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Writers Talking TV: Emily Andras, Wynonna Earp

The first Writers Talking TV of the autumn is coming up on Sept. 29, and we’re pleased to announce it features showrunner Emily Andras talking about her show, Wynonna Earp, with fellow screenwriter, host Nicole Demerse. The event includes an in-depth discussion about screenwriting, an episode screening, and an audience Q&A. WTTV is a great way to hear knowledgeable screenwriters talking about their craft, so don’t miss this opportunity. As always, WTTV is free and open to the public, but to make sure you get a seat, please RSVP as soon as possible.

When: Sept. 29, 7 p.m.
Where: TIFF Bell Lightbox, 350 King St. West, Toronto
RSVP: Holly LaFlamme h.laflamme@wgc.ca

The lowdown on Wynonna Earp: Demon outlaws? Magic guns? Spiked coffee? Just another day at the office for motorcycle riding, whisky-slinging, fast-talking heroine Wynonna Earp. After a troubled adolescence spent in and out of juvie, she’s returned to her hometown of Purgatory, hell bent on ending the family curse, which resurrects every one of the villains her legendary ancestor dispatched. Only Wynonna can send Wyatt’s kills back to hell before they escape from their earthly prison and wreak havoc on the entire world.  That is, if she can stay out of trouble…


Gord Downie announces Secret Path album and CBC animated film special

From a media release:

— Tells the story of Chanie Wenjack, an Indigenous boy who died running away from a residential school 50 years ago —

— Proceeds will be donated to the National Centre for Truth and Reconciliation —


Ogoki Post, Ontario

September 9, 2016

Mike Downie introduced me to Chanie Wenjack; he gave me the story from Ian Adams’ Maclean’s magazine story dating back to February 6, 1967, “The Lonely Death of Charlie Wenjack.”

Chanie, misnamed Charlie by his teachers, was a young boy who died on October 22, 1966, walking the railroad tracks, trying to escape from the Cecilia Jeffrey Indian Residential School to walk home. Chanie’s home was 400 miles away. He didn’t know that. He didn’t know where it was, nor how to find it, but, like so many kids – more than anyone will be able to imagine – he tried. I never knew Chanie, but I will always love him.

Chanie haunts me. His story is Canada’s story. This is about Canada. We are not the country we thought we were. History will be re-written. We are all accountable, but this begins in the late 1800s and goes to 1996. “White” Canada knew – on somebody’s purpose – nothing about this. We weren’t taught it in school; it was hardly ever mentioned.

All of those Governments, and all of those Churches, for all of those years, misused themselves. They hurt many children. They broke up many families. They erased entire communities. It will take seven generations to fix this. Seven. Seven is not arbitrary. This is far from over. Things up north have never been harder. Canada is not Canada. We are not the country we think we are.

I am trying in this small way to help spread what Murray Sinclair said, “This is not an aboriginal problem. This is a Canadian problem. Because at the same time that aboriginal people were being demeaned in the schools and their culture and language were being taken away from them and they were being told that they were inferior, they were pagans, that they were heathens and savages and that they were unworthy of being respected – that very same message was being given to the non-aboriginal children in the public schools as well… They need to know that history includes them.” (Murray Sinclair, Ottawa Citizen, May 24, 2015)

I have always wondered why, even as a kid, I never thought of Canada as a country – It’s not a popular thought; you keep it to yourself – I never wrote of it as so. The next hundred years are going to be painful as we come to know Chanie Wenjack and thousands like him – as we find out about ourselves, about all of us – but only when we do can we truly call ourselves, “Canada.”


Gord Downie began Secret Path as ten poems, incited by the story of Chanie Wenjack, a twelve year-old boy who died in flight from the Cecilia Jeffrey Indian Residential School near Kenora, Ontario, fifty years ago, walking home to the family he was taken from over 400 miles away. Gord was introduced to Chanie Wenjack (miscalled “Charlie” by his teachers) by Mike Downie, his brother, who shared with him Ian Adams’ Maclean’s story from February 6, 1967, “The Lonely Death of Charlie Wenjack.”

