Tag Archives: Rookie Blue

Preview: Frankie Drake Mysteries flies high with Lucas Bryant and Laurence Fox

This week on Frankie Drake Mysteries are two truly high-profile guest stars. I’ve been excited for this episode ever since I saw a short video of Lucas Bryant and Laurence Fox fooling around in the Drake makeup trailer where they were on location.

“The Pilot,” written by co-creators Michelle Ricci and Carol Hay and directed by Leslie Hope, finds Bryant playing Phillip Anderson, an aviator whose son is kidnapped. I’ve been a fan of Bryant since Season 1 of Haven (serious Stephen King fan over here) and was furthered in CBC’s excellent miniseries Shoot the Messenger, which bows on WGN in the U.S. on Feb. 26. As for Fox, he’s been on my radar for over 40 episodes of the PBS series Inspector Lewis, where he played DS James Hathaway. Anyway, enough of me being a fanboy; here’s what the CBC has revealed as the synopsis for Monday’s episode:

A day off turns into a day at the office for Frankie and Trudy when the son of an aviator is kidnapped.

And here is more information I gleaned from watching a screener.

Airplanes aplenty
I love airplanes. I love history. I was, therefore, giddy to see “The Pilot” involved both as stunning old aircraft zipped around the sky in Guelph, Ont. for the episode. (Read Bill Brioux’s set visit piece for more details.) Interestingly, this was the first episode of Frankie Drake Mysteries to be filmed but airs as Episode 7. Ah, the magic of television. And meetings.

Charlotte Sullivan guest-stars
Hold onto your hats Rookie Blue and Mary Kills People fans! Charlotte Sullivan, who also appears in CBC’s Caught next month, is Meara, wife of Phillip Anderson and mother to Charlie, the missing child.

Cheeky Fox
When we first meet Laurence Fox, he’s an unnamed gent who sidles up to Frankie and begins some major flirting. Who is he, and why does he seem to have bad will towards Phillip Anderson? They have a history, but what is it? Like I’ve already said, this was the first episode of Frankie to be filmed, but it doesn’t feel like it. Frankie’s sass, strong character and love of motorcycles and planes are firmly in place, as well as her relationship with Trudy. As a matter of fact, we learn some key backstory about Frankie thanks to her motorcycle and the conversation she has about it.

A storyline never revisited
Kris Holden-Ried appears at the end of Monday’s episode as a someone Frankie turns to for support. What’s interesting is that it’s tied to the backstory we’ve already mentioned but is never referred to, so far at least, in Season 1. Again, this was the first episode of Frankie Drake Mysteries so things change, but it would have been interesting to see this storyline fleshed out more.

A very special guest star
On top of the folks we’ve already mentioned, a certain someone drops by to escort Frankie into a building where women aren’t allowed. I kind of wish their name had been left out of the credits because it’s a major spoiler. I’ve already said too much.

Frankie Drake Mysteries airs Mondays at 9 p.m. on CBC.

Images courtesy of CBC.

 

 

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Kristin Kreuk and Peter Mooney battle big pharma in CBC’s Burden of Truth

Kristin Kreuk has swapped Superman and a Beast of a man to battle big pharmaceutical. The Vancouver native headlines and executive-produces Burden of Truth, CBC’s new legal drama, debuting Wednesday at 8 p.m. on CBC.

Created by Brad Simpson (Rookie Blue), Burden of Truth is a 10-part serialized drama about a big-time lawyer named Joanna Hanley (Kreuk) who returns to her small town as the representative of a pharmaceutical company whose drugs are thought to be making young women sick. Once in Millwood, however, Joanna finds herself—after crushing the case made by the girls and led by her former high school classmate Billy Crawford (Peter Mooney)—questioning whether she’s on the right side of the lawsuit and discovering some bad feelings were left behind when she exited Millwood at 14 years old. Burden of Truth‘s first episode has the feeling of a John Grisham novel—slick lawyer slam-dunks on the locals—and that’s a good thing for viewers.

“He was definitely on the inspiration list,” Kreuk says during CBC’s press day for its winter lineup. “It was, tonally, what we were looking for.”

Often, first episodes can feel cluttered. Introducing a raft of characters, as well as major and minor storylines, in 22 or 44 minutes can be a confused mess. That doesn’t happen in Wednesday’s debut, a credit to executive producer Ilana Frank (Saving Hope, Rookie Blue), who admits Truth‘s storytelling style—one case contained in one season—was a challenge.

