Everything about Featured, eh?

City: Bland name, brand comedy

It was a dark day in Canadian TV when Citytv cancelled Murdoch Mysteries back in 2011. Five seasons is a long run for any show but with ratings and creative juices still fresh, the decision seemed like part of that eternal mystery: why are Canadian series so expendable?

Rogers executives grumbling about the cost of producing original series pointed to one possible answer. Their then-recent purchase of the FX brand seemed like another. Canadian broadcasters like to spread their original programming across all their channels to cheaply fulfill CanCon requirements, but Murdoch and FX went together like peanut butter and purple. Luckily, CBC stepped in to the rescue and Murdoch continues on its merry ratings-grabbing way there.

Fast forward four years and City — as they’re now simply known, in a branding move I have to assume was to make themselves entirely un-Googleable — has a small new slate of original programs with a definable tone.

They define that tone as “intensely-local, urban-oriented, culturally-diverse television programming.” Um, sure. [P.S. -ly adverbs don’t take hyphens after them. Signed, Intensely Grammatically Nerdy.]

Forget about the odd OLN series such as The Liquidator that pop up on the mothership network — for their first-run series, City seems to be carving out a niche in comedy.

Now I’m not saying all their comedies are winners, or that their scheduling and marketing were stellar, but the two seasons each of Seed and Package Deal were valiant attempts to fulfill the urban-oriented part of that brand verbiage, anyway. Before they claim “intensely local” and “culturally diverse” for their scripted series, instead of their programming as a whole, they should probably be more blatant about setting and have cast photos that aren’t exclusively or predominantly white but … quibble.

This season, City seems reborn with the delightfully off-centre Sunnyside and Young Drunk Punk out of the gate, and a partnership with CBC that will have them airing Mr. D after it’s been on the public broadcaster. They don’t seem to be ponying up more money for original programming, but a focus on half-hour shows and partnerships gives them more to spread around, at least, while remaining focused on their brand.

So with my rose-coloured, intensely urban glasses on, City seems determined to prove that Canadian comedy isn’t dead – despite what some people say. Now all they need is for one of their brand-name shows to be the kind of hit they had with Murdoch Mysteries.

Facebooktwitterredditlinkedinmail

Comments and queries for the week of Jan. 23

Is it my imagination or is Schitt’s Creek actually the same set as Little Mosque‘s town of Mercy!?  The town hall looks like the mosque. The diner looks like the same diner Fatima ran.—A

It may look familiar, but while Little Mosque was filmed in and around Regina, Schitt’s Creek‘s external shots were filmed in Goodwood, Ont., about an hour northeast of Toronto. Creek‘s sets are in Pinewood Studios in Toronto.

I’m getting about 100 new emails from TV, Eh? a day. Is there any way to just get one daily digest of them all?—Steve

Hey Steve, yes you can! Sign up here and you’ll get a daily email of the top stories and links from the website.

Meanwhile, a couple of readers—Kate and Heather—were wondering how they could get their hands on DVD copies of Cracked. What I thought would be an easy answer isn’t. In the U.S., Season 1 of Cracked lists the first seven episodes of the 13-episode season in a package being sold as Cracked: What Lies Beneath through the BBC store. There is another version of Cracked Season 1 available, but it doesn’t contain an episode list so I’m not sure if they’re all in that set.

If you don’t mind not owning Cracked on DVD, you can stream both Season 1 and 2 via CBC.ca. I checked the links and they work … if you live in Canada. It’s also available on Netflix Canada.

Pretty sure the only mention of Joel’s father [on Saving Hope] was earlier this season when Joel headed to New Zealand for his fifth wedding … and that marriage is already failing. Looks like Joel is so afraid of turning into his father that he actually is, in a way. 

At the moment it’s show vs. tell with Joel and Charlie. Joel says he wants to be there for the baby if it’s his, while Charlie is setting the bar fairly high. Loved Charlie and Henry. Couldn’t figure out who Henry was, that was a good twist.

