All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.
Blackstone

Production begins on Season 5 of Blackstone

From a media release:

Prairie Dog Film + Television announces that principle photography starts this week on season five of the hit dramatic television series Blackstone. This authentic series continues to rip stories from the headlines and explore substantial issues such as the missing and murdered aboriginal women epidemic and the alarming number of child deaths in foster care, many of which are indigenous. The series shoots in Edmonton and the surrounding area until June 2015. Blackstone season five is slated to air on APTN in fall 2015.

Returning cast this season includes Carmen Moore, Eric Schweig, Michelle Thrush, Steven Cree Molison, Glen Gould, Justin Rain, and Tantoo Cardinal. Also returning next season is Jennifer Podemski, Cheri Maracle, John Cassini, Frank Cassini, Garry Chalk, Darrell Dennis, and Jessica Matten.

Blackstone is produced by Prairie Dog Film + Television, with Ron E. Scott as Executive Producer, Writer and Director, Jesse Szymanski as Co-Executive Producer, Damon Vignale as Writer/Producer.  The series currently broadcasts in Canada on APTN, in the United States on Hulu, in New Zealand on Maori Television, in Australia on SBS/NITV, and is internationally distributed by PPI Releasing.

Blackstone has been nominated for 75 awards, winning 26 including two Geminis, six Leo Awards and multiple Alberta Film & Television Awards.

Blackstone is produced in association with Aboriginal Peoples Television Network, the Canada Media Fund, with the assistance of the Government of Alberta, Alberta Media Fund, with the participation of Rogers Cable Network Fund, and with the assistance of the Canadian Film or Video Production Tax Credit.

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Featured, Reality, Lifestyle & Documentary

He Said/She Said: Are reality shows the scourge of TV?

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Join Greg and Diane every Monday as we debate what’s on our minds. This week: Are reality shows the scourge of TV?

He said:

My feelings for competition reality television shows, particularly in Canada, is two-fold. It’s easy to rip on this type of programming as trashy, invasive and stupid, but it’s here to stay. Ever since a little show called Survivor was launched in May of 2000, the television landscape was changed forever.

(Just to be clear, when I refer to reality television, I’m talking about competition shows, not programs like Survivorman, Mantracker, Emergency and programs of that ilk.)

Cheap to produce when compared to scripted series, reality television does appeal to a certain segment of the population that enjoys seeing others at their most vulnerable. For many, the chance to sit down and watch people struggle through their daily lives in a show like U8TV: The Lofters, seek out love on The Bachelor Canada or traverse this country and the world on The Amazing Race Canada is a guilty pleasure. And who am I to judge? I’ve covered countless seasons of reality series and there are a few that I genuinely love to watch and review. TAR Canada, Top Chef Canada, MasterChef Canada, Canadian Idol and Eco-Challenge are competition programs that I’ve enjoyed over the last several years, mainly because they appeal to the adventurer, chef and wannbe singer (if I wasn’t tone deaf) in me. I’m not alone; these shows are consistently at the top of the ratings charts.

I do, however, have a bit of an issue with the recent move of adding “Canada” to the end of an established U.S. product. It’s understandable to do this—the familiarity to the brand means a built-in audience will tune in—but it’s stripping some of the uniqueness away. I fear it will only get worse. The recent CRTC decision affecting independent production companies could mean an abrupt drop-off in new reality series that aren’t homegrown versions of international reality shows.

She Said:

I proposed this topic as “reality TV is the devil” and figured I’d go moderate and reasonable by explaining no, they’re just Satan’s minions.

But of course that’s an exaggeration. Except for that spate of morally questionable shows like Who Wants to Marry a Multi-Millionaire.

I remember watching Survivor with a roommate and thinking: does anyone buy that this isn’t shaped and edited into a ridiculous story? Never mind how disgusting I find the cynical anti-romantic mysogyny of “romantic” reality series like  The Bachelor (Canada), but does anyone not roll their eyes at the absolute cheesiness of the repetitively scripted and ridiculous rose ceremony?

The answer of course is mostly no. People enjoy the shows for a variety of reasons ranging from buying into them and loving them to hate-watching them, but many simply find them entertaining and also realize there is some kind of overlord shaping the story we’re seeing, just like any other television show. When the Writers Guild of American started vocally unionizing reality TV writers, it began to be hard to deny there was a story being scripted, and the reality being presented bore no resemblance to reality. Canada’s Smartest Person is not Canada’s smartest person. Canada’s Worst Driver shouldn’t get 15 minutes of fame.

I’ve gotten sucked into some reality competition series (current addiction: The Voice, and I watched a season of Battle of the Blades avidly). I’ve defended some like Dragons’ Den against podcast cohost Anthony Marco’s accusation that they are all based in schadenfruede — wanting to see others fail.

Some reality series are good natured, some are mean spirited, some are ethically dubious. My main objection is I like my fiction to know it’s fictional. But I’d go even further than competition reality shows being the scourge of TV and say it’s been the scourge of the Internet. In the early days of that kind of television, discussion forums struggled with how to enforce “no personal attacks” with free discussion of the characters in a show. When the line between human being and ridiculous TV character blurs, where does our humanity toward the person go? Out the window of course.

