All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.

Marblemedia begins production on YTV’s Drive Me Crazy

From a media release:

Corus Entertainment’s YTV, Canada’s leading entertainment brand for kids, announced today that it has commissioned a new live action series called Drive Me Crazy (working title), produced by award-winning content creator marblemedia (Japanizi: Going, Going, Gong!, Splatalot) in association with Proper Television (Canada’s Worst Driver). The 20 x 30-minute series is currently casting for contestants and will launch in 2016.

In each episode, rookie tween/teen drivers are put through a fun-fueled driving course. In order to pass this driving test, contestants need a family member to teach them the ways of the road. Together, each team faces every driving challenge imaginable, all with the hopes that the driver will get the coveted keys to the family car. The series delivers an entertaining and unfiltered glimpse into what really goes on behind the wheel when a parent teaches their child how to drive.

Drive Me Crazy will be executive produced by marblemedia’s Matt Hornburg and Mark Bishop along with Guy O’Sullivan of Proper Television and Steve Sloan. marblemedia’s Vice President, Kids and Family Miklos Perlus, will serve as Co-Executive Producer and Kirsten Scollie will act as Line Producer.

The series is inspired by the UK format Driving Academy, which was originally produced by Lucky Day Productions (a Zodiak Media company) and aired on CBBC. marblemedia will lead the development of an interactive extension for the series and its distribution arm, Distribution360, will split territories with Zodiak Media. Additionally, the series has received funding from the Shaw Rocket Fund.

Drive Me Crazy is currently casting tween/ teens and their family members. The deadline for casting applications is August 1, 2015.

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Link: ‘Between’ Returning For Season 2 On Netflix (and City)

From Denise Petski of Deadline:

‘Between’ Returning For Season 2 On Netflix
Netflix’s Canadian thriller Between has been renewed for a second season. Star Jennette McCurdy tweeted the news today.

Between_SS

The survivalist thriller series was created by Canadian writer/director Michael McGowan (Still Mine). It tells the story of a town under siege from a mysterious disease that has wiped out everybody except those 21 years old and under and chronicles the power vacuum that results when a government has quarantined a 10-mile diameter area and left the inhabitants to fend for themselves. Continue reading.

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Amazing Race Canada’s Jon Montgomery teases Season 3

Twisted ankles, wrenched joints and mild concussions are always a threat during an intense leg of The Amazing Race Canada. But show host Jon Montgomery acquired one in the most unlikely of places: the editing suite.

The Olympic gold medal winner and now-veteran host of CTV’s summer competition series—returning tonight—recently got his right thumb sandwiched between the telescoping parts of an office chair while doing voice-over work on future episodes. The swollen digit didn’t dampen Montgomery’s enthusiasm for TAR Canada‘s journey across the nation and selected countries around the world; the return bursts out of the gate in Quebec City before the 12 teams jet to Toronto for falls and tomfoolery at TSN’s headquarters.

“Every time I’m in Quebec City, I grow a little bit more fond of it,” Montgomery says from Bell Media’s downtown Toronto headquarters. “My first experience there was as an amateur athlete and Quebecers embrace that. They celebrate their athletes like nobody’s business and celebrate being outside and being part of a community. This trip I learned that the oldest patent in Canada was awarded just down the street from the Chateau Frontenac for a washing and pulling machine.”

Those history lessons, especially regarding Canada, have been an integral part of The Amazing Race since Montgomery yelled “Go!” at contestants in Season 1. This season’s group of teams are once again racing for the chance to win a $1 million grand prize, and it doesn’t take long for several pairs to make an impact. Hamilton, Ont., brothers Gino and Jesse are charming, funny and focussed; Newfoundland cops Dana and Amanda hearken back to Olympic hockey players Natalie Spooner and Meaghan Mikkelson; pro wrestlers Nick and Matt have the bulk to own physical challenges; and Max and Alias are perhaps the best-looking of the bunch.

We got Montgomery to weigh in on four teams that look like early favourites:

Nic and Sabrina
“Real smart and real physical. He’s a former professional soccer player and they’re really both quite bright. They have language abilities on their side. They both speak French and English, Fringlish, Italian and Fritalain and other language combinations that help with linguistic challenges. A team to watch out for.”

Hamilton and Michaelia
“Hamilton’s sexuality is just a part of who he is as an individual and not what he is. I love those two. They are the youngest competitors on the show and are so cute. Their relationship is beautiful. I think they will resonate with Canadians on a few levels given what we learned from Caitlyn Jenner. It’s not that transgender is new, it’s just that the exposure in mass media is new.”

Nick and Matt
“I love those guys! Pro wrestlers and Nick is a Grade 6 teacher! If he was my Grade 6 teacher, just with the beard I’d be intimidated. It looks like he draws it on every morning. Those guys know how to challenge each other and push each other and get the most out of one another because they do it every day.”

Dana and Amanda
“They are physically strong and mentally strong. They come from a strong lineage of people who serve and protect the peace in Newfoundland. They are gamers. They are full-on. They push themselves to their physical limits.”

The Amazing Race Canada airs Wednesdays at 9 p.m. ET on CTV.

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Interview: Lost Girl’s Emmanuelle Vaugier drops by Mistresses

Emmanuelle Vaugier considers herself lucky. The Vancouver native has had the opportunity to play very different roles on projects north and south of the border whether it be The Morrigan on Lost Girl and cop Gabriela Del Toro on Republic of Doyle or Mia on Two and a Half Men and Det. Jessica Angell on CSI: NY.

Her latest role? Portraying Niko, a mixologist in a handful of episodes of Mistresses. Vaugier dished on her Mistresses gig, moving behind the camera and saying goodbye to Lost Girl for good.

