Ilona Beiks of Playback reports on the upcoming series About a Girl:

• Brightlight gets the Girl
  “Brightlight Pictures heads Stephen Hegyes and Shawn Williamson are aiming to tap into the tween, twenty- and thirtysomething demographic with their new series About a Girl.”

Jim Bawden of the Toronto Star talks to David “Sudz” Sutherland about his upcoming CBC miniseries:

• Gun drama shoots from the hip
  “All we want to do is tell the truth. Why is that so unsettling for some people?” Sutherland later asks as he has a hasty dinner in the lunch room. “It is fiction, yes, but based on true stories. I did my research with the police to find where thousands of guns are coming from.

From NewsOK.com:

• ‘Slings & Arrows’ creator aims to showcase theatrical talent
  “Writer and star Mark McKinney (“Kids in the Hall”) said “The Sopranos” opened his mind to the possibilities of episodic television.”

Canada’s best online digital creators make their television debut with new series Exposure premiering Sunday, July 29 at 11 p.m. on CBC Television

CBC Television is giving emerging digital filmmakers the opportunity to showcase their talent on mainstream television and have a chance to win a $25,000 online entertainment development deal when the new, six-part one-hour series EXPOSURE hits the airwaves Sunday, July 29 at 11 p.m. The series is looking for Canada’s best digital storytellers to submit their short films to www.cbc.ca/exposure and compete for a spot in the show. Canadians will help determine which digital videos will be featured on the television broadcast by rating and voting for their favourite films on the EXPOSURE website.

Continue reading CBC’s Exposure showcases digital filmmakers →

Ilona Beiks of Playback reports on Sanctuary, the online series coming to the Vancouver International Digital Festival, and, possibly, soon to TV:

• Digital series set for big screen
  “We’re laying the multi-platform pipeline for all possibilities: DVDs, TV, gaming, film — we want to push eyeballs back and forth,” says Kindler. “But we’re not big. We want to create a revenue stream for Canadians, by Canadians. And we could only have done it in Vancouver. The gaming, digital, visual effects talent pool was vital.”