Now that the world has returned to some sort of order—at least, as much as it can—many of us will face that all too familiar dread surrounding the holidays: the Christmas meal.
A too-dry turkey, gluey mashed potatoes (of which I have been guilty) and watery pumpkin pie are just three of many mishaps that can occur when folks congregate during the holidays.
But Mary Berg has got your (and my) back this year.
Debuting Monday at 8 p.m. Eastern on CTV Life Channel with a special episode of Mary Makes it Easy called “Mary Makes it Merry,” the MasterChef Canada winner, cookbook author, celebrity chef and culinary coach aptly guides you through an easy as pie (see what I did there) bunch of recipes designed to keep you organized when family descends.
“It breaks my heart to hear that the worst part of the holidays for a lot of people is making the holiday meal. By the time you shop for the food and make the standard feast you’ve spent so long prepping, it’s no wonder you’re overwhelmed,” Mary says in a media release promoting the instalment. “With my shortcuts and time-saving strategies, I’m going to make the holidays so easy.”
It all kicks off with perhaps the easiest bread dish I’ve ever seen. I’ve struggled with making cinnamon buns in the past, eventually giving up and buying them from bakers. No more, thanks to Mary’s Cinnamon Roll Bread, which looks so simple even I could master it. The same goes for the Stuffed Turkey Roulade she tackles as the main dish. Once Mary completes a couple of sides, including dead easy cranberry sauce, I was convinced. I can, and will, do all of that for my family and more, over the holidays.
Mary Makes it Easy, “Mary Makes it Merry,” airs Monday at 8 p.m. Eastern on CTV Life Channel.
CBC today announced broadcast and streaming premiere dates for its winter 2022 slate of programming, including over 20 new and returning original series from Canadian creators, producers and storytellers across all genres. The new winter primetime schedule launches Sunday, January 2 on CBC TV and the free CBC Gem streaming service.
WINTER 2022 SCHEDULE – CBC TV & CBC GEM:
All following times local with the exception of Newfoundland, please add half an hour to all times.
MONDAYS 7:30PM – FAMILY FEUD CANADA
8PM – MURDOCH MYSTERIES; Season 15 continues January 3
9PM – THE PORTER premieres February 21
TUESDAYS 8PM – THIS HOUR HAS 22 MINUTES; Season 29 continues January 4
8:30PM – SON OF A CRITCH premieres January 4
9PM – WORKIN’ MOMS returns for Season 6 on January 4
9:30PM – The TALLBOYZ are back for a third season on January 25,
WEDNESDAYS 8PM – STILL STANDING returns for Season 7 on January 5
8:30PM – RUN THE BURBS premieres January 5
9PM – PRETTY HARD CASES returns for Season 2 on January 5
THURSDAYS 8PM – CORONER Season 4 premieres January 6
9PM – THE FIFTH ESTATE continues January 6
FRIDAYS 8PM – MARKETPLACE continues on January 7
8:30PM – ARCTIC VETS returns for a second season on January 7
9PM – THE NATURE OF THINGS continues on January 7
CBC GEM ORIGINAL SERIES:
Hosted by Madison Tevlin, WHO DO YOU THINK I AM? begins streaming Friday, January 7, featuring Maddie as she chats with guests one-on-one and connects with people who, like herself, are often misinterpreted and misperceived.
TRUE DATING STORIES returns with Season 3 on Friday, January 28. Whether it’s true romance or a night gone horribly wrong, this series offers the greatest real dating stories ever told, reenacted by performers with all the drama, romance and comedy they deserve.
BEST IN MINIATURE is a unique competition series premiering Friday, February 11. Hosted by Aba Amuquandoh (This Hour Has 22 Minutes), the show follows 11 competitors from around the world as they build their dream homes in miniature form.
