Everything about Orphan Black, eh?

Link: Canadian novelists are tuning into big small screen opportunities

From Zoe Whittall of the National Post:

Canadian novelists are tuning into big small screen opportunities
Where once novelists may have looked down their noses at television, or considered TV in direct opposition to capital-L literature, these days you’re more likely to hear writers of all stripes expressing appreciation for the considerable artistry and innovation happening on the small screen. Contemporary TV is having a moment, Canadian shows included — consider satisfying hit shows Orphan Black, X Company, Remedy and Rookie Blue. Continue reading.

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Link: The Robots of Orphan Black

From Noah Berlatsky of The Atlantic:

The Robots of Orphan Black
Orphan Black is a sci-fi conspiracy show, and as such, it’s filled with secret plots, secret counter-plots, subterfuge, and improbable twisting revelations. But the most improbably twisting revelation of them all is that everything you know about the clones played by Tatiana Maslany is false. Sarah, Allison, Helena, Cosima—they’re not really clones at all. They’re robots. Fear not; this isn’t some sort of diabolical spoiler that will ruin your enjoyment of the third season. The fact that the clones are robots is simply a genre observation. Continue reading.

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Review: Them’s the Breaks on Orphan Black

SPOILER ALERT: Please do not read on unless you’ve seen the Season 3 premiere of Orphan Black, titled “The Weight of This Combination.”

We’re back in Clone Country, and things are just as complicated … perhaps too complicated. The plot and goings-on in the Orphan Black Season 3 premiere are somewhat muddled, and at times it feels like we’re being over-explained to. To be fair, there’s a lot happening with the clones (now both male and female), Dyad, Topside, Mrs. S., Paul, the “cleaner” Ferdinand, Delphine, and some strange plotline with school board trustee Marcie and our favourite suburban couple, Alison and Donnie.

Thank goodness for the Orphan Black humour and visuals, otherwise this would have been a very tough slog. Underneath all of the exposition thrust upon us, there is a simple thread to follow, one that I intend to focus on rather than all the extraneous information that doesn’t really matter in the end. The bottom line is this: Rachel, Topside, Dyad and Project Castor are out to destroy the Project Leda clones, and the sisters have to band together in order to stop them. There. Easy, isn’t it?

The bizarro baby shower dream opening scene is one for the ages: saturated colour, reference to ox liver, Felix at the barbecue, pregnant Helena in her Sunday best. I didn’t believe it was real for one second, but hey, it was still entertaining. And only Helena would have a talking scorpion feeding her encouragement. This is the kind of fun I want from Orphan Black, but don’t always get.

Going by the ads and commercials, I was expecting this episode to dedicate more time explaining Project Castor, their motivations, and who each of the male clones were. While we saw them all, except for Mark (Rudy talking to Sarah and doing naked yoga/exercise, Seth beating up Mrs. S., and Miller freeing Helena)—we didn’t really get much. The show is still focusing on (and trying to make clear) the whole Topside debacle, along with the revelation about the Helsinki slaughter in 2006. I have a feeling Episode 2 will delve deeper into the guys’ backstories.

But for now, we get a lot about Cosima and Delphine, which I don’t mind. Their break-up scene was a heartbreaker, and hearing Tatiana’s crushing “I love you,” complete with cracking voice and tears, was enough to make my chin quiver. For the first time (to me, anyway), Delphine was awesome, concocting elaborate schemes and pushing down on Rachel’s empty eye socket. I was squirming away during that scene.

Straight-up, I’m worried that Rachel will kill Delphine. In fact, I’d bet money on it; but not before she and Cosima have their reunion. Their break-up seemed kind of unnecessary anyway, but I accepted it because Delphine is probably just trying to protect Cosima.

Alison and Donnie’s school board trustee story is out of left field. At least it’ll provide a less-intense side story when things heat up among the clones. It also brings us the glory of Kristian Bruun and his Donnie character, which I suspect is why they’re doing this story in the first place. No longer a monitor, Donnie needs to be integrated into the plot somehow. Also, Marcie? She looks so evil, she’s either A) involved with Topside somehow, B) involved with Project Castor somehow, or C) is both. Whatever the case, don’t trust her.

And I know I’ve said this before, but can I just shout out one more time to Tatiana? I never tire of watching her play a clone playing a clone. She masters it, from the walk to the tone to the accent, and it is a marvellous display of acting. Bravo. Just never play Tony again.

Next week, one of the Project Castor clones has Xs over his eyes. WHY? Can’t wait to find out.

Clone of the Week: Helena. Hands-down, she is the most entertaining clone, from the scorpion-talking to the dream sequence. More, please.

Random Thoughts:

  • Felix: “Delphine has your number? We definitely need new clone phones.”
  • Alison: “Holy diddle, here we go!”
  • Big nerd props to Scott’s periodic table of elements T-shirt. Not gonna lie, I kind of want it.
  • Donnie: “They took the Taurus.”
  • Another clone! Crystal Goderich, blonde, sexy, seductress … hope we get to see more of her.
  • Felix: “Don’t these people know you didn’t even finish high school?!”
  • Ari Millen didn’t have much to do in this premiere, aside from looking crazy and doing naked pull-ups, but I especially liked his Seth character (the moustache). I think he has the most depth, and I enjoyed his mini-breakdown in the kitchen with Mrs. S.
  • Wherever Sarah and Felix go drinking, down by that river—does NOT look appealing. Time for a new spot to set up the lawn chairs and talk clone.

