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TV, Eh? Industry Update: Canada AM, CRTC, Short Film Face Off, and more

Canada AM will not die…for now

On February 2, 2012, Medium Close Up blogger Howard Bernstein mentioned a rumour that CTV’s national news morning show, Canada AM, will be cancelled. The local CTV Morning Live format currently graces CTV stations in Vancouver, Calgary, Edmonton, Saskatoon, Regina, and Winnipeg. In addition, CTV Morning Live airs on CTV Two Ottawa, and CTV Two Atlantic in Halifax.

On February 14, 2012, CTV News Senior Communications Manager Emily Young Lee tells me that Canada AM will remain on CTV News Channel, as well as CTV stations in Ontario, Quebec, and “Eastern Canada.” According to Lee, there are currently no plans for cancellation.

A Vancouver edition of Canada AM was floated on January 28, 2008, and cancelled on June 6, 2008. Canada AM was still seen on western CTV stations, until CTV Morning Live‘s 2011 installation. Canada AM has been a CTV fixture since September 11, 1972.

Corus earns Harmony licence from CRTC

On February 14, 2012 (Valentine’s Day! cute), Corus Entertainment received CRTC approval to launch Harmony. The digital cable service is “devoted to romance, love and relationships,” so…yeah. A Corus channel aimed at women. Rare.

A rumour, floated by viewers.ca, is that either Hallmark Channel Canada or ABC Spark will launch under the Harmony licence. This isn’t uncommon in Canadian television – TV Land Canada was originally Retro Channel, while Nickelodeon Canada airs under the YTV OneWorld licence.

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TV, Eh? Industry Roundup: bold, Isabel, TVA and more

Sunshine Sketches get bold

Under “things we screened on one channel before their ‘real’ debuts,” the 2012 Sunshine Sketches of a Little Town TV-movie aired on CBC cable channel bold at 7:00 PM ET on February 10, 2012, two days before its premiere on CBC Television.

Shaw Media’s Mystery TV previously debuted XIII: The Series ahead of Showcase. The Guard and Shattered also premiered on Mystery TV, ahead of Global.

I’m not sure if this is the first time a secondary CBC cable channel has undermined the premiere on a main program service, but the parallels are the same. Mystery TV and bold are both lower-tier outfits with sketchy remits – bold is supposed to be Country Canada, yet hasn’t bothered to stick to its original terms of licence since CC’s 2008 rebranding.

CBC periodically attempts to make something of bold. This usually amounts to a botched awards ceremony, and British shows most people don’t even realize bold has. Airing Sunshine Sketches ahead of CBC Television is par for bold’s boundary-pushing, cutting-edge, The Wilkinsons-rerunning course.

Jojo Chintoh finds Love, Later in Life

VisionTV will air Jojo Chintoh’s new documentary, Love, Later in Life, February 14, 2012, at 8:30 PM ET/5:30 PM PT. Chintoh, a gravel-voiced crime reporter and documentarian, worked at Citytv from 1978 to 2010.

Love, Later in Life is about people who fell in love after 45, in keeping with the older demographic VisionTV currently courts. Chintoh himself was born circa 1944. As a documentarian, Chintoh’s best known for 1985’s Down and Out in Parkdale, which earned a Gemini nomination in 1986 (Best Writing in a Documentary Program or Series.)

Love, Later in Life also airs on The Brand New ONE, thirty minutes before its VisionTV screening. The Brand New ONE and VisionTV are owned by Moses Znaimer’s ZoomerMedia.

NBC caught in Charlotte’s Isabel‘s Web

Recently, The Hollywood Reporter posted a roundup of new American pilots. The entry of interest to TV, Eh? readers: NBC’s Isabel, a loose adaptation of 2000s Radio-Canada sitcom Le Monde de Charlotte. Le Monde de Charlotte won nine Prix Gémeaux – the French-Canadian version of the Gemini Awards – during its run.

This isn’t the first time a French-Canadian show has been refitted for an English-speaking audience (hi, Sophie and Rumours), or the first time a Canadian show has been adapted for the American market (hello, Being Erica.) According to cyberpresse.ca, the English version of Le Monde de Charlotte was originally in development for ABC, but found a home on NBC.

One of the show’s executive producers is Howard Busgang, whose recent credits include 2005-06 CBC hockey sitcom The Tournament, 2011 Showcase misery-com Single White Spenny, and 2008-09 CBC sitcom Sophie. Kevin Nealon and Alex Désert are the most recognizable names currently attached to Isabel.

CBSC crosschecks La série Montréal-Québec

The Canadian Broadcast Standards Council recently found TVA in violation of a few Canadian Association of Broadcasters rules – in particular, those relating to viewer advisories and ratings classifications. The offending show is La série Montréal-Québec, which aired at 7:30 PM on January 16, 2011.