As Canada’s Olympic and Paralympic Network, CBC will provide the compelling coverage and award-winning storytelling that audiences have come to expect, leading up to, during and after the OLYMPIC WINTER GAMES BEIJING 2022 (February 4 – 20) and PARALYMPIC WINTER GAMES (March 4 – 13). In addition to Olympic coverage, CBC SPORTS will continue to keep Canadians connected to the world of high-performance sport through weekly staple ROAD TO THE OLYMPIC GAMES, available on CBC TV and CBC Gem, as well as live streams of key competitions on cbcsports.ca and the CBC Sports app. Upcoming events include: The Alpine Skiing World Cup, kicking off this weekend in Lake Louise; and the Canadian National Figure Skating Championships in January where Canada’s Olympic Team will be determined.
Hosted by musician Melanie Doane and premiering Saturday, January 8, new original series UKULELE U encourages young viewers at home to sing, move, and learn along with a cast of kids known as the UKE TROUPE.
Do you recall those first few weeks into the pandemic, when humans were told to stay home and animals were seen more frequently outside? I remember the cellphone videos posted on social media of coyotes trotting down residential streets and sheep galloping around neighbourhoods overseas amid jokes of nature taking the land back.
Were these just a handful of coincidental instances, or something that was really happening while we sat inside, looking out the window? And, was nature better off?
“Nature’s Big Year,” airing Friday as part of The Nature of Things, aims to find out.
Writer, director and producer Christine Nielsen and producer Diana Warmé tell an incredible story spanning 11 locations around the globe—during the pandemic—of nature doing a reboot.
In Bighorn Backcountry, Alberta, wildlife ecologist Jason Fisher and his colleagues were delayed by COVID-19 from accessing trail cameras they’d set up before the world shut down. What they saw in the footage was surprising.
Meanwhile, in Juno Beach, Florida, research manager Sarah Hirsch relates how the lockdown helped loggerhead turtles nest more successfully in an area humans usually trampled around in. And, in Nottinghamshire, UK, wildlife biologist Lauren Moore investigates whether or not a drop in traffic during the pandemic would cause the endangered hedgehog to rebound.
And, not surprisingly (I know this first-hand from observing my feeder), birds were more plentiful during the lockdown. What was a surprise for researchers was that birdsong became louder, more varied, and birds were attracted to areas where there were stricter lockdowns.
Beautifully filmed, “Nature’s Big Year” is the well-told tale of what happens to nature when we interact with it less.
“Nature’s Big Year” airs as part of The Nature of Things, Friday at 9 p.m. on CBC.
The television landscape is constantly changing. Where once there were only conventional television stations, now we have streamers like Netflix, Amazon Prime and Disney+ opening up our worlds to programs outside of North America and around the world.
Bell has been going the other way, with hyper-local programming on its Fibe TV1 service. There Bell subscribers can access television projects from communities across the country. Vollies, available now on Bell Fibe TV1, is just one of them.
Co-created by and starring Jonathan Torrens and Sarah D. McCarthy, Vollies (a second season has been greenlit) follows the exploits of the Essex-West-Essex Fire Department. This crew has everything a real fire department does, including a shiny truck, baller uniforms, and super-cool nicknames. The only thing they don’t have? Actual fires to fight. But that doesn’t stop them from organizing a series of fundraisers, each more outrageous than the next, to buy a helicopter.
Starring a relatively unknown group of actors alongside McCarthy and Torrens, Vollies is awkward, heartfelt hilarity. We spoke to Jonathan Torrens and Sylvia Beirnes, Vollies writer, producer and partner with Torrens on Canadian Content Studios.
How did Vollies come about? Jonathan Torrens: We had this meeting with Paul Gardner, who’s our guy at Bell Fibe1 TV, a year or so ago. He said, ‘What is the idea that gets your heart going?’ And I have never, in my 30-plus year career, been asked that question. And it was just a great reminder that there’s no substitute for genuine enthusiasm and passion. That’s how Vollies came about.