That occupies only a small part of my hatred though. For the most part my hatred for reality shows is based on them taking up space on my dial, taking up space in Canadian broadcasters’ CanCon allotment where a good scripted series could be, and the fact that my taste doesn’t rule the airwaves, because reality shows often beat the ratings pants off of a good scripted series.

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Children's Programming

Family Channel greenlights Season 4 of The Next Step

From a media release:

Following last week’s DHX Television rebranding announcement, which emphasizes a mandate to build on the success of the company’s strong original production slate, Family Channel has revealed its plans for a fourth season of the popular tween drama The Next Step. The commissioning decision for the series, which currently ranks as the #1 kids television series airing across all Canadian kids networks1, follows the mid-season finale of the third season and the conclusion of the sold-out two-month, cross-country The Next Step Live on Stage tour. Production on the season four order, from Temple Street Productions, is set to begin this summer in Toronto.

Since its premiere in March, season three of The Next Step drew in an impressive average audience of 281,400 viewers2, weeknights at 7:30 p.m. ET/PT, making it the #1 series across all specialty networks for the three weeks of premiere episodes, with its target demos of kids 7-11, 6-12 and kids 8-14.3 On average, 479,000 unique viewers tuned-in to The Next Step each weeknight, and the third season has reached over 1.8 million Canadians to date.4

The Next Step follows the lives of an elite group of dancers who train at The Next Step studio. The first half of season three saw the dancers compete against rival studio, Elite, and each other, in order to secure a spot on the Internationals team. Thursday night’s finale brought even more twists and turns as viewers were introduced to Ella (Ella Gilling), a mischievous exchange program dancer from England, and Amanda (Logan Fabbro) was sent packing. Episodes of The Next Step currently air Fridays at 7:30 p.m. ET/PT on Family.

Commissioned by Family Channel, The Next Step is produced by Temple Street Productions and is executive produced by Frank van Keeken (Wingin’ It, Kids in the Hall, Billable Hours), Ivan Schneeberg and David Fortier (Orphan Black, Being Erica, Wingin’ It). BBC Worldwide has acquired international distribution rights. The Next Step is also produced with financial assistance from The Shaw Rocket Fund.

 

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Featured, Masterchef Canada

Review: Losers return to MasterChef Canada

I don’t like it when reality shows bring eliminated contestants back to win their way onto the program. To me, if you have been cut, you weren’t good enough in the first place and don’t deserve another chance. And you certainly don’t deserve another shot at winning the MasterChef Canada title and $100,000 over someone who has been in the trenches every single week.

So I went into Sunday’s latest episode, “Walking on Eggshells,” with a bad taste in my mouth. To me, Andrew, Cody and Kevin were nothing more than a dramatic twist that didn’t need to be there. This season has been filled with enough twists to keep me interested, so why this overkill? Regardless of my thoughts, the trio competed in the first challenge of the week, to prepare the perfect egg three ways.

The judges didn’t make things easy on Andrew, Cody and Kevin—they had just eight minutes to make a three-egg omelette, poached egg and soft-boiled egg—and the trio sweated it out. Kevin, who always seems to be a bit of a bull in a china shop in the kitchen, broke his poached egg yolk and was out of the running early, leaving the door open for Cody and Andrew. Cody ultimately won a spot back in. I won’t spend any more time whining about it.

Instead, I’ll spotlight Cody’s bonehead move of giving David a pass for the week. He is one of the strongest chefs in the kitchen and instead of making him battle, Cody let David off easy. Armchair David indeed. I understand Cody’s reasoning of putting David up there so he’s not competing with him, but he’ll have to face David sooner or later.

As for the rest of the finalists, they had an almost insurmountable task in recreating a sea scallop mousse. I’m sorry, but how can the judges expect the home cooks to master a dish that Michael Bonacini messed up the first few times he tried to construct it? Making things worse for herself was Jennifer, who forgot to grab eggs from the pantry. Kudos to Michael for taking time out to talk her off the ledge, but she had a tough road ahead of her. And yet she pulled it off by using a roux to thicken the custard and snagged a special nod from the judges.

Jon’s double shot of whipping his mousse too much and leaving a chunk of lobster cartilage in the finished dish put him firmly in the bottom next to Cody and his chunky mousse and Michael’s puddly creation. Jon’s two mistakes were enough to send him home and keep Cody in the competition.

Notes and quotes

  • “I’d rather cook what lays the eggs.” — Kevin
  • “It’s one of the most attractive poached eggs I’ve seen.” Uh, thanks Alvin.
  • I love that the finalists refer to David as “Armchair David,” because he’s always in the gallery watching others compete.
  • “I don’t get a mousse. Why would you do that to food?” Amen, Jon. Amen.
  • Does anyone have time to sit in that little library/study at the back of the kitchen?

MasterChef Canada airs Sundays at 7 p.m. ET on CTV.

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