Tag Archives: Orphan Black

Space announces fifth and final season of original thriller Orphan Black

From a media release:

– Space confirms 10 additional one-hour episodes of ORPHAN BLACK Season 5 to premiere in 2017 –
– Temple Street, a division of Boat Rocker Media, produces ORPHAN BLACK in partnership with Space and BBC America –
– Season 4 finale airs tonight at 10 p.m. ET on Space, followed by an all-new episode of AFTER THE BLACK –

Space announced today the renewal of the fifth and final season of critically-acclaimed original series, ORPHAN BLACK. The clone conspiracy thriller sees the return of the award-winning Canadian actress Tatiana Maslany in her multiple versatile roles as the clone sisters. An additional 10, one-hour episodes are set to air in 2017 on Space. The Season 4 finale of the Peabody-winning series airs tonight at 10 p.m. ET on Space, followed by the finale of fan-favourite insider series, AFTER THE BLACK. The first three seasons of ORPHAN BLACK are streaming now on CraveTVTM.

In the Season 4 finale of ORPHAN BLACK “From Dancing Mice to Psychopaths” (June 16 at 10 p.m. ET), when communication with Cosima is cut off and Neolution appears to be within striking distance, Sarah’s alliance with Rachel goes out the window. Sarah lures a high-level Neolutionist into a trap, and sets out to bring down Neolution once and for all. For new episode images, click here.

After a hair-raising season of emotional flashbacks (Beth’s back-story), shocking reveals (Delphine is alive) and of course, new, game-changing clones, (M.K., Ira), Space’s original insider series AFTER THE BLACKprovides closure for Season 4 of ORPHAN BLACK tonight, Thursday, June 16 at 11 p.m. ET, following the season finale of ORPHAN BLACK. In this star-studded episode, hosts Ajay Fry and Morgan Hoffman sit with the inimitable Tatiana Maslany, Kevin Hanchard, and Kristian Bruun, for their take on the season’s shocking reveals, memorable moments, and behind-the-scenes secrets.

ORPHAN BLACK is produced by Temple Street, a division of Boat Rocker Studios, in association with Space and BBC America. Executive producers are Ivan Schneeberg and David Fortier and Kerry Appleyard of Temple Street, Graeme Manson and John Fawcett. “Orphan Black” is distributed by BBC Worldwide.

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Comments and queries for the week of May 13

Canada AM‘s Jeff Hutcheson announces retirement

Jeff, the very best to you in the next transition in your life. I retired two years ago, but before that, I woke up to the AM gang. Loved it, the laughs, the classy ways of all of you. Bev and Marci must feel like their brother is leaving. I’m trusting you that you aren’t hiking off to live with Kelly Ripa to replace Michael! KIDDING. Enjoy. —Beverley

One of the reasons I watch Canada AM is because of Jeff’s genuine character, sense of humour and all around likability. He gets my day off to a happy start. I am happiest when he, Bev and Marci are all there together—you can tell they have a wonderful relationship. He will definitely be missed, but who could deny him a well-deserved retirement? I wish him all the best and hope he’ll drop by Canada AM on Skype or in person, now and again. Happy everything, Jeff! Enjoy every minute in good health. —Sharon


Donnie steals the spotlight in Orphan Black

I think Kristian Bruun is spectacularly talented, just like Maslany, and is getting a chance to showcase it on this show. It’s so fun to watch more and more of this couple because they are such a spectacularly dysfunctional, want-to-look-perfect suburban couple. When I first saw the fertility clinic scene, I knew he was going to call her and they would do some role play over the phone. They are so into each other in these weird ways, she really gets off on his neediness … did you catch the admiring glance they threw each other when he said, “Clear, concise, and colour coded, well done.” I thought that was a kind of foreplay for them! Then when he said Air Italia, I thought, ‘Oh, they’re into accents?!!!!’ ROFLMAO. More serious aspects of show aside, this was just wonderful, as good or better than the money-in-the-bedroom scene. The two lead actors are probably letting improv dictate this chemistry, and the results are fantastic. You get plenty of literary references, both are college educated, they have adopted children of colour specifically. So now we can predict that with Donnie asking Helena to be understanding of his wife’s envy, that Helena will go out of her way to make Alison feel very included in her pregnancy. Hand on belly and everything. They better do this. It’s what you do for a sestra, innit?

