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TV,eh? What's up in Canadian television

Northwood Entertainment embarks on worldwide search for CBC’s Anne

From a media release:

Northwood Entertainment has begun a worldwide search to find its leading actress for the title role in the new, ongoing television series “ANNE.” Based on Lucy Maud Montgomery’s timeless classic novel Anne of Green Gables, Northwood recently announced that CBC greenlit “ANNE” with a Season One commitment of eight episodes of the adaptation. Production begins summer 2016.

The adaptation is being written solely by Emmy-award winning writer Moira Walley-Beckett (BREAKING BAD, FLESH AND BONE) who will Executive Produce with Miranda de Pencier (BEGINNERS) of Northwood Entertainment.

The professional search is underway for the casting of “ANNE” with auditions in Canada, the U.S. and Europe by award-winning casting agents Susie Figgis (HARRY POTTER AND THE SORCERER’S STONE, ALICE IN WONDERLAND), Bernard Telsey & Co. (HAMILTON, INTO THE WOODS, GREASE LIVE!) and Stephanie Gorin (FARGO TV SERIES, DEGRASSI: THE NEXT GENERATION).

Beginning May 7 through to May 30, the “The Anne Search” will travel across Canada conducting open casting calls in Toronto (May 7th and May 8th), Vancouver (May 14th and May 15th), Charlottetown (May 28th), and Halifax (May 29th and May 30th).

Anyone can be ANNE! If you’re an 11-14 year old girl simply SIGN UP or SHOW UP! For those enthusiasts who may want to audition and do not have a talent agent or don’t live in the cities holding open casting calls, Northwood Entertainment has created a website to upload auditions to.

Starting today, fans can go to for more information on the new series, how to submit an audition and more information on Canada’s open casting calls.

While the new series will follow a similar storyline to the book, set in 1900’s PEI, that millions of readers around the world know and love, ANNE will also chart new territory. Anne and the rest of the characters will experience new adventures reflecting timeless issues including themes of identity, sexism, bullying, prejudice, and trusting one’s self.


Slasher’s latest suspect/victim: Christopher Jacot’s Robin Turner

Robin Turner has been through a lot on Slasher. First, The Executioner chased him down Waterbury’s darkened streets and slashed his arms open. Then the serial killer murdered Robin’s husband, Justin, via poisoning—after first sending flowers to the bedridden Robin. But as Christopher Jacot—the man behind Robin—says, if it wasn’t for great writing, we wouldn’t care about him, or any other characters, in the first place.

In our fourth instalment, we spoke to Jacot about what makes for a good horror script and his extensive work as a voice actor.

You’ve been in some pretty interesting and diverse projects. Eureka, Degrassi, Murdoch Mysteries, Rogue and a bunch of voice work as well like Beyblade.
Christopher Jacot: I have. I’ve also done Johnny Storm in Fantastic Four: World’s Greatest Heroes.

Do you like doing voice work?
I do, it’s interesting. It’s not something I wanted to do, necessarily, it just sort of happened. I think they were looking for voice actors to kind of expand the group because at the time it was pretty small. That said, I do it, but I’m still not in that voice group. It’s a lot tougher to do than you think it would be. I remember that Marvel would be on the line while I was recording Johnny Storm and the script would say, ‘throw a fireball seven feet,’ and I would be like, ‘Unnhh!’ And they would say, ‘Um, no, that sounded like four feet.’ And then I’d go, ‘Unnnhhh!!’ and they’d say it sounded like 10 feet. And that’s why I think the community is so small; it’s crazy what you have to be able to do and the actions you have to create with your voice.

When you see footage of a voice actor working, their whole body is into it.
You are doing everything possible in the room … but trying to keep your head close to the microphone.

