Tag Archives: CBC

Preview: Murdoch Mysteries offers up pitch-perfect musical episode

“After 20 years, 17 seasons and 290 episodes, Murdoch Mysteries has finally done it… A musical episode!”

So said the email sent by CBC earlier this week, trumpeting the show’s musical interlude coming up on March 25. Murdoch Mysteries is certainly not the first TV series to do it; the popularity of the musical episode is largely attributed to Buffy the Vampire Slayer instalment, “Once More, With Feeling,” on November 6, 2001. Since then, many shows have done them, with mixed results. Grey’s Anatomy, Supernatural, Fringe, Ally McBeal, The Flash, Scrubs and fellow CBC hit Schitt’s Creek have all dipped into the trope.

Now it’s Murdoch Mysteries‘ turn with “Why Is Everybody Singing?” Written by Paul Aitken and directed by Laurie Lynd, here is the synopsis for the March 25 episode:

While pursuing a missing man now presumed dead, Murdoch takes a call that alters his perception of the world. After heading into a lively alley, he’s shot in the head and left for dead. Crabtree and Higgins find him with the faintest pulse clinging to life. As Brackenreid, Ogden, Watts and Hart rush to the scene and the constables question a newsboy, beggar, vendors and other witnesses, Murdoch hears their inquiries in song. The musical accounts swoop and soar, confounding the detective who can’t understand why everyone around him is singing instead of focusing on who shot him.

According to writer and executive producer Aitken, the seed for a musical mystery was planted by Buffy and has been gestating ever since.

“The challenge was to do it as a genuine mystery,” Aitken says in media materials provided by CBC. “The essential concept: A comatose Murdoch needs to determine who tried to kill him was strong and allowed for all manner of philosophical hijinks, but it was insufficient. The music itself needed to be a clue. Having the singing be his injured brain’s way of processing what was actually being said over his bed solved two problems. It made the music an integral feature of the plot and allowed for the introduction of new information—always handy when telling a mystery.”

The fun begins right out of the gate, with the Murdoch Mysteries theme with a phalanx of voices performing Robert Carli’s unmistakable composition set against a movie screen in a vintage theatre. Then it’s on the case that puts Murdoch into the dire straits he finds himself in: that of a missing man. I should say that eagle-eyed viewers will catch a familiar name in the opening credits that ruins a surprise later in the story, but that’s a minor quibble.

It doesn’t take long for the singing to start—prefaced by a vibrant soundtrack—and director Lynd’s wonderful work lights up the streets of Toronto.

“The script that Paul Aitken wrote is so clever because it is still at heart a classic Murdoch episode, a puzzling case to be solved that is not at all what it first appears to be,” Lynd says. “The great joy of the episode, of course, is seeing—and hearing!—our favourite Murdoch characters sing. All of the cast did their own singing, beautifully elevating the emotions of what their characters were expressing.

It certainly is fun to hear the main cast belting out lyrics by Aitken (Higgins’ and Margaret’s in particular, are hilarious) and produced and arranged by Jono Grant. Highlighted by guest cast in Sharron Matthews (Frankie Drake Mysteries), Hélène Joy, Arwen Humphreys and Thomas Craig, the performances make sense and add a unique way of storytelling.

But, at its heart is the mystery, which is always going to be the core of the veteran drama that shows no signs of slowing down.

“Preserving the integrity of the show has always been super important to me, so when there was talk of doing a musical episode, it was no secret that I had reservations,” Bisson says. “Having Paul Aitken, our writer, as an ally for so many years and having been in the musical trenches before with Laurie as a director, I felt confident to proceed. All my worrying was for nothing though—the end result is nothing short of spectacular!”

We agree.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

Images courtesy of CBC.

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Links: Allegiance, Season 1

From M.L. Witkowicz of Broadview:

Link: New police drama ‘Allegiance’ explores how injustice can make you rethink your identity
On its surface, Allegiance, which premiered on Feb. 7, is a gripping, fast-paced crime drama. As the show progresses, Allegiance delves into the Sikh Punjabi community in the heart of Surrey, portraying the experiences of a South Asian woman and her family as they navigate issues of identity, belonging and the complexities of the justice system. Continue reading.

From Aparita Bhandari of The Globe & Mail:

Link: Supinder Wraich’s new CBC series, Allegiance, explores family bonds and the badge
“There’s something about this relationship between the father and daughter. This is a family who’s been in service for generations. I thought that was really cool. Because I have never seen Sikh Punjabi history on screen, forget the fact that I have never seen a family like this, right?” Continue reading.

