while sadly looking at video of someone you love whose not in your life anymore.

    Alison did talk briefly with Cosima about her health last week. Alison wouldn’t be useful in fighting the military she doesn’t have the skills our resources Dyad and Mrs. S do. She’s the most “boxed-in” narrative wise with a table family and two-not important kids. A housewife isn’t special to Dyad and her personal life makes her hard to disappear if Castor or anyone tried. But they cannot cut out the family angle as suburbia is Alison’s domain and at the core of her character. Next week looks to have a lot to do with the Hendrixes so we’ll see.

Comments are closed.