Tag Archives: Bell Media

Canada’s Drag Race premieres Thursday, July 2, only on Crave

From a media release:

As Canada prepares to honour one of the world’s most iconic queens on Victoria Day, Crave announces the cast of its majestic inaugural season of CANADA’S DRAG RACE. Season 1 of the Crave Original Series promises to have viewers clutching their royal pearls as 12 of the fiercest queens in the land showcase their Canadian Charisma, Uniqueness, Nerve, and Talent to compete to become Canada’s First Drag Superstar, and win the $100,000 grand prize.

Crave also announced today that in celebration of Canada Day, the herstorical first season premieres Thursday, July 2 only on Crave. New episodes roll out weekly, Thursday nights on Crave’s TV channel, Crave.ca, and the Crave app.

With Snatch Game, Rumail, the reading challenge, puppets, makeovers, and gag-worthy untucked sessions, CANADA’S DRAG RACE serves up fan-favourites from RUPAUL’S DRAG RACE, but with a dash of maple-flavoured Canadian realness. Each episode tests the queens’ talents, and challenges them to master singing, dancing, acting, impersonation, costume making, and improvisation. One competitor sashays away at the end of each episode, until the last queen standing is announced the inaugural winner. Throughout this journey, the queens share their personal struggles and successes, highlighting their individuality.

As previously announced, presiding over each of the 10 episodes is a panel of expert judges – Brooke Lynn Hytes, Jeffrey Bowyer-Chapman, and Stacey McKenzie – while ETALK Senior Correspondent Traci Melchor is Canada’s very first Squirrel Friend, making appearances throughout the season and adding her trademark fabulousness to the werkroom, challenges, and the main stage. Weekly celebrity guest hosts also join the panel, and will be announced in the coming weeks.

As previously announced, Crave and OUTtv formed an unprecedented partnership that extends the reach of international television phenomenon, RUPAUL’S DRAG RACE in Canada. This partnership includes the new Crave Original Series, CANADA’S DRAG RACE, the first-ever Canadian adaptation of the show, and all past seasons of RUPAUL’S DRAG RACE, currently available on Crave.

In association with Crave, CANADA’S DRAG RACE is produced by Blue Ant Studios. Executive producers for World of Wonder are Fenton Bailey, Randy Barbato, and Tom Campbell. RuPaul serves as Executive Producer. Executive producers for Blue Ant Studios are Michael Kot, Laura Michalchyshyn, Mike Bickerton, and Betty Orr.

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Farewell, Cardinal

This Monday night, a Canadian television series says goodbye. After four seasons, Cardinal ends, closing a chapter on some truly groundbreaking TV.

I was a fan of the Cardinal from the very beginning thanks to reading and loving the source material written by Giles Blunt years ago. The tale of a small-town Canadian cop solving crimes? I was all in. But would a television adaptation work? How would a lead character that was so in his head translate to the small screen?

There are a lot of folks to credit with how it was done, from Season 1 writer Aubrey Nealon, to actor Billy Campbell, director Podz, Sienna Films, and executives at Bell Media. Instead of going inside Detective John Cardinal’s head, we stayed outside, the camera coming in close on Campbell’s face, reading what was there in his expression and in his eyes. The same goes for Detective Lise Delorme. Karine Vanasse, and the creative folks get kudos for breathing life into this feisty, fantastic cop. I can’t imagine two actors more suited to the roles they were cast in. Re-reading the novels, which I will do this summer, means I’ll picture their faces as I scan the pages.

Northern Ontario—and the weather than comes with it—has played a huge role in Cardinal‘s storytelling, reflecting the changes in season in this country and adding another layer (pun intended) to each episode.

Back in 2004, Corner Gas debuted. It changed the way we looked at ourselves on the sitcom front, and proved Canada could do comedy just well—and I’d argue better—than the U.S. Now, with Cardinal Bell it has been done with the drama genre. I’m a huge fan of Nordic Noir—crime dramas set in Scandinavian locales—and Cardinal deserves to stand among the very best of those. And, I’m hoping, Cardinal will inspire more drama like it to be created in this country.

Thanks to Billy Campbell, Karine Vanasse, Glen Gould, James Downing, Kristen Thomson, Deborah Hay, Eric Hicks, Zach Smadu, Alanna Bale and the rest of the cast for bringing these characters to life in such a convincing way. Thank you to Aubrey Nealon, Sarah Dodd, Patrick Tarr, Jane Maggs, Gemma Holdway, Naben Ruthnum, Patrick Whistler, Alison Lea Bingeman, Jennica Harper, Russ Cochrane, Noelle Carbone, Aaron Bala, Shannon Masters, Penny Gummerson and Jordi Mand for writing such wonderful scripts. Thank you to Podz, Jeff Renfroe and Nathan Morlando for your directing. And thanks to the crew, producers, executives and everyone else who made Cardinal happen.

