Tag Archives: CBC

Review: X Company uncovers horror and heartbreak

With just one more week to go in Season 1 of X Company, Wednesday’s cliffhanger left Tom’s life in question. “Quislings”—named after Vidkun Quisling, who headed a Nazi collaborationist regime during the Second World War—focused on the team taking out three French targets in Paris who had been helping the Germans.

Harry, who was still getting over his injuries from last week, was pretty much left out of the equation, though he was chased from the apartment by soldiers with radio-detecting devices. Luckily, Harry had a hand grenade—and a new radio—both of which he used to take out the trio of baddies who tracked him down.

That left Tom, Neil and the duo of Aurora and Alfred to carry out the mission. None of the targets was easy, but Aurora’s was personal. Michel, a local baker she and Rene had hung around with, was accused of accepting money from the Germans in exchange for ratting out his pals. Nineteen pals, in fact, including Rene. Aurora, thrust into the role of team leader when Rene was killed, has evolved from an emotional mess into a cold-blooded killer. She mercilessly shot Michel in the back of the head for his actions and warned his sister would meet the same fate if she revealed anything.

Meanwhile, Neil was still battling his emotions surrounding the death of the German radio man. And what better way to his head back in the game than engage his target in a bare-knuckle brawl? Warren Brown’s face is so expressive; you could read the torment over the radio man in his twisting features. Could he ever kill again? Yes, he could, completing his mission after a bloody, physical battle involving furniture, a wine bottle and neck-breaking chokehold.

Finally, Tom’s target proved not only to be elusive but the storyline was a historical game-changer. After tracking his female target to an apartment, Tom wasn’t able to pull the trigger. He did stick around to speak to the man she had been giving medical attention to, a Jew who produced sketches and a tale of hell on earth: concentration camps. The woman’s arrival back at the hide-out—followed by German soldiers she tipped off—left the episode unfinished. Will Tom use his German accent and/or charm to win the day or will the team suffer another tragic loss?

We’ll have to wait until next week to find out.

X Company airs Wednesdays at 9 p.m. on CBC.

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Interview: Annie Murphy finds gold in Schitt’s Creek

It’s hard to believe, but Annie Murphy once auditioned for the role of Stevie on Schitt’s Creek. After a full season of CBC’s newest sitcom—heading into its season finale tonight—it’s hard to picture the Toronto actress as anything but Alexis Rose, sister to David (Dan Levy) and daughter to Moira (Catherine O’Hara) and Johnny (Eugene Levy).

That’s because viewers have connected with these characters in speedy fashion. As Diane Wild pointed out in her piece, Eugene and Dan Levy have created a series that successfully balances laughs with heart. In a short period of time, they’ve crafted relationships between Stevie (Emily Hampshire) and David, and Alexis, Ted (Dustin Milligan) and Mutt (Tim Rozon) that are silly and believable. That’s not easy for a sitcom, let alone one in its first season.

Those relationships are tested in Tuesday’s finale, as Johnny arrives at the motel to tell his family there’s a buyer for Schitt’s Creek and they’re getting out. While Moira and Johnny are thrilled, David and Alexis are less enthusiastic. After all, they’ve fostered friendships (some with benefits), and are loathe to leave them.

We spoke to Annie Murphy about the season on the whole.

Tell me how you got on Schitt’s Creek in the first place. Was it a casting call?
Annie Murphy: I was in L.A. for pilot season and having a really miserable time there. This audition came down the line and it was the first audition in a long time that I got super excited about it and obviously the names attached to it were pretty intriguing. So, I went in in L.A. and Dan was in the room. It was the first audition ever where I walked in confident and walked out confident. I doubt it will ever happen again. [Laughs.] That was it. I got a call from Dan a few days later saying that he wanted me to read for the role of Stevie. I flew back to Toronto and auditioned for Stevie and then screen tested for both roles in front of a room of people who I now know are lovely people but in the moment it was very daunting.

Then there was a very, very long two weeks of my life where I heard nothing. After a week and a half I had prepared myself for the absolute worst. I got a phone call and on the display it said ‘Eugene Levy,’ and all the blood drained from my body. It was Dan on the other end and he goes, ‘Hey Annie, it’s Dan Levy calling. I just wanted to thank you for all of your hard work and tell you how much we appreciated and enjoyed your auditions.’ He said it in this sad, sombre tone. And then he just didn’t say anything. So, I was scrambling and thanking him for letting me get that far.

And then he said, ‘OK, before I let you go, I have a quick question: how would you like to play my sister?’ As corny as it was, it was one of the best moments of my life.