“I’ve never done a serialized show before,” Frank says. “All of my shows have been episodic. So the idea that you have time was new to me. There were certain things that we knew we had to hit in the first episode and that was it. We made a short list. We knew we needed a reason for her to go to Millwood, we had to have a reason for her to stay in Millwood. There were certain things that were a must and if they didn’t work there it was going to work somewhere else.”

One of the musts was to pit Joanna against Billy. After eviscerating him in court she reflects on what she’s done and has second thoughts on who she’s fighting for. A lot of that reflection is because of her past with Billy, who is beloved by Millwood’s citizens.

“It’s such an interesting dynamic to take two people who knew each other more than half their lives and through circumstance have them come smashing back together,” Mooney says. “Their freshest memory of each other is them as teenagers. They’re trying to reconcile who they are now, how they’ve changed, who they were then and what their relationship was then.” They start out on opposite sides of the legal case, Mooney explains, and the relationship develops through Season 1 with Joanna and Billy realizing what makes them different as lawyers is a benefit in the courtroom.

Every small town, on TV at least, has a secret and Millwood is no different. Kreuk teases the reason Joanna and her father—played by Alex Carter—left the area when she was a teen will be revealed; that has a huge impact on Joanna and who she is. It also runs parallel to the court case.

“There may be a moment when her and her father are at odds,” she says with a laugh. “She followed her father, she became her father, she did everything centred around him. Everything she learns in town is really new and shocking and jarring for her.”

Burden of Truth airs Wednesdays at 8 p.m. on CBC.

Images courtesy of CBC.

 

 

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Showrunners exit CBC legal drama Burden of Truth starring Kristin Kreuk

Not only has the CBC’s new legal drama gone through a name change, but the project’s showrunners—Noelle Carbone and Adriana Maggs—have departed the project.

“Noelle and Adriana, were both key to shaping the first season of Burden of Truth, but at this time they have left to pursue other projects,” confirmed a representative from eOne, one of the show’s production companies, on Friday afternoon. While it’s fairly common for a television project to swap out some key cast between being greenlit and production, it’s a little more rare for showrunners to leave. Production on the 10-episode project, starring Kristin Kreuk, is set to begin this summer in Manitoba with a winter 2018 debut. Carbone most recently served as writer and co-executive producer on CTV projects Saving Hope and Rookie Blue; Maggs was writer and consulting producer on Space’s Aftermath and Rookie Blue.

We’re awaiting news on who will assume showrunner duties on the series.

Formerly known as Burden of Proof, Burden of Truth stars Kreuk as lawyer Joanna Hanley, who returns to her hometown to take a case after being passed over as partner in the big-city firm she’s been working for. After clearing a drug company accused of causing a debilitating illness among high school girls, Joanna discovers the case has more to it than she first assumed.

Burden of Truth is produced by eOne, ICF Films and Eagle Vision. The series was created by Brad Simpson (Rookie Blue, King) and executive-produced by Ilana Frank (Saving Hope, Rookie Blue), Linda Pope (Saving Hope, Rookie Blue), Jocelyn Hamilton (Mary Kills People, Cardinal) and Kreuk (Smallville, Beauty and the Beast). Kyle Irving and Lisa Meeches (Taken, Ice Road Truckers) are co-executive producers.

Photo: Frank Ockenfels /The CW

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Caroline Dhavernas returns to TV in Global’s controversial Mary Kills People

“We’re not trying to say what’s right and what’s wrong. We’re just trying build a place where the debate can happen.” That, says Caroline Dhavernas, is at the heart of Mary Kills People, Global’s newest original drama.

Debuting Wednesday at 9 p.m. ET/PT on the network, Mary Kills People will certainly elicit discussion about the subject matter. Dhavernas is Dr. Mary Harris, an emergency room doctor and mother who—with the help of her friend Des Bennett (Richard Short, Covert Affairs)—assists those who want to die. Mary struggles to keep her two careers in order while keeping her night job a secret from her family as the authorities—led by Det. Frank Gaines (Lyriq Bent, Shoot the Messenger)—investigates her. Add to that Mary’s intense feelings for a terminal patient named Joel (Jay Ryan, Beauty and the Beast) and her plate is full. (Look for Bitten‘s Greg Bryk, Rookie Blue‘s Matt Gordon and Charlotte Sullivan, and InSecurity‘s Grace Lynn Kung in key roles.)

