Tag Archives: Corus Entertainment

Feature: Cindy Sampson and Jason Priestley return to form in Global’s Private Eyes West Coast

New city. New cases. New characters. New showrunners. Same chemistry. Angie Everett (Cindy Sampson) and Matt Shade (Jason Priestley) are back, and it’s like they never left.

Ending in 2021 after five seasons, Private Eyes returns to Global with a West Coast feel and name. Debuting Wednesday at 9:30 p.m. Eastern on Global, Private Eyes West Coast sees private investigators Angie and Shade swapping Toronto for Victoria.

When viewers last saw the couple, they shared a kiss in the then-series finale. Now, the duo are married, have an infant son, and are trying to figure out just what to do next. The same could be said for Sampson and Priestley. They both shared concerns over whether a series reboot would actually work. After all, a new setting, new supporting characters and new showrunners in Sarah Dodd and Jennifer Kassabian might have been too much change for viewers. It could have been a massive failure.

“Absolutely it could have,” Priestley acknowledges during a recent interview. “But Jennifer and Sarah, when they came in to pitch their idea for where Shade and Angie are now five years later, their idea was so original and so charming. They both just absolutely overperformed. They were fantastic partners and super creative people and we just had a great time with them.”

“Five years had passed since we aired,” Sampson says. “There was this cliffhanger to the original series that I feel like the fans, even us as cast, the crew, it was left hanging out there for someone to do something about it. And this was the natural progression. I never thought that it would work and it works so beautifully. Shade and Angie being married, having a kid, solving cases together.”

Sampson and Priestley

That uncertainty extended to new showrunners Jennifer Kassabian (Hudson & Rex) and Sarah Dodd (Cardinal). The duo, who had never worked together, pitched ideas that Corus Entertainment, Lionsgate Canada and Pillar/Segan liked, so they paired the two.

“Well, I see them married,” Kassabian recalls. “They’ve been together ever since that first kiss. They would have a kid. It would be a show about a mom getting back into the game. And the little catchphrase of, will they or won’t they for fans has now been turned into they worked out, but can they make it work?”

“I pitched the show set in Victoria, which is my hometown, born and raised,” Dodd recalls. “The producers put us on a Zoom call on a Sunday afternoon and we talked for about three hours about the show, about life, about how we like to work, all kinds of things.”

The result? The heart and humour that made the original series so much fun to watch remains intact, with a refresh of setting and supporting characters. Among those characters are Angie’s half-brother, Will Federgreen (David Kaye), who helps take care of the couple’s son when they’re working past his bedtime, Detective Violet Xiao (Olivia Cheng) of Vancouver Island PD’s Major Crimes Unit and Raine Atebe (Khamisa Wilsher), a confident computer whiz.

Sampson, Wilsher and Priestley

Kassabian notes that, as viewers met Shade’s family in the original series, it was important to learn more about Angie’s family. An antagonist and helpful team member—so integral to a procedural—meant the creation of Violet and Raine.

Dodd explains the move west sets up Angie and Shade as fish out of water, key to introducing supporting characters.

The west coast shift also offers the series an opportunity to follow Angie and Shade’s evolution as parents.

“Angie was always described as this feisty lone wolf who did things by herself,” Sampson says. “Now she’s really embracing this beautiful life that she’s created. In the same respect, Shade gets a second chance at parenthood. Whereas he wasn’t necessarily there during Jules’ formative years as much as he would’ve wanted to be, this is his second time around. There’s still that very heartfelt family element throughout the whole series, and then we throw in a bunch of ridiculousness on top of it to make it fun.”

Private Eyes West Coast airs Wednesdays at 9:30 p.m. Eastern on Global.

Images courtesy of Corus Entertainment.

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Home Network’s fall blueprint delivers signature originals and internationally acclaimed hits

From a media release:

Home Network, Canada’s #1 destination for lifestyle content*, is ready for a new season with a dynamic lineup of hit series debuting this fall. Featuring signature originals and internationally acclaimed titles, Home Network’s fall lineup is anchored by two returning Canadian Original hits with Season 4 of Rock Solid Builds (8×60 – Cineflix), hosted by third-generation builder and proud Newfoundlander Randy Spracklin, and the sophomore season of House of Ali (8×60 – Nikki Ray Media), helmed by award-winning interior designer Ali Budd. The lifestyle lineup continues with the return of fan-favourites Interior Design Masters, Renovation Rescue, and Million Dollar Dream Home.

