TV eh B Cs podcast 12 – Ryan Belleville Beyond the Brick Wall

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By 17 Ryan Belleville was performing comedy professionally, and was the youngest person to ever record their own CTV Comedy Now special. He is the winner of a Canadian Comedy Award and the Phil Hartman Award for his stand up.

Of his many TV appearances he has appeared 8 times at the Just for Laughs festival in Montreal where he is a crowd favorite, as well as multiple appearances on CBC’s Halifax Comedy Festival, The Winnipeg Comedy Festival, and CBC’s The Debaters. South of the border he has been seen on Comedy Central’s Live at Gotham, CBS’s The Late Late Show, and MTV’s Busted.

A respected comedic actor, he was a series regular on FOX’s sitcom Life on a Stick and CW’s The LA Complex. He was the star and co-creater of the cult show Almost Heroes, now available on Hulu. He has starred in the feature films National Lampoons Going the Distance, Disney’s Stuck in the Suburbs, Step Dogs and the award winning family film Finn on the Fly.

Most recently he was the star of CTV’s sitcom Satisfaction and hosts one of iTunes top Comedy Podcasts in Canada, The Flying Bellevilles Podcast.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

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Tonight: Rick Mercer Report, 22 Minutes, Schitt’s Creek, Mr. D

Rick Mercer Report, CBC
Rick goes to Penticton, BC where he joins a precision jump rope skipping competition and then heads to New Brunswick to learn the art of making potato chips.

22 Minutes, CBC
Tonight on 22 Minutes, Canada’s recent deal to build six arctic patrol ships inspires new recruitment ads; Stephen Harper’s signature guitar available for purchase and telecom giant, Rogers, takes on a new adversary.

Schitt’s Creek, CBC – “Bad Parents”
Johnny and Moira, feeling like they have failed as parents, try to get to know their grown children. Alexis spies on Mutt and thinks he’s having an affair with the Mayor’s wife.

Mr D. CBC – “Staff Hangover”
Morning assembly reveals the Xavier staff in rough shape. Last night’s staff party went late and got messy. The new librarian is revealed in the aftermath.

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Preview: The Pinkertons blast onto CHCH

I’m a sucker for historical dramas. Need proof? My current list of favourites includes Hell on Wheels, Vikings, Murdoch Mysteries, Downton Abbey and the upcoming X Company. Now I’m adding The Pinkertons to my list. The syndicated shoot-em-up debuts Tuesday on CHCH, and it’s one heck of a good time.

Produced by the folks at Rosetta Media and Buffalo Gal Pictures (and with Murdoch Mysteries‘ Philip Bedard and Larry Lalonde, Remedy‘s Alison Lea Bingeman, Flashpoint‘s Christina Ray and Corner Gas‘ Rhonda Baker among producers), The Pinkertons is based on the real cases of the legendary law enforcement, detective and security agency founded in 1850. Hired by President Abraham Lincoln to be his security detail during the Civil War, the company was headed by Allan Pinkerton and based out of Chicago.

Tuesday’s two-hour debut quickly introduces viewers to founder Allan (Angus Macfadyen, Turn), his son William (Jacob Blair, Dark Rising: Warrior of Worlds) and Kate Warne (Martha MacIsaac, 1600 Penn) as they team to solve the case of ex-Confederate outlaws who rob a train. Kate Warne, it turns out, really was the first female detective in the U.S., a point made early on and the source of sarcasm and laughs because William can’t handle the fact she’s better at sleuthing, disguises and infiltrating gangs than he is.

Shot in and around Winnipeg (the primary location is Grosse Isle, Man.), the first two instalments in the 22-episode season are light-hearted with the touches of drama that has made Murdoch so successful. Yes, the ex-Confederates are plotting to make a bomb, but you never feel like they’ll really get away with it. The costuming is lush, the old-timey sets suitably dusty and the three keys leads are charming, especially MacIsaac, who has canny comic timing and is able to set herself apart from her craggy co-stars.

It’s too early to be sure, but I’m pretty confident that, as time goes on, sexual tension will simmer between Kate and William. And while I’m not averse to that TV trope, I hope it’s kept on the back burner for now; to me the story is the thing and with a group like the Pinkertons, there are lots of stories to tell.

The Pinkertons airs Tuesdays at 8 p.m. ET on CHCH.

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Review: Reason and purpose on Helix

After last week’s creepy opener, Helix moved past teasing us with another, nastier virus and really started getting into the inner workings of Brother Michael’s compound on St. Germain. I’m guessing the science geeks behind the series (and those among the fans watching it) were more than a little tickled by Michael’s response that all things have a reason, not a purpose.

Applied more broadly to the season, right now it seems like each of our CDC members—past, future and present—have a reason for being on the island if not necessarily a purpose. With the lone exception of Alan, who might have a bigger scheme in the works since he’s leaving hipbone clues buried at his gravesite for Julia and telling Sarah to take his brother and get out of his way.

Since Alan has come to St. Germain by way of a long list of immortal murders, I don’t think it’s too much of a stretch to question whether the island is just the unfortunate starting point of a particularly gross infection, or whether this all has something to do with Ilaria. And since the immortals were the group responsible for the last outbreak, it also doesn’t seem like much of a stretch to suggest this is their doing too. But what their reason is and what their purpose might be are still yet to be revealed. Hatake may have wanted the chance to activate Julia’s immortal genes, but I doubt we’re going to hit any secret child beats this time around—and that line of reasoning doesn’t explain why the organization ordered a virus and a cure the first time, let alone a second.

There’s still also the tricky issue of how Michael and his followers fit into that design (or lack thereof if we’re taking our cues from Darwin). There seems to be a strong thread of individualism to his teachings, along with the notion of abandoning your ties to others to freely be yourself—the kind of mentality that just might encourage a psychopath to unleash a virus on the world in order to gain just a touch more freedom. But Michael almost seems too benevolent to be the kind of leader keeping his followers around for gratification before ultimately reigning as one of a few kings over a devastated planet.

Despite objections from the downright creepy Anne, Michael was strangely and calmly welcoming of the CDC—willing to break the rules to look after the health of his followers when he didn’t have the resources, but at the same time pointing out just how isolated the scientists were. There’s something rotten in the state of St. Germain, but I’m not sure world annihilation is the goal. And bearing in mind the pathogen’s similarities to Narvik—the kind that had Peter freezing with flashbacks—I think there’s something to the superhuman strength and violent frenzy the diseases cause that might be the real “reason” behind their appearance.

But there’s also the problem that the virus is slowly leaking pustules all over Julia’s body 30 years down the road, which means something either went very, very wrong with its creation, or that the person responsible for this goo—looking at the people pumping it into unsuspecting followers last week and their leader—weren’t just interested in infecting mortals. Begging the question, as you’d expect, of who Michael is and whose side he’s really on.

Goo-ey goodness:

  • The title, “Réunion,” is a nice little nod to the filming location.
  • If I were the guy eating breakfast next to Alan, I would be very, very worried.
  • Watching Sarah throw caution to the wind and work in the lab without protective gear has me calling her death sometime this season.
  • “I’d be surprised if he’s here for the food.” Sarah’s getting sassy.
  • Did Julia stumble across Soren’s skeleton? I’m not sure what I’d do if it turns out there’s a Minotaur in the woods. Or a wisp of smoke.
  • Let it be known that I asked Jordan Hayes about Sarah’s pregnancy while on set and used the words “It’s been 15 months, so I’m assuming she’s no longer pregnant.” How very silly of me.

Helix airs Mondays at 10 p.m. ET/PT on Showcase.

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