I LOVE this show and the actors they’ve assembled are amazing (Jordan, too). I’m seriously thinking of writing my own weekly blog on this show and a few other semi-sci-fi (highly speculative fiction!) shows I love. I think we will get to see Donnie and Alison get to experience pregnancy through Helena—we saw an inkling of this when Donnie and Helena went to the ultrasound together—they both are giving each other something the other never had: families, and babies. How beautiful is this show on some cosmic level? Amidst all this ugly manipulation, for-profit-minded genetic tampering, and weird subcultures (bifurcated dicks and sister-kissing, no less), there is this amazing undercurrent of love, and of challenging of notions about what constitutes “kin.” This is what I believe this show is all about on an emotional level. And the biotech angle is just whipped cream on the cake … hey there is an idea for Donnie and Alison to explore! —Heather


Jennifer Valentyne exits Breakfast Television Toronto

I have no idea how some of you could talk about Jen’s Live Eye segments as if they were a waste of time. They made the show worth watching. She will be missed greatly by so many of us long time BT viewers for a reason: she was simply fantastic! Charming, funny, enthusiastic, full of energy, personable, beautiful and so on. Good luck Jennifer V. No, I will not be watching BT very much at all anymore. Idiotic decision by The Rogers Corp. to let her go. —Todd

I am so sad to hear that BT let Jen go. Well, no more BT and CityLine. Back to Canada AM. —Mary

 

Got a question or comment about Canadian TV? greg@tv-eh.com or via Twitter @tv_eh.

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Donnie steals the spotlight on Orphan Black

Yes, I know Season 4 of Orphan Black has (so far) been the quest to find out what the cheek bots are, what they do and how to remove them. We’ve been introduced to M.K. (there’s a killer reveal this week regarding her past), gotten great flashbacks to Beth’s story and have witnessed some truly inspired crafting from Helena. But Donnie has been kicking some major butt so far this season. Maybe it’s because we need someone like Donnie to inject some levity into a series full of science and drama, but some of Kristian Bruun’s best stuff is part of Thursday’s new episode, “From Instinct to Rational Control.”

Donnie + Helena
An all-too-brief scene features Donnie explaining the struggles he and Alison had as they tried to conceive. It’s a tender moment between two characters who are usually providing laughs, like last week’s chat with the police officers.

OB_2

Donnie + Felix = Orphan Black‘s new power couple?
The investigation into Trina’s pregnancy is thrust forward thanks to Felix and Donnie going deep undercover at Lifespring Fertility. Alison can’t go in because Beth already did, so it’s up to the two boys … who pretend to be a couple. Again, Donnie provides the chuckles, especially when it comes time for him to provide a sample to the Lifespring staff and calls on Alison for some help. Also? I’d definitely watch a spinoff series named Douglas & Julian.

Orphan Black airs Thursdays at 10 p.m. ET on Space.

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The Book of Negroes, Orphan Black and Schitt’s Creek top WGC Screenwriting Awards

Clement Virgo (The Book of Negroes), Russ Cochrane (Orphan Black) and Amanda Walsh (Schitt’s Creek) were among the winners recognized at the 2016 Writers Guild of Canada Screenwriting Awards on Monday night in Toronto. Hosted by Elvira Kurt, the WGC event—delivered to a packed Koerner Hall—also celebrated the 25th anniversary of the WGC, which broke away from ACTRA in 1991 to become a guild of independently congregated writers.

