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Writers Guild of Canada releases latest report on Equity, Diversity and Inclusion in Canadian television

From a media release:

The Writers Guild of Canada (WGC) has released a new Equity, Diversity and Inclusion (EDI) Report with the latest 2023 data. For the first time since the Guild began publishing this report, the data show a decline in the number of episodes across every TV format. In addition, the series covered in this year’s report hired fewer writers than ever before. Compared with 2016, the number of WGC members working on Canadian TV decreased by 11 per cent. This decline jeopardizes the hard-fought progress made by the WGC to establish a growing pool of diverse working writers within the industry.

The report is based on data from 76 series (53 live-action and 23 animation) that were in production in 2023, in addition to the 372 series covered in the period from 2019 to 2022. It includes WGC membership and production data.

The report highlights gains made across different EDI measures:

  • The percentage of WGC diverse writers working on Canadian TV has increased steadily from 26 per cent in 2019 to 40 per cent in 2023. The increase is largely due to the higher participation of writers of colour and LGBTQ2S writers, as well as writers with disabilities and Indigenous writers, which is especially true in live-action series.
  • While 7.9 per cent of writers working on TV in 2023 have intersectional identities, 9.8 per cent of writing jobs went to this group in the same year. Racialized writers who also identify as LGBTQ2S make up 6.1 per cent of all working writers and received 7.5 per cent of writing jobs.
  • Writers with disabilities and Indigenous writers saw gains in their participation in writers rooms and writing credits. Indigenous writers increased their participation in writers rooms to 5.5 per cent and earned 5.1 per cent of writing credits. The participation of writers with disabilities increased slightly to 4 per cent in 2023. They also earned 9.3 per cent of writing credits in 2023 compared with 3.3 per cent in 2022.

New this year, the WGC is releasing a Best Practices Guide for Producers Working with Diverse Screenwriters as a companion document to the report. The guide is intended as a tool for producers seeking to hire diverse screenwriters, build strong creative partnerships, and foster working environments that are conducive to authentic storytelling.

Other report findings based on the 2023 data include:

  • Significant discrepancies continue between the volume of work and earnings for diverse writers in animation. While the percentage of writers working in live-action increased from 42.6 per cent in 2022 to 45.3 per cent in 2023, the share of writers working in animation has not seen any movement since 2021 and remains at 29.8 per cent. While 29.8 per cent of earning writers’ work in animation, they represent only 14.3 per cent of writers’ earnings.
  • The percentage of Indigenous writers joining the Guild is growing, at eight per cent in 2023 compared with one per cent in 2018. However, the percentage of Indigenous working writers remains low at 3.7 per cent, and only 3.5 per cent of writers’ earnings. While 5.5 per cent of live-action writing credits were assigned to Indigenous writers, only 0.4 per cent of animation writing credits were assigned to the same group.
  • The participation of writers from different ethnicities continues to show mixed results. For example, East Asian writers working on Canadian TV decreased from 4.1 per cent in 2022 to 2.9 per cent in 2023, while South Asian writers increased to 7.6 per cent in 2023 from 4.8 per cent in 2022. Both numbers are low when compared to the general population and urban population centres.

The report continues to be an important initiative undertaken by the WGC and its Inclusion, Diversity, Equity, and Accessibility (IDEA) Committee to work towards addressing issues of historic underrepresentation in Canadian television. (Diversity groups are defined by the WGC as Indigenous, Black, LGBTQ2S, People of Colour, People with Disabilities.)

The current report and best practices guide are now available on the WGC’s website HERE.

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Production underway in British Columbia on Season 2 of CBC’s Allegiance

From a media release:

Lark Productions and CBC today announced that Season 2 of police drama ALLEGIANCE (10×60) is currently shooting across BC’s Lower Mainland through December 5, 2024. 

Premiering in winter 2024, ALLEGIANCE was CBC’s most-watched new series of the 2023-24 season.* The high-octane police drama uniquely set in Surrey, BC, is a CBC Original series from Lark Productions in association with Universal International Studios, starring Supinder Wraich (Sort Of) as Sabrina Sohal and Enrico Colantoni (English Teacher) as Vince Brambilla. Season 2 welcomes Samer Salem (The Expanse, The Boys) to the ensemble cast as a series regular, portraying Detective Corporal Zak Kalaini. Plus, showrunners Mark Ellis and Stephanie Morgenstern (Flashpoint, X Company) are back at the helm of ALLEGIANCE, a series created by Anar Ali (Transplant).

The series focuses on identity and belonging, policing and politics, and finding truth within the heart of a flawed justice system. Season 2 will be rooted in a powerful set of engaging and topical storylines including online gambling, tech janitors and international schools. Lead character Sabrina Sohal (Wraich) joins the Serious Crimes Unit of the CFPC and has six months to prove she’s got what it takes to be a detective. She’s paired with a newly transferred partner who has a decade more of experience compared to her and a very different approach to the job. While navigating a complex love life and an equally complicated family life, Sabrina is determined to take down the man responsible for framing her father.