Let’s talk about your Slasher character, Robin. Tell me about him.
Robin and his husband, Justin, are the two entrepreneurs of the town. They’re adding the urban element to Waterbury. Justin has bought up a lot of the property, so we kind of own a lot of the town. That has a positive and negative effect. We’re generally accepted by the town, but there is another side; the side of ignorance. I’m the real estate agent who comes in and sets Sarah up with the gallery, and we become really close. We develop a nice bond and become the only people that we can trust.

The show in constantly moving and changing based on who dies, who is the potential murderer and who is in prison for it. The victims, the suspects, it’s a constant circle of moving chairs.

As an actor, you know who the killer is. Does who it is make sense?
I was surprised, but it totally makes sense. I telling Aaron when I was first cast, ‘It’s awesome to read something that’s essentially an eight episode novel.’ It’s cool to go from beginning to end and really sort of binge-read a show. The minute you suspect someone, it changes, and you have no clue what to expect.

It must be nice to be on a show that keeps the viewer thinking. It’s easy to fall into horror tropes.
You can have the archetype of the quintessential horror films—and if you look at them they all follow in some regard—but what makes it good is how fleshed-out the character are. How much we invest in them and that’s what I think is wonderful about what Aaron wrote. He really got into the complexities of a character. Robin, as much as he presents himself as having a flair for the dramatic in the beginning, really ends up diving into so many different emotional landscapes. Therefore, the audience becomes emotionally invested in the story and what happens to people.

Shitty things are going to happen to people.

Slasher airs Fridays at 9 p.m. ET on Super Channel.

TV Eh B Cs podcast 46 – Glenn Cockburn: Behind the Screens at the TSC

TSC_GlennAlong with the rest of the Meridian Artists team, Glenn currently represents a select roster of some of Canada’s most talented writers, directors and producers.

Glenn’s career started in 1996 when he began working as script reader for New Line Cinema and Innovative Artists Agency. From 1997 through 1999, Glenn worked as a Creative Executive at Templeton Production’s first look deal with New Line Cinema. In 1999, Glenn returned to Toronto and joined The Characters Talent Agency where he ran the Packaging Department.

Glenn also acted as Executive Producer on the feature film, YOUNG PEOPLE FUCKING, which premiered at the Toronto International Film Festival in 2007 and became one of the most successful and highest grossing Canadian comedies of all time.

Glenn’s other professional activities include teaching the course, The Business of Film and Television, at Sheridan College as well as being a board member for the Humber Comedy program.

Glenn has a B.F.A. Honours in Film and Television Production, from York University and a M.B.A. from the Ivey School of Business.Glenn is also the founder of the Toronto Screenwriting Conference.

The Toronto Screenwriting Conference runs Saturday, April 30 and Sunday, May 1 at the Metro Toronto Conference Centre. To register, find a schedule explore hotel and food options and more, visit the website.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.



New original drama Private Eyes starring Jason Priestley premieres May 26 on Global

From a media release:

There’s a new P.I. duo heating up Global’s summer schedule as Jason Priestley (Call Me Fitz, Beverly Hills, 90210)) returns to Global, alongside Canadian actress Cindy Sampson (Supernatural), in the original crime-solving series Private Eyes (formerly The Code) premiering Thursday, May 26 at 9 pm ET/PT. From global studio Entertainment One Television (eOne), the 10-episode procedural drama which is filmed and set in Toronto follows ex-pro hockey player Matt Shade (Priestley) who irrevocably changes his life when he decides to team up with fierce P.I. Angie Everett (Sampson) to form an unlikely investigative powerhouse.

Shade sees working with Angie as an opportunity to redeem himself from his checkered past. On the ice, he learned how to hustle, read people and anticipate their moves. Working with Angie, Shade discovers a fantastic rush of adrenaline, and realizes that he’s found a new home where his skills still matter. Meanwhile, Angie took over her father’s agency after his death and strives to keep his legacy alive. Each case is an opportunity for her to test her smarts, strength, and strategic thinking. Angie may find Shade naïve in the way that he sees the world, but his passion and heart bring something special to her one-woman business.

