From a media release:
Following last weekâ€™sÂ DHX TelevisionÂ rebranding announcement, which emphasizes a mandate to build on the success of the companyâ€™s strong original production slate,Â Family ChannelÂ has revealed its plans for a fourth season of the popular tween dramaÂ The Next Step. The commissioning decision for the series, which currently ranks as the #1 kids television series airing across all Canadian kids networks1, follows the mid-season finale of the third season and the conclusion of the sold-out two-month, cross-countryÂ The Next Step Live on StageÂ tour. Production on the season four order, fromÂ Temple Street Productions, is set to begin this summer in Toronto.
Since its premiere in March, season three ofÂ The Next StepÂ drew in an impressive average audience of 281,400 viewers2, weeknights atÂ 7:30 p.m. ET/PT, making it the #1 series across all specialty networks for the three weeks of premiere episodes, with its target demos of kids 7-11, 6-12 and kids 8-14.3Â On average, 479,000 unique viewers tuned-in toÂ The Next StepÂ each weeknight, and the third season has reached over 1.8 million Canadians to date.4
The Next StepÂ follows the lives of an elite group of dancers who train at The Next Step studio. The first half of season three saw the dancers compete against rival studio, Elite, and each other, in order to secure a spot on the Internationals team.Â ThursdayÂ nightâ€™s finale brought even more twists and turns as viewers were introduced to Ella (Ella Gilling), a mischievous exchange program dancer from England, and Amanda (Logan Fabbro) was sent packing. Episodes ofÂ The Next StepÂ currently airÂ Fridays atÂ 7:30 p.m. ET/PTÂ on Family.
Commissioned by Family Channel,Â The Next StepÂ is produced by Temple Street Productions and is executive produced by Frank van Keeken (Winginâ€™ It, Kids in the Hall, Billable Hours), Ivan Schneeberg and David Fortier (Orphan Black, Being Erica, Winginâ€™ It). BBC Worldwide has acquired international distribution rights.Â The Next StepÂ is also produced with financial assistance from The Shaw Rocket Fund.