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Spindle Films Foundation publishes inaugural research findings on the state of gender diverse experiences in the Canadian film industry

From a media release:

Spindle Films Foundation today announced the results of their inaugural research report, highlighting the current state of the trans, non-binary, and gender diverse experiences in the Canadian film industry. Rooted in an annual mentorship program supporting emerging filmmakers, the Foundation is working to make the film and television industry more equitable and diverse by giving voice to underrepresented voices. The full report is available at spindlefilms.ca/research.

With recent data showing a decline in the representation of and support for the queer and gender diverse community in Canada, as well as legislation rolling out across the country targeting their rights under the guise of protecting parental rights, Spindle Films Foundation is gravely concerned that the safety, support, and celebration of trans and non-binary folks in the Canadian film industry are more at risk now than they were even a year ago.

The report found that 63% of respondents have taken actions to delay or conceal their gender identity due to the risk of adverse experiences at work in the film industry. Supporting this, 53% of respondents reported having adverse experiences during their last on-set experience. Of those with adverse experiences, 53% indicated that those adverse experiences happened every day they were on set and 78% rated those experiences as a 5 or higher on a 10-point distress scale.

Conducted from mid-2023 through to 2024, the research survey was developed by Javelin Laurence, Director of Research, Education, and Accessibility at Spindle Films Foundation, with input from the founding members of the Foundation, and support from Skipping Stone in Calgary, Alta. Having surveyed members of the transgender, non-binary, and gender diverse community working in the Canadian film industry, the report shows a need and desire for more inclusion, openness, collaboration, and acceptance for not just the gender-diverse community but for all types of diversity in Canada.

“While efforts have been made by some to make sets a safer environment, these results make it clear that it’s not enough. We need systematic and sweeping change so that everyone can feel valued and safe at work,” said J Stevens, Founder, Spindle Films Foundation. “The Foundation is actively working with decision-makers in the industry to shift mandates and protocols and we will continue to support and uplift the filmmakers whose voices are so needed in the Canadian film and TV industry through our annual mentorship programs.”

From the writer’s room through to the editing suite, gender diverse filmmakers are navigating an industry that claims to be diversifying but is in fact demonstrating that it is not a priority, with 42% of respondents indicating that they feel they had lost a job opportunity due to their gender identity, either implicitly or explicitly. 

Safety, inclusivity, and community were all themes determining whether gender diverse filmmakers felt comfortable taking a job, with 28% of respondents indicating that working with other gender diverse filmmakers was a protective factor on their last set. When asked about what they specifically needed to feel supported, respondents highlighted representation in decision-making positions, translating into more opportunities across departments for trans and gender diverse humans, and mandated education for all members of production.

Based on the survey findings, Spindle Films Foundation is recommending the following best practices: quality health insurance covering gender-affirming care in Canadian film unionsgender equity in hiring that acknowledges identities outside the binarya pronoun policy for all cast and crew on call sheetsgender diversity education for all production memberspaperwork care when dealing with chosen vs. legal namesgender neutral bathrooms, and a policy for addressing harm.

While there is still work to be done, Spindle Films Foundation is uniquely positioned and committed to pushing change forward through their programming and research initiatives. Following a successful and inspiring first year that resulted in nine emerging filmmakers receiving mentorship and education from industry leaders such as Bilal Baig, Luis De Filippis, Tácháy Redvers, and Sasha Leigh Henry, the Foundation has also established supportive partnerships with organizations such as the Directors Guild of Canada and Skipping Stone, allowing them to better serve the community of gender-diverse filmmakers that they are committed to uplifting. 

For more information and updates on upcoming programming, visit spindlefilms.ca/about-foundation and follow @spindlefilmsfoundation.

About Spindle Films Foundation 
Founded in 2023, Spindle Films Foundation is a nonprofit organization that supports transgender, non-binary, two-spirit and gender-diverse Canadian filmmakers. The organization works to make the TV and film industry more equitable and diverse by dismantling systemic barriers, and supports emerging filmmakers through an annual mentorship program. 

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The Banff World Media Festival names Bell Media’s Sean Cohan as board chair

From a media release:

The Banff World Media Festival (BANFF) is thrilled to announce that Sean Cohan, President of Bell Media, has been appointed Chair of BANFF’s Board of Directors. Cohan steps into the role following the tenure of Kevin Beggs, Lionsgate Television Group Chair & Chief Creative Officer, who served as Chair of the Board for three years. Beggs will continue to serve on the Board, ensuring his valuable experience remains an asset to the organization.

