Internationally acclaimed wedding expert and celebrity stylist Jessica Mulroney will helm the all-new original wedding series I DO, REDO for CTV and Netflix, it was announced today. In her first television series, CTV’s newest lifestyle star Mulroney revisits first-time wedding disasters before re-making the wedding dreams of 10 devoted couples.
The 10-episode, 30-minute series from Insight Productions (a Boat Rocker company) is currently in production in Canada and the U.S. The latest collaboration between Bell Media and Netflix, I DO, REDO is set to premiere in 2020 on CTV, CTV Life Channel, and Crave in Canada, and on Netflix internationally.
Mulroney has built an illustrious career in fashion, weddings, and consulting and currently serves as a fashion contributor on GOOD MORNING AMERICA. I DO, REDO is Mulroney’s inaugural collaboration with CTV and Netflix.
I DO, REDO is produced by Insight Productions in association with CTV and distributed globally by Boat Rocker Studios. John Brunton is Executive Producer and Erin Brock serves as both Executive Producer and Showrunner.
Jean and Rachel started from humble beginnings; their single mother baked butter tarts out of their mobile home in Bayside as a way to earn money for the family.
It wasn’t until Jean and Rachel became mothers themselves that the pair cofounded Maple Key Tart Co., a boutique butter tart company operating in Toronto and Prince Edward County. They began with their mom’s recipe and infused it with their own flavour and style to come up with Maple Key Tart Co.’s signature butter tart.
In just two short years they have grown their business into a sweet success!
You can find Maple Key Tart Co.’s butter tarts in over 20 select locations across Southern Ontario. They are permanent vendors at the bustling Wellington Farmers Market in PEC, The Evergreen Brickworks Farmers Market in Toronto, and the highly curated Upmarket in Yorkville Village. This holiday the girls are excited to be partnering with Holt Renfrew.
When not baking butter tarts, you can catch this sister duo as the hosts of Food Network Canada’s The Baker Sisters, now airing on Global TV. This delectable travel series follows Jean and Rachel as they visit bakeries across North America and discover how their delicious desserts are made.
The pair have also appeared on The Marilyn Denis Show as baking experts and are launching their own YouTube channel in the new year. They are seasoned judges at the Midland Butter Tart Festival as well as other sweet show-downs across the province.
Discovery’s Canadian original series Highway Thru Hell returns for Season 8 and moves to a new day and time, premiering Monday, October 7th 2019 at 10 p.m. ET/7 p.m. PT. The international hit series, which is Discovery’s top-rated series for audiences of all ages, will also return for an 18-episode ninth season, its largest ever. Season 9 goes into production this fall.
Produced by Thunderbird Entertainment’s Factual Division, in partnership with Discovery Canada, Highway Thru Hell follows the lives of the men and women who fight to keep traffic moving on BC’s mountain highways through vicious winter storms. The program’s broad appeal has made it a Canadian staple, and an international hit. It is watched in 200 territories, in more than 12 languages.
Highway Thru Hell is a top-rated series on Discovery. It airs globally in more than 12 languages, including Discovery (Canada), The Weather Channel (United States), ABC (Australia), National Geographic (Norway, UK and Ireland), RMC Découverte (France) and IRIB Mostanad (Iran). It also streams worldwide on Netflix.
Season 8 of Highway Thru Hell consists of 17 all-new episodes, documenting the trials of Jamie Davis and his fellow hardworking and heroic heavy recovery operators, as they fight to keep the roads open through British Columbia’s Coquihalla and Cascade mountains. Following the season premiere on October 7 at 10 p.m. ET/7 p.m. PT on Discovery, Thunderbird invites viewers to join a Facebook Live event to celebrate along with its production partners.
In July of 2017, I caught up with the cast and crew of APTN’s Wild Archaeology while they were shooting Season 2 episodes in Southern Ontario. The day I arrived on set, hosts Dr. Rudy Reimer, Jenifer Brousseau and Jacob Pratt were on location at the Longhouse in Ohsweken, Six Nations. Despite the humidity Southern Ontario summers are known for, inside this structure there was a cool breeze and if I could bottle the scent of sun warmed freshly hewn lumber, I would be the happiest of campers on earth!
