Tag Archives: Netflix

Links: Anne with an E

From Sarah Larson of The New Yorker:

Link: How not to adapt Anne of Green Gables
So we see flashbacks to Anne’s life with an abusive family and in the orphanage—another fine idea in principle. In one flashback, vicious girls, spitting threats and insults, taunt Anne with a dead mouse in a grimy alcove; afterward, she comforts herself by stroking its fur sorrowfully. When we cut back to the present, she says, in a hollow tone, “I’ll be as quiet as a mouse,” as dead-eyed as the twins in “The Shining.” We should empathize here, but we’re too busy seething. Continue reading.

From Joanna Robinson of Vanity Fair:

Link: Anne of Green Gables: Netflix’s bleak adaptation gets it all so terribly wrong
Still, none of the many, many other Anne adaptations stray so disastrously far from the spirit of Montgomery’s original books—and the result is a gloomy series with grim, life-or-death stakes draped over the bones of something beloved, warm-hearted, and familiar. The milestones are still there—currant wine, broken slates, puffed sleeves—but seen through a glass darkly. Brave as the concept may be, it falls flat—and feels particularly unwelcome in an already grim 2017. Continue reading.

From Marissa Martinelli of Slate.com:

Link: Netflix’s dark, gritty reboot of Anne of Green Gables has all the subtlety of a chalkboard smashed over your head
The show’s lack of nuance is especially evident while trying to assert its modern sensibilities. Walley-Beckett’s adaptation of Anne is so worried about announcing itself as feminist that it forgets that its source material already was. Continue reading.

From Sophie Gilbert of The Atlantic:

Link: Anne with an E is the best kind of adaptation
So Anne With an E, created by Moira Walley-Beckett, a longtime writer and producer on Breaking Bad, isn’t exactly inventing darkness for the story so much as reading between the lines. It’s Anne of Green Gables for 21st-century audiences, who are perhaps more sympathetic to the idea that children can suffer. That’s not to say darkness defines the show. Anne With an E captures the winning exuberance of Anne Shirley—who, played by AmyBeth McNulty, is entirely irresistible—while finding some deeper potency in her story. The first two episodes offer a gripping and moving setup for the rest of the season, portraying how Anne, despite improbable odds, persuades the elderly Cuthberts to love her. Continue reading.

From Jen Chaney of The Vulture:

Link: Anne of Green Gables fans, you will love Netflix’s Anne with an E
Lifelong fans of the Anne of Green Gables series should find much to admire here, but the newly initiated will be just as easily drawn into the town of Avonlea, where Anne and the Cuthberts live, and enchanted by the open-hearted wonder with which Anne greets the world and spins her creative yarns. Continue reading.

From Lorraine Ali of the L.A. Times:

Link: Netflix moves to Green Gables with scrappy, irresistible Anne with an E 
If only television treated all its teenage girls with the same respect “Anne with an E” affords its whip-smart, scrappy protagonist. Continue reading.

From Allison Keene of Collider:

Link: Netflix’s Green Gables adaptation has grit
Once Anne arrives at Green Gables, it’s a spiritual transformation. She is given hope and new focus on fulfilling her dreams of friendship, education, and both familial and romantic love.  Continue reading.

From Mark Dawidziak of Cleveland.com:

Link: Anne with an E pursues a darker shade of Green Gables
While remaining true to the spirit of Anne and the book, this Netflix series reminds us that Montgomery wrote her novel for all ages. She did not consider it just a children’s book. And it wasn’t designated a children’s book until many decades after its publication. Continue reading.

From Gwen Ihnat of The AV Club:

Link: Anne with an E offers a winning, darker take on a familiar tale
Amybeth McNulty defies her youth with a performance that’s less a portrayal of Anne than an absolute possession. It can’t be easy to make Anne’s fanciful language sing the way she does, and McNulty captures the endearing awkwardness that enables Anne to win over everyone she comes in contact with. Continue reading.

 

Facebooktwitterredditlinkedinmail

Link: The sisterhood of Anne of Green Gables is ready for Anne’s next chapter

From Katie Calautti of Vanity Fair:

Link: The sisterhood of Anne of Green Gables is ready for Anne’s next chapter
“L.M. Montgomery was writing in a time period where there were not a lot of women’s voices being heard nearly loudly enough nor often enough—and yet somehow she gave voice to a brave little girl whose loud and important voice is still resonating. I’m just thrilled that as woman producers today, we can continue to push the strength of L.M. Montgomery’s spirit through our Anne Shirley. Anne with an E is definitely our feminist rallying cry.” Continue reading.

