Tag Archives: Industry News

CMF announces 2017-2018 program budget, guidelines and deadlines

From a media release:

The Canada Media Fund (CMF) announced today Program Guidelines for the 2017-2018 fiscal year. The CMF also announced it is committing $349.7M to support Canada’s television and digital media industry in 2017-2018. The breakdown of the 2017-2018 program budget can be accessed here.

The CMF program budget is supported by revenue estimates for the coming year based on contributions from the Government of Canada; Canada’s cable, satellite and IPTV distributors; and recoupment and repayment revenues from funded productions. The program budget reflects a stable contribution from the Government of Canada and an expected decline in contributions from Broadcast Distribution Undertakings to the CMF for the year to come.

“We understand that a program budget decrease of 5.8 per cent will have an impact on Canada’s audiovisual industry. Faced with declining revenues, we remain committed to making our programs as efficient and accessible as possible. We have reduced the CMF’s administration budget to direct the most funds possible to our programs,” explained Valerie Creighton, President and CEO, CMF. “Our funding programs align with the CMF’s corporate objectives, requirements established by Canadian Heritage, and are the result of an analysis of results from 2016-2017 and important feedback from stakeholders.” Continue reading.

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Link: What Canadian TV series should be revived?

From Jim Bawden:

Link: What Canadian TV series should be revived?
The big news on American TV these days concerns the revival of past series hits. Gilmore Girls is back for a limited run and I’m, watching and enjoying it as I find out what happened to the original characters.

So I’m thinking back on all the Canadian TV sets I was on and wondering which ones could be successfully revived. The new Anne Of Green Gables is all the ratings rage on CBC-TV these days. So why not revive some other big hits over the years? Continue reading. 

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Link: Denis McGrath

From Alex Epstein of Complications Ensue: The Crafty TV and Screenwriting Blog

Link: Denis McGrath
We lost one of the best writers I know tonight. A writer, and a firebrand for writers. And a good friend. And a wit, and a style, and a voice. Damn it.

I met Denis McGrath on a plane to South Africa. We were parachuting in on a show where the previous writing team, who were on a plane going the other way, had not got along too well with the showrunner. When we got there, we had to retcon some sort of sense out of the episodes that had been shot, and then rewrite the next script literally over the course of 24 hours. Continue reading. 

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TSC 2017 Session Announcement: I Am: A Discussion on the Female Gaze

From a media release:

Join the TSC for a conversation with Courtney Jane Walker, Jennifer Holness, Tracey Deer, and Katrina Saville (moderator), as we discuss the female narrative, or what’s more commonly being referred to now as “The Female Gaze” – women challenging the enduring dominance of masculine world-views. Together, with our audience we’d like to further this important exchange of ideas surrounding “The Female Gaze” and the presence of women directing, writing, and viewing their own stories – making the statement: I am here. I am present. I matter.

 

Tracy Deer
Creator / Director / Writer / Executive Producer

 

Jennifer Holness
Writer/Producer

 

Courtney Jane Walker
Writer/Producer

 

Katrina Saville (Moderator)
Writer

The Toronto Screenwriting Conference runs April 22-23, 2017. Get the latest information—including events and how to register—on the official website.

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Toronto Screenwriting Conference announces this year’s winners of Telefilm Canada’s New Voices Award

From a media release:

The Toronto Screenwriting Conference (TSC) is pleased to announce this year’s recipients of the Telefilm Canada New Voices Award. The emerging screenwriters were selected from over 120 Canada-wide applicants. Those receiving the honours this year are Reem Morsi, Thomas Pepper, Adam Perry, Brandon Ash-Mohammed, JJ Neepin, and Kenny Wong.

About the winners:

REEM MORSI – Reem Morsi had a career of professional scuba diving, human rights till becoming a writer/director. Morsi’s film credits include THEIR FEAST (Cannes Short Film Corner, TIFF, BBC, Cine Sud), NOSTALGIA (WIFT 2015), among others. Morsi is a CFC Directors Lab alumna 2015. Morsi received a scriptwriting grant for her feature film BOOTLEG, March 2016. Her short film BOOTLEG won best Canadian short in London and is also competing at other festivals. Morsi won first place for SHOW & TELL at the WIFT/BravoFact pitch competition 2016. Morsi’s short scripts were finalists for Robert Bosch Film Fund (Berlin Film Festival) in 2013, 2014 and 2016. Morsi participated at the 2012 Berlinale Talent Campus, 2016 TIFF Talent Lab and Women in the Director’s Chair. Morsi’s short films scripts LIPSTICK, CHECK POINT & MANGO were named finalists for Robert Bosch Film Fund in 2013, 2014 and 2015 (affiliate with the Berlin Film Festival).

