Tag Archives: Yannick Bisson

Hits and misses: The 2018 Canadian Screen Awards nominees

First of all, a hearty congratulations to everyone who has been nominated for a 2018 Canadian Screen Award. I’ve spoken to many of you over the years and basked in both your kindness and awesome skills whether you work in front of or behind the camera.

I believe the Canadian Screen Awards are as important and justified in their existence as the Golden Globe Awards, Primetime Emmys and BAFTA awards; and with that comes the scrutiny that befalls the Academy and the nominations it puts forth every year. What does that mean? I poke, prod and peruse the television categories and scrutinize every decision the Academy has made with regard to the 2018 television nominations.

Here are my thoughts on several of the key categories. Let me know your own thoughts in the comments section below!

Best Drama Series

  • 19-2
  • Anne
  • Mary Kills People
  • Pure
  • Vikings

I’m thrilled to see 19-2, Anne, Mary Kills People and Pure all in this category. Each represents unique storytelling, characters that are interesting and push the boundaries of what we view as heroes and villains. I’m especially tickled that Pure is here because I think what creator Michael Amo, director Ken Girotti and stars Ryan Robbins, Alex Paxton-Beesley, A.J. Buckley and Peter Outerbridge did was really special. That said, I’d rather have seen Vikings replaced by X Company or Travelers. Both of those programs—X Company in its last and Travelers in its first—provided more engaging stories than Vikings did and in more creative ways. Honourable mention: Hard Rock Medical, which manages to jam twisting, dramatic storylines into a mere 22 minutes of airtime.


Best Comedy Series

  • Letterkenny
  • Workin’ Moms
  • Nirvanna the Band the Show
  • Michael: Every Day
  • Kim’s Convenience

Letterkenny continues its journey to being one of the greatest Canadian comedies of all time while breaking new ground being a Crave TV original. Workin’ Moms was simply fantastic in its debut season, Kim’s Convenience is stellar and Michael: Every Day was a comic gem that I’m glad CBC revisited. I simply don’t get Nirvanna the Band the Show. I’ve tried to watch it several times and couldn’t stick with it. Maybe it’s because I’m in my forties and it’s not for my demographic. To me, Mohawk Girls deserved to be in that final spot. Co-created by Tracey Deer (who received a well-deserved nomination for her directing) and Cynthia Knight, Mohawk Girls effectively delivered laughs and tears while telling the tale of four women negotiating life, love and what it means to be a member of the First Nations today.


Best Sketch Comedy Program or Series

  • The Beaverton
  • Baroness Von Sketch Show
  • Rick Mercer Report
  • This Hour Has 22 Minutes

I have no issues with this category. Let’s move on.


Best Reality Competition Series

  • The Amazing Race Canada
  • The Bachelorette Canada
  • Big Brother Canada
  • MasterChef Canada
  • Top Chef Canada

If this category has proved anything, it’s that we’re able to successfully create homegrown versions of proven international reality competition series and nab large audiences for them. Now it’s time to create our own concepts like CBC’s Crash Gallery and CTV’s The Launch; I expect to see the latter nominated in this category next year.


Best Limited Series or Program

  • Cardinal
  • Alias Grace
  • The Disappearance
  • The Kennedys: After Camelot
  • Bruno & Boots: This Can’t Be Happening at MacDonald Hall

Holy crap is this a stacked category. All are worthy of being here both for the writing, acting, directing and production values. My murder and mayhem-loving heart is filled with love for Cardinal, The Disappearance and Alias Grace. The pleasant surprise for me is Bruno & Boots which deserves to be here. The tone may different from the other four but that’s what makes it so exciting to see that project here. I’d love it if Bruno & Boots won.


Best Lead Actress, Comedy

  • Annie Murphy, Schitt’s Creek
  • Catherine Reitman, Workin’ Moms
  • Catherine O’Hara, Schitt’s Creek
  • Andrea Bang, Kim’s Convenience
  • Jean Yoon, Kim’s Convenience

Another category jammed with bona fide, worthy winners. All are strong women in real life and on the small screen. Andrea Bang and Jean Yoon have created something truly special via Janet and Umma’s relationship, especially in the second season. I wish a sixth name could be added to this list and that it was Dani Kind’s. Her portrayal of Anne Carlson on Workin’ Moms has been a revelation. I’m still marvelling at how a character like Anne can struggle with connecting with her two children, worry the nanny is stealing her family away and decide to have an abortion … and make the situation alternately heartbreaking and hilarious.