I had made a list of the things that I had available to me in my neighbourhood during the lockdown. My father-in-law used to be in the farm machinery business, and he had this empty warehouse. I was thinking about fire specifically and how I’ve never really seen it in a comedic setting. There’s a reason for that, it’s really expensive. And, although [first-responder shows] would suggest otherwise, there’s nothing inherently funny about the work that they do. After realizing that I hadn’t seen that and that we couldn’t afford fires, suddenly the idea of a volunteer fire department that didn’t have anything to do started to come into focus as a great setting for a TV show.
At what point did you and co-creator Sarah D. McCarthy start working together on it? JT: Sarah was working with us on some other stuff. She’s an actor from here. She was helping with some of that stuff, because Sylvia and I just parse out little things, we need help with. I mentioned to Sarah that I was going to pursue this idea. She grew up across the street from a volunteer fire station in Liverpool, Nova Scotia, her house burnt to the ground when she was nine.
Her house actually burnt to the ground. And she was the one that said they had a DJ Backdraft who did teen dances every Sunday. And she was the one that said they used the vollies to give a curfew siren; that’s when all the teens knew it was time to go home. They’re so woven into the communities here and they do everything. They knock on our door and ask for donations for an auction to raise money, they do highway safety if there’s an accident.
Sylvia, how did the writers’ room on Vollies operate? Sylvia Beirnes: It was my first one, to be honest. Jonathan and I have been writing things together, so we just tend to rip and jam, but this is the first time we had done something like this. We flushed the idea of the show out with a group of people. And then when it came to actually writing Jonathan, Sarah and Mark Forward were the ones who actually put pen to paper. I was brought in when we were reviewing everything, going through and trying to punch things up, no words came out of my actual fingertips, but it was through those conversations and through being able to brainstorm and go, ‘Is that a funny thing?’ I’m not from a small town, but I’m married to someone from a small town and have seen vollies in action. So you pull from your life references and experiences.
I was terrified to say a word at the beginning. When you’re in a writers’ room with the likes of Jonathan and Mark and Sarah, that’s only intimidating because I made it, not because they’re not wonderful people. But the minute I raised my hand for the first time it was received with warmth and yes, all the great things you would hope would happen to you. And it was just, it was awesome. I never dreamed in a million years that if I ever got to work on a scripted comedy, it would be our own. And the fact that I got to see my name and credits for writing something that I think is really funny and pretty sweet.
JT: Sylvia is selling herself short. She contributed lots of words and jokes and sentiments and promises.
Jonathan, was it a Zoom writing room? JT: It was. I’ve discovered about myself with age that there are certain things I’m not good at. And it’s as important to know what you’re not good at as it is to know what you are good at. Story is probably not my strongest suit, I’m a great character guy, good dialogue guy. I’m a good person to run a room because everyone feels like they can speak up and it’s warm and squishy.
But the math of story is probably the thing that I find the most tedious, the least sexy, the less fun. I’m like, let’s get to the jokes. I’ve learned through shows like Trailer Park Boys and Letterkenny that even though it’s a comedy show you still want to know what your characters are rooting for, what they want, what their goals are. And then your job as a writer is obviously to put obstacles between them and their goals. And inch them closer to it, back them away. So I brought in some heavies, Andrew De Angelis, Mark Forward, Steve Dylan, Alice Moran.
People who are funny, but also are quick to say, ‘Hang on a sec, that doesn’t really make sense.’ The first nut that we cracked was that, I think it was Andrew’s idea, everything is opposite world. So, if these people might not be super cool in normal society, here they’re ballers. And in fact, these volunteer firefighters think the town guys that do it for a living have sold out because they fight fires for money, whereas the vollies do it for the love of fire.
Once we cracked that, then it was like, ‘OK, I know exactly who these people are and what this world is.’ They think they’re cool, cooler than anyone. The other thing I’ve learned is that the stories don’t have to be complicated. You don’t have to make it, the power goes out during the snowstorm at the Halloween dance … that’s a whole season. When we had the idea to make it a series of fundraisers, that felt both something we could easily execute. And best of all, I think sometimes you lose a lot of resources you don’t have by doing unit moves all over the place.