I’m going to miss Cardinal, but I’m so glad it was made in the first place. It’s hard to make television in this country, and even harder to do it right.

Cardinal did it right.

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Cardinal director Nathan Morlando on Season 4: “It was super, super physically intense”

It’s no secret that I love Cardinal‘s winter settings most. The cold and snow are another character, keeping Algonquin Bay’s citizens inside and cut off from each other. That distancing adds to the isolation and gives an added level of dread to the crimes that are happening.

And while it sure looks good and contributes to the story, the extreme climate played havoc during Season 4 of Cardinal. As co-showrunner and season director Nathan Morlando told us, it was a challenge to bring unforgettable scenes to life.

Morlando, who wrote and directed the feature film Citizen Gangster and directed Mean Dreams, gave us a behind-the-scenes peek at the process.

What was it like to come into Cardinal where the world had already been built?
Nathan Morlando: Fantastic, actually because it had been so strongly established. The only negative, and it’s a very temporary negative, is the stress and anxiety you feel initially by inheriting such a successful show. So before it gets really, really, really going, there’s always that voice in your mind, ‘Are you going to be the one who’s going to screw this up?’ But once the machine gets going, like after the first half-hour of shooting, the voice was gone because there was no time for it.

The positive was to inherit such a great show. And to have been invited to follow on the heels of everyone else that preceded me was really amazing. The Cardinal crew themselves were very loyal, passionate; they are super fans of the show. They care so much and they work so hard. This year we spent the first month in February, which was North Bay’s coldest recorded month in their history. Outdoors it was super, super physically intense and psychologically intense because of that. But the crew was just an extraordinary team. And because they are so loyal to Billy, Karine, to the show, to [producers] Julia [Sereny] and Jennifer [Kawaja], there was never a complaint, there was never, ‘We can’t do this.’

Wow!
NM: For the last episode, we spent a week in the woods. And before we shot that last episode, we had the biggest snowfall in North Bay’s history, it was four feet of snow. And suddenly, the paths and how we thought we were going to shoot this thing and move our trucks, we couldn’t conceivably move in the forest. We had an emergency production meeting two weeks before, whether or not it was even feasible to get in there, to get in and out.

Part of our crew spent days, day and night, flattening paths so that we could actually move in the woods. Steve Cosens, the cinematographer, and I had to go into the woods two weeks before to imagine the movement of all these various scenes. Then we had to imagine where our camera was going to move because. So we had to create the actors’ paths and the camera’s paths two weeks in advance.

Aside from all that planning, what about your cameras? They’ve got to get cold to a point where the shutters won’t close.
NM: Yeah, exactly. For the first couple of weeks, because of these cameras [and temperatures], the camera crew had to get on set earlier and stay sometimes four hours after to heat the lenses because the lenses would fog. They had to work extremely long hours to make that happen. So yeah, there were a lot of equipment challenges. We were using a drone, we were really concerned that the drone would crash in the cold. Fortunately, it didn’t.

My favourite seasons of Cardinal have been the winter seasons. I think it really plays well into the feeling, that isolation that you feel, that you’re supposed to feel.
NM: For sure. And the outer environment, so winter, is actually a character this year, which I really loved. And that’s really, that’s the slow mystery actually, is the character of the environment.

What was it like to work with Billy Campbell and Karine Vanasse?
NM: They were amazing, as actors and as people, truly. And the crew worked the way they did because they were committed to Billy and Karine. The crew would do anything for Billy and Karine, and that isn’t always the case … that is not often the case. And the crew feels that way about them because of the way Billy and Karine treat people. This is what’s special about them: there is no hierarchy in their perception. Billy and Karine are friends with everyone and they respect everyone. They care for everyone and they make sure everyone is doing well. They’re real team players and team leaders. We were able to do what we did because of the leadership from Billy and Karine. I was very indebted to that and to the crew for feeling that way.

Cardinal airs Mondays at 10 p.m. ET on CTV.

Images courtesy of Bell Media.

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Links: Cardinal, Season 4

From Debra Yeo of the Toronto Star:

Link: Long goodbye for Canadian crime drama Cardinal
Inside a nondescript office building in downtown North Bay, something that hundreds of people have devoted four years or more of their lives to is coming to an end. Continue reading.