Facebooktwitterredditlinkedinmail

Odd Squad and Beat Bugs win Creative Arts Daytime Emmys

Canadian television productions Odd Squad and Beat Bugs took home several trophies Friday night at the 44th annual Creative Arts Daytime Emmys, held at the Pasadena Civic Auditorium.

Isaac Kragten of TVO’s Odd Squad won for Outstanding Performer in a Children’s, Preschool Children’s or Family Viewing Program. Series co-creators Tim McKeon and Adam Peltzman and executive producer Mark De Angelis won Outstanding Writing Special Class for Odd Squad: The Movie. McKeon’s win comes days after his Writers Guild of Canada Screenwriting Awards win for his Season 2 episode “Drop Gadget Repeat.”

Odd Squad‘s Christine Toye won a Creative Arts Daytime Emmy for Outstanding Costume Design/Styling, Liz Roelands for Outstanding Hairstyling and Jenna Servatius for Outstanding Makeup. Odd Squad is a co-production between Sinking Ship Entertainment and The Fred Rogers Company for TVO and PBS.

Beat Bugs, produced by Vancouver’s Thunderbird Films, was awarded Outstanding Writing in a Preschool Animated Program.

Facebooktwitterredditlinkedinmail

Enrico Colantoni joins Season 2 of Showcase’s Travelers

From a media release:

Showcase announced today that Enrico Colantoni (Remedy, Person of Interest) will join Season 2 of the time-travelling sci-fi drama series Travelers. Colantoni will play the character Vincent, a mysterious individual who may or may not be a friend of the travelers. Production now underway in Vancouver, Colantoni broke the news from the Travelers set with series star Eric McCormack. Stephen Lobo (Continuum) will appear as a recurring character and Amanda Tapping (Sanctuary) will return to direct multiple episodes and guest star.

Travelers follows a group of people from the future who have discovered how to send consciousness back through time, directly into people in the 21st century. These “travelers” assumed the lives of seemingly random people, while secretly working as teams to perform high-stakes missions in order to save the world from a terrible future. Season 2 picks up on the group’s haunting realization that their missions may have altered the future in ways they did not predict, and will air exclusively on Showcase in Canada in Fall 2017.

As previously announced, series writer and creator Brad Wright returns, along with leads Eric McCormack as FBI Special Agent Grant MacLaren, Jared Abrahamson as Trevor, Nesta Cooper as Carly, Reilly Dolman as Philip, Patrick Gilmore as David, and MacKenzie Porter as Marcy.

Facebooktwitterredditlinkedinmail

Links: Anne

From John Doyle of The Globe and Mail:

Link: Anne of Green Gables adaptation is sublimely reinvigorated
Anne is adapted this time by Moira Walley-Beckett, who wrote some of the most striking episodes of Breaking Bad. The leap from that to Anne of Green Gables might seem an extraordinarily risky one, but it makes sense. Anne is a rebel, after all. A classic one. This version, on the evidence of Sunday’s two-hour opener, is not reverential, nor is it overcontemporized, but it affords Anne Shirley an agency that is formidable. There is such fierce, uninhibitedly direct longing and defiance in this Anne. Continue reading.

From Bill Harris of Postmedia Network:

Link: Anne, the latest take on the Green Gables saga, goes a little darker than usual
It’s a simple question, but I thought about it quite a lot while watching the first episode of the new series Anne.

This, of course, is yet another take on the well-known Anne of Green Gables story. In Anne, the young Anne Shirley, played this time by Amybeth McNulty, pauses to consider everything she has experienced, everything she has seen, and she is mulling a future which, at that moment, does not appear too bright. Continue reading.

From Victoria Ahearn of the Canadian Press:

CBC’s Anne shows darker past of “accidental feminist” from Green Gables
The chatty Canadian dreamer that is Anne of Green Gables is internationally beloved for her cheery qualities: a big imagination, bold spirit and face full of freckles.

But the new series “Anne,” debuting Sunday on CBC and later this spring on Netflix elsewhere in the world, unearths a dark chapter of her life that shaped her resilience. Continue reading. 

From Sarah Boesveld of Chatelaine:

Meet the plucky young star of the Anne of Green Gables remake
“She’s such a survivor. She’s so amazing because she’s gone through so much in her life — the bullying, the prejudice, the sexism, everything — and she still has such an incredible spirit. I love that about her so much.” Continue reading.

From Johanna Schneller of The Globe and Mail:

Breaking Bad writer brings ‘dark sensibility’ to Anne of Green Gables
So while the new limited series Anne is nowhere near as black as Breaking Bad, it’s certainly the darkest, truest rendering to date of what being a redheaded orphan in 1890s Prince Edward Island would have been like. Continue reading.

Facebooktwitterredditlinkedinmail