“Writers, this is a big night for you,” Kurt joked during her opening monologue. “I look around and I see that the Chuck Taylor’s have been polished, the Spanx have been spanked, spiffy outfits have been borrowed and for some of us the meds we take for social anxiety are almost kicking in.”

“I want to thank all of my fellow finalists, and to all female screenwriters for telling their stories because you inspired me to tell my story,” Walsh said upon winning the TV Comedy category for her Schitt’s Creek script “The Cabin.” Orphan Black writer and co-executive producer Aubrey Nealon accepted Cochrane’s award for Season 3’s “Newer Elements of Our Defense,” while Virgo and The Book of Negroes author Lawrence Hill (pictured above) were on hand to accept the trophy for writing in a Movie of the Week or Miniseries.

Clive Endersby received the Alex Barris Mentorship Award, Penny Gummerson the Sondra Kelly Award, Peter Mohan the Writers Block Award and Frank van Keeken the Showrunner Award, who stunned the crowd by announcing he’d been ousted as showrunner on The Next Step and Lost & Found Music Studios.

Frank van Keeken (Image courtesy of Christina Gapic.)
Frank van Keeken (Image courtesy of Christina Gapic.)

Here’s the complete list of categories (winners denoted in blue):

CHILDREN
Numb Chucks, Season 2 “Witless to the Prosecution”
Written by Evan Thaler Hickey

Odd Squad, Season 1 “Puppet Show”
Written by Charles Johnston

Pirate Express, Season 1 “Fountain of Misspent Youth”
Written by David Elver

DOCUMENTARY
Deluged by Data
Written by Josh Freed

Ninth Floor
Written by Mina Shum

MOW & MINISERIES
The Book of Negroes: Episode 1
Story by Lawrence Hill, Teleplay by Clement Virgo

The Gourmet Detective
Written by Becky Southwell & Dylan Neal

Kept Woman
Written by Doug Barber & James Phillips

SHORTS & WEBSERIES
Bob! The Slob
Written by James Nadler

Goldfish
Written by Michael Konyves

TV COMEDY
Mr. D, Season 4 “President Jimmy”
Written by Anita Kapila

Mr. D, Season 4 “Short Stocked”
Written by Marvin Kaye

Schitt’s Creek, Season 1 “The Cabin”
Written by Amanda Walsh

TV DRAMA 
19-2, Season 2 “Orphans”
Written by Jesse McKeown

19-2, Season 2 “Property Line”
Written by Nikolijne Troubetzkoy

19-2, Season 2 “School”
Adapted by Bruce M. Smith

Orphan Black, Season 3 “Newer Elements of Our Defense”
Written by Russ Cochrane

X Company, Season 1 “Into the Fire”
Written by Mark Ellis & Stephanie Morgenstern

TWEENS & TEENS
Some Assembly Required, Season 2 “Rocket with a Pocket”
Written by Jennica Harper

Some Assembly Required, Season 2 “Snappo”
Written by Cole Bastedo & Jennifer Siddle

The Stanley Dynamic, Season 1 “The Stanley Grandpa”
Written by Alice Prodanou

FEATURE FILMS
A Christmas Horror Story
Written by James Kee and Sarah Larsen and Doug Taylor and Pascal Trottier

End of Days, Inc.
Written by Christina Ray

The Saver
Written by Wiebke von Carolsfeld

(Images courtesy of Christina Gapic.)

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Link: Orphan Black’s Tatiana Maslany on the politics of being every kind of woman

From Jon Dekel of The National Post:

Orphan Black’s Tatiana Maslany on the politics of being every kind of woman
“I feel like we’re so politicized right now, in terms of our mere existence on television being political. Whether we’re there a little bit or we’re there a lot it all factors into the politics of being a woman right now. So I think the things I choose to do, the ways I choose to present myself or the roles I choose to follow, the limits I set, feel relevant right now because we’re in this big era of visibility and of progress and change.” Continue reading.

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