I decided to speak with co-host Jacob Pratt first.
How has the show surprised you? Jacob Pratt: I always thought the show was aimed at an older audience, late teens and older. But from what I have seen, a lot of kids aged 8-10 are really into the show. They have been really engaged by it. I think that is really surprising for me because it is expanding the intended viewership, not just older teens but a very young audience which is really cool to see.
And, how have you surprised yourself? I think they wanted me on the show because of my cultural understanding, and I have a good understanding of my own culture [Dakota], but I know about the Cree, and the Haudenosawnee because I have lived in the areas. So in general, I feel very competent about knowing other First Nations cultures. But, throughout last season, I was actually surprised with the number of similarities about other nations that I didn’t know about and the absolute ignorance I had in terms of the Inuit or the Inuvialuit and things like the whale blubber. It was really interesting. That was a surprise too: I never thought I would like whale blubber, but I do, especially with HP Sauce. There are things like that. I always thought I was very culturally aware but I keep finding things that are brand new, that surprise me.
For me, this is a journey of adding to my cultural understanding and actually that is one of my passions, learning about other people’s cultures because it makes me a more understanding person in my life in general. I really, really liked learning the things that I would never have imagined like here in Ontario. Stories that tell how long ago the Great Lakes were lower and then a beaver dam broke and they filled up very quickly. Now scientists are talking about how the lake levels were much lower and, 60 feet down, there are caribou runs. They talk about when that water did fill up, it filled up very quickly. For me, it was amazing hearing these traditional stories I have always heard, then hearing these stories that unknowingly scientists are backing up these stories. It is really giving weight to our oral history. Because scientists are now telling the stories that we have been telling for thousands of years. That to me is I think what hit me the most during Season 1.
Next, I sat down with show creator, producer, writer, Tracy German, to get a feel for what we can expect this season.
Your message in Season 1 was very clear: take the oral histories from various nations and verify that history through archaeological discovery. Moving forward into Season 2, how are your expanding upon that theme? Tracy German: Moving on in Season 2, we are going to continue doing what we do well. So, yes, we still connect the stories to real people and culture. We start with the inspiration from an oral teaching from an elder and then try to find the link to the archaeological record. In Season 2, we plan to incorporate more experimental archaeology. Like we just saw in the Longhouse, Kerdo Deer of Kayanase was demonstrating the traditional rope making. It is another form of reclamation and it is about learning the use of traditional medicines and plants and techniques. I think we will be going further into that in Season 2, and I hope we will be getting a bit more political or edgier as we move forward; pushing into ideas of repatriation and sacredness. Topics like #noDAPL and water; there are so many avenues. Gas and fracking, whatever, there are multiple fronts where we can act as activists for Indigenous people. When opportunities like that arise naturally and organically, and we can contribute to the cause, we will definitely be incorporating that into our storytelling. This season, I am starting with my journey, as a woman and where I am from. This is my home turf – Six Nations and my ancestry on my mother’s side is Haudenosawnee. We are starting in the Longhouse in a matriarchal culture. Already that is starting out political. And our camera operator in there, Jon Elliott, is Tuscarora and his family is from here. There are always multiple reasons why we start where we do but I do like telling the strong matriarchal story and I think that will come out in the grandmothers and the teachings of the strong womenfolk across the country.
I also had an opportunity to speak with Dr. Rudy Reimer, Ph.D., of Simon Fraser University.
How has this experience, as a teacher, as a professor, influenced your life in academia? Dr. Rudy Reimer: That’s a good question. Filming and being on the set of WA is a really interesting experience in terms of personally looking at the archaeology across Canada. When I lecture, some things are a little abstract and having the opportunity to come to places like Six Nations here, and other locations, allows me to put what I have read into context and more appropriately getting to experience the local First Nations first-hand, talking to community members, getting their perspective, and their history as opposed to what you would get in a standard textbook. What that allows me to do is integrate that into how I teach and lecture, but also it has been beneficial at another level. Each episode is pretty much the equivalent to a publication, and it really helps me professionally. Personally interacting with my crew and interacting with my co-hosts, still being in the role of an educator, for each episode makes for a great experience all around.
