Tag Archives: CTV

Comedy is hard, says Corner Gas: The Movie star

After an extended stay in movie theatres, Corner Gas: The Movie lands on CTV and CTV Two tonight. Stripped of the pre-show and feature film credits, the two-hour flick takes on the structure fans of the series are more accustomed to, a super-sized episode of a project they loved dearly.

For those who didn’t venture out to the movie theatre, here’s a short refresher on what to expect: Dog River, Sask., has hit on hard economic times and is in danger of ceasing to be a town. Everyone has crazy ideas on how to make ends meet, from entering Dog River in a contest to win the cash to pay off debts to prepping for the end of the world. Coming up with a script for a 90-minute movie was a tough task according to creator/executive producer Brent Butt, executive producer Virginia Thompson, writers Andrew Carr and Andrew Wreggitt and executive producer/director David Storey, who took over two years to come up with something everyone was happy with.

Comedies are just harder to make says Butt’s co-star, Nancy Robertson.

“You laugh or you don’t,” she says during a press junket in support of the project. “In comedy, you don’t have the help of mood lighting or music. Those all help to set up a drama, but they screw up a comedy because they get in the way of the timing. It’s far more delicate.”

“I think when people see a comedy and they burst out laughing they think it’s a surprise,” the gal who played Wanda Dollard for six seasons continues. “There is nothing further than the truth. They have no idea of the work that has led up to that laugh, that smile. Because the laugh is impulsive, I think people think what led up to it was impulsive.”

All of that work has paid off. Corner Gas: The Movie is a wonderful salute to the fans who wanted more of Oscar (Eric Peterson), Emma (Janet Wright), Davis (Lorne Cardinal), Wanda, Lacey (Gabrielle Miller), Karen (Tara Spencer-Nairn) and Hank (Fred Ewanuick). The feature film structure allows for an expansion of a couple of characters, most notably Oscar and Davis. The former attempts to go full commando and live off the land (when he’s not calling people “jackass”), leading to several laugh-out loud moments. Davis, meanwhile, tries his hand at being a private investigator; the resulting scenes make me wish CTV, Butt and everyone else involved had the time and cash to pull of a Davis spinoff where he’s a small-town P.I. working in a big city like Calgary or Vancouver.

For now we’ll have to be content with Corner Gas: The Movie, a loving return to those odd folks in that little town where there’s not a lot going on, knowing that there was in fact a lot going on behind the scenes to make it happen.

Corner Gas: The Movie airs Wednesday at 8 p.m. ET/PT on CTV and CTV Two; and Monday, Dec. 22, at 8 p.m. ET/PT on The Comedy Network.

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Defending Corner Gas: the movie, the show, everything

From John Doyle:

So I came back to discover that Corner Gas: The Movie had been dissed. Here, there and some other places. I am outraged.

Some background – let me tell you a story. Some years ago, the editor of Television Quarterly, the august journal of the National Academy of Television Arts and Sciences – the people in the United States who do the Emmy Awards – wrote me a very nice, sincere letter. The gist was an invitation to write an essay for the Journal, explaining Canadian television. Continue reading. 

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MasterChef Canada rings in the holidays

The holiday season is usually spent with family, with gifts being exchanged and a table laden with goodies at the offering in the background. For four former MasterChef Canada contestants, this holiday season featured a return to the kitchen for the franchise’s first-ever MasterChef Canada: A Holiday Special, airing tonight on CTV.

Dora Cote, Pino DiCerbo, Tammara Behl and Season 1 runner-up Marida Mohammed are all back in the kitchen in front of judges Michael Bonacini, Claudio Aprile and Alvin Leung, but this time there’s a twist. Instead of competing as individuals, the fan favourites are helped with members of their own families. And while this is still a culinary competition things aren’t as cutthroat as what viewers saw earlier this year.

“It is a holiday special,” Aprile says. “It’s not a blood sport by any stretch of the imagination. It’s really designed to bring people closer together for the holiday time. It wouldn’t be appropriate if they were going for the jugular.”

master_chef1“The competitive spirit is an amazing thing,” Bonacini counters. “Someone may not say they’re a sore loser, but the competitive edge does come out throughout the group.” Everyone wants to come out on top, and with good reason: the winning family nabs $10,000 to donate to their favourite charity. That alone gets the adrenaline running for the competitors and their squad. Fans of MasterChef Canada will get a kick out of seeing Pino, Marida, Tammara and Dora surrounded by the people who have loved, supported and inspired them to compete in Season 1.

“In some instances we were really able to see where the seeds were planted,” Aprile explains. “It was fascinating to see Pino and his mom … they are really going to embody this need for family. They are close and they work incredibly well together. They finish each other’s sentences. She has incredible skill and you see that in the way that she rolls pasta.”

