Canada gets her starring turn in the fifth episode of The Book of Negroes, and she’s not ready for her closeup.
Nova Scotia was, at the time of the novel and mini-series events, part of the British Empire and where some United Empire Loyalists settled, including those who were named in the historical book of Negroes. In our fictional world, Aminata lands to find the promised land is instead an inhospitable land, in climate and in temperament.
The new arrivals are cold to the point of taking a coat from a dead man, hungryÂ enough thatÂ a dogÂ is led off-screen by a man with an ax, crowded enough that cholera runs through the makeshift Birchtown, where the black inhabitants are segregated, waiting for the land they were promised.
Aminata’s character is shown when she tries to return some potatoes dropped by a white couple, though she’s told to keep themÂ by a woman who ends up nursing her back to health — but she loses her newborn son while still separated from Chekura, whose ship had landed elsewhere.
This episodeÂ deviates from the novel significantly, permanently shedding Aminata of a child and reuniting her with supposed-to-be-dead Chekura for the voyage to Sierra Leone. I’m neutralÂ on such changes from the source material — different media have different storytelling needs and strengthsÂ — and I can see why they wanted the love story to form a through-line in the mini-series. I Â occasionally feel as ifÂ the cohesion of the series suffers from the opposite: taking too many incidents from the novel and jaggedly gluing them together.
Louis Gossett, Jr. and Jane Alexander make memorable guest stars in this episode as something of a church and community elder in the former’s case, and something of a racist harpy in the latter’s.
The black residents are segregated and paid less for the same work — if they can find work — and so subject to slavery, indentured servitude orÂ crippling debt.
Aminata remains their storyteller, writingÂ theÂ abolitionists in EnglandÂ for assistance. Her erudite letters earn her a job in the print shop ofÂ Maria Witherspoon (Alexander) where she witnesses that woman’s disdain for black people (though she magnanimously calls Aminata “one of the good ones”).
When Aminata is accosted by Witherspoon’s son, Jason kills him in the ensuing struggle, setting off the woman’s rage. The town is unhappy, to say the least, not just by the black presence, but by their ingratitude in making them look bad to the British.
Aminata’s old boss Clarkson (Ben Chaplin) arrives in response to her letters to offer the freed slaves a new promised land: Sierra Leone, where they need a community to stake their empire’s claim. He promises farm land where they can grow food and be free. Reminded that was the promise of Nova Scotia as well, Clarkson says “yeah, my bad.” OK that’s not an exact quote, but a number of the Birchtown residents, including Aminata, choose to believe again and return to the continent from which they were stolen.
Reunited with Chekura thanks to Clarkson — making him a bit too much her saviour in my eyes — the couple sail toward the new hope and the final episode.