Home Network opens its fall lineup with Season 4 of Rock Solid Builds, premiering Sunday, September 6 at 10 p.m. ET/PT. Viewers will get an intimate snapshot of Spracklin’s home life as he and his partner Melissa undertake a massive project of their own. Now the proud owners of her grandparents’ property in Brigus, the two are determined to transform its tired interior into an East Coast showpiece that blends cherished memories with a refreshing modern update. Randy and his talented team are continuing to tackle a load of big projects, such as restoring the historic Ferryland lighthouse, turning a neglected backyard into an all-season sanctuary, and many more. These proud islanders deliver ‘catty’ builds and elite craftsmanship all while showcasing the windswept charm of rugged Newfoundland. A new roster of sponsors are also breaking ground with integrated content from Home Hardware, Kohltech, Dildo Brewing Co., and Charm Diamond Centre.

Up next for Canadian originals is Season 2 of House of Ali, premiering Thursday, September 10 at 9 p.m. ET/PT. From a private villa in Costa Rica to a designer dream home in Connecticut, Budd and her team are making global moves in a style that is completely their own. The show’s unscripted lens gives viewers a look into the reality of high-end interior design, million-dollar reveals, and the highs and lows of entrepreneurship. Meticulous down to the final detail, Budd showcases her unfiltered honesty and one-of-a-kind creativity to the pickiest of clients. Audiences can look forward to spectacular, custom transformations that inspire them to tap into their inner designer. One of the sales partnerships for the show’s sophomore season is with Knix, where the brand is featured through seamless in-show story integrations.

Home Network sets the blueprint with additional fall programming, highlighting an exciting schedule of new and returning shows, starting off with the series premiere of The Mother Flip on Wednesday, September 2 at 8 p.m. ET/ 5 p.m. PT. Following are several international series that appeal to at-home design enthusiasts, including Renovation Rescue, which returns for its second season on Monday, September 7 at 10 p.m. ET/PT, and Season 7 of Interior Design Masters on Thursday, September 10 at 10 p.m. ET/ 7 p.m. PT. Outdoorsman Hal Shaffer is back with Season 4 of Renovation Hunters on Monday, September 7 at 9/9:30 p.m. ET/PT, along with host Viviana Vigil, who returns to connect affluent house hunters with luxurious multi-million-dollar properties in Season 8 of Million Dollar Dream Home, premiering Monday, October 26 at 10/10:30 p.m. ET/PT.

Viewers can continue to watch new episodes of Love It or List It Season 12 on Sundays at 9 p.m. ET/PT, and Season 8 of Sun, Sea, and Selling Houses on Tuesdays at 9 p.m. ET/ 6 p.m. PT. The programming slate continues with new episodes of:

  • The Block, Season 20 on Wednesdays at 9 p.m. ET/ 6 p.m. PT
  • Help! We Bought a Village, Season 4 on Fridays at 10 p.m. ET/PT
  • The Bidding Room, Season 7 on Saturdays 9 p.m. ET/PT
  • A Place in The Sun, Season 16 on Sundays at 8 p.m. ET/ 5 p.m. PT

Viewers can stream Home Network’s hit lineup, including prior seasons of Rock Solid Builds and House of Ali, anytime on STACKTV.

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Peter Mooney continues to solve crimes—and celebrate the holidays—in Season 2 of Mistletoe Murders

Peter Mooney fought to keep the streets of Toronto safe for close to 50 episodes of Rookie Blue as Officer Nick Collins.

Now he’s back on the beat, albeit in a very different setting.

Returning for the second season of Hallmark’s Mistletoe Murders as Detective Sam Wilner, Mooney (Saving Hope) is fighting crime while juggling romance, espionage and decorating the Christmas tree.

Mistletoe Murders, airing Fridays at 8 p.m. ET/PT on W Network and StackTV, is based on the Audible podcast of the same name. Created by Ken Cuperus (Hudson & Rex), the six-episode season follows Emily Lane (Sarah Drew), the owner of Under the Mistletoe, a year-round Christmas-themed store. When she’s not running the shop, Emily is solving crimes and keeping a secret: she is a former spy who has been given a new name and started a new life in the small town of Fletcher’s Grove.