Best Lead Actor, Comedy

  • Gerry Dee, Mr. D
  • Jared Keeso, Letterkenny
  • Paul Sun-Hyung Lee, Kim’s Convenience
  • Eugene Levy, Schitt’s Creek
  • Daniel Levy, Schitt’s Creek

I agree with all the names on this list and don’t envy the Academy for having to choose a winner.


Best Lead Actress, Drama Series

  • Amybeth McNulty, Anne
  • Caroline Dhavernas, Mary Kills People
  • Jennie Raymond, Sex & Violence
  • Tatiana Maslany, Orphan Black
  • Meaghan Rath, Rogue

I have not, I must confess, watched Sex & Violence or Rogue, so I’m kind of out of my element here. Still, that doesn’t mean I can’t have an opinion. McNulty’s portrayal of Anne Shirley re-created the character for a whole new generation of Anne of Green Gables fans. She certainly won me over. Caroline Dhavernas was great in Season 1 of Mary Kills People (I think she’s even better in the two episodes I’ve seen of Season 2) and Tatiana Maslany is, well, frigging Tatiana Maslany. If I could suggest a couple of other names for this category they would be Melissa O’Neil for Dark Matter and Hannah John-Kamen for Killjoys. Both were kicking ass and taking names in their sci-fi series while showing sensitivity and humour throughout. And yes, I’m still pissed Dark Matter was cancelled. Thanks for asking.


Best Lead Actor, Drama Series

  • Brian Markinson, The Romeo Section
  • Richard Short, Mary Kills People
  • Christopher Heyerdahl, Van Helsing
  • Alexander Ludwig, Vikings
  • Shawn Doyle, Bellevue

Brian Markinson was so, so good in Season 2 of The Romeo Section; I’m thrilled he got a nod here. Rather than swap a name out, I’d like to add one: Shaun Johnston. His Grandpa Jack on Heartland has been through a lot over the past several years but he’s always been the rock everyone could lean on. In this past season of Heartland, Jack was called upon to help run the ranch while being there for Georgie and Amy, especially when Ty was away in Mongolia. Those storylines called on Johnston to do some major heavy lifting and he shouldered it with no problems at all. Honourable mention to X Company‘s Jack Laskey who was so fantastic as Alfred Graves in the historical drama’s final season.


Best Lead Actress, Drama Program or Limited Series

  • Sarah Gadon, Alias Grace
  • Maxim Roy, Bad Blood
  • Karine Vanasse, Cardinal
  • Camille Sullivan, The Disappearance
  • Hélène Joy, Murdoch Mysteries: Home for the Holidays

Honestly, how can you pick a winner out of this group of wide-ranging and fantastic characters?! That said, the Murdoch Mysteries fan in me is pissed Hélène Joy is nominated in this category rather than Best Lead Actress in a Drama Series. Shaftesbury, the show’s production company, put the Christmas special up for consideration in this category AND the show up for Best Drama Series, so I guess the Academy decided she was a better fit here?


Best Lead Actor, Drama Program or Limited Series

  • Kim Coates, Bad Blood
  • Edward Holcroft, Alias Grace
  • Billy Campbell, Cardinal
  • Alan Thicke, It’s Not My Fault and I Don’t Care Anyway
  • Yannick Bisson, Murdoch Mysteries: Home for the Holidays

Again, a stunning group of actors in this category and my same complaint for the previous category goes here: what the hell is Yannick Bisson doing here and not in the major Best Lead Actor in a Drama Series?!

The Canadian Screen Awards Broadcast gala airs live Sunday, March 11 at 8 p.m. on CBC.

 

 

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Murdoch Mysteries: Simon McNabb discusses Home for the Holidays

Monday’s annual Christmas TV-movie Murdoch Mysteries: Home for the Holidays was unique on a couple of fronts. First, it didn’t feature the entire cast of characters all in one place toasting Christmas and smooching under the mistletoe. Second, it delved into an unlikely main storyline for a holiday episode: the plight of First Nations people. The tale followed William and Julia to Victoria to visit Murdoch’s brother, RCMP officer Jasper Linney (Dylan Neal), and the trio was drawn into a murder connected to an archaeologist (Megan Follows) who has uncovered an ancient Indigenous settlement.