Looks like next week will be huge. The possible ‘revealing’ moment I’ve been expecting for a long time now. Can’t wait!—Hallie

 

Got a question or comment about Canadian TV? greg@tv-eh.com or head to @tv_eh.

Facebooktwitterredditlinkedinmail

Preview: Four Senses continues tasty TV recipe for AMI-tv

There have been changes both in front of and behind the scenes at Four Senses, but the show’s main recipe has stayed the same.

Season 2, returning tonight on AMI-tv, continues with blind MasterChef winner Christine Ha and sighted Top Chef Canada champ Carl Heinrich at the helm. The program once again features embedded description, with Ha, Heinrich and their guests—tonight Barenaked Ladies frontman Ed Robertson—describing their actions for viewers who are blind or partially sighted. (Future guests include Frank Ferragine from BT Toronto, chef Bonnie Stern, Canadian Living food director Annabelle Waugh and Looneyspoons’ sisters Janet and Greta Podleski.) And everyone continues to create wonderfully tasty dishes.

As for the changes, the biggest is the setting for Four Senses. Instead of filming in a slapdash arrangement in downtown Toronto, Varner Productions decamped to Pie in the Sky Studios in East York. The spot enabled them to create a more effective studio kitchen tricked out by bright colours and a more cozy environment. The on-screen relationship between Ha and Heinrich has grown in this sophomore season as well. Any first-year jitters they had are gone and the culinary duo have developed a witty, entertaining repartee that oozes fun.

Another new ingredient to the show finds Ha and Heinrich hitting the road for on-location shoots. Friday’s return plants Heinrich in Enniskillen, Ont., where he visits Eric Baldwin, owner of Gallery on the Farm, a family run cattle farm. That provides an important farm to table link to Heinrich’s main dish during tonight’s “Roasted and Toasted” episode: a braised hunk of beef. Heinrich, Ha and Robertson all take turns serving as sous chefs while creating the beef, Ha’s side dish of roasted potatoes and Robertson’s awesome-looking chocolate chip studded banana bread.

Four Senses may offer description for those blind and partially sighted, but it’s a also a first-rate cooking show for anyone interested in making healthy, tasty meals. Now if you’ll excuse me, I have some banana bread to make.

Four Senses airs Fridays at 4 p.m. ET/PT and 7 p.m. ET/PT on AMI-tv.

Facebooktwitterredditlinkedinmail

Top 5 reasons to be optimistic about Canadian TV

The days are getting longer, but they’re still pretty damn short. Spring with its warmer weather feels like a distant mirage. And there’s always something to complain about in Canadian television. But there are some hopeful signs this winter season:

  1. CBC is out of the gate this winter with fine ratings. Phew. Their newcomers Schitt’s Creek and The Book of Negroes found an audience, while returning favourites like Murdoch Mysteries continue to earn lots of eyeballs.
  2. Funny ha ha. City has launched two delightfully off-centre comedies in Sunnyside and Young Drunk Punk, and with them and CBC we now have a nice complement of the Canadian comedy old guard on our screens (Eugene Levy, Catherine O’Hara, and Bruce McCulloch) without simply trying to recreate the good old days.
  3. Please sir, can we have some more? Global’s got Remedy, the possibly-in-its-last-season Rookie Blue and … ummm … not a lot else coming up for original series. So they must have an announcement coming sometime soon about what else is up their sleeve. Right?
  4. 101 nights of awards. OK, the Canadian Screen Awards have only four nights of awards, but now that sounds like nothing right? What better than the recently announced nominations to keep us chatting through the winter about who was snubbed, why there’s a separate category for Best International Drama that doesn’t include any international dramas that aren’t Canadian, and why Tatiana Maslany wasn’t just nominated for all five slots under best actress in a drama. The broadcast on March 1 will be hosted by Andrea Martin — another Canadian comedy legend — or at least they will be if she shows up this time.
  5. Jay Baruchel knows how to fix Canadian comedy. He says give CBC more money (yes!) and get rid of the old boys club who “regardless of the quality” keep getting jobs. It’s an uncomfortable position for me, defending old guys, but I’m not entirely sure who he means, or who we can blame when relative newcomers’ shows tank. Canadian TV executives or marketers? Maybe, but I’m not sure how many of them have successful original programming in their job performance plans, and many of them are not boys. Still, it can only help when a homegrown celebrity is passionate about improving our homegrown industry. I mean, it might be better if he wasn’t getting lauded for starring in an American show while advocating for Canadian content, but baby steps.
Facebooktwitterredditlinkedinmail