From Eric Volmers of the Calgary Herald:

Link: ‘Make more room at the table’: Calgary writer deepens immigrant story with cop drama, Allegiance
Anar Ali thinks she can pinpoint the moment when her mother got over her uneasiness about her daughter becoming a writer. Continue reading.

From Kate MacDonald of That Shelf:

Link: Allegiance Review: A Proudly Canadian Police Procedural
Allegiance, the new series premiering on CBC and CBC Gem, takes that foundation and expands it into something even greater by introducing fresh perspectives on the justice system. Continue reading.

From Alex Nino Gheciu of The Canadian Press:

Link: Wraich, Colantoni on breaking cop show tropes with Surrey-set drama ‘Allegiance’
Supinder Wraich says starring in CBC’s new police drama “Allegiance” feels personal on several levels. Continue reading.

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Supinder Wraich discusses her latest series, CBC’s excellent, emotional Allegiance

The last time I spoke to Supinder Wraich, it was about The 410, the excellent CBC Gem series she created, wrote, and starred in.

After gigs on Sort Of, Surreal Estate, Hudson & Rex, Private Eyes and Crawford, Wraich is back, toplining the excellent new Allegiance.

Debuting Wednesday at 9 p.m. on CBC and CBC Gem, created by Anar Ali (Transplant) and showrun by Mark Ellis and Stephanie Morgenstern (Flashpoint, X Company), Allegiance follows the journey of new cop Sabrina Sohal (Wraich), who is of Punjabi heritage.

Sabrina is a smart, confident newbie cop. She’s been paired with a veteran training officer named Vince (Enrico Colantoni) and looks to make a difference in her home city of Surrey, B.C. But her personal (and to an extent, professional life) is thrown into disarray when her father, Ajeet Sohal (Stephen Lobo), the revered Minister of Public Safety, in charge of the police, is accused of treason.

With a debut episode packed with action, humour and emotion, we spoke to Wraich about her journey to Allegiance, what Sabrina will face in Season 1, and if there will be more The 410.

How did you end up getting involved in the show? Did you have to audition, or did they have you in mind? How did the journey all begin for you?Supinder Wraich: Well, it was a little bit of both, but I didn’t know at the time that they had me in mind. And so, originally I was under contract for Sort Of, so I wasn’t looking for work because contractually it wasn’t something that was open.

When we found out that Sort Of was coming to an end, it opened an unexpected door. At the same time, I think that the Allegiance folks had been casting for a while in looking for Sabrina. But when I went in to audition, I really didn’t think that they were looking for me. There was a naiveté to this character that where I was in my life at the time I had just played Aqsa. Tonally, in terms of energy-wise, they’re very different characters. And also, I’d just had a son.

And so, when I went into audition, I really just thought my friend Anar Ali had written the show, Anar and I had known each other for years and wanted to work on something, so she was doing me a favour by bringing me in just because I was Sikh Punjabi and we knew each other. I was like, ‘Oh, it’s nice of Anar to bring me in.’ When I got the call that they wanted to offer me the part, it really was a bit of a surprise for me, and I had to figure out, okay, how do I build Sabrina? How do I find this woman and where she’s at in her life?

Enrico Colantoni and Supinder Wraich

Was it easy to identify with this character? Could you understand where this character was coming from and being caught and having to deal with racism every day, unfortunately?
SW: Yeah. Some of the things that I had built for Sabrina and was just wondering about her life, I can definitely draw a couple parallels. One major one was that this is my first big leading role and in a way a new position for me that I’ve had to learn as I stepped into those shoes. For Sabrina, similarly, it’s also a new job and something that she’s learning as she goes along, so that I could lean on.

But then, there was also something very different where one of the things that Anar wanted to explore was what does racism look like for a family who’s been in Canada for generations?

And that’s very different from my experience because I was born in India. I was born in Punjab, and I moved here when I was four. And so, finding that balance of what it would feel like to belong to a family that had existed in Canada for generations and the type of confidence that gives you in a way that I didn’t have growing up in terms of real feeling of belonging somewhere and what it means to have that taken away from you is something that I had to define and then allow that fall to happen for Sabrina when her father gets charged and all of a sudden in a very significant way she is confronted by the color of her skin and this particular experience.

What I like about Sabrina and what I connected with right away is how smart she is and how instinctive she is at being a cop. Even though she is a rookie, you’re already getting that feedback that she knows what she’s doing and her gut reaction is good. That’s refreshing to see a rookie cop on television these days.
SW: I think that where that comes from is this confidence that has been instilled in her because of her father.