Orphan Black airs Saturdays at 9 p.m. ET on Space.

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Link: Interviews a-plenty on Orphan Black

From Eric Deggans of NPR:

Clone Drama ‘Orphan Black’ Returns As Complex And Complicated As Ever
For fans of BBC America’s majestically complicated drama Orphan Black, it might be the toughest task they face all year: Explaining to newbies what the heck is going on just before the new season starts on Saturday. (Spoiler Alert: several plot points from the new season are discussed below). Continue reading.

From Alan Sepinwall of Hitfix:

‘Orphan Black’ co-creator on season 3: ‘Our sisters are teamed up a little bit more’
In its second season, “Orphan Black” came perilously close to collapsing under the weight of its many interlocking conspiracies. The BBC America sci-fi drama still had Tatiana Maslany’s remarkable performance(s) as a series of clones on the run from their makers, and it had turned each clone into a fully-realized character, many of whom could potentially carry their own show without the others. But the mythology got so dense, and forced so many abrupt changes in loyalty among both the clones and their various enemies and allies, that at a certain point I resolved to just pay attention to the character work, the comedy, and the episode-by-episode thriller material and not focus much brainpower on trying to keep track of who’s in charge and what their agenda is. Continue reading.

From Maureen Ryan of Huffington Post:

‘Orphan Black’ Returns With Boy Clones And More Mysteries
We know Maslany will inhabit each clone identity so thoroughly that we’ll forget one woman is playing half the cast. We know each clone will have a male friend or lover — think Alison’s husband Donnie, Sarah’s hunky boyfriend Cal, Cosima’s science pal Scott — who will be simultaneously impressed and a little afraid of each woman’s boldness and bravery. One of the smallest but most welcome subtexts of this energetic BBC America show centers on the idea that men find the sisters, who stick by each other and fight hard for their autonomy, attractive as either friends or lovers. “Empowerment is sexy” isn’t the show’s tagline, but it could be. Continue reading.

From Amber Dowling of TV Junkies:

Tatiana Maslany: Tony, cages and Orphan Black season 3
To gather more Season 3 intel, The TV Junkies caught up with Ms. Clones herself, Tatiana Maslany. Here she talks about last season’s introduction of trans clone Tony, filming scenes in a box and Orphan Black‘s ongoing gender identity debates. Continue reading.

From Caroline Siede of AV Club:

Orphan Black’s third season almost devolves into chaos before finding its feet
Throughout its excellent second season, Orphan Black was always in danger of tossing one too many balls in the air. In addition to exploring female identity through five clones (Tatiana Maslany as Sarah Manning, Alison Hendrix, Cosima Niehaus, Rachel Duncan, and Helena), the ever-expanding show introduced multiple shadowy corporations, corrupt religious institutions, scientific mysteries, conspiracies-within-conspiracies, and uneasy alliances. The season finale added yet another factor: a line of male clones known as Project Castor who were developed for, and controlled by, the military. The third-season premiere struggles to keep all those elements in the air as it reintroduces major players and key plots, but once the show settles into familiar patterns, it’s as good as it’s ever been. Continue reading.

From John Doyle of The Globe & Mail:

Orphan Black veers from terrific to trite and back
It’s back – the phenomenon that is Tatiana Maslany marches back to amaze us, again.

Orphan Black (Saturday, CTV, Space, MTV Canada, 9 p.m.) starts its third season with an idyllic scene. Maslany, as several of the show’s clones, and other characters are in a pleasant outdoor party situation. The music on the soundtrack is a version of the Beach Boys’ Wouldn’t It Be Nice. “Maybe if we think and wish and hope and pray it might come true …” Continue reading.

From Dalton Ross of Entertainment Weekly:

Orphan Black creator promises ‘bold moves’ in season 3
Orphan Black will be doubling down—pun intended—when season 3 kicks off this Saturday with the addition of a whole new batch of male clones (played by Ari Millen). Who are they? What do they want? And how will they affect the female clones we know and love, played by Tatiana Maslany? We traveled north of the border to the Orphan Blackset to put co-creator Graeme Manson in the hot seat. (Actually, it was pretty damn cold up there.) Here’s what he told us. Continue reading.

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TV Eh B Cs podcast (repost) – Ari Millen’s Clone con Brio

When Anthony talked to Ari Millen in September, it had just been announced that he would be the next set of clones on Orphan Black. In case you missed it, here’s their conversation that’s no “cloning” around.

Discussions about growing up in Kingston and transitioning to Toronto, how dreams of a glorious Orphan Black death led to an unexpected “splice” of life, learning by watching on set, and JUST wrapping the film Hunter’s Moon. Plus a little obligatory talk about growing up goalie and grasping for a lost Italian word… chinotto!

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

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