“I am honoured to assume the Board Chair position at BANFF. With a reputation as a robust event at the forefront of the conversations that matter most in our global industry, the Festival is primed for growth. I look forward to collaborating with the team and continuing the work of the incomparable Kevin Beggs to expand BANFF’s global impact while showcasing the many opportunities Canadian companies, organizations and creatives bring to our industry,” said Cohan.

“We’re delighted to welcome Sean as the new Chair to guide BANFF into its next chapter. As the media landscape continues to evolve, Sean’s forward-thinking vision and global perspective will be invaluable in shaping the future of the festival and fostering innovation across the industry,” added BANFF’s Executive Director, Jenn Kuzmyk. “We’re deeply grateful for Kevin’s incredible contribution over the last few years as Chair. His dedication has elevated the festival to new heights, strengthening its position as a premiere global media event. We’re so pleased to have Kevin remain on board, continuing to lend his expertise.”

“It’s been a true privilege to serve as Chair of the BANFF Foundation Board for the last three years,” said Beggs. “I have seen the Festival grow to be a place where integral conversations about the future of the industry happen, and where some of the world’s most innovative creatives and executives gather. It’s like no other event. I have no doubt that with the supremely talented Sean Cohan now at the helm, the Festival is in excellent hands.”

Appointed President of Bell Media, Canada’s leading media and entertainment company, in 2023, Cohan is responsible for Bell Media’s globally unique portfolio of premium video, audio, out-of-home advertising and digital media. These include Canada’s #1 broadcast network (CTV), its leading sports properties (TSN & RDS), #1 national and local news (CTV News), the largest-Canadian-owned video streaming service (Crave), industry-leading out-of-home advertising player (Astral) and audio platforms (iHeart Radio).

Cohan has spent decades in media and consumer businesses, including a 15-year tenure at A+E Networks ultimately in the role of President, International and Digital Media. At A+E, Cohan’s teams were credited with driving global content, digital, and commercial transformation, and rapid growth.
Most recently, Cohan was Chief Growth Officer & President at Nielsen, a global measurement and data analytics giant. Cohan managed the strategy, corporate development, partnerships, and international efforts and teams and had a leadership role in its successful 2022 take-private transaction.

A purpose-driven leader, Cohan has a Bachelor of Arts, Economics from Harvard University, an MBA from the Stanford Graduate School of Business, and holds several Board positions, including 8 years on the Banff World Media Festival Board of Directors. Cohan has twice been named to Savoy Magazine’s Influential Black Executives in Corporate America list and its Most Influential Corporate Directors list.

Located in Banff, Alberta, Canada, BANFF is a premium marketplace and conference, an intimate space where unparalleled access, creative inspiration and expert insight combine to launch fresh content and new business strategies. With more than 45 years of history, the festival has grown into a must-attend annual event where media moguls, producers, creatives and industry stakeholders along with broadcasters and digital media companies tackle issues and trends, forge relationships and nurture partnerships in one of the world’s most stunning landscapes.

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New Metric Media and Encore form a strategic partnership to co-develop and co-produce bilingual content

From a media release:

Award-winning studios New Metric Media and Encore have entered a groundbreaking partnership to co-develop and co-produce bilingual content across both scripted and unscripted programming. Under the pact, both companies will also explore adapting each other’s content for their respective English and French-speaking markets.

“We’re thrilled to build on our relationship with Encore,” said Mark Montefiore (above left), Founder and CEO, New Metric Media. “This is an important and innovative collaboration focused on highlighting one of the most unique aspects of our beautiful country, our cultural and language diversity. On a personal note, this is a critical stepping stone in my life-long commitment to being able to order a poutine entirely in French.”

“We are very proud of this partnership. We are confident that this strong alliance will enable broadcasters to feature unique and distinctive content projects, as they will be developed and produced with the perspectives of both cultures, in at least two languages, and with the unified strength of NMM and Encore. We are currently identifying specific projects that will benefit from this collaboration. Attachez vos tuques avec de la broche !” added Julie Provençal (above right), President of Encore.

The partnership comes on the heels of the announcement of their upcoming untitled, rom-com heist series, which follows a Quebecois family and an Anglo-Ontarian family reluctantly coming together despite their differences for an unforgettable wedding weekend. The project, based on a concept created by Montefiore, has recently attached new writers including Andrew DeAngelis (Children Ruin Everything, The Lake) and Erika Soucy (Les Perles, Léo), further bolstering the creative team.