I had a bit of a hard time finding my place at the beginning of the show, just because all of these other people had been doing it for so long.


How different would the show have been if you had played Stevie?
I honestly don’t think anyone could have done it but Emily. She is just so perfect for the role. The dynamic between Emily and Dan is so fantastic in their snarky, sarcastic tone. But he and I have that dynamic too. I feel like I’ve known him for a long time, we’ve been bickering for decades. The casting was just spot-on.

David and Alexis have a fascinating relationship. It would be easy to have them be combative all the time, but they’re not like that. And by the end of this season they’re really there for each other.
I’m an only child, so it’s been very interesting to play a sibling dynamic. I feel like David and Alexis had to cling to each other when they were children. It’s been a really, really neat opportunity to play the borderline hatred sometimes, but knowing at the end of the day they can always rely on each other. Literally right next to each other at night. [Laughs.]

It’s hard to develop characters in a sitcom, especially in a first season.
What I love about this show is that these characters are very honest and the comedy comes from the terrible situations they find themselves in. It’s not a set-up and then a punchline. It has been really cool to find those moments of genuine sadness in a show that’s so funny. Genuine concern. Genuine anger. Every character has been written so well that there is a beautiful range to every one.

What have you learned about yourself, comedically, from working on Schitt’s Creek?
I had a bit of a hard time finding my place at the beginning of the show, just because all of these other people had been doing it for so long. I wasn’t challenging myself to take risks or go out on a limb and try something as everyone else did. But as the season went on, and because of how encouraging everyone on the show was, I did learn that I can go for it. Sometimes that’s a good idea, and sometimes that’s a horrible idea, but I learned to be impulsive and trust in myself.

Is there anything you’d like to see Alexis do in Season 2?
I’d like her to show more independence at some point, but I won’t complain.

Maybe she’ll gain independence by moving into her own motel room.
That would be a start. That would be a nice start.

The season finale of Schitt’s Creek airs Tuesday at 9 p.m. on CBC.

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Interview: Murdoch’s shocking season finale; plus what’s coming in Season 9

Constable George Crabtree: murderer? Surely that can’t be true, but by the end of Monday’s season finale George was locked up and charged with the death of Archie Brooks just the same. There’s more to this crime than meets the eye, but George’s bloody boots and his refusal to speak has placed him firmly behind bars and put his detective’s job in question.

That wasn’t the only cliffhanger in Monday’s “The Artful Detective”: Lillian asked Emily to move to London with her so that the two could continue their support of the Suffragette Movement in England. Emily had not made a decision by the time the show’s credits rolled. It’s been a dramatic season of Murdoch Mysteries, with such high points as William and Julia getting married to the rise of the Suffragettes in Toronto, and lows like the fall of Chief Constable Giles and Constable John Hodge.

In our last behind-the-scenes chat with the creative folks at Murdoch Mysteries, we spoke to showrunner Peter Mitchell.

Was the episode title, “The Artful Detective,” a little nod to Ovation, the U.S. cable channel that airs Murdoch under that name?
Peter Mitchell: It was a wink to that, yeah, as well as a great horse name.

I counted seven bodies in last night’s episode and all of them were pretty gruesome. How did the idea for that come about?
We usually try to do one sequential killer storyline a year and we got into the whole thing of The Most Dangerous Game. The most dangerous game is man and we wanted to get Ogden a little more involved in psychological profiling. Our last several episodes—one was pro wrestling and the one before that was girl gangs—we’d done a few lighter ones and we wanted to go out with a darker, sequential killer storyline that ultimately isn’t that. It fit the mood of winter, which we were fortunate enough to get.

What was it like filming in those conditions? It was cold enough to see breath.
It was pretty cold. It wasn’t minus-40 Toronto but it was cold. When you’re out there in temperatures hovering around zero and nobody is really prepped for it, it’s not fantastic.

You mentioned the wrestling episode. I understand you’re a fan of pro wrestling. How long have you enjoyed it?
Oh gosh, longer than my wife would care to admit. Probably around WrestleMania II or III. I kicked around doing something with those guys a few years ago and it never happened. The identical twin referees is still a stroke of storytelling genius. We just tried to throw a few things into it. Murdoch driving the ambulance was, of course, Steve Austin driving the ambulance when they took Vince McMahon away. We hit four or five really deep in-jokes. My daughter and I started going to local wrestling in Toronto which is where we found a bunch of those guys.


We’re probably going to work, a little more this year, at putting the team back together and see them work more as a coordinated unit.


OK, when we last saw George in the finale, he was behind bars and charged with murdering Archie. But I feel like there is more to this than meets the eye.

