Tag Archives: Crash Gallery

Link: CBC’s Vancouver-shot Crash Gallery returns with fun and facts from the world of visual art

From Craig Takeuchi of The Georgia Straight:

Link: CBC’s Vancouver-shot Crash Gallery returns with fun and facts from the world of visual art
What does trying to paint on a canvas suspended above you while being rotated in a circle sound like to you?

Bizarre? Intriguing? Fun? All of the above?

If you answered yes to any of those questions, you’ll probably want to check out CBC’s Crash Gallery, back for a second season on CBC. Continue reading.

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Crash Gallery returns for a colourful, chaotic second season

Crash Gallery host Sean O’Neill has a few modest goals for the visual art competition series, which is heading into Season 2 tonight on CBC. “I do think art can transform lives, I do think art can help build a more compassionate, empathetic, humane society. And it’s also fun. It feels good.”

He has hopes the accessible, high-energy show—airing on primetime on the public broadcaster—can act as a gateway drug to a type of art that doesn’t often benefit from the pop culture embrace given to music or movies, for example.

“It’s really about having fun with art. It’s not about creating masterpieces. It’s not a 30-minute art history lesson,” said the host, whose day job is an associate director with the Art Gallery of Ontario, where, like other art museums, he and his colleagues have had plenty of conversations about how to bring visual art to a broader audience.

The five episodes of Season 2 were shot one a day in Vancouver, where media were invited to participate in a challenge the contestants had also tackled. Lying face up on a rotating platform, a canvas above us, covered in disposable overalls, we began to paint … and attempt to avoid the inevitable splatters. (My hairdresser a few days later: “Were you painting something red?”)

After our time was up, the judges asked us what our vision was for the painting. Me: “To not get paint in my mouth, oh and the colours and motion of nature.” They then offered their very kind, you’re-not-professional-artists critique which nonetheless had me puffed up for weeks when they compared it to a famous (to people more in the know than me) painting by abstract impressionist Joan Mitchell.

You be the judge: an original Wild on the left, Mitchell on the right.

The judges and critiques are new this season, bringing more depth to the conversation around the art without veering into an “eat your vegetables” art history lesson. Also new is that the show flew in artists from around the country rather than sticking with the Vancouver-area base of Season 1. The colourful, frenetic energy remains, helped by the new set that is more gallery, less warehouse.

“I think people are curious about art,” said O’Neill. “I hope people watch the show and the world of visual arts seems a little less intimidating. I hope they think, hey, I can pick up a sketch book, or take an art class, bring my grandchildren to an art museum, or go with friends to one of the late night parties most of the museums are throwing. I hope it helps break down barriers between people and the visual arts. It’s a show for people who are curious.”

Crash Gallery airs Sundays at 9:30 p.m. on CBC.

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TV Eh B Cs podcast 59 — Crashing into Brent Haynes

Brent Haynes continues to foolishly pursue a career in television. He currently serves as president & executive producer of Picture Arcade where he created the CBC series Crash Gallery.

Season 2 of Crash Gallery returns Sunday, Feb. 5, at 9:30 p.m. on CBC.

Brent made the leap to producing after spending 19 years as a broadcaster. Previously, he was senior vice-president of Comedy & Animation at MTV in New York for five years where he managed a full development slate and oversaw production for close to 20 series including World of Jenks, Nikki & Sara Live and Silent Library. Brent’s MTV portfolio included scripted comedy, animation, unscripted and documentary.

Before making the move to New York, Brent spent 11 years with The Comedy Network in Canada where he helped launch the channel before ultimately becoming vice-president of programming in charge of the development, acquisition and scheduling teams. He was responsible for developing the smash hit Corner Gas and served as an executive on the show for five seasons.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

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CBC’s Crash Gallery Season 2 casting now open

From a media release:

CASTING CALL: We are looking for creative, confident, energetic artists looking to showcase their skills and talent on national TV!

Lark Productions is now casting Canadian artists for Season 2 for the groundbreaking CBC series – Crash Gallery.

We are looking for artists from a wide variety of mediums from painters, sculptors and mixed media artists to tattoo, graffiti, carving, street art, animators, illustrators, all creative mediums apply.