This unique collaboration between New Metric Media and Encore signals a significant step in bilingual storytelling, strengthening the bridge between languages in entertainment.

About New Metric Media
Based in Toronto, New Metric Media is an award-winning independent entertainment studio specializing in building comedy brands across TV production, live entertainment, distribution, merchandising and licensing. Recipient of Playback’s 2022 Production Company of the Year award and the Banff World Media Festival’s 2018 Innovative Producer Award, the company’s slate of programming includes the hit Crave/Hulu original comedy Letterkenny, the Crave/Hulu Letterkenny spinoff series Shoresy, the CTV/CW half-hour comedy series Children Ruin Everything and the half-hour Crave comedy series Bria Mack Gets A Life.

New Metric Media is recognized as a leader in 360-degree brand marketing and its success with Letterkenny off-screen extensions, including beer, collectible merchandise and Letterkenny LIVE!, a sold-out North American theatre tour featuring the stars of the series.

About Groupe Encore
Created in Montreal in 2000, Encore is an integrated entertainment group, one of the most prolific production companies in scripted series (comedy and drama), live comedy specials, live plays, and artist management in French Canada.

With nearly 700 hours produced, Encore Television multiplies the production of millionaire and award-winning TV series praised both on the local and global markets. Licensed in more than 100 countries as originals or adaptations, hit series like Les beaux malaises, Bête noire (Dark Soul), Fugueuse (Runaway), Pour Sarah (For Sarah), Léo, Boomerang, La candidate (The Candidate), Lâcher prise (Freefall) are amongst the highest-rated series in Québec.

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AMI-tv announces 2024-25 production slate

From a media release:

Accessible Media Inc. (AMI) is pleased to announce its 2024-25 production slate for AMI-tv and AMI+. Telling a wide range of authentic stories about Canadians in the disability community through positive portrayal, these new and returning projects promise to be favourites with viewers.

AMI is currently in production on new scripted and docuseries from Big Time Decent Productions, Canadian Content Studios, Flow Video, Summerhill Media Inc., Border2Border Entertainment, Prairie Cat Productions, Bone Vault Inc. and Catapult Pictures.

“We are thrilled to offer over 100 hours of programming to Canadians of all abilities,” said Cara Nye, Director, Content Development and Production at AMI. “The upcoming broadcast season sees the expansion of our scripted stable of shows and provides, for the very first time, a children’s series to our schedule.”

New Series

After Dark (working title) – 8 x 30 digital series
After Dark is a documentary digital series exploring sex, love, dating and relationships relevant to people with disabilities. From sex surrogacy, virginity, manufacturing ergonomically designed sex toys, and sex parties to navigating online dating and the sharing of romantic/sexual wants and needs with family and friends, After Dark dares to illuminate your world of possibilities. After Dark is produced by Border2Border Entertainment (Womb EnvyAvocado Toast, Drag Heals).

Collar of Duty Kids – 8 x 30 children’s docuseries
Collar of Duty Kids takes young viewers into the lives of amazing kids who’ve been matched with extraordinary service animals. It’s all about these brand-new partnerships and the adventures they get up to. If you are thinking just dogs, you’re in for a surprise because we are talking about creatures from parrots to pigs! Collar of Duty Kids is produced by Summerhill Media Inc. (There’s Something You Should Know, Collar of Duty) in association with Fifth Ground Entertainment.

The Crip Trip – 6 x 60 docuseries
The Crip Trip is a punk-rock, gonzo, road trip comedy following the misadventures of artist, filmmaker, and quadruple amputee Daniel Ennett and his producer/friend/caregiver Frederick Kroetsch as they drive from Edmonton to Toronto. Their goal: to secure employment for Daniel in the television industry thereby saving him from long term care. Along the way, the duo will meet with other artists in the disability community to hear their stories. The Crip Trip is produced by Catapult Pictures (The Secret Society, Blind Ambition: The Wop May Story).

Get Hooked – 7 x 30 docuseries
This isn’t your dad’s fishing show. In partnership with OutTV, Get Hooked is a fresh take on how members of the queer, Black, Indigenous and disability community turn the mental health benefits of fishing into pure joy. Get Hooked is produced by Heidi Lynch of Bone Vault Inc. (Avocado Toast, Finding Green) and will feature the British disability advocate and comedian Rosie Jones along with other diverse nature lovers. Other partners include the Bell Fund, Ontario Creates and CAMH.

