Tag Archives: Kim’s Convenience

Writing an episode of Kim’s Convenience at the TSC

Hey CBC, you can go ahead and greenlight Season 3 of Kim’s Convenience because the folks in the WGC Writers Room Intensive at the Toronto Screenwriting Conference have got you covered.

Storylines featuring a pregnant Janet, a shirtless Jung, Nuit Blanche, speed dating, Feng Shui and, yes, more shirtless Jung, were outlined during an eight-hour session at Entertainment One’s downtown Toronto offices. Writers Amy Cole, Derek Robertson, Elize Morgan, Gillian Muller, Jennifer Siddle, Lisa Rose Snow, Marcia Johnson and Richard Clark were chosen to participate in the Writers Room Intensive and, led by Kim’s Convenience co-creators Kevin White and Ins Choi, broke ideas for a mock midseason episode of the hit CBC comedy.

Two groups of four, with White and Choi as the leaders on each—as they do when working on Kim’s Convenience—went off and brainstormed ideas for scenes. Nothing was ignored, but everything was analyzed in detail, plot holes plugged and then written down on sticky notes. Then the two groups assembled and the culling began. White, aiming for a “typical” episode of Kim’s, nixed a plethora of possible threads until two remained and two groups of four separated to beat out the scenes. It was fascinating not only to see how Choi and White

It was fascinating to see how Choi and White strip away ideas to figure out what would work and what wouldn’t. An added bonus? The pair taking threads, verbally running through them with the group and then with each other. There was a lot of laughing, especially when Choi adopted Appa Kim or Kimchee’s persona to recite dialogue.

What did the group settle on, and what story beats were nailed down? Make sure you attend In the Writing Room with Kim’s Convenience, taking place on Saturday, April 22, at 2:30 p.m. ET in the John Bassett Theatre at the Toronto Screenwriting Conference.


Kevin White previews this year’s Writing Room Intensive at the TSC

This year’s WGC Writing Room Intensive at the Toronto Screenwriting Conference is notable for a couple of reasons. For one, it’s the first time the TSC’s Intensive is focusing on comedy writing. And secondly, the Intensive is being run by Kevin White and Ins Choi, the co-creators of CBC’s hit comedy Kim’s Convenience, giving the participants the opportunity to write a mock episode of the series which is, coincidentally, prepping for Season 2 on CBC.

On Thursday, Amy Cole, Derek Robertson, Elize Morgan, Gillian Muller, Jennifer Siddle, Lisa Rose Snow, Marcia Johnson and Richard Clark will join White, Choi and myself for six-hour session (there will be snacks, just like a real writer’s room). What can these lucky eight expect from the session? We got Kevin White to tease what’s in store. And check back on Friday to read my recap of the session; I’ll be moderating a panel discussing the group’s experiences on Saturday, April 22, at the Toronto Screenwriting Conference.

First off, what interested you about participating in the Writing Room Intensive this year?
Kevin White: It’s hard to get experience making stuff and doing stuff. I feel like anytime you can share that with people, with the hopes that people can learn and get better at the craft [is good]. And, hopefully, we learn something too and get a chance to meet emerging or young writers. That’s what was in it for us. If anyone can take anything away from the way we write the show, all the better.

What are you hoping they walk away with?
I don’t really know how other writer’s room are run. I’ve been in other people’s rooms as a writer for hire, so I have some sense of that. I’ve adapted a lot of things over the years as to how we approach breaking story and writing scripts collectively, so I hope some of that might be informative and helpful to people who have had less time in rooms. From a selfish point of view, it’s always nice to meet writers you haven’t worked with before and have a chance to see what their ideas are about, how they think and their point of view. I think it will be exciting for us to have eight fresh eyes on the material and really hear what it’s like for someone who hasn’t had any previous experience or exposure to the behind-the-scenes of our show freshen our outlook as well.

Will you be setting up the Intensive like you do it on Kim’s Convenience?
We’re going to try. Obviously, we have part of the morning finding out who everyone is. Then we’ll share ideas.

What can you say about the breakout sessions you have planned?
We have seven writers in the room on Kim’s Convenience now. With a number like that, we often work in different side group configurations. I hope we’ll have time to break up how we do it a little bit. Ins will have half the room, I will have half the room and we’ll be able to work in two smaller groups and report back to the bigger group. We want to be able to work with as many people as possible and meet with as many people as possible.

People will, presumably, be coming to the table with ideas. We need to hear those ideas and ruminate on them on them in the smaller groups. We’ll boil down to the ones that seem to have the most promise and then get back together and have feedback as the groups present their strongest ideas. They may be big stories and they may be small stories. Then, once we land on the stories we like the most and can sort of fit together, then we can figure out what will be the main story and what will be the other story. There might even be a third story. Then we’ll probably break off again into groups and beat those out.

Are you expecting to have an episode outline completed by the end of the day?
[Laughs.] I don’t know! I’m sure we can cobble together something. You can always make something because of time constraints because day’s end is coming. But, yes, I think we’ll be able to cobble together the bones of an episode and try to come up with what those 18 or 20 scenes could be for this typical Kim’s Convenience episode.

