Tag Archives: Industry News

CBC announces fall 2019 premiere dates for new and returning series

From a media release:

CBC today announced broadcast and streaming premiere dates for its fall 2019 slate of new and returning original series, featuring a wide range of Canadian stories across drama, comedy, factual, arts, kids, news, and documentary programming. The fall schedule launches Monday, September 16 on CBC and the free CBC Gem streaming service.

CBC’s Fall 2019 primetime schedule launching Monday, September 16:

All following times local with the exception of Newfoundland, please add half an hour to all times.

7:30 PM – CORONATION STREET (weekdays at 7:30 p.m., moves to 7 p.m. the week of December 23)

8 PM – MURDOCH MYSTERIES Season 13 (18×60) premieres September 16

9 PM – FRANKIE DRAKE MYSTERIES Season 3 (10×60) premieres September 16

7:30 PM – CORONATION STREET (weekdays at 7:30 p.m., moves to 7 p.m. the week of December 23)

7:30 PM – FAMILY FEUD CANADA (60×30) Tuesdays to Fridays; premieres the week of December 16 at 8 p.m., moves to its regular time of 7:30 p.m. beginning the week of December 23

8 PM – STILL STANDING Season 5 (13×30) premieres September 17

8:30 PM – THIS HOUR HAS 22 MINUTES Season 27 (19×30) premieres September 17

9 PM – TALLBOYZ (8×30) new sketch comedy series from executive producer Bruce McCulloch premieres September 17

9:30 PM – BARONESS VON SKETCH SHOW Season 4 (10×30) premieres September 17

7:30 PM – CORONATION STREET (weekdays at 7:30 p.m., moves to 7 p.m. the week of December 23)

7:30 PM – FAMILY FEUD CANADA (60×30) Tuesdays to Fridays; premieres the week of December 16 at 8 p.m., moves to its regular time of 7:30 p.m. beginning the week of December 23

8 PM – THE GREAT CANADIAN BAKING SHOW Season 3 (8×60) premieres September 18

9 PM – NORTHERN RESCUE Season 1 (10×60) premieres September 18

7:30 PM – CORONATION STREET (weekdays at 7:30 p.m., moves to 7 p.m. the week of December 23)

7:30 PM – FAMILY FEUD CANADA (60×30) Tuesdays to Fridays; premieres the week of December 16 at 8 p.m., moves to its regular time of 7:30 p.m. beginning the week of December 23

8 PM – BATTLE OF THE BLADES (1×120, 6×60) premieres with a two-hour special September 19

9 PM – DRAGONS’ DEN Season 14 (10×60) premieres September 26

7:30 PM – CORONATION STREET (weekdays at 7:30 p.m., moves to 7 p.m. the week of December 23)

7:30 PM – FAMILY FEUD CANADA (60×30) Tuesdays to Fridays; premieres the week of December 16 at 8 p.m., moves to its regular time of 7:30 p.m. beginning the week of December 23

8 PM – MARKETPLACE Season 46 (22×30) premieres September 27

8:30 PM – IN THE MAKING Season 2 (8×30) premieres September 27

9 PM – THE NATURE OF THINGS Season 59 (18×60) premieres September 20 with two back-to-back episodes *NEW NIGHT*

11:30 PM – CBC ARTS: EXHIBITIONISTS Season 5 (6×30) premieres September 20

Mornings – MOLLY OF DENALI (38X30) *special premiere date Monday, September 2*

Mornings – TRUE AND THE RAINBOW KINGDOM Season 3 (10X30) premieres September 7

Afternoons – ROAD TO THE OLYMPIC GAMES Season 5


7 PM – HEARTLAND Season 13 (10×60) premieres September 22

8 PM – ANNE WITH AN E Season 3 (10×60) premieres September 22

9 PM – THE FIFTH ESTATE Season 45 (14×60) premieres September 22


BBC and CBC/Radio Canada announce commitment to continuing collaboration

From a media release:

The BBC and CBC/Radio-Canada today announced a commitment to future collaboration across a range of different areas. The agreement was made between Tony Hall, Director-General BBC, and Catherine Tait, President and CEO, CBC/Radio-Canada, on the occasion of the 82nd General Assembly of the European Broadcasting Union in Oslo, Norway last week.