From Stephen Cooke of The Chronicle Herald:

Link: Billy Campbell says farewell to detective Cardinal, dreams of sailing N.S. schooner
“When you boil it down, it’s really about the relationship between Cardinal and Delorme, and I think people who like that relationship and if they love the show and the tone and flavour of it, then they will be highly appreciative of the way the whole thing is handled and wraps up.” Continue reading. 

From Heather M. of The Televixen:

Link: Previewing Cardinal’s final season with Billy Campbell and Karine Vanasse
“The metaphor we played with the first season [that] we talked a lot about, was [that] all these feelings [are] underneath a layer of ice for both characters. And it really did feel like coming home or coming full circle to shoot the final season in the winter.” Continue reading.

From Mark Daniel of the Toronto Sun:

Link: ‘Cardinal’ star Billy Campbell reflects on ‘best job’ of his career
“Both Cardinal and Delorme put themselves in mortal danger in ways that they haven’t before.” Continue reading.

From Bill Brioux of Brioux.tv:

Link: Heart and chemistry make Cardinal more than a cop show
When a TV series ends, it can be an emotional day for the cast and crew. After several seasons’ worth of long days on sets and locations, a production team often bonds together like family. Continue reading.

From Heather M. of The Televixen:

Link: Previewing Cardinal: “Adele” + reflections from Billy Campbell and Karine Vanasse
“Here are two people, I think, who could never admit how they felt about each other — to the other [and] maybe not even to themselves.” Continue reading.

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Cardinal’s Billy Campbell: “The best role I’ve had in my career”

When asked what his experience has been like playing John Cardinal for four seasons, Billy Campbell hesitates and then states the following:

“This really has been maybe the best job I’ve had in my career, and the best role I’ve had in my career.”

Pretty lofty words for a guy whose career has included roles in such series as The Killing, Once and Again and The 4400. Still, Cardinal really is a series like no other. Based on the books by Giles Blunt, the past three seasons of Cardinal have proved Canada can do Nordic Noir too. And do it darned well.

Returning Monday at 10 p.m. ET on CTV, the final season of Cardinal—tagged Until the Night after Blunt’s sixth and final John Cardinal novel—follows Detective John Cardinal (Campbell) and Detective Lise Delorme (played by Karine Vanasse) as they investigate the deaths of several townsfolk in the sleepy fictional town of Algonquin Bay. Monday’s debut catches up with the pair in the dead of winter as they investigate the disappearance of a legal prosecutor. Cold and snow have been a hallmark of Cardinal—the first season was set in winter, followed by jaunts in the spring and fall—and adds to the feeling of isolation and, perhaps, being unable to escape.

“You’re right about the isolation,” Vanasse says. “The whole environment is supporting that isolation and feeling that you have to be quick when you’re outside. If someone is left outside, yes, he’s going to freeze the death.” Isolation and drawing inward have been a staple of Cardinal and Delorme’s relationship too. Yes, they’re work partners, but that doesn’t mean they’re doing karaoke after shifts. In Season 1, Delorme joined the force to investigate supposed dirty dealings by Cardinal; it can be hard to truly trust someone whose been keeping tabs on you. Add to the fact that, in Monday’s Episode 1, Delorme drops a career bombshell on him … Cardinal even at the best of times can be frustratingly distant.

“That’s Cardinal,” Campbell says simply. “That’s who he is, and he’s a prototypical human male in that respect. He has a very difficult time expressing his feelings and these, I imagine, are such powerful feelings. He just has no framework for even dealing with these feelings inside of himself.”

Veteran actor Currie Graham—most recently seen on The Rookie—plays Neil Cuthbert, the villain stalking Algonquin Bay. According to Bell Media’s press notes, there is a final showdown where Cardinal and Delorme put everything on the line to save an innocent life. (Look for more about that showdown next week in my interview with co-showrunner/director Nathan Morlando.)

With the final six episodes scheduled, and interviews in support of it underway, Cardinal‘s conclusion is sinking in for its co-stars. Vanasse and Campbell admit to claiming key wardrobe as physical souvenirs of their time filming in Sudbury and North Bay, Ontario—she Delorme’s winter gear, he Cardinal’s winter boots—and memories of their time filming.

“The biggest thing that I keep from the show is just the profound happiness of working with this crew,” Vanasse says. “That’s what I’m leaving with. It’s been just wonderful from Day 1 to the end.”

“I get misty thinking about the fact that I won’t be going back to North Bay to do another season of Cardinal with people that I love, and with the characters that I love,” Campbell admits.

Cardinal: Until the Night airs Mondays at 10 p.m. ET on CTV.

Images courtesy of Bell Media.

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