THOMAS PEPPER - Thomas Pepper is a Toronto-based filmmaker and screenwriter. Since graduating from Trinity College Dublin in 2008, Thomas has worked with some of the Canada’s most recognizable talents: his credits include Sarah Polley’s TAKE THIS WALTZ, Steve Hoban and Vincenzo Natali’s DARKNET, Clement Virgo’s THE BOOK OF NEGROES, and Maxime Desmons’ WHAT WE HAVE. His second short film, MILK AND HONEY, has screened as part of several festivals, including the NSI Online Short Film Festival. It won “Best Film” at the 2014 Grand River Film Festival. More recently, his latest short film TUESDAY 10:08AM (co-written and directed with Jane Tattersall) screened as part of the Canadian Film Festival and Fort Myers Film Festival. After two seasons on CTV’s hit medical drama SAVING HOPE, Thomas is currently developing several projects for both film and television.

ADAM PERRY – Adam Perry is an award-winning screenwriter and director from Charlottetown, Prince Edward Island. His current project, A Small Fortune, recently completed the National Screen Institutes Feature’s First program, is currently in development with the Harold Greenberg Fund’s Shorts to Features program and was a semi-finalist in the 2016 Shore Scripts Features category.

BRANDON ASH-MOHAMMED - Brandon Ash-Mohammed. Three names. Three skills. Triple threat? Yes! Comedian. Writer. Future Real Housewife of Atlanta. He’s a Tim Sims Award nominated comedian, an Esther Maers Peerce Award winning writer, and the reigning Jann Arden karaoke champion of the world. Not convinced? A dazzling playwright with a penchant for the sass and the pen of a whirlwind mermaid writer. His darling masterpiece “The Decision” was featured in the Humber 10 Minute Play Festival. Sirius XM has also recorded his stand up in an attempt to capture and contain the radiant, pure bliss that is, Brandon-Ash Mohammed. He is a purple glitter stallion galloping through fields of funny, whimsy, and raw sexual attractiveness; and he, cannot be tamed. He is a graduate of Humber College’s Comedy: Writing & Performance Program where he was voted Prom Pharoah. In early 2017, he was selected to join the acclaimed sketch troupe Fusion. They’re a comedy collective made up of the best and brightest people of colour from the Bad Dog Theatre and Second City Training Centre. They’ll be making their first appearance at Toronto Sketchfest this year. In addition to that, Brandon is currently being filmed for a TVO documentary about racialized comedians in Canada. Most recently, Brandon did punch up for British writer/actor OT Fagbenle (HBO’s LOOKING, BBC One’s THE INTERCEPTOR) on a project he’s currently developing in the UK. Ready your tiaras, there’s a new girl in town!

JJ NEEPIN - JJ Neepin is an independent, first nations filmmaker living in Winnipeg, Canada. JJ has written, directed and produced several short films, funded by various organizations, along with her sister and partner Justina Neepin. She has a background in graphic art, singing, dancing and theatre. When she’s not writing or filming she can be found binge watching Netflix and scrolling through Tumblr. JJ is currently working on EagleVisions’s ‘TAKEN’ Season 2 as a Director for 2 episodes. HEADDRESS is her 3rd documentary short – it will have its world premiere at the 2017 Hot Docs Film Festival.  Funded via CBC ShortsDocs. BAYLINE is her 2nd documentary short funded via the MTS STORIES FROM HOME Broadcaster. Airing in early 2017. THE LEAGUE is her first documentary short, funded via the NSI Aboriginal Documentary Program. The film is currently playing several festivals and aired with broadcaster APTN in fall of 2016.

KENNY WONG - Kenny is a Montreal-based actor, writer, filmmaker and violinist with a Bachelor of Music Performance Degree on the violin from McGill University. In addition, he is entering his ninth year studying at Straeon Acting Studios. After being told by his acting coach on numerous occasions to “create your own work”, Kenny began his journey as a screenwriter and since 2013, has written and produced a handful of short films and web series. Most recently, he finished his second drama feature about an impaired violinist, inspired by his own experience of being diagnosed with Focal Hand Dystonia. Writing/Producing credits include: THE BATTLE JAR CHRONICLES (TV/Web Series); Musicals in EVERYDAY LIFE (Web Series); STARVING ARTIST (Short); THE ROOMMATE (Short); MERTON OF THE MOVIES: THE MUSICAL (Theatre); DIVING NORMAL (Theatre). TV/Film acting credits include: BRAD’s STATUS (Plan B); DEATHWISH (MGM/Paramount); ROADSIDE PICNIC (Sony); 19-2 (Bravo); THE ART OF MORE (Crackle); THE GLASS CASTLE (Lionsgate); LOST GENERATION (New Form Digital); A WORTHY  COMPANION (micro_scope).

Each winner receives a pass to the TSC and a meeting with representatives from Telefilm Canada. The seventh annual Toronto Screenwriting Conference takes place on April 22 & April 23 at The Metro Toronto Convention Centre.

To qualify for the Telefilm Canada New Voices Award, candidates must have written at least two short films of which one has been produced, and have written one feature length screenplay, TV pilot or series treatment. They must not have previously produced a feature or TV series/pilot, nor received Telefilm Canada Funding.

The Toronto Screenwriting Conference runs April 22-23, 2017. Get the latest information—including events and how to register—on the official website.

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