Tag Archives: Anne with an E

Banff 2018: Anne with an E’s Moira Walley-Beckett and New Metric Media among Rockie Gala Award winners

Anne with an E showrunner Moira Walley-Beckett, Letterkenny and Bad Blood production company New Metric Media, and veteran producer Sheila Hockin were among the Canadians feted during the Rockie Awards gala on Tuesday night at the Banff World Media Festival.

Hosted by Tony Award-winning actress and singer Kristin Chenoweth—who began the show by munching ketchup potato chips and Timbits and closed with a stirring rendition of “The Prayer”—the evening also saluted Canadians who’ve made good in Hollywood. Jeremy Podeswa captured the Award of Excellence for his body of work as a director of such programs as Game of Thrones, Queer as Folk, The Tudors and The Pacific. David Shore was on hand to accept The Hollywood Reporter Impact Award for his hit medical drama The Good Doctor.

“Support is at the heart of innovation,” Mark Montefiore, New Metric Media’s president and executive producer of Letterkenny, Bad Blood and What Would Sal Do?, said upon receiving the Innovative Producer Award. “One can dream big all day long, but without the support of countless people, those ideas would simply remain as big dreams and not realities.”

Hockin was given the Canadian Award of Distinction for producing such shows as Vikings, The Handmaid’s Tale, Penny Dreadful, The Borgias, The Tudors, Canada’s Next Top Model and Queer as Folk.

Walley-Beckett accepted the Showrunner of the Year Award for her work on Anne with an E, set to return for Season 2 on Netflix next month and CBC in September.

“[Showrunning] is like conducting a full orchestra to play a symphony that you composed,” she said on-stage. “At the end of every season, I celebrate that I’ve lived to tell the tale. I love my work. Sleep is overrated. So is sanity.”

Here is the complete list of winners:

AWARD OF EXCELLENCE
Jeremy Podeswa

INNOVATIVE PRODUCER AWARD
New Metric Media

THE HOLLYWOOD REPORTER IMPACT AWARD
The Good Doctor

A&E INCLUSION AWARD
Elizabeth Vargas

CANADIAN AWARD OF DISTINCTION
Sheila Hockin

SHOWRUNNER OF THE YEAR
Moira Walley-Beckett

PROGRAM OF THE YEAR
This Is Us

SIR PETER USTINOV COMEDY AWARD
Sean Hayes

COMPANY OF DISTINCTION
NBCUniversal

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Season 2 of Anne with an E gets September return date on CBC

It’s the news many of us have been waiting for. Season 2 of Anne with an E will return to CBC this fall. Sunday, Sept. 23, at 7 p.m., to be precise Plus, two brand-new, exclusive images have been released as well as the trailer.

As per the CBC:

Inspired by the timeless Canadian novel ”Anne of Green Gables” by Lucy Maud Montgomery, the second season continues to chart bold new territory, adding new characters and storylines while further exploring themes of identity, prejudice, feminism, bullying, gender parity and empowerment through the lens of its fierce, starry-eyed, irrepressible 14-year-old protagonist.

A coming-of-age story, reimagined by creator Moira Walley-Beckett, Anne with an E stars returning fan favorites Amybeth McNulty (Anne Shirley-Cuthbert), Geraldine James (Marilla Cuthbert), R.H. Thomson (Matthew Cuthbert), Corrine Koslo (Rachel Lynde), Dalila Bela (Diana Barry), Aymeric Jett Montaz (Jerry Baynard), Lucas Zumann (Gilbert Blythe) and Kyla Matthews (Ruby Gillis). This season introduces audiences to new characters including Dalmar Abuzeid (Sebastian Lacroix) and Cory Grüter-Andrew (Cole MacKenzie) conceived by Moira Walley-Beckett and an all-female writers’ room.

A CBC and Netflix original series, Anne with an E is produced by Northwood Entertainment and created by Moira Walley-Beckett. The executive producers are Miranda de Pencier, Moira Walley-Beckett, Debra Hayward, Alison Owen and Ken Girotti. John Calvert serves as producer.