With Home for the Holidays safely nestled into its bed, we spoke to Simon McNabb—who co-wrote the episode with showrunner Peter Mitchell—about all that and more.

Simon, this year’s special was different in tone. Sure, we had snow, holly and the traditional stuff with Higgins and Crabtree back in Toronto, but in Vancouver, with William and Julia, there was the green and the serious Indigenous Peoples storyline. What’s the background on how the A-story came about?
Simon McNabb: I think it came out of a desire to do something a little different. We felt like we’d done two Christmas movies set in the city and had explored so many of the Christmas movie tropes. When we did the first one, we never thought we’d do another one so we used as many possible Christmas movie references, ideas, themes and tropes as we possibly could. And then we had to do another one, so we came up with even more. This time we felt that if we did the same thing over again we would be wearing a little thin. We wanted to do something that was unusual, or at least unusual for us. And, at the same time, there was a desire to travel the show somewhere because we hadn’t filmed outside of Toronto or Southern Ontario since we went to Newfoundland.

And, at the same time, there was a desire to travel the show somewhere because we hadn’t filmed outside of Toronto or Southern Ontario since we went to Newfoundland. There were a couple of options on the table and one of them was British Columbia. Pete Mitchell was immediately attracted to that idea as someone who grew up on Vancouver Island. I’m also from British Columbia so I was excited as well. From there it became a matter of, Well, that means we’re going to do a bit of an evergreen Christmas. It’s going to be different, but we’ll still be able to draw on the fun family aspects of visiting relatives for the holidays. Aside from that, it’s going to be different and depart from the usual Santa Claus and gift-giving kind of theme.

I’m interested in what the fans have to say. I’m sure everyone would be happy with those tropes ever year but creatively it would get stagnant for the writing room.
Yeah, that’s what we felt. And once we decided to go to B.C. and do a storyline that wasn’t snow-covered we quickly realized that there were different stories to tell out there. If we were going to tell a story that had to do with the First Nations community on Vancouver Island it would sort of be impossible or inappropriate or just not right to attempt to tell a story about a Christian holiday and really embrace that. We wanted to tell a story that was a little bit more open and different.

I thought you told the First Nations story respectfully and that was clearly important to you because you brought on Haida/Cree artist Kristi Lane Sinclair served as consulting producer.
Kristi was involved and helped us not only in the story department with notes, research and insight into the history of the Haida and other nations on Vancouver Island but she was also a huge source for props and set decoration in terms of not only research but connections with First Nations artists, craftspeople and crew members on the west coast.

Was she a consultant on the language spoken as well?
Language was one of the parts interesting about it, and certainly one of the most eye-opening for me. One of the reasons we heard about Kristi and she got involved in the project is because she’d been working on a documentary for the CBC that was a behind-the-scenes documentary for a film they were filming in the summer in Haida Gwaii called The Edge of the Knife. That film was produced and directed and acted largely by members of the Haida nation. All of it is in the Haida dialect, which was done very intentionally as a way to document the language of the Haida because it’s been dying out and even fewer speak it. She was very aware of that and was able to connect us with people that could translate the Haida lines of which there were very few because we mostly interacted with members of the Songhees nation. The Songhees nation has even fewer people who speak it but Kristi was again instrumental in connecting us with some of the elders from the Songhees nation, a small handful of which are actually fluent in the language.

Home for the Holidays is a close-ended episode that doesn’t tie to story arcs, but you did bring in recurring characters to take part.
We brought in Ruth Newsome and Nina Bloom which places it a little bit in the chronology of the love lives of Higgins and Crabtree. It’s liberating to write something that isn’t linked to anything else. We allow for five to 10 per cent of the holiday episode to allow our characters to go a wild a little bit and let the spirit of the season overtake them for good or for bad. Let Margaret Brackenreid be a little bit nuttier than she usually would with her greed and then allow for a really sweet moment of redemption for anyone who does go off the rails.

Can you talk about the storyline involving the Ponzi scheme and the Brackenreids?
The Brackenreids always seem to be the heart of a holiday episode because they are the perfect nuclear family with kids whereas none of our other leads have that. It seems like there is always plenty of stuff to do with them at Christmastime. In terms of the investment storyline, that just came out of doing a little research and finding out that Charles Ponzi had landed in North America and on his way to Montreal to start his first little fraudulent cheque scheme. We thought it would be great to do something with him, and then we thought it would be great to have them almost lose the house to him and that it would be a perfect story to do at Christmas.