In a joint statement, Hall and Tait commented:

“In an increasingly global marketplace, Canadian and British audiences want programmes and services about their lives and their culture. In divided times, it’s never been more important to reflect and represent every part of our diverse communities. And in a world where disinformation spreads in a flash, we need public media to bring the whole of society the news and analysis that it can trust – what is really going on and why it matters.”

“As we reinvent how we deliver our services for new generations, we are coming together to share ideas, and our teams are exploring new ways to work together: amplifying our public service missions, bringing our audiences the best ideas, and investing in our local creative industries. Through this partnership we will bring the best stories to audiences across the UK and Canada, and around the world.”


Massive film and TV production hub heading to Hamilton, Ontario

From a media release:

Aeon Studio Group (ASG) announced today a plan to build Hamilton, Ontario into an international hub for film, television, and digital media production.

The cornerstone of the plan is the Hamilton Studio District, a live-work-play development that will include:

  • Film and television production campus with purpose-built modern soundstages, production offices, support facilities, backlot
  • Other studios for post-production, animation, visual effects, game development, music
  • Crew training facility, HQ for the local talent pool and job creation effort
  • Office buildings for film industry suppliers, and media, digital and tech companies
  • Collaborative, affordable and creative workspaces geared towards the enrichment of the artistic and creative industry community
  • Residential/retail space, including two residential towers, and public open space that is pedestrian oriented and provides community connectivity

ASG, through its affiliate Hamilton Studios Ltd., and the City of Hamilton have signed a City Council ratified memorandum of understanding that lays out the business framework for the purchase and sale of the City-owned Barton-Tiffany lands, which are located by the intersection of Barton Street West and Tiffany Street, and abutting the new West Harbour Go Train station near the bay in Central Hamilton.

ASG partner Mike Bruce told media industry stakeholders at a press conference today that “Hamilton is the perfect place for a production hub in the west-end of the Greater Toronto Area because of its proximity to diverse filming locations, thriving arts and culture workforce, limited traffic congestion and because productions that film there qualify for additional provincial tax credits.”

“This film and production hub will create high-value, high-paying jobs for people in the film industry right here in Hamilton,” said Mayor Fred Eisenberger.  “It will see the rejuvenation of a brown field located in the heart of our City, and see this area transformed into a beautiful, campus-like environment, fully accessible to the community and conveniently located next to the West Harbour GO station and near our future LRT.”

The Hamilton Studio District will be designed consistent with the City’s economic plan for the Barton-Tiffany lands area.

“This is a win-win for the community,” said Ward 2 Councillor Jason Farr. “Not only are we getting a new investment worth hundreds of millions of dollars, but we will be remediating a former industrial site that has sat vacant for years.  Fantastic news for this area!”

Today’s announcement is the result of the shared vision and hard work of a coalition that includes Hamilton City Council, NABET 700-M UNIFOR, the Director’s Guild of Canada – Ontario, Mohawk College, McMaster University, Workforce Planning Hamilton, Ontario Creates, Interactive Ontario, and the Government of Ontario Ministry of Economic Development, Job Creation and Trade, among others.

The ASG plan will contribute to the existing dynamism and rejuvenation underway in Hamilton. It will clean up and develop the Barton-Tiffany lands and add new vitality to the West Harbour area. And it will create hundreds of local construction jobs and thousands of local jobs in the media, digital, and supporting industries. To that end, ASG and its coalition partners are working to build a pipeline of talent from local schools into full membership in the industry unions.

“Creative industries are very much one of our key focuses in Hamilton and this investment means new jobs, new taxes and new focus on this city,” said Hamilton Economic Development Director Glen Norton. “We look forward to finalizing this purchase agreement and start the development process as soon as possible.”

ASG plans to build 500,000 square feet of stage space in Hamilton, the first 150,000 of which will be operational within a year.

About Aeon Studio Group (ASG)
ASG is developer and operator of film & television studios and related spaces. Its principals are Robbie David, Mike Bruce, Jeff Anders, Phil Lefko, Stephany Mandin and Mark Sakamoto.