The stories Gord’s poems tell were fleshed into the ten songs of Secret Path with producers Kevin Drew and Dave Hamelin. Recording took place over two sessions at The Bathouse Recording Studios in Bath, Ontario, November and December 2013. The music features Downie on vocals and guitars, with Drew and Hamelin playing all other instruments. Guest musicians include Charles Spearin (bass), Ohad Benchetrit (lap steel/guitar), Kevin Hearn (piano), and Dave “Billy Ray” Koster (drums).

In winter 2014, Gord and Mike brought the recently finished Secret Path music to graphic novelist Jeff Lemire for his help illustrating Chanie Wenjack’s story, bringing him and the many children like him to life.

The ten song album will be released by Arts & Crafts accompanied by Lemire’s eighty-eight page graphic novel published by Simon & Schuster Canada. Secret Path will arrive on October 18, 2016, in a deluxe vinyl and book edition, and as a book with album download.

Downie’s music and Lemire’s illustrations have inspired The Secret Path, an animated film to be broadcast by CBC in an hour-long commercial-free television special on Sunday, October 23, 2016, at 9 p.m. (9:30 NT).

The Secret Path was created, written, and directed by Gord Downie, composed by Gord Downie with Kevin Drew and Dave Hamelin, and illustrated by author Jeff Lemire. The film is executive produced by Mike Downie, Patrick Downie, Gord Downie, and Sarah Polley. The Secret Path is produced by Entertainment One (eOne) and Antica Productions Ltd. in association with CBC, with the participation of the Canada Media Fund and the Canadian Film or Video Production Tax Credit. Jocelyn Hamilton is executive producer for eOne Television and Stuart Coxe is executive producer for Antica Productions. Justin Stephenson is director of animation.

The broadcast date marks the fiftieth anniversary of the morning Chanie’s body was found frozen beside the railroad tracks only twelve miles into his journey.


CHCH to bring back weekend news broadcasts

From a media release:

Channel Zero is pleased to announce that CHCH will return to providing live weekend news broadcasts this Fall. Beginning Saturday, October 29, live, half-hour broadcasts of the CHCH Evening News will air weekly on both Saturdays and Sundays at 6  p.m. and 11 p.m.

CHCH is the news leader for the Hamilton, Halton and Niagara regions and has the highest rated local news programs in each of the morning, early evening and late evening timeslots. With the return of weekend news broadcasts CHCH will produce more than 24 hours of original local news programming every week. CHCH news can be seen over the air, via cable and satellite, and live streamed or on demand at chch.com.



Force Four Entertainment inks deal with ITV for The Job Interview

From a media release:

Force Four Entertainment, the company behind Canada’s first fixed-rig series First Dates, has optioned the exciting new Channel 4 UK fixed-rig series The Job Interview, from rights holders ITV Studios Global Entertainment, and will immediately begin seeking a home for the Canadian version of the series.

The Job Interview has been a ratings success for Channel 4.  The premiere episode was watched by 1.5 million people, with an 8% share, which was up on the year on year slot by +0.1m and +1 share point.  Young viewers are also gravitating to the series. The Job Interview’s 9.4% share among the key 16-34 demo is higher than C4’s peak time average share of 8.8% and the viewing age is two years younger than the channel average.

The Job Interview was created and produced in the UK by ITV Studios producer Label1.


Link: It’s about time: We’ve put up with Mansbridge and his pompous ilk for too long

From John Doyle of The Globe and Mail:

Link: It’s about time: We’ve put up with Mansbridge and his pompous ilk for too long
In the matter of Peter Mansbridge stepping down from CBC’s The National, this might seem ungracious and harsh, but it’s about bloody time.

Mansbridge has spent 28 years as anchor and chief correspondent for CBC Television’s flagship newscast and that’s a very, very long time for anyone to be in a position of on-air authority in the TV business, a business that has changed so much. The traditional anchor position, which Mansbridge embodies in every scintilla in his on-air persona, is outdated and, essentially, redundant. Continue reading.