In July of 2017, I caught up with the cast and crew of APTN’s Wild Archaeology while they were shooting Season 2 episodes in Southern Ontario. The day I arrived on set, hosts Dr. Rudy Reimer, Jenifer Brousseau and Jacob Pratt were on location at the Longhouse in Ohsweken, Six Nations. Despite the humidity Southern Ontario summers are known for, inside this structure there was a cool breeze and if I could bottle the scent of sun warmed freshly hewn lumber, I would be the happiest of campers on earth!

I decided to speak with co-host Jacob Pratt first.

How has the show surprised you?
Jacob Pratt: I always thought the show was aimed at an older audience, late teens and older. But from what I have seen, a lot of kids aged 8-10 are really into the show. They have been really engaged by it. I think that is really surprising for me because it is expanding the intended viewership, not just older teens but a very young audience which is really cool to see.

And, how have you surprised yourself?
I think they wanted me on the show because of my cultural understanding, and I have a good understanding of my own culture [Dakota], but I know about the Cree, and the Haudenosawnee because I have lived in the areas. So in general, I feel very competent about knowing other First Nations cultures. But, throughout last season, I was actually surprised with the number of similarities about other nations that I didn’t know about and the absolute ignorance I had in terms of the Inuit or the Inuvialuit and things like the whale blubber. It was really interesting. That was a surprise too: I never thought I would like whale blubber, but I do, especially with HP Sauce. There are things like that. I always thought I was very culturally aware but I keep finding things that are brand new, that surprise me.

For me, this is a journey of adding to my cultural understanding and  actually that is one of my passions, learning about other people’s cultures  because it makes me a more understanding person in my life in general. I really, really liked learning the things that I would never have imagined like here in Ontario. Stories that tell how long ago the Great Lakes were lower and then a beaver dam broke and they filled up very quickly. Now scientists are talking about how the lake levels were much lower and, 60 feet down, there are caribou runs. They talk about when that water did fill up, it filled up very quickly. For me, it was amazing hearing these traditional stories I have always heard, then hearing these stories that unknowingly scientists are backing up these stories. It is really giving weight to our oral history. Because scientists are now telling the stories that we have been telling for thousands of years. That to me is I think what hit me the most during Season 1.

Next, I sat down with show creator, producer, writer, Tracy German, to get a feel for what we can expect this season.

Your message in Season 1 was very clear: take the oral histories from various nations and verify that history through archaeological discovery. Moving forward into Season 2, how are your expanding upon that theme?
Tracy German: Moving on in Season 2, we are going to continue doing what we do well. So, yes, we still connect the stories to real people and culture. We start with the inspiration from an oral teaching from an elder and then try to find the link to the archaeological record. In Season 2, we plan to incorporate more experimental archaeology. Like we just saw in the Longhouse, Kerdo Deer of Kayanase was demonstrating the traditional rope making. It is another form of reclamation and it is about learning the use of traditional medicines and plants and techniques. I think we will be going further into that in Season 2, and I hope we will be getting a bit more political or edgier as we move forward; pushing into ideas of repatriation and sacredness. Topics like #noDAPL and water; there are so many avenues. Gas and fracking, whatever, there are multiple fronts where we can act as activists for Indigenous people. When opportunities like that arise naturally and organically, and we can contribute to the cause, we will definitely be incorporating that into our storytelling. This season, I am starting with my journey, as a woman and where I am from. This is my home turf – Six Nations and my ancestry on my mother’s side is Haudenosawnee. We are starting in the Longhouse in a matriarchal culture. Already that is starting out political. And our camera operator in there, Jon Elliott, is Tuscarora and his family is from here. There are always multiple reasons why we start where we do but I do like telling the strong matriarchal story and I think that will come out in the grandmothers and the teachings of the strong womenfolk across the country.

I also had an opportunity to speak with Dr. Rudy Reimer, Ph.D., of Simon Fraser University.

How has this experience, as a teacher, as a professor, influenced your life in academia?
Dr. Rudy Reimer: That’s a good question. Filming and being on the set of WA is a really interesting experience in terms of personally looking at the archaeology across Canada. When I lecture, some things are a little abstract and having the opportunity to come to places like Six Nations here, and other locations, allows me to put what I have read into context and more appropriately getting to experience the local First Nations first-hand, talking to community members, getting their perspective, and their history as opposed to what you would get in a standard textbook. What that allows me to do is integrate that into how I teach and lecture, but also it has been beneficial at another level. Each episode is pretty much the equivalent to a publication, and it really helps me professionally. Personally interacting with my crew and interacting with my co-hosts, still being in the role of an educator, for each episode makes for a great experience all around.