During the course of Season 1, Emily and Sam tackled whodunnits, got close and, ultimately (spoiler alert), kissed. The season finale’s smooch was followed by an awkward conversation. Sam asked Emily to reveal her secret, and she refused, leaving a cliffhanger that could have been the series’ final scene if Mistletoe Murders wasn’t renewed.

“It is a gamble,” Mooney admits about the cliffhanger. “The way these stories are written, with a self-contained mystery over two episodes, there is the bigger overarching mystery of, ‘Who is Emily Lane?’ And the reality, with what Ken has cooked up in his head, is going to take a while to figure out. We knew we were gambling on a Season 2 and, luckily, it went our way.”

When we catch up with Emily and Sam on Friday’s return, that conversation continues, seemingly giving closure—for now—on their budding relationship while kicking off a new mystery. Fans begging for more of Emily’s backstory rejoice: Friday’s return peeks back at her first days as a young student. As for Sam, Season 2 finds him continuing the adventure that is raising teenage daughter Violet (Sierra Marilyn Riley) while not letting Emily’s reluctance to answer his questions stop him from doing digging of his own.

Filmed on location in Toronto and on the former small-town set built for Season 1 of Reacher, Mistletoe Murders is the perfect blend of cozy crime drama, made popular by Midsomer Murders, Grantchester and Father Brown, and the Hallmark holiday movie genre filled with baubles, bows, candy canes and cookies that has become a seasonal (and year-round for some) sensation.

“It does really feel like a family,” Mooney says of being in the Hallmark stable of talent. “So many of the people have longstanding relationships with Hallmark and know and have worked with each other. It’s a really lovely and inclusive bunch of people.”

Mistletoe Murders airs Fridays at 8 p.m. ET/PT on W Network and StackTV.

Images courtesy of Corus.

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Deadman’s Curse star Adam Palmer talks Season 3 of History Channel series

For 12 seasons on The Curse of Oak Island, brothers Marty and Rick Lagina have been searching for treasure on Nova Scotia’s Oak Island. And while there have been some tantalizing finds discovered, the massive alleged treasure eludes them.

Let’s hope the stars of Deadman’s Curse aren’t still digging for gold over a decade from now. Airing Thursdays on The History Channel, Canada’s West Coast is the setting for this doozy of a docuseries. Mixing action and adventure with Indigenous storytelling, rumour and legend, Deadman’s Curse follows prospector Kru Williams, mountaineer Adam Palmer, Indigenous explorer Taylor Starr and her father, Don Froese, who have worked tirelessly to finally solve the mystery of Slumach’s lost gold mine.

In the first episode of Season 3, Williams and Palmer made a startling discovery, uncovering an old mine. And while what they unearthed wasn’t Slumach’s, it did get the quartet—and viewers—excited.

We spoke to mountaineer Adam Palmer about his ongoing quest.

Before we talk specifically about Season 3, I wanted to compliment the production company, Great Pacific Media. They have created a really compelling series full of action and adventure, along with history and Indigenous storytelling.
Adam Palmer: I’m glad you said that because it is truly, we’ve become a big family and working with perfectionists because that’s what they are. I have a scattered brain of all these maps and stories and leads and clues and evidence, and none of that would make sense if I didn’t have their help to format it in a way where people could understand it. I’m really noticing that when I get approached, it’s people that are watching the show are actually, I feel like they’re involved. And it’s because for that simple reason that it’s formatted in a way where we can bring history, we can bring legend, we can bring storytelling all together and in a way that people can follow it and understand it and learn from it. So that’s been a huge part, and that’s largely due to having a production company that stands behind you and presents your research or your passion in a format where everyone can feel involved and understand it.

You definitely have to put your phone down. There’s no scrolling through TikTok or Instagram or anything, although I did have to hit pause a couple of times just to do a little bit of my own kind of research, some quick Google searches.
AP: Yeah. You’re not the only one that happens to. It’s amazing. And my biggest thing was researching old newspaper articles to get pieces of the puzzle, because there’s not a lot of history that’s recorded back in those days of prospectors going, looking for this mine. And you have to consider everything. This legend takes you down a rabbit hole where you cannot turn a blind eye to anything, anyone, or any place, because it all plays an important piece of the puzzle.