Review: Saving Hope delves into the past

I’ve always been interested when a background component to a major character gets introduced on a television show, more often than not creating a major shake-up from the norm. For Wednesday’s Saving Hope, that concept involved two different characters, one major and one minor. Joel had to come face to face with the father he resents to his core, while Sydney–who hasn’t gotten much central storyline time so far this season–had to face a crush from the past whose life she meddled with. In the end, both characters ended up uncovering something about themselves that will be sure to shape the show as the season progresses.

Since I haven’t seen every single episode ever made of Saving Hope, I’m not completely aware whether the story of Joel’s father has ever surfaced before. But if his dad has been introduced it didn’t matter much, since viewers were given a lovely little rundown of the fact that Joel’s dad left his mom, that his dad is a little bit of a male cougar and that Joel’s resentment ran deep for the guy. So when his father collapsed and Joel found out his dad had been using his very own body to experiment with stem cell research, I knew it was going to be a moment that either brought the two closer together–as tragedies tend to–or helped Joel realize something deeper in his life. It turned out the latter, as he was finally able to admit to Alex that he was terrified of turning into his father but really wanted to be there for the baby. You could see in Alex’s eyes how much the declaration meant to her, and although the two didn’t seem too lovey-dovey it was a milestone moment.

The other character whose backstory came into play was Sydney, on the scene to help a couple with complicated pregnancy problems and instead had to deal with the wrath of an angry ex. I was surprised at first that Alex and Maggie never pressed Sydney to find out why she and the patient, Marion, had so much beef. But when it was finally revealed at the end of the episode that Sydney basically came out to Marion’s parents on her behalf, my heart went out to the poor, pregnant lady. I won’t judge Sydney for poor decisions at 17, but I still can’t imagine having that taken out of your control and did understand why she’d still be sour grapes knowing Sydney would be the one to deliver her baby. In the end, the two were able to get over their differences (next time someone’s mad at me I’m using the lullaby approach), but further opening up about her past brought Maggie and Sydney together as the two ended up hooking up. It’s certainly been a long time coming, so I’m relieved to see the writers address the sexual tension between the two.

While those two storylines were unfolding, Charlie had his own hospital drama to deal with after a sweet old lady, Iris, came in with some suspicious bone fractures. Elderly abuse isn’t something that’s talked about much, so I was already pretty happy Saving Hope decided to tackle a storyline about it. I was even more content that the storyline instead focused on Iris’ grandson, Cameron, and his mental illness that was going untreated. It made me feel better knowing Cameron had probably thought he’d been helping his grandma the whole time by feeding her his drugs, and that he and his grandma were still there for each other at the end of the episode.

The sweetest side story of the night, however, came as Charlie met the “kinda awesome” spirit of Henry, a little boy who couldn’t find his body anywhere. The kicker? After joking about dying and not knowing, it turned out Henry had died and his organs had helped saved the lives of many other children. I actually almost teared up as Charlie told Henry he “did the most amazing thing anyone can do” by being an organ donor. But not only did viewers take notice of his behaviour around the children who’d received Henry’s organs, but we caught that glimpse of Alex looking onward with a smile on her face. They may not have directly addressed it this episode, but it’s gotta be nice for Alex knowing that whoever’s baby it is, it’ll be in gentle, trying hands.

Notes

  • Great directoral work from Rookie Blue‘s Gregory Smith on this one.
  • Anyone else able to spot the Royal York hotel during those scenes with Joel and his dad?

Saving Hope airs Wednesdays at 10 p.m. ET on CTV.

Thoughts? Hit us up in the comments below or on Twitter via @tv_eh.

Facebooktwitterredditlinkedinmail