I remember we had a couple of conversations about who Ajeet Sohal was and how he carries himself in the world. I think for somebody like him, a Sikh Punjabi man who has a beard, who wears a turban, and has confronted so much about his culture, about his religion, and had the confidence to stand up for himself, Sabrina’s watched that happen her entire life. He really is a mentor to her. And so, amid everything else that’s happening, when she embarks on this career, one of the things that she’s really learned to do, and I do believe that it comes from her father, is to trust her instincts.

Speaking of mentors, I love Enrico Colantoni. I’ve spoken to him many times, and I feel as though the character Vince fits him like a glove. I love that there was that connection with Sabrina right away. The dad jokes are all there. What’s it been like working with him?
SW: Oh my god, Enrico’s a dream. We had this genuine chemistry the moment we met, and I can’t explain it. We’d never worked together. I obviously knew who he was and had seen his work, and so I was really excited to work together.

I remember when we were first auditioning together. Enrico wasn’t auditioning. He was there during the test, and there were a couple of different Sabrinas that he tested with. I remember just being enamored in terms of watching him work and thinking like, ‘Oh my god, he’s really in it, he’s really in this scene. He’s very present, and if I got the chance to work with him, I think I could really learn a lot from this person.’

It’s funny how life works. In Sabrina’s situation, Vince is definitely not the training officer that she wants, but he’s very much the training officer that she needs.

Obviously, I wanted to work with Rico as soon as I knew that he might be taking the project. But there is a beautiful thing. I learned a lot from working with Rico. Likewise, I think Sabrina also learns so much from Vince’s relaxed mindset because she’s so driven and so focused, and she begins to figure out what the important things are.

Lachlan Quarmby and Supinder Wraich

Not to mention everybody else in the cast. Brian Markinson, Stephen Lobo, you already mentioned David Cubitt, from top to bottom, this is a stellar cast. This is a who’s who of Canadian television all on one screen. It is just amazing.
SW: Yeah, and you know what? It makes your job a lot easier when you go to work every day and get to work with people who are so talented. You show up in the scenes, and they’re there with you, and you can play and bounce off of each other.

One of the things that also intrigued me about the show was the script and the dialogue. The dialogue sounds very natural. Everything just felt very natural and conversational to a point.
SW: I would say definitely credit the scripts. I think what’s really cool is that Stephanie Morgenstern and Mark Ellis had worked with Rico for years. And so, when it came to developing Vince, and I’ve heard Rico say this, they got him in terms of just his humor. There’s a lot of humor in the show too. He did a really good job of inserting those jokes. And also, just we have a great team of writers.

And the other thing is as showrunners, Mark and Stephanie are not precious about dialogue, that it has to be word-perfect. And so, between them and the directors, there was a fair bit of ad-libbing that was allowed and encouraged.

And Rico and I, sometimes we would just riff, and the directors would let us keep going until we ran out.

Did you do any police training in advance of this role? If so, what was that experience like?
SW: Yeah, we did a little bit of police training just right before we started, and then we would always have someone on set to ensure that what we were doing was accurate in terms of gun control or making arrests or just general walking into a room and where the dangers are, how do you clear a room? And so, we did that.

And then, I also spoke with a couple Sikh Punjabi female RCMP officers just to understand their world and what they dealt with on a day-to-day basis and also just their familial relationships. Because as much as it is a cop show, there’s also so much family stuff. For me, I really wanted to understand Sabrina’s experience, what the reality of it looks like.

And then, also just things that you pick up along the way, like once you’re done training in depot, it’s the little things, even running. You’re trained to run with your hands up so you can protect yourself when you’re fast. And so, Sabrina had a lot of running scenes. I remember it was one of our first days, and it was something that one of my references had told me. She was like, ‘Your body gets used to doing things a certain way, because for six months while you’re in depot, it’s ingrained into you.’ And so, if I was a cop who had been doing this for a while, those things would need to be less specific. But especially when you join the force in those first couple of episodes, I can remember just thinking about whenever Sabrina enters a scene, she’s always referencing the training that she’s had. Because it’s not like it was years ago. It was she just got out of it.

What can you tell me about Sabrina’s professional journey this season?
SW: Without giving too much away about the show, I think that there is a removing of the rose-coloured glasses, because one of the things I think that the show and the writers have done beautifully is to not shy away from the things that we experience, we as in society, and have experienced over the last couple of years with the policing system, right?

Our legal systems are troubled. Depending on who you ask, a lot of people would say that they’re broken, they need to be rebuilt. One of the things that we wanted to look at was what’s legal is not necessarily always what’s fair and what happens to the human hearts that are involved in those negotiations. And so, for Sabrina, I think that the show is really aptly named in terms of allegiance because this thing happens to her father, and then all of a sudden this organization that she’s taken an oath to serve and to protect is no longer serving and protecting her and her family. In fact, they’re a threat.