Created by Tara Armstrong and executive-produced by Tassie and Amy Cameron alongside Armstrong, Jocelyn Hamilton and director Holly Dale, the six-part event provides plenty of dark comedy to go along with the serious subject matter. (That’s 19-2‘s Adrian Holmes in the opening twisted, gruesomely giddy opening scene.)

We spoke to Dhavernas about her character, the subject matter and where the show goes in the next six episodes.

(l-r) Bent, Ryan, Dhavernas and Short

Can you give me some background on Mary?
Caroline Dhavernas: She’s an ER doctor and a mom. She has this side gig where she assists people in their wish to die. Of course, it’s completely illegal and she will get in trouble for it. It comes from a place of compassion, really, because she has been very close to people who have had to make that decision and she deeply understands where that desire comes from. She doesn’t judge it and she also knows it’s not about her.

It’s a very emotional debate and there is a lot of grey zone. It becomes a lot about not knowing what death is all about because no one has come back to say what it is. We’re very afraid to send people over the edge because it almost feels like pushing them into a place that’s too dangerous. But the place these people are in is so damaging to them that they would rather go to the unknown. I think she gets all that. Not everyone does, and that’s why she gets into real trouble. What’s fascinating about this show is that we’re not trying to say what’s right and what’s wrong. We’re just trying build a place where the debate can happen. It’s fascinating subject matter and a great part. There are a lot of levels to play.

Where do you stand on the debate of doctor-assisted suicide?
I’m on Mary’s side. [Laughs.] It’s good, as a society, to have both sides to the discussion and hear what everyone else has to say. The more you talk about it, the more you know where you stand. If anything, this solidified how I feel about it.

Describe Mary’s relationship with Des.
We don’t really explain where they’re coming from, but I’m pretty sure they went to school together and have been friends forever. Des is going through a hard time because he’s done things that are very wrong for a doctor to do and she is trying to include him in all this and make him feel like a doctor again. They’re in this together and they have a very strong bond.

How many people know what Mary is doing? I feel like she’s going to get caught soon.
It is very illegal, so she will get in trouble for it. She is trying to not let too many people know but these people have families and diaries that she can’t control. Mary has one partner at the hospital, a nurse named Annie, who sees who needs help and meets with people who are asking for that help.


Related: Our podcast chat with Mary Kills People creator Tara Armstrong, executive producer Tassie Cameron and co-producer Marsha Greene


What were your first thoughts when you read the script?
I like bold, daring subject matter and this is certainly that. I like the fact that we’re not judging anything. And, also, a strong female lead is so rare still. The director is female, the writers are female as well … that is so rare and it’s so great to be part of this team. When I met with everyone there was an immediate connection. I’d never worked with Holly Dale before, but when she showed me the mood boards and the water theme … visually it’s going to be stunning as well.

Mary Kills People airs Wednesdays at 9 p.m. ET/PT on Global.

Images courtesy of Corus.

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Rookie Blue’s Missy Peregrym guest-stars on Motive

Motive is nearing the end of its run, and everyone involved is clearly looking to go out on top. After weeks of strong stories and high-profile guest strs, Tuesday’s newest, “In Plain Sight,” not only boasts Tommy Flanagan, but Continuum/Intelligence actor Ian Tracey, iZombie‘s Aly Michalka and Rookie Blue‘s Missy Peregrym.

Here’s the network synopsis:

When an abducted woman returns and is later found nail-gunned to death, Detective Angie Flynn and the team discover that truth is stranger than fiction. Angie embraces her new relationship with Agent Jack Stoker, while Staff Sergeant Oscar Vega’s increasing frustration with the bureaucracy in the department drives him to look for other options.

Here’s what else we can tell you about the episode, written by Damon Vignale.

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Missy Peregrym as you’ve never seen her before
Rookie Blue viewers are used to seeing her as cop Andy McNally, but Motive poses Peregrym as the killer in this episode. It’s a twisting, turning case that involves kidnapping, an estranged father, bundles of cash and a private investigator (Tracey), leading to one shocker of an ending.

Betty and Lucas team up for Angie teasing
“Sure hope Stoker is ‘fitting in,'” mocks Betty. “Like a glove,” adds Lucas. Love it.

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Vega weighs his options
Fed up with being questioned constantly, Vega is considering another career. Based on his impression of Al Pacino, we think improv might be a good move too.

Motive airs Tuesdays at 10 p.m. ET on CTV.

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