The Toronto Screenwriting Conference runs April 22-23, 2017. Get the latest information—including events and how to register—on the official website.


Link: Canadian Asian actor Simu Liu is all talent with a side of eye candy

From Erin Chew of YOMYOMF:

Link: Canadian Asian actor Simu Liu is all talent with a side of eye candy
“Before I got into acting I did what any stereotypical Chinese son would do – I became an accountant, even though I have always wanted to try acting. At the time I was laid off and unemployed and thought it was either now or never with regards to trying acting.” Continue reading. 


Kim’s Convenience toplines ACTRA Toronto Award winners

From a media release:

ACTRA Toronto is proud to announce the winners of its 15th Annual ACTRA Awards in Toronto.

Outstanding Performance – Female
Jean Yoon (Umma) Kim’s Convenience, “Gay Discount” (Thunderbird Films)

Outstanding Performance Male
Joey Klein (Bobby) We’re Still Together (Achromatic Media)

Outstanding Performance – Voice
Linda Kash (Gina Falcone) Fugget About It, “Vagina’s Got Talent” (9 Story Media Group)

The members’ choice Series Ensemble Award went to Kim’s Convenience.

Joel Keller presented ACTRA Toronto’s 2017 Award of Excellence to Yannick Bisson.

The ACTRA Toronto Stunt Award was presented posthumously to Joel Harris. His widow, stunt performer Alicia Turner, accepted.

The newly-elected President of ACTRA Toronto Theresa Tova said, “Canada has been reflected by ACTRA’s professional performers for fully half of Canada’s 150-year history. Linda Kash, Joey Klein, Jean Yoon, Yannick Bisson, Joel Harris and Kim’s Convenience, and all the nominees, personify the extraordinary talent of our professional acting community.”

The 15th Annual ACTRA Awards in Toronto were presented at a live show and gala tonight at The Carlu. The show was hosted by Aurora Browne, Carolyn Taylor and Jennifer Whalen from the Baroness Von Sketch troupe with live music by the 11-piece Wintergarten Orchestra with singer and actor Ted Atherton. The evening sported a theme to honour Canada’s sesquicentennial celebrations.

The 15th Annual ACTRA Awards in Toronto were sponsored by: DIAMOND: Actra Fraternal Benefit Society, ACTRA National, ACTRA Performers’ Rights Society, ACTRA Recording Artists’ Collecting Society. PLATINUM: Bell Media, SAG-AFTRA. GOLD: CBC, CMPA, Deluxe, IATSE 873, Rhombus Media, Shaftesbury, United Steelworkers. POST-SHOW RECEPTION: eOne. SILVER: Cavalluzzo, Directors Guild of Canada (Ontario), RBC Royal Bank. BRONZE: Addenda Capital, Creative Arts Savings & Credit Union, Canada Film Capital and Entertainment Partners Canada, Don Carmody Productions, Frantic Films, Grant Thornton, HUB International, New Real Films, Serendipity Point Films, Take 5 Productions, Thunderbird Entertainment, TriBro Studios, Universal Promotions, Writers Guild of Canada.

ACTRA Toronto is the largest organization within ACTRA, representing more than 15,000 of Canada’s 23,000 professional performers working in recorded media in Canada. As an advocate for Canadian culture since 1943, ACTRA is a member-driven union that continues to secure rights and respect for the work of professional performers.


Comments and queries for the week of February 24

Is Saving Hope the same show as Code Black on the CBS network in the U.S., only renamed?? —Tom

No, Saving Hope is a different medical drama from Code Black. Set in Canada and with a Canadian cast and crew, Saving Hope is heading into its fifth season on CTV in Canada and returns on Sunday, March 12. You can read more about the show here.

Well! I did a marathon watch of Pure, Season 1, Episode 1-6, Well done CBC, well done. I look forward to more of Noah and family and Bronco, et al. This show was well scripted and well done. Right up there with Banshee. —Jon the Yooper from Down Under

OK, so after I invested all of this into the series and Googled things to learn more … that’s how they end it? There bloody well better be a Season 2 or that was just the worst ending ever!!!! —Chelan

Not sure how a second season would work: might be similar to Justified with a new bad guy each season. Could be Anna created a monster when she manipulated Joey Epp into murdering his “brooda.” But the main theme hanging out there from the final episode is Noah recovering his faith. That is such an internal story line that they will need something else to externalize his struggle. I hope Michael Amo is up to the task. —J Hess

Loved this show. I’ll be waiting for Season 2. —Sharon

[Kim’s Convenience] is one fantastic and truly hilarious funny show. Each character is well thought out and works utterly great with each other. I can not simply stop gushing over this unique family show. Thank you for bringing finally a clean, lovable sitcom to our home. I am 58 years old and have seen for over five decades of TV series. This is the only show that I can watch over and over and find it truly wonderful. Again, my thanks to all who have given us a great show. —Leslie


Got a question or comment about Canadian TV? Email greg.david@tv-eh.com or via Twitter @tv_eh.