We want to hear from you if:

• You want an opportunity to showcase your talent on a televised, national stage
• You have advanced art skills (the ability to draw & sketch is a must)
• You are enthusiastic to take on an art challenge both within & outside your specialized medium
• You are comfortable on camera and have an outgoing personality
• You aren’t afraid to get a little competitive!

Casting is currently open, so apply today!

Please send your name, photo, artists bio, contact information and 2-3 photo samples of your artistic work to casting@larkproductions.ca. Please include links to any relevant pages or media articles.

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Crash Gallery kicks off CBC’s evocative, inventive arts brand

One of the most interesting segments of CBC’s spring upfront announcement was the network’s return to spotlighting the arts. What began earlier this month with televised HD performances of The Stratford Festival’s King Lear, Antony and Cleopatra and King John continues in October with the high-intensity Crash Gallery, evocative Exhibitionists and, in November, the inventive Interrupt This Program.

The trio of televised entries—along with online series in The Collective, Canada in the Frame and The Re-Education of Eddy Rogo—represent a re-focussing on something the CBC was known for years ago, but had dropped from schedules because of eroding ratings. Viewers’ tastes were changing, and a one-shot aimed at a ballet dancer on-stage just wasn’t cutting it. Those cyclical tastes have evolved yet again, and CBC is jumping in with both feet.

“As niche broadcasting has grown and as more arts online have exploded, it’s a natural place for us to come back,” says Grazyna Krupa, executive in charge of programming, Arts, CBC Television. “It makes complete sense for us to say, ‘Let’s figure out what works on television and expand what we do online as well. Let’s experiment a little bit and explore how audiences celebrate art in a new way.'”

That all begins Friday with Crash Gallery, a unique twist on the competition reality series. Shot in Vancouver and hosted Sean O’Neill, the Art Gallery of Ontario’s associate director of adult programming and partnerships, Crash Gallery pits three homegrown artists from diverse backgrounds in 30-minute head-to-head competitions. Their task? Create fresh art based on a theme in front of a live audience who vote their favourite work onto the next round. Friday’s debut pits puppeteer Jeny, illustrator (and past Top Chef Canada finalist) Pierre and painter Leilani, who—in the first round—are tasked with creating the theme of love onto a large canvas using paint-filled toy water pistols. After one artist is eliminated, the final two battle for supremacy by crafting a sculpture constructed of glow sticks.

Crash Gallery felt fresh and new, and it’s immersive,” Krupa says. “We found we enjoyed being drawn into it like our children with Art Attack. The Crash Gallery artists get this immediate good vibe from the crowd. It’s more like an experience than a reality show. You’re not going to walk away from this psychologically damaged.”

Exhibitionists

Exhibitionists—hosted by artist, educator, actor and playwright Amanda Parris—consists of segments that currently exist on CBC.ca and introduces viewers to emerging and established Canadian artists from across the country and what they’re up to. Grupa says anything is game, from GIFs to Stephen Dunn, whose Closet Monster won Best Canadian Feature Film at this year’s Toronto International Film Festival.

World art is brought to Canada via Interrupt This Program, which Krupa describes as having an Anthony Bourdain’s Parts Unknown feel in telling the stories of street, spoken word, writers and performance art in such cities as Beirut, Athens, Port-au-Prince and Kiev.

Krupa isn’t peering at this plan through rose-coloured glasses, acknowledging that—like anything else on television—ratings will be the final word on this programming stream. The Canadian arts community is excited for the opportunity to be showcased by the public broadcaster, especially less-celebrated works by costume designers, architects and set designers beyond the traditional art categories.

“I want viewers to feel odd, amazed, proud and engaged,” Krupa says. “I want them to get something out if each program, whether it’s knowledge of art or a sense of adventure, and a celebration. These are, for the most part, joyous programs that lift your spirit and that’s what the arts do.”

Crash Gallery airs Fridays at 8:30 p.m., Exhibitionists airs Sundays at 4:30 p.m., and Interrupt This Program airs Fridays at 8:30 p.m. (beginning Nov. 6) on CBC.

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