The premiere episode begins in the fast-paced and cutthroat world of professional sports, where hockey scout Matt Shade’s top pick, Cory Sinclair, goes down on the ice at the Intercontinental Professional Hockey League try-outs. Surrounded by suspicious circumstances, Shade begrudgingly teams up with private investigator Angie Everett to find out who sabotaged his young player. Through their new partnership, Shade is forced to examine who he has become and who he wants to be. Ongoing episodes find Shade and Angie investigating high-stakes crimes in the worlds of horse racing, fine dining, Toronto’s vibrant hip-hop scene, scandalous literature, magic clubs, and more.

Additional cast in the series includes Barry Flatman (Fargo, Defiance) as Shade’s father Don – the ultimate blue-collar hockey dad; Jordyn Negri (Warehouse 13Dino Dan) as Shade’s 14-year-old visually impaired daughter Jules, who is wise beyond her years but yearns to fit in; Clé Bennett (Rookie BlueBarney’s Version) as Detective Derek Nolan – a by-the-book cop who thinks P.I.s get in the way of his own police work; and Ennis Esmer (The Listener) as Detective Kurtis Mazhari – a good guy cop who is also a bit of a player, who helps Angie with cases because he sees P.I.s as useful to the force.

The series also features various guest stars including PokerStars Team Pro Daniel Negreanu, four-time JUNO Award-winning rapper, record producer, and record executive Kardinal Offishall, hockey legend Doug Gilmour who makes a cameo appearance in the first episode, former WWE superstar, “Edge” Adam Copeland, and more.

Private Eyes is executive produced by John Morayniss, Rachel Fulford and Tecca Crosby for eOne and Shawn Piller and Lloyd Segan for Piller Segan together with Shelley Eriksen, Alan McCullough, Tassie Cameron, Kelly Makin, and Jason Priestley. It was created by Tim Kilby and Shelley Eriksen. Showrunners/writers are Shelley Eriksen (Continuum, Flashpoint) and Alan McCullough (Rookie Blue, Reign). Directors for this season are Kelly Makin, Anne Wheeler, Shawn Piller, Charles Officer, Rob Lieberman, Jerry Ciccoritti and James Genn. It is inspired by the novel “The Code” by GB Joyce.

Remedy’s Sara Canning guests on Motive

It’s hard to believe Motive‘s final ride is almost over. Yet Tuesday’s new instalment, “Interference,” represents Episode 6 out of 13. It’s been a pretty wild ride so far, with the stops pulled out on stories and great work done by the regular cast and guests appearing. Tonight’s episode is no different; read on for some non-spoiler teases.

Sara Canning alert!
Fans of the cancelled-way-too-soon Remedy get their fix of Sara Canning, who guest-stars as Tracy, a suburban mom who is dispatched in a most memorable—and gruesome—way. She’s not your typical victim either….


Walking Dead guest star alert!
I was wracking my brain trying to figure out where I’d seen Alicia Witt recently when it dawned on me: she played Paula on The Walking Dead. Anyway, she’s Cindy, tagged as the murderer in “Interference,” and her story takes a turn involving Tracy’s son, Owen. Witt brings a lot of humanity to Cindy and by the time you learn her backstory, you can’t help but feel badly for her.

Lucas goes over a line
Good guy Lucas is always by the book—he even ended a budding relationship because the woman was a murder witness—and he definitely crosses a line on Tuesday. His heart is in the right place, but it’s the wrong move nonetheless.

Mazur confides in Angie
Something has been going on with Paula Mazur for the past couple of weeks—whispered phone calls and rushing to change the subject—but all becomes clear … and complicates matters for everyone.

Shout out to Vij’s
There is a nice mention of Vikram Vij’s iconic Vancouver restaurant. Now I want to have dinner there. Or at the very least the bacon doughnut Angie was eating.

Motive airs Tuesdays at 10 p.m. ET on CTV.