Low Vision Moments (working title) – 6 x 30 scripted comedy
Based on the life of Jennie Bovard, the candid host of the AMI podcast Low Vision Moments, viewers are in for a blurry ride, as Jennie fumbles and finds her way through everyday life as a person with albinism and low vision—work, friendship, love, and waving at mailboxes. Low Vision Moments is produced by Jennie Bovard, Jonathan Torrens’ Canadian Content Studios (Vollies, Roll With It) Club Red Productions (Who’s Yer Father?, A Small Fortune) and Flow Video Inc. (DarkVision, Accessing Pleasure).

Underdog Inc. – 8 x 60 docuseries 
Underdog Inc. follows Dale Kristensen (Backroad Truckers), a Little Person, as he navigates life in a mountain town, juggles the ups-and-downs of fatherhood and runs a small business with his sister. Dale’s business, Underdog Inc., offers a variety of services to customers in the region, including backroad trucking, hotshot delivery of urgent cargo, salvage and rescue calls, construction and handyman services. Whether he’s transporting heavy loads up and down treacherous backroads or tackling a long list of repairs for demanding homeowners, Dale is making a name for himself as a trucker, handyman and all-around good guy. Most importantly, he’s showing his son—and the world—that life is not about first impressions… it’s about lasting connections. Underdog Inc. is produced by Big Time Decent Productions (Rust Valley Restorers, Backroad Truckers).

We Were Broncos – 6 x 30 docuseries
We Were Broncos is the story of Ryan Straschnitzki’s life beyond the horrific Humboldt Broncos bus crash in 2018. As an athlete, Ryan wanted to be a professional hockey player. But after the crash, he had to adapt to a new athletic goal of becoming a Paralympic sledge hockey player while completely changing his lifestyle. We Were Broncos is about perseverance in life and adaptive sport. We Were Broncos is produced by Prairie Cat Productions (Humboldt: The New Season, Talent).

Returning Series

Returning series include Season 2 of Access Tech Live, Season 9 of Our Community, Season 3 of Disrupt, Season 3 of Healthy at Home, Season 5 of Dish with Mary, Season 4 of Mind Your Own Business, Season 6 of Postcards From… and a brand new All Access Comedy special.

All AMI-tv originals are available post-broadcast on demand at AMI+.

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Rogers inks blockbuster deals with NBCUniversal and Warner Bros. Discovery

From a media release:

Rogers Communications today announced blockbuster multi-year deals with NBCUniversal and Warner Bros. Discovery to bring the most watched lifestyle and entertainment content to Canadians on their platform of choice.

 “Rogers invests to bring Canadians the most coveted sports and entertainment,” said Colette Watson, President, Rogers Sports & Media. “We’re evolving our business to reflect where consumers are going, bringing the best mix of U.S. and Canadian content to audiences in the way they want to watch it. This investment also advances our position as a strong Canadian broadcaster that can compete with foreign streamers.”  

 Starting September 2024, the company is launching NBCUniversal’s Bravo channel in Canada and will become the English-language television content rights holder in Canada, featuring the best of unscripted programming, which will include new seasons of Bravo’s hit franchise series.

Starting January 2025, Rogers will be the home of Warner Bros. Discovery’s suite of English-language U.S. lifestyle and factual brands, including HGTV, The Food Network, and much more.

Rogers will work with Canadian distribution partners to make the content widely available, so viewers can continue to watch the programs they have come to know and love.  The content will also be available on Citytv+, complementing the award-winning lineup of programming from Citytv, OMNI, FX, and FXX.  

“We’re already home to Canada’s #1 sports network, and these partnerships solidify our leadership in entertainment with a diverse media portfolio of TV’s most iconic brands,” added Watson. 

The company’s investment in leading entertainment brands and content follows Rogers recent announcement with Comcast to bring the latest award-winning Xfinity products and technology to Canadians across the country. Its entertainment platform integrates live sports, entertainment and news, on-demand, and streaming apps into one, simple viewing experience so customers spend more time watching and less time searching with the award-winning voice remote and integrated interface. 

 With the new U.S. licensing deals, Rogers will increase its investment in original Canadian content and collaborate with Canadian independent producers. Over the last 10 years, Rogers has invested $6.9 billion in Canadian content, part of its commitment to bring Canadians the best content.  

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