Netflix announces partnerships with Canada’s leading Indigenous screen organizations

From a media release:

Today, at the 2019 Banff World Media Festival, Netflix joined imagineNATIVE, The Indigenous Screen Office (ISO) and Wapikoni Mobile to announce a suite of partnership programs that aim to develop the next generation of Indigenous creators across Canada. These programs range from screenwriting intensives to apprenticeship programs, joining the 11 existing partnership programs Netflix has funded to nurture the next generation of Canadian creators from underrepresented communities.

“Indigenous communities in Canada are rich with unique stories, and organizations like imagineNATIVE, The Indigenous Screen Office (ISO) and Wapikoni Mobile are vital to ensuring these voices are heard,” said Stéphane Cardin, Director of Public Policy, Netflix Canada. “Netflix is proud to help launch these three programs, which will reach Indigenous communities across the country.”

The game-changing Netflix-imagineNATIVE partnership will demonstrate an unprecedented level of support for Indigenous filmmakers in Canada, who have urgent needs for professional development programming designed from Indigenous perspectives and delivered within Indigenous contexts by an Indigenous-run organization. Over the next three-and-a-half years, imagineNATIVE will undertake or expand six distinct activities aimed at Indigenous screenwriters, directors and producers through its Institute department:

  • Indigenous Producers Lab
  • Indigenous Directors Lab
  • Indigenous Screenwriting Intensive
  • ‘imagineNATIVE Originals’ Mentorship Commissions
  • Original Storytellers Series Incubator
  • Festival Industry Days & Year-Round Institute Series.

“We are thrilled to partner with Netflix to offer an unprecedented series of professional development initiatives at imagineNATIVE,” says Jason Ryle, executive director of imagineNATIVE. “This funding is a significant investment in opportunities for Indigenous directors, producers, and screenwriters in Canada, and marks one of the largest sponsorships in imagineNATIVE’s history.”

The Indigenous Screen Office (ISO)
The ISO-Netflix Production Mentorship and Apprenticeship Program will provide second phase support for Indigenous projects that may have received development support through other programs such as those offered by imagineNATIVE Institute, Hot Docs, Banff World Media Festival, or Whistler Film Festival, as well as others. The Program will include two streams: Key Creative Apprenticeships and Cultural Mentorships for directors, producers, screenwriters and showrunners.

“ISO spent the last year in consultations with Indigenous creators and this fund responds to their expressed need for new funding opportunities that will advance work and career opportunities, as well as allow them to follow protocols and practices that are central to Indigenous ways of working,” says Jesse Wente, director of the Indigenous Screen Office.

Wapikoni Mobile
Mentoring and coaching are at the heart of the unique Wapikoni Mobile development experience, and increased accessibility of tools, spaces and trainers are offered through the mobility of its studios. Wapikoni’s approach is centred around the belief that it is essential for the next generation to be inspired by the success of their community. With this new partnership, Wapikoni will be able to coordinate its important collective of emerging filmmakers, organize the numerous opportunities, and structure a program of both continuing education and professional coaching which will have a profound and lasting impact on the next generation of Indigenous creators.

At the centre of Wapikoni’s priorities is the intent to highlight a significant collection of audiovisual works and an immeasurable cultural heritage of artistic expression and Indigenous identity while promoting:

  • Mediation, dialogue
  • Awareness, education
  • Building bridges between Nations, Peoples and generations.

“At Wapikoni, we believe that many young Indigenous artists are isolated from opportunity. When travelling to them locally to offer tools and resources to create short films, we discovered that this journey also leads to supporting the development of talented, emerging filmmakers. Learning from the creative process is at the heart of important social transformations, especially in terms of personal growth, community development, community involvement. We are proud to support the emergence of unique artistic and cultural signatures which will have an invaluable contribution to new audiovisual productions,” explains Odile Joannette, from the Pessamit First Nation of Quebec, and executive director at Wapikoni. “The support from Netflix will allow us to continue to foster narrative sovereignty and cinematographic excellence, and we are absolutely thrilled to count Netflix as a partner, not only for our organization but also for the voices of Indigenous youth,” she added.

Netflix’s support of these programs comes from its fund to develop the next generation of Canadian creators and talent, focused on underrepresented communities in the screen industry. This announcement marks the 11th, 12th and 13th partnerships since the fund was announced in September 2017. Other recent announcements in 2019 include partnerships with the Inside Out Film Festival, RIDM (Rencontres internationales du documentaire de Montréal), and the Alliance des producteurs francophones du Canada (APFC).