It’s Murdoch, of course there’s more to this story than meets the eye. Probably more than even George is aware of. It goes deeper than what George thinks is going on.

I think George is innocent and is covering for Edna because he thinks she is involved somehow.
He’s kind of where you are … but wrong. [Laughs.]

Where do we pick up next season?
It will pick up about five months later and George will be in completely different circumstances. Our fans are pretty diligent about changing seasons, we can never pick up right where we left off. We end a season with snow on the ground and we’ll pick up, hopefully, with leaves on the trees.

What year will it be in Murdoch’s world when we come back for Season 9?
For history it will be 1903, which is the year before the ‘Great Fire of Toronto.’

Is that something you’re working towards?
We’re aware of it, but we’re not sure exactly where we’re going to place it. You’re as aware of the numbers and the good feelings for this show as we are and we don’t see a firm end date. As long as people are ambulatory we have a decent chance of making this for awhile. I’m not sure where we will place the Great Fire and the producer on the show with me, Steve Montgomery, would probably kill me the minute I suggest Great Fire. We will get to it.

Are there some key events in Toronto’s history that occurred in 1903 that you’re planning on covering?
We’re working towards that. We’ve got our list of historical characters that we’d like to get on the show this year. In terms of actual events, we’re always researching but nothing jumps out right now as being significant to hang an episode on. I think Prime Minister Laurier will come back to town this year, I’m hoping—if we can find the right guy—Mark Twain will come to town. We might have a little bit of fun with Lucy Maud Montgomery.

Michelle Ricci told me you guys have been trying to get that character on the show for years.
Yeah, I think Crabtree will teach her how to write. [Laughs.]

What can fans expect from next season?
That’s a really loaded question. What the fans expect is not always what we deliver. I think that we did try some avenues of experimentation this year in expanding the franchise. We may have lost sight, once or twice, in our core characters. The last three episodes were basically George, George, George in terms of an emotional storyline and prior to that we had been doing stuff with Emily. We’re probably going to work, a little more this year, at putting the team back together and see them work more as a coordinated unit. But it’s Murdoch Mysteries, so hopefully we’ll still have controversial storylines and zany storylines and a little more focus on Julia and William’s relationship in the coming year.

Season 9 of Murdoch Mysteries will return to CBC later this year.

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Review: Amy and Ty tie the knot on Heartland

The wedding between Amy Fleming and Ty Borden has been a long time coming. There have been Princes and punches, fights and frustrations, breakups and bonding … a roller coaster of emotions for not only them, but their families and viewers. But after eight seasons of waiting, the two said their vows and became a couple.

“I was ready for this,” Amber Marshall told me after a meet and greet with Heartland fans last Thursday in Toronto. “I feel like if we waited any longer, people would start to get mad. It was time. It was totally time.”

That doesn’t mean Sunday’s season finale, “Written in Stone,” wasn’t without a few tense moments. It appeared the pair had decided to elope in Pike River, leaving Lou steaming because of all the planning she’d done. But Amy and Ty opted out of that, realizing they wanted to be surrounded by family and friends on the biggest day of their lives. It was a welcome relief to everyone, especially Lou. Well, until she got a call with some bad news: the hall she booked wasn’t available anymore. (To be fair, Lou has had a lot on her mind, but it was still funny to see the Queen of Planning thrown for a loop.)

Enter Jack, who has always been as steady as the rock hearth he sat in front of, recalling his marriage right there in the house in front of the fireplace. That sealed it for Amy and Ty: they would be married there too. The ceremony itself was a small and meaningful affair that called back many Heartland characters from the past to be there. And while Amy and Ty looked confident as they stood up and professed their love, things were a little different for Marshall during filming.

“I was nervous the whole time,” Marshall said. “I couldn’t remember the vows, I got dizzy, I was more nervous filming this wedding scene than I was on my actual wedding day. It was a really surreal experience.”

Heather Conkie’s script didn’t solely revolve around the happy couple. There were other storylines to wrap up, most notably Caleb losing his property to the dastardly Jesse Stanton. That was taken care of thanks to Val, who pulled Caleb aside and apologized for her hot-head son. She handed over a cheque that covers the loan still owing on the land, freeing it up for Caleb to stay.

Finally, there was Trouble. Because Amy was busy, you know, getting married, Georgie took it upon herself to gentle the annoyed beast. That wasn’t an easy task, but it sure was rewarding. The most touching scene of the season finale for me involved Amy and Ty watching Trouble charge at Georgie, pull up short, and nuzzle her arm in friendship. The perfect way to end a dramatic season of Heartland.