What are you most looking forward to this season?
This season, we are here in Ontario for two episodes and then we are back on the west coast. I believe we are going to Sechelt, B.C., and then to northern British Columbia. It doesn’t matter where we go, because I look forward to each set and each episode. It is really fun to arrive because I know the archaeologists, I know their research, and what is really exciting for me is, again, to see that first hand, and to interact with my colleagues, fellow academics but also, people in the communities. For example, we are at the lacrosse games yesterday during North American Indigenous Games 2017, and just sitting in the stands talking to the local community. I wore a t-shirt with some Squamish words on it and I got some funny looks but then people come up and talk to you. Everyone is wearing local lacrosse jerseys or t-shirts, so it is a cultural experience and an academic experience at each location.

Finally, I caught up with co-host Jenifer Brousseau and followed up with a theme we touched on last season when I last spoke with her.

When we last spoke, you discussed your experiences in both the Longhouse in the B.C. interior and the teepee at Head-Smashed-In with Reg Crowshoe. In Season 2 you have spent some time in the Longhouse at the Museum of Archaeology in London, Ont., and now this amazing structure here at Kayanase. How are these experiences in these structures weaving into the fabric of your own personal journey of reclamation?
Jenifer Brousseau: I find coming here really neat because when I come home to Ontario and connect to the land here, it is always so very different. I personally feel that a lot of my reclamation has happened on the West Coast. If you ever go to the West Coast and connect with the people there, you recognize how proud they are as a people to be Indigenous. I experienced a lot less of that growing up in Ontario. Now coming back and having the opportunity to go to the Aanishnawbeg Longhouse in London—which is closer to my own heritage—and learning things [I did not while] growing up is a journey. Going to the big house on the West Coast as opposed to the Longhouse here it is almost like getting to be a part of things here that were initially lost. Having spent time in the west, reclaiming parts of my identity to return home to start Season 2 and learning about all of these things that for me at home were covered as I grew up, I get to uncover them both on the show. That is what is so fabulous about my journey this upcoming season.

My thanks go to Tracy German for allowing me the opportunity to visit your set. And to Jacob, Dr. Rudy and Jenifer, thank you for taking the time to speak with me. Miigwetch.

Wild Archaeology returns Tuesday at 7 p.m. ET on APTN.

Nope, Jenifer and Jacob are NOT AT ALL COMPETITIVE! We begin the penultimate episode of Wild Archaeology finishing up at the site in Sheshatshui.

SNAP! Jacob a.k.a. “artifact magnet” found a bi-face and then SNAP!, moments later, Jenifer found aher own bi-face in the exact same quadrant. We learn that Jacob’s Groswater and Dorset paleo Eskimo end blade is not native to the area of their dig and therefore  indicates an interaction between Inuit and Innu communities of Labrador happening at this site. Meanwhile, Jenifer’s is a locally crafted little red quartzite knife blade.

Then we head off to Rigolet to meet up with Dr. Lisa Rankin at Double Mer, an 18th-century Inuit site in Labrador demarked with semi-subterranean sod huts. What is unique to this site is it is a location that was a traditional meeting ground in the summer months for various ethnic groups. This site is also our first glimpse at post-European contact artifacts making an appearance with nails ideal for building the superstructure of the sod homes.

And, true to form, Jacob finds the first artifact, a piece of leather that has markings to indicate it had been sewn. Jenifer comes across a couple of decorated beads in her quadrant the likes of which had not been found previously.

We are down to the final episode next week, with Part 2 of Inuit of Rigolet. This has been such a fun adventure, I hate to see it end.

Wild Archaeology airs Tuesdays at 7:30 p.m. ET on APTN.

This week on Wild Archaeology, the team headed to the very remote interior of Labrador to visit Northwest River and Sheshatshui to explore the traditional land of the Innu people. This geographic location is unique in that the water has been receding and what are now hills were once shoreline beaches.

The team worked with Scott Neilson, an archaeologist who has spent many years excavating in the area, conducting what is called a pedestrian survey of an area proximal to a previously researched site estimated to be approximately 3,200 years old. The pedestrian survey is a vital first step for an archaeological dig, as it allows the researcher an opportunity to understand the land and distinguish its features. Once the natural features are known, the atypical aspects reveal themselves which oftentimes reveal the artifacts left behind.

Sheshatshui is undergoing construction of new homes for the descendants of those who lived 2,900-3,400 years ago. Prior to each build, Scott and his team excavate the lot for artifacts. Much of the debris found in this area (discarded stone flakes created by tool making and sharpening techniques) are very small and some of the stone is not local to the area, indicating people travelled elsewhere in order to find stone suitable for tool making.

Part 2 of this dig will be seen next week.

Wild Archaeology airs Tuesdays at 7:30 p.m. ET on APTN.