Writing happened fast. Sylvia, what about production? SB: It was the same. It was all happening at the same time. We are maybe gluttons for punishment, as far as that goes. But we also, one of the things we really pride ourselves on at CCS, is that we can make great things happen quickly. While Jonathan was wrangling the entire world, I was helping wrangle all kinds of other things in the background. It was a race to the finish line, navigating a pandemic was no small feat either. I was in isolation for two weeks in Nova Scotia, which actually proved to be the best thing ever because I just turned inwards and we just got it done.
One of the things that I’ve loved is being exposed to folks that I don’t know. So, James Faulkner, I Googled him right after watching the first episode and I’m like, ‘I don’t know who this guy is.’ The same thing with Brian George. Jonathan, talk a little bit about pulling this group of people together that don’t necessarily have a ton or any IMDb credits to their names. JT: One of the biggest kicks for me in this business is seeing it through the eyes of people that haven’t been exposed to it much. James Faulkner is the voice of the Truro Bearcats. He’s also the news guy on Pure Country in town, so I hear him every day. If you live in Truro, you can’t escape James Faulkner, he’s six foot nine.
But I just had a sense he would be a good performer and he really is. Brian is an accessibility advocate in Halifax and pretty funny presence online as well. He’s done some stand-up, sit-down comedy. I thought it was really powerful of seeing that type of main character without it being central to his character at all. In fact, one of the things I like about the pilot is you don’t know till they get back to the station that he’s even a wheelchair user.
Mary Austin is a Dal opera student, she plays Lil, she’s someone that we’ve worked with a fair bit. We kind of have this little Christopher Guest-style pod of people that we like to use and reuse that just bring us joy and are nice people.
Sylvia, the industry has changed a lot. You don’t have to pitch to the big broadcasters because there’s TV1 out there. SB: I think it’s one of the most important opportunities that we’ve uncovered, to be perfectly honest. We did not know about it until we knew about it.
And you can go and create and make your dream shows, it’s CRTC funded. They have an obligation to support local filmmakers and television makers across the country. And you get to go and shop it around, so if another network wants to buy Vollies as a 22-minute piece, it’s a completely different contract. For us, it’s the opportunity to fund pilots and to be able to make things we love with really amazing people. We’re building a business show by show on it already.
Murdoch Mysteries fans know there are certain things that will happen in a season. An appearance by Terrence Meyers is one of them.
Played by Peter Keleghan, any scenes with Meyers crackle with an energy that I love. So, I was excited to preview Monday’s new instalment, “Murdoch Knows Best,” written by Simon McNabb and directed by Don McCutcheon. And, I have to say, this may be one of the best Meyers-themed episodes ever.
Here’s the CBC’s official synopsis:
After a man’s murder, Murdoch and Brackenreid discover spy Terrence Meyers’ civilian life.
And here are some observations from me after watching the episode in advance.
Terrence Meyers… family man? You absolutely never know when Meyers is telling the truth. Spies lie. So, is the CBC’s synopsis that we truly go into his civilian life fact or fiction? I had a lot of fun finding out, and think you will too.
Guest stars aplenty Aside from Peter Keleghan, look for Leah Pinsent (Keleghan’s real-life wife) as Meyers’ spouse. Also, Cynthia Preston, Jim Annan and Nicholas Fry all drop by. Though the episode is titled “Father Knows Best,” a nod to the classic American sitcom and the surnames on that show, I caught a surname attached to another classic series, and the episode’s director; and there is a very clever nod to a certain board game many of us have enjoyed.
Meanwhile, back at the Station House… Watts and Crabtree are approached by a youth basketball team who are concerned because their coach has gone missing. A bloody hat is their only clue. Speaking of Watts, David Andrew Reid, introduced last week as Mr. Strange briefly returns on Monday.