Tag Archives: Netflix

CBC and Netflix renew Northwood Entertainment’s Anne with an E for a third season

From a media release:

CBC and Netflix have renewed the award-winning ANNE WITH AN E from Northwood Entertainment for a highly anticipated third season (10 x 60). Inspired by the timeless Canadian novel Anne of Green Gables by Lucy Maud Montgomery, the third season of ANNE WITH AN E will continue to tell the coming-of-age story of an outsider who, against all odds and numerous challenges, fights for acceptance, for her place in the world, and for love.

The renewal comes shortly after the US and international debut of the series’ second season (10 x 60) on Netflix in July, and just ahead of the Canadian premiere of season two on CBC, the CBC TV streaming app and cbc.ca/watch on Sunday, September 23 at 7 p.m. (7:30 NT).

Executive producers Walley-Beckett (BREAKING BAD, FLESH AND BONE) and de Pencier (BEGINNERS, THANKS FOR SHARING) team up once again to re-immerse audiences in Anne’s world in Avonlea. The new season is expected to begin production this winter for launch on CBC and Netflix later in 2019.

ANNE WITH AN E received 13 Canadian Screen Award nominations in 2018 – the most of any series nominated – and was awarded Best Drama Series for Walley-Beckett and de Pencier. Walley-Beckett also won a Writer’s Guild of Canada award for writing, “I Am No Bird, And No Net Ensnares Me,” and Showrunner of the Year at the Rockie Awards as part of the 2018 Banff World Media Festival. ANNE WITH AN E was also awarded Playback’s magazine’s “Show of the Year” honour in 2017 and Art of the Title’s “Best Title Sequence” for the opening sequence of the show.

Building on the stellar success of the first two seasons, ANNE WITH AN E season 3 will continue to chart bold new territory, adding new characters and storylines while exploring themes of identity, prejudice, feminism, bullying, gender parity, diversity and empowerment through the lens of its fierce, starry-eyed, irrepressible 16-year-old protagonist. While ANNE WITH AN E will continue to honour the foundation of L. M. Montgomery’s novel, a Canadian treasure and global phenomenon, the series’ third season will creatively evolve. Ever transforming Avonlea with her unique spirit, fierce intellect and brilliant imagination, Anne and the rest of the characters will experience thrilling adventures as they explore timeless themes of identity, deceit, sexism, racism, bullying, prejudice, and empowerment.

A CBC and Netflix original series, ANNE WITH AN E is produced by Northwood Entertainment and created by Moira Walley-Beckett. The executive producers are Miranda de Pencier, Moira Walley-Beckett, Debra Hayward and Alison Owen.

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Link: If you love family sitcoms, watch Kim’s Convenience

From Bryan Washington of Vulture:

Link: If you love family sitcoms, watch Kim’s Convenience
In just over 90 seconds, the scene tackles racial profiling, privilege, and queer stereotypes at a breakneck pace; flubbing any one of those runs the risk of turning whole viewerships off of a show. But the delivery is so effortless, and the scene’s flow is so natural, that the viewer has no choice but to laugh, gasping intermittently for air over the rest of the episode. Continue reading.

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B.C. production sector and Netflix unveil new initiative for local screenwriters

From a media release:

Today organizations and leaders from across BC’s media production sector announced the launch of the Pacific Screenwriting Program. The Program is billed as an intensive training ground that will provide support and career-advancement opportunities for active and aspiring screenwriters from across BC. The initiative is the result of generous support from Netflix, Creative BC, and the Canadian Media Producers Association, as well as strategic guidance from the Writers Guild of Canada.

Launching today alongside the Pacific Screenwriting Program is its flagship training initiative, the Scripted Series Lab. Beginning in January 2019, the full-time professional development opportunity will train up to six BC-based, entry-level writers, helping them to hone their craft, strengthen their collaboration and presentation skills, and obtain a deeper understanding of the global scripted content industry. Applications for the Scripted Series Lab are now being accepted. An info night is being held on August 8th. For more information check www.pacificscreenwriting.com.

The Scripted Series Lab is the Program’s first training course, combining real-world story-room experience with one-on-one mentorship to equip writers with the skills, experience, and connections necessary to build a successful screenwriting career. The Program’s longer term strategic planning envisions a range of offerings for screenwriters with varied levels of practical experience.

For details about how to apply for the inaugural Scripted Series Lab and more information about the Pacific Screenwriting Program individuals are encouraged to visit www.pacificscreenwriting.com/APPLY.ca

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Link: Reboot: The Guardian Code stars on expanding the Reboot universe

From Kelly Townsend of The TV Junkies:

Link: Reboot: The Guardian Code stars on expanding the Reboot universe
Reboots and revivals are television’s new niche these days, resurrecting old fan favourites for new audiences. It’s only natural, then, that the creators behind the classic CGI series Reboot would pay homage to its own title with a reboot of its very own. Continue reading.

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Link: A look beneath the veil of Alias Grace’s showstopping hypnotism

From Sonia Saraiya of Vanity Fair:

Link: A look beneath the veil of Alias Grace’s showstopping hypnotism
“The veil is like the perfect image or metaphor for the whole show, because Grace is veiled—she’s partly obscured, she’s enigmatic, and you’re constantly trying to see the real self. So it was a beautiful image, in the end.” Continue reading.

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