Notes and quotes

  • Amber Marshall wore her real-life wedding dress. Her mom’s wedding dress is actually owned by Heartland‘s showrunner, Heather Conkie.
  • Amy and Ty weren’t really watching Georgie and Trouble in that field. They were, as Marshall explained, “looking at a stick in a field” and the scene was edited afterwards.
  • The actress who plays Katie didn’t appear in the scene where the Fleming-Morris family danced together. Michelle Morgan explained Julia Maren Baker’s allotted on-set time had expired, so they used another girl in her place and filmed so you just saw the back of Katie’s head.

What was your favourite moment from last night’s episode? Comment below or at @tv_eh.

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Heartland’s wedding day finale a hit with die-hard fans

The girls sitting behind me were crying. I could hear them, sniffing self-consciously in the dark. That’s the only sound I discerned from them—or the other 400-plus in attendance—during Thursday’s sneak peek movie theatre screening of Heartland‘s Season 8 finale, “Written in Stone.”

The quiet sniffling from those die-hard fans, dressed in jeans, cowboy hats and boots and checked shirts, was a sharp contrast to half an hour earlier when the Heartland cast was introduced to the audience prior to the screening. Then, those same girls screamed “We love you Ty!” and then squealed when he—or rather Graham Wardle, the dude who plays Ty—looked their way, smiled and waved.

“Oh my God, he’s so gorgeous,” opined one.

“I’m going to die,” confessed another.

I’ve been reviewing Season 8 of Heartland for TV, eh? and have become engrossed in the characters and storylines. But I had no clue just how beloved the folks at that Alberta ranch are to faithful viewers who have been tuning in since the pilot.

“We held a charity event for the citizens of High River, Alberta, after that horrible flood [in 2013],” showrunner Heather Conkie told me hours earlier at CBC’s Toronto headquarters. “We expected 500 people to show up and 2,000 tickets were sold just like that. The event started at 11 a.m. and there were people lining up at 8. People had come from Ohio and Florida. It was stunning.” The same was true during a meet and greet on Thursday, where fans from across Canada and the U.S. trekked to Toronto for the chance to have a picture taken with Wardle and co-stars Amber Marshall, Michelle Morgan, Alisha Newton, Shaun Johnston and Chris Potter.

With that kind of adoration comes responsibility. CBC’s Sunday night stalwart—it has been renewed for Season 9—had detractors who tuned in last fall to see Amy Fleming a changed woman after spending months in Europe. She was snooty and sometimes downright snotty to her small-town family, and it rubbed some viewers the wrong way.

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“We expected it,” Conkie admited. “I had faith that if fans stayed with us they would understand it was a good way to go.” Conkie travelled to Europe when she was that age and returned home “insufferable” because she knew everything and Toronto was stupid and ugly. Amy was immersed in the posh horse racing set for four months, so it made sense that she would have attitude. Conkie and her fellow executive producers were worried they’d gone too far once they took a look at online comments, but kept their fingers crossed the fans would stick around. They have; Heartland has averaged 1 million viewers per week.

It’s understandable viewers want their favourite characters to stay the same and have each episode end happily. But that’s not reality, and Heartland strives to be real. That was driven home in a season that saw Georgie (Newton) torn between her birth family and adopted family, Ty figuring out his career path, Tim (Potter) dipping his toe back into relationship water and Lou (Morgan) and Peter (Gabriel Hogan) seeing their marriage fall apart. That last storyline has been difficult to watch, but necessary.

“It has been hard to play these scenes, but a lot of Canadians have gone through this,” Morgan said after the photo op. “We think this is a situation that a lot of people can relate to. It made me sad, but families go through ups and downs.”

“The important message there is that we don’t need to be beside each other to love one another,” Johnston explained. “We can be separated for a while but we can still maintain that sense of family, and caring and sharing. It just doesn’t have to look the very same way every day.”

That word—family—was used a lot by the cast and producers on Thursday, both in reference to their co-workers and those fans. During a question and answer session following the screening, Potter took a moment to thank everyone for their continued support of Heartland, something he’d spoken of earlier in the day.

“When I read the pilot, I realized this was a show that could go on for 15 years,” he said. “And I wondered if the Canadian business model would allow that to happen. In the States they’ve lots of shows like this that have gone on for years. Touched by an Angel, 7th Heaven. I feel like, as long as there are viewers, this can just keep going.”

But getting back to those girls behind me, quietly crying during the season finale. We’re those tears of joy, or sadness? Will Ty and Amy really tie the knot after eight years of growing their relationship? Let’s just say those girls—and everyone else in the theatre—were very happy by the time the lights came up.

Heartland‘s season finale airs Sunday at 7 p.m. on CBC.

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