Everything about Orphan Black, eh?

Review: Sister, Sister on Orphan Black

SPOILER ALERT: Please do not read on unless you’ve seen the Season 3, Episode 5 of Orphan Black, titled “Scarred By Many Past Frustrations.

Ah, Orphan Black was back to form this week.

As much as it pains me to point it out—because I’m an Alison fan to the core—you’ll note what storyline was missing from this episode: the Alison drug-dealing plot. In its absence, things sailed along, with even very disparate stories (Shay and Cosima’s blind date, Helena and Sarah planning an escape, Gracie bonding with Mrs. S. and Felix) blending together seamlessly.

While the dominant Sarah/Helena story was obviously the most gripping, the other two didn’t detract from the excitement. As lame as it was to see Mrs. S. dancing with a drunken Gracie (who was worse? Tough to tell.), there was at least a lighthearted humour to it. With the Alison subplot it’s almost too hard to suspend disbelief.

But I’m spending too much time talking about something that wasn’t even in the episode! I think I keep doing it because this week’s episode was so far superior to the preceding four that I can’t help but compare. Things moved. Things happened. So far this season I’ve been able to get up and make a sandwich during the show and I didn’t miss a thing.

Not so tonight, as I was completely gripped by Sarah and Helena reuniting, talking, and planning an escape. Remember, again, that this is the same actress playing both roles. It’s so easy to forget when you’re watching Maslany, especially as Helena. The way their scenes were shot was also something to behold: both clones with their backs against the wall speaking through a grate, the camera panning back and forth.

There is an irrefutable charisma to Helena, and I find myself practically thirsting for her to have more dialogue. Every utterance is either funny, charming or crazy (which can also sometimes be funny), and the added physicality (the hair. THE HAIR!) make her the best clone of the bunch, hands-down. When she screws over Sarah in the end, leaving her in the cell—I consider the move a just retribution—the slate is wiped clean. We know from the ending that Helena will be back, though, ready to rescue her sister. Here’s hoping she takes down the whole compound.

Things outside the Castor base are calmer, but not without their requisite drama. Gracie wants to break free from the Prolethians for good, and seeks to confirm that separation by drinking and dancing to bad pop music. For whatever reason, Felix and Mrs. S. nurture this plan, and keep feeding her booze. I couldn’t stop thinking, “This girl has just suffered a clone miscarriage, shouldn’t she be in bed?!”

In any event, things end badly when she’s on the floor writhing in pain, her eyes turned blood red. The escort who slept with Rudy and Seth reveals to Art that she also has red eyes. Seems the Castor boys are spreading something. Zombification? No, couldn’t be. Right? There should be some kind of unspoken law against zombies and clones in the same TV show.

Something’s up in the Cosima-Shay love story as well. Who was taking pictures of their date? Shay must be some sort of spy. Even though we know she has ulterior motives, the feeling between the two women was genuine, and the first-date awkwardness was pretty believable. Ksenia Solo (Lost Girl) takes a different turn as this character, and it’s refreshing. Master flirt, that Shay.

We see that Delphine is back next week, so it looks like we’ll have ourselves a love triangle. Also—Kira? What is she doing at the base? And Rachel looks back to normal. If the show stays on track, we could have a real gem coming up.

Clone of the Week: Helena. Scene-stealer.

Random Thoughts:

  • The set for the Castor base is pretty obviously a set. It looks very fake. It’s like at a Disney park when you approach a ride and they have those faux stone walls. You touch them and they’re styrofoam.
  • Shout-out to Halton Police!
  • Felix: “She doesn’t look like she’s ready for cult deprogramming.”
  • What a great opening scene with Pupok, the camera following the scorpion’s point of view to Sarah’s dangling hand.
  • Helena: “Yes, much shit.”
  • I can’t believe Felix hasn’t been given more to do. No love interest, no involvement in the craziness, just hanging out at home.
  • Helena: “Dirty Paul.”
  • Always remember to hoard small butter packets, kids. You never know when they’ll come in handy.

Orphan Black airs Saturdays at 9 p.m. ET on Space.

Link: Orphan Black’s Kathryn Alexandre and Nick Abraham have many hats to wear

From Tony Wong of the Toronto Star:

Orphan Black’s Kathryn Alexandre and Nick Abraham have many hats to wear
And normally, acting doubles don’t spark the kind of fervour with fandom that Abraham and Alexandre have. Or inspire the kind of demanding auditioning process. That’s because in one sense they are the coolest kids in the Orphan Black universe: They are the doubles of the doubles of Orphan Black. In the world of sci-fi fandom, or at least in some alternate reality, that should make them worthy of a spinoff show of their own. Continue reading.

Space Orders Season 4 of ORPHAN BLACK

From a media release:

Space has confirmed that it has ordered 10 additional, one-hour episodes of its critically-acclaimed clone conspiracy thriller ORPHAN BLACK. From  Temple Street Productions and produced in partnership with Space and BBC America, Season 4 of the Canadian original drama will see the return of phenomenal, award-winning Canadian actor, and Golden Globe®-nominee Tatiana Maslany (Woman In Gold, PARKS AND RECREATION), who has portrayed nine distinct clones to date. Production is set to begin this fall, in Toronto. The multi-channel Season 3 premiere of ORPHAN BLACK on Saturday, April 18 drew a combined audience of 697,000 viewers to Space, CTV, Bravo, and MTV, making it the most-watched episode of the series ever. All-new episodes of ORPHAN BLACK Season 3 air Saturdays at 9 p.m. ET on Space. The first two seasons are streaming now on CraveTVTM.

 

ORPHAN BLACK stars Canadian Screen Award winner and Golden Globe® nominee Tatiana Maslany, who to date has portrayed nine different characters (Sarah, Beth, Katja, Alison, Cosima, Helena, Rachel, Jennifer, and Tony). Season 3 features the incredible ensemble cast comprised of Jordan Gavaris (The Sea of Trees) as Felix, Sarah’s foster brother; Maria Doyle Kennedy (DOWNTON ABBEY) as Mrs. S, Sarah and Felix’s hard-nosed working class foster mother; Dylan Bruce (ARROW) as Paul, Beth’s boyfriend with a secret linked to his army days in Afghanistan, Kevin Hanchard (REPUBLIC OF DOYLE) as Art, a veteran detective; Skyler Wexler (Carrie) as Kira, Sarah’s seven-year-old daughter; and Michiel Huisman (GAME OF THRONES) as Cal Morrison, Sarah’s mysterious ex-boyfriend and Kira’s father. Season 3 also sees the return of Ari Millen as the recently revealed new Castor clones.

ORPHAN BLACK is executive produced by Ivan Schneeberg and David Fortier (BEING ERICA, X COMPANY), Graeme Manson (Cube, FLASHPOINT) and John Fawcett (SPARTACUS, Ginger Snaps). The series is co-created by Manson and Fawcett, with Manson also serving as writer and Fawcett as director. BBC Worldwide distributes the series internationally, reaching more than 170 countries.