From Kelly Townsend of The TV Junkies:
Link: Dark Matter: Joseph Mallozzi talks “My Final Gift to You”
“He’s so pained and weighed down by the knowledge, he knows the death of his clone will be a release because it’s going to be a release from knowing. And, true enough, when he’s on the other side he doesn’t remember. It’s almost as if he finds comfort in the death of his clone and the death of that memory.” Continue reading.
From Bridget Liszewski of The TV Junkies:
Link: Killjoys: Michelle Lovretta talks “Heist, Heist, Baby”
“But I also know that in real life there really are moments when you hide things from someone you love as a supposed kindness to them… when in reality, it’s more about you hiding from something you aren’t ready to face.” Continue reading.
From Kat Jetson of The Hollywood Reporter:
Link: ‘Wynonna Earp’s’ Secret Weapon: Feminism in a Demon-Haunted World
The July 21 installment (“Everybody Knows”) effectively serves as a 101 class in feminism, highlighted by the revelation that someone other than Doc could possibly be the father of Wynonna’s (Melanie Scrofano) child. Viewers soon learn that that someone is a misogynistic, Revenant-sized jerk. The episode shines a spotlight on the power and confidence that come from being an unapologetically flawed and emotional woman with all manner of desires and needs. A woman who is able to carry herself with dignity and respect and refuses to allow the judgment that comes with ladies’ choice, all while disarming every argument one would have against her by way of a bad-ass, slow-motion strut. Continue reading.Â
From Kelly Townsend of The TV Junkies:
Link: Dark Matter: Ellen Wong on why Misaki doesn’t consider herself a villain
“I feel that it’s always coming from a place of needing to make a decision for the greater good and sometimes it sucks to have to lose things along the way, but that’s part of war and that’s part of it being your home and your people in the long run. That’s my perspective.” Continue reading.
Link: Dark Matter: Ellen Wong on that betrayal and admiring Two’s “badassery”
“I think at this point she realized–she’s given him so many chances already throughout the season–she has to take matters into her own hands. That means possibly overthrowing the throne because Ryo is clearly too emotional and has his hands in so many pockets. Especially with the Raza crew and Teku swaying him, there’s so much going on and already Zairon is at so much risk and we’re losing so many people, so Misaki is like, ‘okay, he needs to go.'” Continue reading.
From Bridget Liszewski of The TV Junkies:
Link: Wynonna Earp: Michael Eklund explores a new side to Bobo Del Rey
“The thing about Wynonna Earp is that it’s family-oriented and everyone is very close, which I love. It’s like they invite you, ‘would you be willing to come back?’ It’s like an invitation back to the party. I said ‘of course I’d like to come back! I’ve been waiting for this a whole season.’ They present it like ‘maybe you don’t want to,’ but of course I do! I want to play Bobo! So when I got the call I jumped at it.” Continue reading.
Link: Wynonna Earp’s Michael Eklund says Bobo can’t be trusted
“They write so well for Bobo and Waverly because of the relationship they have. I have to give credit to the writing first of all, and the scenes they write for the two of us are so strong, powerful and give us so much to work for. Then I have to give credit to Dominique because she’s so good and what she brings to those scenes is so strong.” Continue reading.