As for the tests themselves, all are based on the holidays. The four teams are challenged to recreate their picks for key plates to be served during the Christmas season, with a skills competition thrown in for good measure. A cool test utilizing a MasterChef Canada version of “The Twelve Days of Christmas” and a choir serves as a jumping off point to the spectacle. And while the tests were tough, none of them involved making the most controversial food of the festive season.

“Fruitcake was not one of the challenges,” Bonacini admits with a laugh. “But I am going to put that in the hopper for, hopefully, next year.”

MasterChef Canada: A Holiday Special airs Monday at 8 p.m. ET/PT on CTV.

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Review: Crash and burn on Saving Hope

Dana was spot on in this week’s Saving Hope when she asked if she’s seeing what’s really there, or what she wants to see. Between Alex’s prediction that Joel would get bored and leave like before, Dana’s own failure to see what was really going on with her patient and Charlie unable to recognize a ghost as a ghost outside the hospital, “The Other Side of Midnight” was all about perception.

I don’t know if Charlie was more thrown by seeing a ghost outside of the hospital, or that she seemed so real and alive. Usually the spirits he runs into through work know something is wrong, and Lauren Lee Smith’s character didn’t have that direct awareness I’m so used to. Still, as she repeatedly told Charlie to come up to her room I could feel the tone transitioning from flirtatious to urgent. Though perhaps unlike Charlie, I had the added benefit of realizing we were missing our weekly ghost—and that would be a strange thing for Saving Hope to leave out.

But even without all the usual warnings, I don’t think it’s necessarily the best idea for Charlie to go running to Dey. The abrasive, hallucinogenic-stashing psychiatrist still hasn’t won me over—in part because I’m still not over Gavin’s unceremonious departure, but also because nothing he’s done since showing up has convinced me he’s trustworthy enough for Charlie’s secret. Dey’s fascinations with hallucinations might, on the one hand, be pretty useful for this case, but it might also get in the way of getting Charlie what I’m confident he wants: no more ghosts.

Though that massive cliffhanger left me wondering if Charlie was at least about to get one thing he wanted. I’m not entirely clear on the timeline of Alex and Charlie’s break up and Alex and Joel’s new relationship (which has, apparently, escalated to Liberia). If it’s been about 10 weeks since Katz kissed Maggie then there’s a strong chance Alex’s look of concern had to do with her newfound belief that Joel hasn’t changed, though I’m leaving the door open for some paternity debate too.

As for Liberia—it came as out of the blue for me as it did Alex. While I know Joel has a history of wanderlust, he’s been pretty locked into Hope Zion of late and I was surprised to hear him sound so ready to ditch the clinic and the hospital to visit a country I’ve never heard him mention. It felt like yet another convenient foil for the couple. And unless hopping on a plane to go home for a bit triggered something, I can only assume that getting back together with the woman he was staying rooted for has him dreaming of a life they could have together. It’s just unfortunate that, as fun as Alex is, she’s never really struck me as the pick-up-and-go type. And she’s really not going to be that type with a baby on the way.

Then again, it’s not like this week’s main case was really going to fill anyone with confidence about a certain type of person. In hindsight, Alex’s extreme concern about Nathan’s family makes more sense when compared to her own worries about how much she can depend on Joel for. There was nothing reassuring about Tawny’s arrival, even if Nathan’s ex-wife did come with all the information they needed to treat him. The list of Nathan’s exploits, the damage they’ve done and Tawny’s desperate efforts to protect her daughter from any of the details of how precarious her father’s lifestyle is were overwhelming enough without being in the similar position Alex felt she was in.

Still, as last week established, Joel and Alex aren’t long for this world—two episodes into their relationship and there’s been an awful lot of fighting. Then again, maybe Alex is just freaking out over the prospect of a baby when her life is so transitional right now. Or that those Joel revelations triggered her very worst memories of him, and the suggestion of Liberia has her thinking her potential baby daddy is in even less of a firm place than she is. Or maybe it is Charlie’s, and there’s a whole other mess she’s bracing for. It all depends on how she looks at it.

Saving moments:

  • I’m sorry Maggie, but who puts a sweater in their top drawer?
  • “There are 17 steps to making a crepe. Try and get one of them right.”–Shahir
  • “If I eat them I’ll go into anaphylactic shock and die.” Katz’s flirting could use a bit of work.
  • “They’re making me feel like crepe.” Granted this should have been a big tip off to everyone. Who doesn’t like the smell of crepes?
  • “Aren’t we the Lord and Lady of Downer Abbey.” I would much prefer this show to the real Downton.
  • Also, Zach and Melanda? Hoping this isn’t going to be another Dawn/Reycraft.

Saving Hope airs Wednesdays at 10 p.m. ET/PT on CTV.

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