The press release says you play Niko, ‘a tough and sexy mixologist at Wunderbar who becomes a thorn in Joss’ (Jes Macallan) side.’ Can you give me some more details?
Emmanuelle Vaugier: She’s a mixologist, so she’s at the top of her game. She has four tattoos. We don’t know much about her past going in. There are things that you discover about her that I can’t reveal that will come out later in an ‘Oh my God!’ moment. It was an ‘Oh my God’ moment for me too because I didn’t realize it until the episode script was on my desk. She’s dark, edgy and is used to getting what she wants and she’s set on getting Harry [Brett Tucker]. And that’s a problem for Joss.

Obviously a spot on a show’s regular cast is ideal, but does part of you enjoy dropping in to guest star on shows like Mistresses where you get to play in someone else’s sandbox for a bit?
Absolutely. It means that I can come in and am there for a short period of time and have fun. Then I leave and pick up a new character and do something new. However, the sense of being on a show and being there for the duration and being a series regular definitely has its upside. There is a family feeling and being in it for the long haul.

Could Niko return to Mistresses?
It’s left open-ended. It’s possible.


I’ve made lifelong friends on that show. That part of it sucks, letting go of that, but we had a good run.


You’ve been in lots of projects both north and south of the border. You’ve starred in genre projects like Lost Girl and Smallville and conventional stuff like Two and a Half Men and CSI: NY. It’s been a very exciting and varied career so far.
I’ve been very lucky that way. I’ve gotten to play a lot of different roles in different genres and a lot of actors don’t get to do that. There are more things that I do than others, but I’ve been blessed. It keeps things interesting and fun for me and keeps the creative juices flowing.

You were great in Republic of Doyle playing a Mexican detective.
[Laughs.] I remember having a conversation with Allan Hawco on the phone. I said, ‘Sooooo, how tied to the accent are you?’ I’d never done it and I knew it was going to be a challenge. We hired a dialect couch and really worked at it because it wasn’t an accent that was in my repertoire. In the States, if they want someone who is Latina, they hire a Latina and not me even though I look it. In Canada it’s different.

Let’s go from in front of to behind the camera. Do you have a hankering to write, produce and direct your own stuff?
I want to do more of that. Directing, not so much. But producing … I love the business side of things. I do have a passion and knack for that and I’d love to learn more about that process. Writing is something that terrifies me. I need to take a workshop or something. People say, ‘Well, just write.’ And I’m like, ‘But I feel like a dumb ass. I don’t know.’ I have all these books that I’m looking at and I’m coming up with all of these ideas with friends. It’s a process, but it’s a lot harder than people think. I don’t know what I’m doing, but I’m going to learn.

Lost_Girl

You’re very active on Twitter.
It’s really nice to have that direct access to your fans and be able to tell them what you’re doing and promote your career that way as well as having that human presence instead of being this person they see on television. They actually have a dialogue with you … jokes a sent around and moments are shared. I do a lot of conventions on my downtime thanks to Lost Girl and I’ve been able to meet people on Twitter in person, which is great.

Tell me about your charity, The Fluffball.
I’ve always been a huge animal person, and when it came to giving back and doing something for the community my thing was animals. I created The Fluffball and what we do it throw an annual cocktail event to benefit a different rescue organization every year. This year it’s The Animal Hope and Wellness Foundation, based in Los Angeles.

What have you got coming up that you can tell me about?
I just finished a movie in Victoria called Stranger in the House. And then Sept. 6 the final season of Lost Girl starts on Showcase.

How do you feel about the end of Lost Girl?
It was one of those special shows where the cast all got along really well. We hung out, we still see each other and keep in touch. Whenever one of us is in Toronto or L.A. we always make a point to get together and hang out or make dinner, drink wine and catch up. I’ve made lifelong friends on that show. That part of it sucks, letting go of that, but we had a good run.

Mistresses airs Thursdays at 9 p.m. ET/PT on CTV.

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Preview: The Weapon Hunter blows history away

The best history lessons are those delivered with enthusiasm, excitement and, hopefully, without textbooks. That’s certainly the case of The Weapon Hunter, T+E’s latest series starring rock promoter/actor/military enthusiast Paul Shull, who traverses the globe on the hunt for the weapons and munitions that shaped the world.

Debuting Tuesday, the six-part series from Cream Productions (Wild Things with Dominic Monaghan) tracks Shull into the hills of B.C., where he meets friend Brook, who is in the final stages of completing a 1940s Achilles Tank Destroyer. After logging thousands of hours on rebuilding the rare piece, Brook needs a brake pad so the beast can roll in a Veteran’s Day parade.

Enter Shull, whose journey takes him to a Vancouver basement to pick through 40 years of collecting by a man named George; his collection of Second World War items includes helmets, uniforms and a rare Liberator gun that was dropped by the Allies into France to arm the Resistance. Then it’s on to Los Angeles to a seven-acre military outpost called Tankland. Still without a brake pad for Brook, Shull jets to Big Sandy, Arizona, for a machine gun shoot where he tries out a Browning machine gun and Pak 40 German anti-tank gun. The latter, a monstrous affair that shakes the hillside when it goes off, nets the following comment from our host:

“It’s like someone inserted a firecracker into my sinus cavity.” And it’s exactly that kind of remark that makes The Weapon Hunter such entertaining TV.

The program is a fascinating and immersive history lesson blending old war footage, choppy animation and Shull’s charm. The man with unique facial hair has a curiosity that comes through the screen; he loves this stuff and asks all the right questions to get interesting stories and tales out of his interview subjects.

Shull finds that elusive tank part for Brook, and discovers a lot of other cool stuff along the way.

The Weapon Hunter airs Tuesdays at 9 p.m. ET/PT on T+E.

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