That’s crazy! Ponzi was in Canada during this time period?
I forget the exact time period. He landed in Boston first, I believe, and then he did go to Montreal. His first sort of criminal activity, as far as anyone knows, was working for a slightly shady bank in Montreal.

It continues to fascinate me how real-life historical figures and storylines can be worked into a storyline. I feel like a Murdoch Mysteries history class should be offered at a college.
[Laughs.] That would be fun. It would be a fun jumping-off point and I think that speaks to what we hope the show does for people in a more casual way. A professor who decided to teach history through the lens of Murdoch Mysteries would hopefully use each historical figure or incident as an opportunity to learn a lot more about it and to make sure they got all the details and facts right as opposed to the odd corner that we cut to make it fit into our episodes. And, hopefully, people who are watching the show and go off on their own and do a little more reading about it and actually understand the history.

Murdoch Mysteries returns with new episodes Monday, Jan. 8, at 8 p.m. on CBC.

Images courtesy of CBC.

 

 

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Kim’s Convenience toplines ACTRA Toronto Award winners

From a media release:

ACTRA Toronto is proud to announce the winners of its 15th Annual ACTRA Awards in Toronto.

Outstanding Performance – Female
Jean Yoon (Umma) Kim’s Convenience, “Gay Discount” (Thunderbird Films)

Outstanding Performance Male
Joey Klein (Bobby) We’re Still Together (Achromatic Media)

Outstanding Performance – Voice
Linda Kash (Gina Falcone) Fugget About It, “Vagina’s Got Talent” (9 Story Media Group)

The members’ choice Series Ensemble Award went to Kim’s Convenience.

Joel Keller presented ACTRA Toronto’s 2017 Award of Excellence to Yannick Bisson.

The ACTRA Toronto Stunt Award was presented posthumously to Joel Harris. His widow, stunt performer Alicia Turner, accepted.

The newly-elected President of ACTRA Toronto Theresa Tova said, “Canada has been reflected by ACTRA’s professional performers for fully half of Canada’s 150-year history. Linda Kash, Joey Klein, Jean Yoon, Yannick Bisson, Joel Harris and Kim’s Convenience, and all the nominees, personify the extraordinary talent of our professional acting community.”

The 15th Annual ACTRA Awards in Toronto were presented at a live show and gala tonight at The Carlu. The show was hosted by Aurora Browne, Carolyn Taylor and Jennifer Whalen from the Baroness Von Sketch troupe with live music by the 11-piece Wintergarten Orchestra with singer and actor Ted Atherton. The evening sported a theme to honour Canada’s sesquicentennial celebrations.

The 15th Annual ACTRA Awards in Toronto were sponsored by: DIAMOND: Actra Fraternal Benefit Society, ACTRA National, ACTRA Performers’ Rights Society, ACTRA Recording Artists’ Collecting Society. PLATINUM: Bell Media, SAG-AFTRA. GOLD: CBC, CMPA, Deluxe, IATSE 873, Rhombus Media, Shaftesbury, United Steelworkers. POST-SHOW RECEPTION: eOne. SILVER: Cavalluzzo, Directors Guild of Canada (Ontario), RBC Royal Bank. BRONZE: Addenda Capital, Creative Arts Savings & Credit Union, Canada Film Capital and Entertainment Partners Canada, Don Carmody Productions, Frantic Films, Grant Thornton, HUB International, New Real Films, Serendipity Point Films, Take 5 Productions, Thunderbird Entertainment, TriBro Studios, Universal Promotions, Writers Guild of Canada.

ACTRA Toronto is the largest organization within ACTRA, representing more than 15,000 of Canada’s 23,000 professional performers working in recorded media in Canada. As an advocate for Canadian culture since 1943, ACTRA is a member-driven union that continues to secure rights and respect for the work of professional performers.

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TV Eh B Cs podcast 52 — Solving Murdoch

On Saturday, Oct. 1, Greg David of TV, Eh? moderated a series of panels during Unlock the Mysteries of Murdoch: The Ultimate Inside conference, held in CBC’s headquarters in downtown Toronto. Here is the second of three sessions we recorded, with Murdoch Mysteries star and executive producer, Yannick Bisson.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

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