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The Next Step dances onto Family for Season 3

nextstep

From a media release:

As the cast of The Next Step prepares to take the stage for the first stop of its sold out national tour, Family Channel is pleased to announce the fan-favourite Canadian original series and recipient of multiple Canadian Screen Award nominations will return for its third season on Monday, March 16 at 7:30 p.m. ET/PT. Leaping back on to the small screen with a special one-hour premiere episode, the compelling dance-drama produced by Temple Street Productions follows the highs and lows of an elite group of dancers as they balance the pressures of competition with the trials of growing up. Following the season premiere, new episodes of The Next Step will air every weekday (Monday – Friday) at 7:30 p.m. ET/PT leading up to the mid-season finale in April.

Season two left off on a cliffhanger with the future of The Next Step – and the A-Troupe’s chance to compete at Internationals – hanging in the balance. After receiving an eviction notice, rival dance academy, Elite, came to the studio with an interesting offer: merge the two studios to create a hybrid team for the International competition. Season three kicks off with the A-Troupe dancers grappling with a tough decision. Can they learn to work with their arch-rivals, or will they risk forfeiting their spot at Internationals?

The Next Step stars 2015 Canadian Screen Award nominee Brittany Raymond as Riley; Victoria Baldesarra as Michelle; Alexandra Beaton as Emily; Trevor Tordjman as James; Isaac Lupien as Eldon; Lamar Johnson as West; Jennifer Pappas as Chloe; Logan Fabbro as Amanda; Taveeta Szymanowicz as Thalia; Samantha Grecchi as Stephanie; Brennan Clost as Daniel; Zac Vran as Hunter; Bree Wasylenko as Kate; Natalie Krill as Phoebe and So You Think You Can Dance Canadaseason four winner Jordan Clark as Giselle.

Additionally, several returning cast members will be brought to centre stage with exciting new storylines including Myles Erlick as J-Troupe dancer Noah, along with Devon Michael Brown as Max and Cierra Healey as Cierra, members of Elite Dance Academy. The cast also welcomes newcomer Ella Gilling, a semi-finalist on season two of the United Kingdom’s live-talent television show Got To Dance, in a recurring role.

Commissioned by Family Channel, The Next Step is produced by Temple Street Productions and is executive produced by Frank van Keeken (Wingin’ It, Kids in the Hall, Billable Hours), Ivan Schneeberg and David Fortier (Orphan Black, Being Erica, Wingin’ It). BBC Worldwide has acquired international distribution rights. The Next Step is also produced with the financial assistance from The Shaw Rocket Fund and the Canada Media Fund.

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Link: ‘The Outer Limits’ Scribe Sam Egan Developing Canadian Crime Drama

From Etan Vlessing of The Hollywood Reporter:

Writer and producer Sam Egan (Quincy, The Outer Limits, Continuum) and director Jeff Barnaby (Rhymes for Young Ghouls) have joined forces to develop a crime-family drama for Canadian indie Rezolution Pictures and the APTN cable channel.

Dirty Red Boys explores smuggling, violence and “crazymakers” in the world of Native Canadians. The drama is in development, and APTN has ordered eight scripts. Continue reading.

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Talk TV – Building and Repairing Bridges

If you’re keeping score, we now have had four decisions from the Talk TV hearing. The first one was issued November 6, 2014 and prohibited 30 day notice periods for cancelling television, telephone and internet services. Not a big decision but one that gave hints that consumer choice was going to continue to be a theme of Talk TV. Now we have three more small but significant decisions, announced January 29, 2015  by the Chair of the CRTC, Jean-Pierre Blais, in London, Ontario.

The first decision today was a warning that if broadcasters shut down their over the air (“OTA”) transmitters, they would lose the regulatory privileges that were originally granted with the licensing of their OTA services. The two big privileges that no broadcaster is going to want to lose is mandatory carriage on basic and simultaneous substitution (‘simsub’). Both of these two privileges are fundamental to the conventional broadcasters’ business model.

