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Steve Sxwithul’txw’s Tribal Police Files

I recently had the chance to catch up with producer and host of Tribal Police Files, Steve Sxwithul’txw. Debuting Friday, March 3, at 7:30 p.m. ET on APTN, the 13-part documentary series explores the challenges faced by officers serving on B.C.’s only tribal police force, in the Lillooet region.

We covered a lot of ground in this brief conversation!

What was your motivation for creating a program about this particular police service team? What do you hope viewers come away with when they watch Tribal Police Files?
Steve Sxwithul’txw: For me, the thought behind Tribal Police Files was brought about a number of years ago from my personal experience as a police officer for eight years in B.C., around four of them with Stl’atl’imx Police Services. I have heard other police services across the country say, ‘No, we are community policing; we are focused on the citizens,’ but really that is not the case. However, these officers in the Lillooet region, they demonstrate the way community policing should really be done. They perform their duties while being culturally sensitive, being very understanding, and being very upfront with the people they police. Most of the people they deal with on a regular basis are people they know on a first-name basis.

But the thing that I really wanted to highlight: that these officers are just regular people. These are everyday people that have a job to do but, as well, they protect the public they want to serve and I think people, in general, have to respect that. They keep people safe, they have families, they have people that love them that they go home to at night. As a viewer, you are going to get attached to these officers and their families because you can see how forthright they are and how honest they are. I think that is something a lot of people in that community and across Canada do not know about police officers in general; they are everyday people with everyday lives.

Is the Stl’atl’imx Tribal Police team unique from other self-administered policing programs across Canada?
This is an Indigenous Police Service that focuses on specific communities and specific land bases within the interior B.C. land region, so from that perspective yes for sure. The officers are provincial police officers and have powers throughout B.C., but they focus specifically on areas within the Stl’atl’imx Nation. Their style of policing—the way they deal with people—is much different than you would expect from big city police services across Canada and the RCMP. This is just a totally different approach. This is true community policing, which I think people will certainly appreciate when they start watching the show and start identifying with what the officers are trying to accomplish.

Foremost, they are trying to deal with people with respect and dignity, and they are dealing with people that they know. These officers are a part of the community, they are ingrained in community events, and they want to serve their people. That is a really important aspect that we want to highlight with the show.

I think the philosophy in Lillooet is the same with all other First Nations Police Services across Canada. One of the reasons this program came about is quite simple: the surrounding police services were out of touch with the people. They did not know them. The RCMP does not have a great reputation with First Nations across Canada. It never has. And that is one of the reasons I think that this type of policing strategy was developed in the 90s; so that First Nations could reach out and form their own service. This type of programming was seen as something that was culturally sensitive and something that was very responsive to the communities’ needs.

What do you hope other communities that are seeking to improve their own services take from the approaches adopted by the Stl’atl’imx Tribal Police Services?
I would encourage Chiefs and Councils in communities across Canada to think about this as a viable option. It is my understanding that the First Nations Policing Policy will be reviewed by the Trudeau government. Whether that comes true I don’t know, but it does need an update. It has needed an update for the past 15 years and it truly will affect whether people will stand behind First Nations policing. When an update occurs it will change the way you view police officers within your community. Sometimes [community policing] works, sometimes it doesn’t, but if you have a well-balanced board that is receptive to the needs of the officers, you are going to find that you are going to have a very, very successful police service if you decide to go down that road.

For those who watch who are not Indigenous, like myself, what do you hope we take away from Tribal Police Files if we choose to tune in? Why should we tune in?
It is important for the non-Indigenous audience to really try and make an effort to try and understand who we are as people. We are not all drunks, we are not people who have lower education standards, we are not people who continue to suffer in peril. We are people who are struggling to come through one the most tumultuous times in this country’s history. I am waving the flag of residential schools in terms of how it has affected our people in general. I mean, the Indian Act from there on has just turned our lives upside down and we continue to suffer from that.

I think where the non-Indigenous audience comes from is just not knowing the true history and not understanding where we come from. So for people who want to watch our show, yeah you will see some negative interactions with police. But you know what? You are going to see some culture, you are going to see some tradition and you are going to see some elders and you are going to see some youth. You will see a little bit of everything about a people who are trying to find their way in modern Canadian society and we use the police officers as a conduit to that. I think it is a real learning opportunity for our non-Indigenous audience to follow these officers, get to know them over the course of these 13 episodes, and then make your own decision, at the end of season, about what you really think policing is like on reserve.

 I was really struck from a philosophical position, this concept of Bridging. We hear Bridging and Reconciliation. These are the popular catchphrases, and yet as I watched this show, I was struck by the irony that these Indigenous officers are enforcing colonial policy and still approaching their duty, in a manner that is conducive to healing for the people within the communities.
That was something that I struggled with during my eight years as a police officer. You are using the laws of the land that were brought in by the colonial power. You are arresting people and taking people to jail. But in retrospect, ultimately, we are trying to keep people safe. We are trying to protect people on a regular basis so that they are not harming themselves, they are not harming others. And yes, that is right, it is a bridge to a modern-day society off the reserve that is something that our people still struggle with on a daily basis.

To be honest, this involves racism and stereotyping which is very much alive in today’s communities. So in a way, if this show bridges that a little bit, I hope so. And if it brings a broader understanding as to what police officers on reserve have to deal with daily, even better. I am hoping that people, both Indigenous and non-Indigenous will come along for the ride with us and feel like we are trying to make a difference in our communities with these police officers.

My thanks to Steve Sxwithul’txw for taking the time to speak with me!

Tribal Police Files debuts Friday, March 3, and can be seen Fridays at 7:30 p.m. ET on APTN.