TVA was in fault of Article 4 of CAB’s Violence Code, plus Clauses 10(a) and 11 of the CAB Code of Ethics. La série Montréal-Québec pits two hockey teams against each other, mimicking the Montreal Canadiens/Quebec Nordiques rivalry. Sports are exempt from CAB classification. Unfortunately for La série Montréal-Québec, it is a reality show with sport elements.

For future airings of La série Montréal-Québec, TVA must either air the show within the watershed hours of 9:00 PM-6:00 AM, or edit the show for pre-watershed use. The moral of this ruling? A reality show where people play sports is not a sport in itself. English Canada should keep that in mind, if it makes an edgy Canadian version of Battle of the Network Stars.

9 Story takes over Camp Lakebottom and Vivi

9 Story Entertainment announced its takeover of Skywriter Media and Entertainment Group’s Camp Lakebottom and Vivi, on February 13, 2012. 9 Story now handles production and distribution on the two shows. Camp Lakebottom will air in Canada on Teletoon, while Vivi will air on TVOntario.

This isn’t 9 Story’s first property assumption. Arthur, a longtime CINAR/Cookie Jar co-production with WGBH Boston, jumped ship to 9 Story after fifteen seasons. Nelvana and 9 Story co-produced both the fifth season of YTV’s Jacob Two-Two, and the third through fifth seasons of Treehouse’s Max and Ruby (with Silver Lining Productions.)

9 Story Entertainment has also lost a property. 9 Story produced the first seven episodes of YTV/The Hub’s Pound Puppies (2010- .) 9 Story was replaced by Studio B Productions/DHX Media Vancouver, which caused an eight-month delay between new episodes in America. While animation production company shifts aren’t uncommon in North America, 9 Story is responsible for a lot of them. 9 Story’s the Canadian equivalent of Titmouse.

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Director Tim Southam on getting into bed with good ideas

From studying economics, philosophy, literature and political economy in university and working in magazine ad departments, to writing and directing in television and film on both sides of the border, Tim Southam‘s diverse career has helped him mine some of his favourite themes. Highlights include The Bay of Love and Sorrows, Drowning in Dreams, One Dead Indian, Trudeau: Maverick in the Making, as well as directing for series such as Flashpoint, Rookie Blue, House and Bones. He answered a few questions recently about his career through a Canadian lens:

Some of the current Canadian series you’ve directed include Rookie Blue, Haven, Flashpoint – any highlights (or dirt) to share about working on those?

Flashpoint and Rookie Blue are great examples of pan-North American thinking in Canadian TV production, and of a real home-grown confidence about the kind of story that can appeal to audiences around the world. We’ve had this confidence for a long time in movies and documentaries, and we’ve always known that we had the skills and imagination to do it in series TV. It’s just harder in series because of the sheer scale of the enterprise. Witnessing the producing and creative tour-de-force that put us in this position has been exciting.

Haven is less explicitly home-grown than Flashpoint or Rookie Blue, but it is an example of our ability to work the genre card to a fairly exacting level and then play convincingly to a niche audience worldwide. All three shows know exactly what they want to be. For a guest director this is a critical factor in delivering a strong result. You want a capable production team that can state clearly what it’s going for, and one that’s confident enough to trust the director to deliver it. All three shows have these qualities.

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Sunshine Sketches of a Little Town “a game changer”

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You have to expect people involved in a TV show to sing its praises to the media. But when someone who’s not doing a press junket is moved to reach out to me about a project, my skepticism drops a little. And when I see a screener of the project that confirms its worth, I ask if I can quote him singing its praises.

OK, it’s now happened once, so it might be too early to call it a trend.

Peter Keleghan is one of the huge ensemble cast bringing to life the reimagining of Sunshine Sketches of a Little Town, tonight on CBC. In his words:

“My rose colored glasses were broken so I think I’m right in saying it’s one of the best things I’ve seen in years. Seriously. It might be one of the consistently best entities of writing, directing, editing, laughs, cries, etc. I’ve ever been involved with. Knowing it was a labour of love when we shot it; we all thought it was going to be great. We may have underestimated it. I’m not one for hyperbole (except for today I guess!) but I think it’s a game changer for Canadian TV.”

I won’t place bets on game changing in a slash-the-CBC mentality era, but Sunshine Sketches of a Little Town feels like the perfect story at the perfect time on the perfect network.

Keleghan also pointed out a couple of highlights to look out for: Keshia Chanté’s anachronistic version of Burton Cummings’ “I’m Scared” and Colin Mochrie’s mug to the camera, which made it into the final cut.

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