And so, that journey, I think, it’s a fascinating one to watch as she negotiates being… When she comes in, she believes in the system normally. And then, she really does have to at some point choose sides in terms of who is she going to serve. Truly, what does it mean to be caught within those two worlds?

And then, I think there’s also a strength. I think for a long time in Sabrina’s life, she’s benefited from being her father’s daughter. And then, without him around to protect her, to show her the way, she really has to go on this journey where she has to become her own woman and be in this police force in her own right.

Okay, last question. In your bio, it mentions future seasons of The 410. So, what can you tell me?
SW: I’ve been working on the hour-long version for The 410 for, I think, since we’ve released The 410. And so, I’m working with a showrunner in India.

His name is Vikram Motwane. He did Sacred Games on Netflix. It’s this big crime series. And so, right now for the last little bit, we’ve been developing the hour-long version, and now that the strike is over, we’re going to take it back out to mostly American networks and start pitching the show.

Allegiance airs Wednesdays at 9 p.m. on CBC and CBC Gem.

Images courtesy of CBC/Lark Productions/Darko Sikman.

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Preview: The Nature of Things “I am the Magpie River” spotlights a waterway with personhood rights

Can nature have rights? That’s the question at the heart of Thursday’s new episode of The Nature of Things.

In “I am the Magpie River,” airing Thursday at 9 p.m. on CBC and CBC Gem, filmmaker Susan Fleming answers the question with a resounding yes. The 200-kilometre river, in the Côte-Nord region of Quebec, flows from the Labrador Plateau into the north shore of the St. Lawrence River near Sept-Îles, Quebec.

The waterway is sacred to the Innu First Nation, who call it Mutuhekau Shipu, and they’ve depended on it as a major highway and food source for centuries. And that’s why, as of 2021, the Innu Council of Ekuanitshit and the Minganie Regional County Municipality had the river declared a legal person. The result? The river has nine rights, including the right to flow, to be free from pollution, and to sue.

Gorgeously filmed, with aerial drone shots capturing the rugged river in its savage glory through the seasons and up-close footage of the area’s unique flora and fauna (including herds of caribou), Fleming shows the awesome strength of the waterway during the spring melt. And it’s the power of the Magpie that Hydro Quebec—which is the fourth largest producer of hydropower on the planet—would love to have a piece of. And that’s the point of personhood: to protect the river from being changed, being taken advantage of, and being tamed.

The Magpie River may be the first in Canada to be granted personhood, but it is just the latest in many around the world. Indigenous-led campaigns like that done by the Innu in Canada have saved the Klamath River in the U.S., the Whanganui River in New Zealand, and the Amazon in Columbia.

The Nature of Things, “I am the Magpie River,” airs Thursday at 9 p.m. on CBC and CBC Gem.

Image from “I am the Magpie River.

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Links: Run the Burbs, Season 3

From Aisling Murphy of the Toronto Star:

Link: He’s a dad, a TV star and a sneakerhead: Andrew Phung of ‘Run the Burbs’
It’s easy to draw a road map of Andrew Phung’s adult life when sifting through his sneaker collection. From the pair worn during a final audition for “Kim’s Convenience” to those donned at his wedding, they tell a story about the Canadian comedian who went on to become the face of CBC, first as sidekick Kimchee on the celebrated comedy “Kim’s Convenience” and now as suburban dad Andrew on “Run the Burbs.” Continue reading.

From Elisabetta Bianchini of Yahoo News:

Link: ‘Run the Burbs’ with Andrew Phung, Rakhee Morzaria is so engaging, fans keep pitching their own ideas
“It’s a season focused on family, so for me it was … seeing the ups and downs of family, seeing kids turning 17 and 13, finding their independence, seeing a family dealing with, how do we spend time with each other? How do we find the work-life balance? Having Camille’s dad move into her house, so having multiple generations in a house.” Continue reading.

From Eric Volmers of the Calgary Herald:

Link: Andrew Phung’s very Canadian family sitcom finding audience south of the border
When the American show Access Hollywood recently ran a trailer for the Canadian family sitcom Run the Burbs host Mario Lopez showed enthusiasm for the show even if he was a bit confused geographically. Continue reading.

From Max Goldbart of Deadline:

Link: Hulu Buys Canadian Comedy ‘Run The Burbs’
Canadian comedy Run the Burbs has been picked up by Hulu for its second window in the U.S. Continue reading.

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