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Makeful’s Home Chef to Pro Chef gives home cooks the chance to be chef for a day

From a media release:

So you think you could be a chef? Home Chef to Pro Chef, a brand new original Canadian series on Makeful —a lifestyle brand that celebrates the maker community and the creation of one-of- a-kind, handmade goods—is giving several passionate home cooks a once-in-a-lifetime chance to live up to the challenge. Premiering Monday, March 6 at 8:30 p.m. ET/PT, during a nationwide free preview, the 14-part, half-hour series pairs home cooks with restaurants that serve their favourite cuisines, ranging from Italian to Indian to French-bistro.

After a crash course on managing a professional kitchen from restaurateurs and head chefs, the aspiring amateurs are given a shot at running a full dinner service for real, paying customers, while their mentors watch from a monitor and offer advice remotely via a tablet. At the end of each episode, the rookie chef will be critiqued by the customers, who have been unaware of what has been going on behind the scenes. If the home cook’s dishes get a passing grade, their signature dish will be added to the restaurant’s menu.

Coinciding with the launch of the series, Makeful will also roll out Cook Like a Pro Chef, a series of one-minute digital videos offering valuable cooking tips from the professional chefs themselves. The eight videos each feature a different chef and offer up cooking advice that ranges from a fool-proof method of getting pizzeria-style pizza to marinating Atlantic Cod with maple and spruce leaves. The videos will be available on Makeful’s social media feeds, including Facebook and Twitter as well it’s YouTube channel.

Home Chef to Pro Chef is premiering during Makeful’s free preview event, which gives 10 million subscribers across Canada free access to the brand’s inspiring lineup of shows that bring to life creative ideas focused on food, design and style.

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CBC’s Firsthand searches for “The Missing Tourist”

I’ve spent time in Yellowknife. I was lucky enough to visit the city in 2010 during a press junket for Ice Pilots NWT. It was winter, and the city was a ruggedly beautiful place full of welcoming citizens happy to host folks from Ontario.

Yellowknife is the focal point of Thursday’s episode of CBC’s documentary series Firsthand, as “The Missing Tourist,” delves into the story of Japanese tourist Atsumi Yoshikubo, who disappeared in 2014. Award-winning producer, writer and director Geoff Morrison presents the facts surrounding the case, and they become more spooky, odd and downright strange as the hour unfolds.

It all begins very straightforward and factual: Yoshikubo, two days after arriving from Japan, entered a visitors’ centre and asked about aurora borealis tours. It being October, the high season for aurora watching is the winter, tours were closed. She then visited an art gallery and bought coffee mugs. It’s one thing to deliver the facts in a dry, journalistic way; it’s another to see security camera footage of Yoshikubo, decked out in a bright pink coat and white boots in the visitors’ centre and art gallery. It adds a personal connection for the viewer. That makes it all the more stark and heartbreaking when it’s revealed that, five days later, Yoshikubo walked out of town and disappeared.

People saw her on Old Airport Road that final day, walking alone and towards the city dump, but thought nothing of it. After all, the 45-year-old had a camera and was dressed for the weather. Search and rescue took on the case, using a helicopter, while citizens from the city of just over 20,000 chipped in to help.

The fascination with true crime and missing person cases has never waned—there is a proliferation of podcasts on both subjects—and “The Missing Tourist” is an addictive watch. You can’t help but wonder, as TV news presenters, crime reporters and witnesses weigh in, what happened to Yoshikubo. Was she kidnapped? Did she slip and fall somewhere in the woods? Was she killed by a bear?

The documentary doesn’t just cover the case in Yellowknife, but jets to her home—a small prefecture in Southern Japan—to do more investigating and spotlight how big the story became there. Why would a Japanese tourist not only travel on her own to Yellowknife (most do it as part of a travel group) but in the off-season. Was she fleeing someone or something by coming to Canada? Was she looking for a new start?

By the end of the hour, the answers are given. And the journey to get there is dramatic and very well done.

Firsthand airs Thursdays at 9 p.m. on CBC.

Image courtesy of Catherine Lutes.

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Production underway on Season 2 of Discovery’s original Canadian series Heavy Rescue: 401

From a media release:

Discovery today announced production is underway on a second season of its new, smash hit original Canadian series, HEAVY RESCUE: 401. With the Season 1 finale scheduled to premiere tomorrow night (Feb. 28) at 10 p.m. ET on Discovery, the network has confirmed 10 brand new episodes are already in production for broadcast in early 2018.

Debuting last month to a premiere episode audience of more than 760,000 total viewers, HEAVY RESCUE: 401 became the most-watched premiere in the network’s 22-year history. In all, nearly 3.5 million unique viewers – or one in 10 Canadians – tuned in to the first episode. To date, the series has an average audience of 627,000 viewers in its premiere timeslot.

Produced by Thunderbird Entertainment’s factual arm and the creators of Discovery’s HIGHWAY THRU HELL, Great Pacific Media, HEAVY RESCUE: 401 follows multiple major tow operators, rescue, and maintenance crews day and night along North America’s most intense stretch of highway, Highway 401. With the support of the Ontario Provincial Police (OPP), the Ministry of Transportation of Ontario, York Regional Police, maintenance contractors, and several other organizations, the series features the men and women who keep Ontario’s 400-series highways operating at any cost.

More than 300 people work on the production of HEAVY RESCUE: 401. The series is made possible with the support of the Ontario government’s film tax credit program, and the Canada Media Fund.

HEAVY RESCUE: 401 is produced by Great Pacific Media (a Thunderbird Company) in association with Discovery. Executive Producer is Mark Miller and Blair Reekie. The series producer is Todd Serotiuk.

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