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Next on The Anti-Social …

It’s hard to get more stereotypical Canadian TV industry than this: The Social’s social media is anti-social to Canadian performers.

The daytime talk show, which “was conceived and developed to deliver a unique Canadian voice to the CTV daytime schedule, in addition to providing custom opportunities for CTV’s advertising partners,” launched with some fanfare about its use of social media to engage with viewers in real time.

As long as those viewers don’t try to engage with them too much, apparently.

From February 3-14, 2014 comedian Mark Forward waged a campaign – more like a running comedy bit — to be on The Social.  His tweets directly to @TheSocialCTV numbered at most 2 a day, plus replies to his followers – many fellow Canadian performers – who also joined in on the conversation, often with the hashtag #putmarkonthesocial. He did a hyperbolic countdown of the days they’d ignored his tweets. And sometime during or after that time, they blocked him and fellow comedian Pat Thornton.

Most of those tweets were intended to be humorous. Some were more pointed — and valid:

TheSocial3

I’m no comedian – even my mother doesn’t think I’m funny — but I bet I could come up with a few sociable responses they could have used to join in on and diffuse the joke early on. “Sorry, we only book guests through Snapchat.” “Have your people call our people.” Or, perhaps: “Get yourself a CTV show or find fame in the US first.”

OK that last one might not have gone over very well. But in life it’s feed a cold, starve a fever and on social media it’s feed an engaged follower, starve a troll.

Don’t believe me? Here’s some social media advice from Hootsuite: “Social media is a public place. Allow it to remain open and respond as best you can, even to those who would speak negatively about your brand. Just responding will help shift perception back into the positive.”

Just responding. To a non-hostile follower who is begging for a response. At best not responding to and blocking a non-troll is bad social media practice, at worst it’s contempt for homegrown talent.

Executive producer Michelle Crespi is unrepentant. She says those behind the Twitter account knew they were dealing with professional comedians, and she maintains that blocking with no response was the right course of action since “the tweets were excessive and became a distraction on our account.”

Too many tweets. Mentioning their show. Absorb that for a minute. A show that encourages people to tweet at them (“whether you agree with us or not”), to tweet them segment ideas, a show that sends out a media release with the headline “No topic is ever off-limits!”, can’t handle a handful of jokey-to-civil tweets from Canadian comedians and their fans in a day.

@TheSocialCTV still hasn’t addressed any of the tweets, including my question asking directly why they were blocked. They have apparently unblocked the performers, and @CTV_PR set a far better tone with good-natured peace offerings … after John Doyle of the Globe and Mail retweeted the question to them.

The Social’s season three has been picked up in some US markets, but Crespi claims the show has not had to change its focus for an American audience and estimates that 85% of guests are Canadian (she’s counting the hosts, and to even approximate the math she must be counting them daily). She also says she’s proud to showcase Canadian talent to an American audience now.

With every media release they send out, they list some of the notable guests who have appeared on the show. That list in its entirety is “Jessica Alba, Drew Barrymore, Zach Braff, Kelly Clarkson, John Cleese, Lena Dunham, Demi Lovato, Katy Perry, Daniel Radcliffe, and Chris Tucker.” Spot the Canadian? Trick question – there are none. I’m told they will rectify that on the boilerplate soon.

Is the show reflecting what Canadians care about by talking about Obama not wearing his wedding ring or if you judge Tom Brady for supporting Donald Trump, and nothing on the recent Canadian leadership debate? Maybe. But the day after the debate they discussed an Ohio teacher’s porn career, an American company marketing makeup to men, how to mimic red carpet hairdos, cake decorating tips, and finally, an Amazing Race Canada recap. (Also a host saying “On this show all of us are big fans of social media.”)

I don’t know that Mark Forward would make a great The Social guest. But if you have to be Jerry Seinfeld to have weight on The Social*, and American politics takes precedence over Canadian, and if the social media aspect is a farce, why do we need The Social as well as The View?

The show is indisputably a Canadian series — it’s an in-house CTV production featuring Canadian hosts, crew and experts. It does have Canadian performers as guests — particularly featuring Bell Media talent or Canadians on American shows. But it could learn a lesson or two on social media, and on being more social to Canadian talent and Canadian viewpoints.

 

* The original version of the post implied Canadian comedian Nicole Arbour appeared on The Social for her fat-shaming video, but she was simply a subject of a best dressed list. 