During TalkTV broadcasters expressed a desire to get rid of their OTA transmitters as a way to reduce costs. The CRTC has quoted stats from Numeris that 9.1% of Canadians access broadcasting over the air. That’s actually higher than I thought and is a significant portion of the population. They were a particularly vocal portion of the population during the online consultation part of TalkTV. Today’s decision goes further than just supporting that population though. At times in his speech Blais sounded like a commercial for OTA antennas, advocating it as a high quality, low cost solution to those nasty BDUs:

“The next few years could yield renewed interest for OTA broadcasting, especially in urban areas where eye-popping image quality, channel selection and, of course, the absence of cost, could convince more consumers that they need not be enslaved to cable and satellite service providers if they want to enjoy high-quality television programming.” – Jean-Pierre Blais

The second decision is the one getting the headlines – no more Superbowl simsub from 2017 on. Consumers complained bitterly about missing out on the Superbowl ads and it is year after year the biggest source of complaints to the CRTC. Bell Media has bought the rights to broadcast the Superbowl but we don’t know for how many years. Either way, it will have a significant financial impact on this one broadcast group. The decision also refers to enforcement to improve simsub performance – no more sleeping at the switch and having the feed cut off improperly.

Frankly, I’m surprised at the Superbowl decision. Sure, the CRTC is fed up with the cranky complaints and having to explain themselves every year but does it justify the lost revenue?

Finally, the third decision may seem the most esoteric but probably is the most important for the future. Bell and Vidéotron were directed to stop excluding their mobile broadcasting services from their customers’ monthly data caps. They were basically promoting their own services by giving them a fast lane. The CRTC has been a leader in the world in creating rules and practices for Net Neutrality and they continue to with this decision. Vertically integrated media businesses will not be allowed to favour their own services.

Blais has promised the rest of the decisions in the coming weeks and months. In his speech he compared the decisions to repairing old bridges while building new ones. Repeatedly. According to the infographic that was published with the decision, we’re only ¼ of the way there so lots more construction analogies to come.  Ultimately, we will have to look at these decisions as a whole, see the whole bridge, before we understand the real impact. And will we like what we see when we get to the other side? That’s a question for another day.

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CRTC bans simsub during Super Bowl; viewers to see U.S. ads

From a media release by the CRTC:

Ads during the Super Bowl get a lot of hype. They are an important part of the overall spectacle, and viewers look forward to watching them.

For Canadian viewers this has been a problem. They don’t see the same ads as those seen in the US because they are replaced with Canadian ads.

For a number of years, Canadians have complained to the CRTC that they want to see the American ads during the Super Bowl. Many Canadians spoke about this considerable irritation during  Let’s Talk TV: A Conversation with Canadians. The CRTC has taken action to resolve the issue.

Beginning at the end of the 2016 NFL season (i.e., the Super Bowl in 2017), simultaneous substitution will no longer be allowed during the Super Bowl. Canadian viewers will see the same ads as American viewers.

Until then, you can watch the American ads broadcast during the Super Bowl on YouTube’s AdBlitz channel.

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How was the west(ern Canadian TV industry) won? Nominate your picks

For their 30th annivesary issue, Reel West Magazine is celebrating how the west was won with a look at the movies and TV shows that made the western Canadian industry real – and they want your help.

Which films and TV shows had the greatest impact on the western Canadian industry? Which launched careers or studios or locations or… fill in the blank.

This isn’t a “best of” or a “critic’s choice” list – they’re looking for productions that had a lasting impact. Productions can be 100% made in western Canada or they might be Hollywood hits.

TV shows will likely focus on series BUT if there’s a one-off TV movie or special or live event that had an impact on the industry, make a case for it. Hit them with your top ten lists – or just make a case for the one production you think matters or mattered most.

All nominations will be reviewed by an industry advisory panel who will determine which 30 movies and which 30 shows will be featured in the anniversary issue, which hits newstands and appears online in March.

By midnight February 9, send email nominations, post to their Facebook page, or Tweet at them. Include your name and contact info so they can quote you or let them know if you’d prefer not to be quoted.

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