What are you most looking forward to this season? This season, we are here in Ontario for two episodes and then we are back on the west coast. I believe we are going to Sechelt, B.C., and then to northern British Columbia. It doesn’t matter where we go, because I look forward to each set and each episode. It is really fun to arrive because I know the archaeologists, I know their research, and what is really exciting for me is, again, to see that first hand, and to interact with my colleagues, fellow academics but also, people in the communities. For example, we are at the lacrosse games yesterday during North American Indigenous Games 2017, and just sitting in the stands talking to the local community. I wore a t-shirt with some Squamish words on it and I got some funny looks but then people come up and talk to you. Everyone is wearing local lacrosse jerseys or t-shirts, so it is a cultural experience and an academic experience at each location.
Finally, I caught up with co-host Jenifer Brousseau and followed up with a theme we touched on last season when I last spoke with her.
When we last spoke, you discussed your experiences in both the Longhouse in the B.C. interior and the teepee at Head-Smashed-In with Reg Crowshoe. In Season 2 you have spent some time in the Longhouse at the Museum of Archaeology in London, Ont., and now this amazing structure here at Kayanase. How are these experiences in these structures weaving into the fabric of your own personal journey of reclamation? Jenifer Brousseau: I find coming here really neat because when I come home to Ontario and connect to the land here, it is always so very different. I personally feel that a lot of my reclamation has happened on the West Coast. If you ever go to the West Coast and connect with the people there, you recognize how proud they are as a people to be Indigenous. I experienced a lot less of that growing up in Ontario. Now coming back and having the opportunity to go to the Aanishnawbeg Longhouse in London—which is closer to my own heritage—and learning things [I did not while] growing up is a journey. Going to the big house on the West Coast as opposed to the Longhouse here it is almost like getting to be a part of things here that were initially lost. Having spent time in the west, reclaiming parts of my identity to return home to start Season 2 and learning about all of these things that for me at home were covered as I grew up, I get to uncover them both on the show. That is what is so fabulous about my journey this upcoming season.
My thanks go to Tracy German for allowing me the opportunity to visit your set. And to Jacob, Dr. Rudy and Jenifer, thank you for taking the time to speak with me. Miigwetch.
Wild Archaeology returns Tuesday at 7 p.m. ET on APTN.
I can always rely on Blue Ant Media’s T+E to bring me scary stories through Canadian docudrama programs like Haunted Case Files, Scariest Night of My Life and Paranormal Survivor. Now they’re going back in time to bring a frightening story to modern-day.
Produced by Saloon Media in association with Talos Films, Witches of Salem debuts Sunday at 8 p.m. ET/PT as part of “Creep Month” on the specialty channel. The four-parter recalls the Salem witch trials that occurred in colonial Massachusetts between February 1692 and May 1693. More than 200 were accused and 19 were found guilty. Witches of Salem relies on historical documents and court records to tell the story, with help from sociologists, psychologists and cultural historians.
What sets this apart from other Salem witch trial programming that I’ve seen before is the legwork done setting the scene. While most, if not all, past programs dive right into the screaming and writhing experienced by Betty Parris and Abigail Williams, Witches of Salem describes what life was like at the time both socially and religiously. That goes a long way to explaining why the trials happened in the first place. I’ve been to Salem and read the court documents surrounding the case, and T+E’s project gets it right factually. And, as well-versed in the case as I am, the show is scary as heck. I credit that to an excellent cast led by Nick Biskupek as the creepy Reverend Samuel Parris, eerie camera work, special effects and downright disturbing soundtrack.
Definitely check this out. Preferably with all of the lights on.
Witches of Salem airs Sundays at 8 p.m. ET/PT on T+E.