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Family Channel gets Savvy with DHX Television

From a media release:

Family Channel has announced production will begin on Savvy, an empowering new pop culture series offering tweens a refreshing spin on the world around them. This sometimes cheeky and always stylish magazine-style show cleverly intertwines entertaining and aspirational segments from the worlds of music, fashion, DIY, and beyond. A new original series from B-Minors, Savvy showcases peer profiles, how-to videos, and feature segments, packaged into 20 x 30-minute episodes. Savvy begins shooting in Toronto in early October, and will debut on Family in Spring 2016.

Savvy is born when three very different girls, who feel like they’re drowning in a tidal wave of tutus, tiaras, and princess dresses, decide to take creative control of their situation. Despite their radically different backgrounds, music tastes and celebrity crushes, the girls put their fashion differences behind them and combine forces to create an online destination that reflects and celebrates their lives in an authentic way.

Savvy introduces three young newcomers as hosts of the series: Tehya Silbermann, whose perfect mix of intelligence and kindness will have fans wanting her as a best friend; Sarah Webber, a musically-inclined, skateboarding, “techy,” who is only comfortable when she stands out; and Spencer Barbosa, the up-for-anything, wide-eyed optimist, who brings a quirky small town perspective to the show. Together, they’ll deliver stories that cater to their cyber-sophisticated audience, and will inspire them to have active and fulfilling lives offline as well.

Commissioned by DHX Television, and with international distribution handled by DHX Media, Savvy is executive produced by Sam Dunn and Scot McFadyen for Banger Films’ kids division, B-Minors (Gaming Show (In My Parents’ Garage), Big Ticket Summer Concert) and is led by series producers Jeni Besworth (Grizzly Cup, Big Ticket) and Adrienne Reid (Fashion Television). Banger Films is an award-winning film and television production company based in Toronto. In its first 10 years, Banger has produced feature documentaries, TV series, live concerts and kids’ programs, which have been broadcast worldwide.

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Family Jr. sets a Playdate for Oct. 3

From a media release:

Make-believe comes to life on Family Jr. when the network’s newest show Playdate debuts on Saturday, October 3. A mix of live-action and skilled puppeteering, the new Canadian Original series features the unexpected adventures four stuffed animals encounter when their owners leave them unattended. With exciting escapades waiting at every turn, Family Jr. will premiere six new episodes over the course of the weekend – four on Saturday, October 3 and two on Sunday, October 4. Beginning at 9:55 a.m. ET on Saturday, Playdate will air before and after the brand-new special Thomas & Friends: Sodor’s Legend of the Lost Treasure, as well as surrounding new episodes ofThe Save-Ums!, Topsy & Tim, Julius Jr. and leading into the network premiere of the animated film Curious George 2: Follow That Monkey. 

Playdate beautifully captures the magical idea that children believe their toys come to life when they’re not around. Meet Mac, Sammy, Priscilla and Buckie – the beloved stuffed animals of Jacob and his friends who venture out on their own playtime adventures when the children are away. They do their best to complete the kids’ playtime adventures but usually end up causing some kind of mess or chaos along the way. Since the kids can never know their toys come to life, Mac, Sammy, Priscilla and Buckie have to finish their escapades before the kids come back and make sure they’re exactly where they started off. Luckily, Norman, the family dog, makes the perfect fall guy for any of their hijinks.

Playdate stars newcomer Aidan Wojtak-Hissong as Jacob; Millie Davis (Odd Squad, Orphan Black) as Molly; Scarlett Dovey (This is Scarlett and Isaiah) as Gwen; and Nirvaan Kwan as Enzo. Naomi Snieckus (Mr. D) plays Jacob’s Mom; Second City alum Jayne Eastwood plays Grandma and Colin Mochrie (Whose Line Is It Anyways?) plays the role of Grandpa.

Commissioned by DHX Television, Playdate was created by Dina and Frank Meschkuleit. Frank is one of Canada’s premier puppeteers with a wealth of knowledge having worked on popular kids programs including Fraggle Rock, Toopy and Binoo and The Mighty Jungle. The series was developed by J.J. Johnson and Christin Simms and is produced by Sinking Ship Entertainment.

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Link: CBC President Acknowledges that Public Broadcaster’s Very Existence is at Risk

From Broadcaster Magazine:

CBC President Acknowledges that Public Broadcaster’s Very Existence is at Risk
In a prepared speech, Lacroix admitted that public broadcasters “are at fault for not speaking loudly enough about the threats we face,” and “like the proverbial frog put in cold water that is slowly heated, we’ve resisted telling people that we risk being boiled to death.” Continue reading.

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