In regard to the Slumach storyline, in particular with Taylor doing the research into the court case … those documents aren’t necessarily there, and even if they are there, they may be wrong when it comes to court documents versus witness statements. So it can be very convoluted and confusing.
AP: It is. There’s a lot of misinformation, and with any legend, you’re going to get people who embellish stories or put their own theories in there. I’ve taken an approach where there are kind of free piles, there’s evidence and facts, and you put that in a pile, and then there’s theories. You put that in a pile, and then there is the chaos pile, that’s all the craziness that you stumble upon. Is it related? Isn’t it related? Is a lost Spanish mine related to the lost gold mine at Pitt Lake? There’s always something in there that is a missing piece of the puzzle, and you slowly put it together. Three seasons of TV is literally like 20 years of research going into this, so it gets a little crazy.

Not only that we’re being shown more and more often that the Indigenous stories tend to be the truth.
AP: Oral history is so strong. I start with the oral history now because it’s a hundred percent proven every single time. I take that oral history, I listen to the elders, I listen to them speak. A hundred percent of the time I’ve found that oral history is proven correct, and I think it’s because it can’t be changed through written words. When someone tells a story and you’re listening, you’ll pick up clues in there that’ll change your life.

In the first episode of Season 3, you’ve got to shut everything down for the winter and come back in the spring. Was there a legitimate fear that people could have gone in that time that you were away and actually discovered the mine?
AP: No. No. You know what? I challenge anyone to try to find that. You think that there are a lot of people out there looking, but the only thing they’re looking at is Google Earth. I would love it if more people were actually out there helping; that would help me so much because they would get through a lot of the dirty work or checking off these areas that I want to check out.

I’m part of a climbing and mountaineering community, and everyone just wants to go to the top of the peak and then back home. No one wants to walk around in circles. No one wants to climb the mountain three or four times. Everyone wants to go up and go down. So it’s one of those things where, yeah, I mean, sure, I would be lying if I said I haven’t thought about it. But then again, I’m like, you know what? Out of the 20-some plus years that I’ve been searching, I haven’t seen any more incredible search team other than ourselves that is actually putting the time and effort into looking for this.

You need critical thinking skills for research. You kind of almost need to be a history buff, a mountain climber, and a prospector all in one to kind of really get started into this legend.

In the press release it mentions unconventional theories. How much are you allowed to tease what those unconventional theories are?
AP: It’s unconventional theories from unconventional people. People come out and they try to give you their theories and where they think the gold is. And a lot of times to get to the bottom of that, to really investigate that theory, you need tools, you need ways to get in there, you need ways to research it that are not necessarily the norm. This legend doesn’t present itself in a linear format.

Do you find the gold at the end of Season 3?
AP: I found something that’s going to take, if people are paying attention, they’re going to wonder why I was in Utah for these last two weeks. So there are things that are getting a little crazy, and there are things that we researched in Season 1 that we kind of come back to full circle in Season 3. And if the production company is going to film another season, it’s going to show people this. It’s going to change history.

Deadman’s Curse airs Thursdays at 10 p.m. Eastern on The History Channel.

Images courtesy of Corus Studios.

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Ice Road Truckers returns for a 12th season on History Channel

From a media release:

The HISTORY® Channel’s hit original series Ice Road Truckers is back for an epic Season 12 return on Thursday, October 30 at 10 p.m. ET/PT. From its original series premiere in 2007, the fearless truckers return like never before to the treacherous terrain of icy roads and frozen lakes in Northern Canada delivering crucial supplies and necessities to isolated communities. With a winter window shorter than ever and no time to waste, these drivers risk everything to haul in a lifeline of goods while chasing big paydays before the opportunity melts away under their chained tires.

At the world’s northern edge, people and cultures cut off from civilization are briefly connected by a lifeline of roads paved with ice. Each year, a group of skilled, highly trained, and thrill-seeking truckers put their lives on the line to beat nature’s clock – battling dangerous roads, deadly frostbite, and brutal conditions to deliver life-saving supplies such as food and building materials to remote communities. This season, veterans like Todd Dewey and Lisa Kelly return with no hesitation – and no practice runs – while rookies emerge, determined to prove they have what it takes to reign supreme on the ice. With higher stakes, greater risks, and bigger rewards than ever before, it’s them vs. nature.

Ice Road Truckers is produced for The HISTORY Channel and Corus Entertainment by Original Productions and Eagle Vision. Kyle Irving, Lisa Meeches, and Rebecca Gibson are executive producers for Eagle Vision. Jeff Hasler, Brian Lovett, Meredith Prunkard, and Patrick Costello are executive producers for Original Productions.

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