Friday’s newest episode of Continuum, “Power Hour,” explores who we become, whether it’s Dillon’s gig working for Kellog, Julian’s road to becoming Theseus or even Edouard Kagame, who returns in a surprising way. Kellog is front and centre in the episode, throwing his power in the faces of Kiera and Carlos, and pulling the strings behind the scenes with regard to the Future Soldiers’ little project. A warning: not everyone survives “Power Hour.”
We spoke to Stephen Lobo this past May about playing Continuum‘s big bad for the past four seasons, and what he’s got lined up next.
Are you going to miss this character?
Stephen Lobo: I’m going to miss the heck out of this character. Guys like he and Jason are less precious. Kellog isn’t talking about the quantum physics of it all and the time travel. He’s rooted in a relatable reality. It’s been fun.
What was your reaction to the Season 4 renewal/last season news?
I’ve never been involved in a series where we’ve had the opportunity to finish on our terms. That in and of itself was really something to be grateful for. There was no news about the pickup for so long that at first I was thinking, ‘We’ve got to come back,’ to ‘Maybe we’re not coming back.’ And then there was a letting go process. So when the six episodes came I was like, ‘Wooooo!’ I was really, really grateful. They left me in such a great spot in Season 3, it was great to be able to play it out. In Season 1 and Season 2 he was kind of working in the shadows and now he’s going for it.
Everybody is going to be gunning for him and it’s all about survival. Live or die.
Kellog immediately distanced himself from the rest of Liber8 back in Season 1. What’s the analysis you’ve put into that move?
On the one hand there’s an instinct. He’d seen so much pain and suffering in his time that when he was given a chance it was a natural thing to do. On the other hand, here’s a guy who has been let down by every other thing that he’s lived for. Family, friends, society. Everything in his life has told him he’s worthless, so this is his way of responding to that. There is kind of a god complex going on. It’s the ultimate challenge for him and it’s what’s meant to be in his deluded, corrupt, completely unhealthy mind.
What was your reaction to reading the series finale script?
I couldn’t stop talking Simon Barry’s ear off. I just kept texting him, ‘Thank you so much, what a wonderful way to do it.’ What he accomplishes in that 45 minutes of television is beautiful and poetic. There were so many surprises and twists … the fans will be blown away.
Are you going to be taking anything from the set?
I’m going to be taking some suits! [Laughs.] Some fine threads. I’m going to go through my wardrobe!
Looking forward, being on a genre show like Continuum means not only the possibility of a crowd-funded feature but also the chance to attend conventions for as long as the fan support is there. Are you into that?
I’ve never experienced this kind of connection with fans before. It’s really amazing. You get this in theatre, this immediate reaction from he fans. If this show can receive some other life and there is a calling for that, I would be there 100 per cent. I love this guy and playing Kellog has never been boring.
What about developing your own projects?
I’ve got the rights to a play and I’ve asked Brian Markinson [Inspector Dillon] to direct and Kyra Zagorsky to be in it. I had never met Kyra, and I asked her to be in the play and then she was cast in this [as Future Soldier Vasquez], which is crazy. John Cassini is involved as well. That’s a play called The Motherfucker with the Hat, a wonderful play out of New York and that will be a blast. Coming off this show and Arctic Air, this is a nice spot to be in. I can breathe a little bit and be a little more choosy with my projects. I’d love to not have to do everything that comes across the table.
Continuum airs Fridays at 9 p.m. ET/PT on Showcase.
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