Are you excited for Season 2 of Anne with an E? Let me know below!

Images courtesy of Chris Reardon for CBC.

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Links: Anne with an E

From Sarah Larson of The New Yorker:

Link: How not to adapt Anne of Green Gables
So we see flashbacks to Anne’s life with an abusive family and in the orphanage—another fine idea in principle. In one flashback, vicious girls, spitting threats and insults, taunt Anne with a dead mouse in a grimy alcove; afterward, she comforts herself by stroking its fur sorrowfully. When we cut back to the present, she says, in a hollow tone, “I’ll be as quiet as a mouse,” as dead-eyed as the twins in “The Shining.” We should empathize here, but we’re too busy seething. Continue reading.

From Joanna Robinson of Vanity Fair:

Link: Anne of Green Gables: Netflix’s bleak adaptation gets it all so terribly wrong
Still, none of the many, many other Anne adaptations stray so disastrously far from the spirit of Montgomery’s original books—and the result is a gloomy series with grim, life-or-death stakes draped over the bones of something beloved, warm-hearted, and familiar. The milestones are still there—currant wine, broken slates, puffed sleeves—but seen through a glass darkly. Brave as the concept may be, it falls flat—and feels particularly unwelcome in an already grim 2017. Continue reading.

From Marissa Martinelli of Slate.com:

Link: Netflix’s dark, gritty reboot of Anne of Green Gables has all the subtlety of a chalkboard smashed over your head
The show’s lack of nuance is especially evident while trying to assert its modern sensibilities. Walley-Beckett’s adaptation of Anne is so worried about announcing itself as feminist that it forgets that its source material already was. Continue reading.

From Sophie Gilbert of The Atlantic:

Link: Anne with an E is the best kind of adaptation
So Anne With an E, created by Moira Walley-Beckett, a longtime writer and producer on Breaking Bad, isn’t exactly inventing darkness for the story so much as reading between the lines. It’s Anne of Green Gables for 21st-century audiences, who are perhaps more sympathetic to the idea that children can suffer. That’s not to say darkness defines the show. Anne With an E captures the winning exuberance of Anne Shirley—who, played by AmyBeth McNulty, is entirely irresistible—while finding some deeper potency in her story. The first two episodes offer a gripping and moving setup for the rest of the season, portraying how Anne, despite improbable odds, persuades the elderly Cuthberts to love her. Continue reading.

From Jen Chaney of The Vulture:

Link: Anne of Green Gables fans, you will love Netflix’s Anne with an E
Lifelong fans of the Anne of Green Gables series should find much to admire here, but the newly initiated will be just as easily drawn into the town of Avonlea, where Anne and the Cuthberts live, and enchanted by the open-hearted wonder with which Anne greets the world and spins her creative yarns. Continue reading.

From Lorraine Ali of the L.A. Times:

Link: Netflix moves to Green Gables with scrappy, irresistible Anne with an E 
If only television treated all its teenage girls with the same respect “Anne with an E” affords its whip-smart, scrappy protagonist. Continue reading.

From Allison Keene of Collider:

Link: Netflix’s Green Gables adaptation has grit
Once Anne arrives at Green Gables, it’s a spiritual transformation. She is given hope and new focus on fulfilling her dreams of friendship, education, and both familial and romantic love.  Continue reading.

From Mark Dawidziak of Cleveland.com:

Link: Anne with an E pursues a darker shade of Green Gables
While remaining true to the spirit of Anne and the book, this Netflix series reminds us that Montgomery wrote her novel for all ages. She did not consider it just a children’s book. And it wasn’t designated a children’s book until many decades after its publication. Continue reading.

From Gwen Ihnat of The AV Club:

Link: Anne with an E offers a winning, darker take on a familiar tale
Amybeth McNulty defies her youth with a performance that’s less a portrayal of Anne than an absolute possession. It can’t be easy to make Anne’s fanciful language sing the way she does, and McNulty captures the endearing awkwardness that enables Anne to win over everyone she comes in contact with. Continue reading.

 

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