From a media release:
Earlier today CRTC Chairman Jean-Pierre Blais spoke to the Canadian Club of Ottawa about the future of the Canadian television industry. The decision, titled â€œThe Way Forward â€“ Creating Compelling and Diverse Canadian Programming,â€ is the second of several decisions stemming from the CRTCâ€™s â€œLetâ€™s Talk TVâ€ initiative, begun in 2013.
The decision is complex, and its many implications will become clearer in the coming weeks and months. At this juncture, a positive is that a cornerstone of the Canadian programming support framework â€” expenditure requirements for â€œprograms of national interestâ€ (PNI), which include drama and documentary programming â€” is being maintained.
Recognition of the screenwriter was evidenced through a new Canadian certification process for two â€œpilot projectsâ€ of certain live-action drama/comedy productions. One is based on the adaptation of best-selling, Canadian-authored novels, and one involves shows budgeted at over $2 million/hour. In both cases, a Canadian screenwriter will be required. Nonetheless, the WGC was surprised that the certification process, and the undermining of the terms of trade agreement for producers and broadcasters, were part of this announcement. Both decisions were made without notice or meaningful discussion in the preceding hearing.
Less unexpected, but also of concern, is what Chairman Blais has referred to as a â€œquality over quantityâ€ approach, underscored in todayâ€™s decision. The WGC maintains that quantity and quality are linked concepts, as there is no one recipe to create a hit show, and creating fewer shows may serve to reduce the chances of a single showâ€™s success.
Of greatest concern in todayâ€™s decision is the continuation of a two-tier broadcasting model, with â€œover-the-topâ€ services like Netflix, CraveTV and shomi remaining almost entirely outside of the regulatory sphere. As Chairman Blais said today, Canadaâ€™s regulatory regime must be forward-looking, and Canadian content still requires support to survive and thrive. If more and more viewing migrates to unlicensed platforms, and those services have no requirements to make Canadian shows, the WGC questions how such an approach is sustainable in the medium to long term.