“Audiences embraced Allegiance, and we are excited for viewers to see the next instalment on CBC this winter. Our creative team continues to raise the bar this season and we are grateful for the opportunity to continue to explore the lives of our characters and tell these important stories,” said Erin Haskett, President, Lark Productions. 

Returning series regulars include Stephen Lobo, Adolyn H. Dar, David Cubitt, Crystal Balint, Toby Levins, Melanie Papalia, and Andres Joseph.

A CBC Original series, ALLEGIANCE is produced by Lark Productions in association with Universal International Studios, a division of Universal Studio Group, with NBCUniversal Global TV Distribution handling global sales. Stephanie Morgenstern, Mark Ellis and Anar Ali serve as Executive Producers alongside Lark Productions’ Erin Haskett, Nicole Mandes, David Valleau, Tex Antonucci and Season 2 director, Nimisha Mukerji.

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Spindle Films Foundation publishes inaugural research findings on the state of gender diverse experiences in the Canadian film industry

From a media release:

Spindle Films Foundation today announced the results of their inaugural research report, highlighting the current state of the trans, non-binary, and gender diverse experiences in the Canadian film industry. Rooted in an annual mentorship program supporting emerging filmmakers, the Foundation is working to make the film and television industry more equitable and diverse by giving voice to underrepresented voices. The full report is available at spindlefilms.ca/research.

With recent data showing a decline in the representation of and support for the queer and gender diverse community in Canada, as well as legislation rolling out across the country targeting their rights under the guise of protecting parental rights, Spindle Films Foundation is gravely concerned that the safety, support, and celebration of trans and non-binary folks in the Canadian film industry are more at risk now than they were even a year ago.

The report found that 63% of respondents have taken actions to delay or conceal their gender identity due to the risk of adverse experiences at work in the film industry. Supporting this, 53% of respondents reported having adverse experiences during their last on-set experience. Of those with adverse experiences, 53% indicated that those adverse experiences happened every day they were on set and 78% rated those experiences as a 5 or higher on a 10-point distress scale.

Conducted from mid-2023 through to 2024, the research survey was developed by Javelin Laurence, Director of Research, Education, and Accessibility at Spindle Films Foundation, with input from the founding members of the Foundation, and support from Skipping Stone in Calgary, Alta. Having surveyed members of the transgender, non-binary, and gender diverse community working in the Canadian film industry, the report shows a need and desire for more inclusion, openness, collaboration, and acceptance for not just the gender-diverse community but for all types of diversity in Canada.

“While efforts have been made by some to make sets a safer environment, these results make it clear that it’s not enough. We need systematic and sweeping change so that everyone can feel valued and safe at work,” said J Stevens, Founder, Spindle Films Foundation. “The Foundation is actively working with decision-makers in the industry to shift mandates and protocols and we will continue to support and uplift the filmmakers whose voices are so needed in the Canadian film and TV industry through our annual mentorship programs.”

From the writer’s room through to the editing suite, gender diverse filmmakers are navigating an industry that claims to be diversifying but is in fact demonstrating that it is not a priority, with 42% of respondents indicating that they feel they had lost a job opportunity due to their gender identity, either implicitly or explicitly. 

Safety, inclusivity, and community were all themes determining whether gender diverse filmmakers felt comfortable taking a job, with 28% of respondents indicating that working with other gender diverse filmmakers was a protective factor on their last set. When asked about what they specifically needed to feel supported, respondents highlighted representation in decision-making positions, translating into more opportunities across departments for trans and gender diverse humans, and mandated education for all members of production.

Based on the survey findings, Spindle Films Foundation is recommending the following best practices: quality health insurance covering gender-affirming care in Canadian film unionsgender equity in hiring that acknowledges identities outside the binarya pronoun policy for all cast and crew on call sheetsgender diversity education for all production memberspaperwork care when dealing with chosen vs. legal namesgender neutral bathrooms, and a policy for addressing harm.

While there is still work to be done, Spindle Films Foundation is uniquely positioned and committed to pushing change forward through their programming and research initiatives. Following a successful and inspiring first year that resulted in nine emerging filmmakers receiving mentorship and education from industry leaders such as Bilal Baig, Luis De Filippis, Tácháy Redvers, and Sasha Leigh Henry, the Foundation has also established supportive partnerships with organizations such as the Directors Guild of Canada and Skipping Stone, allowing them to better serve the community of gender-diverse filmmakers that they are committed to uplifting. 

For more information and updates on upcoming programming, visit spindlefilms.ca/about-foundation and follow @spindlefilmsfoundation.

About Spindle Films Foundation 
Founded in 2023, Spindle Films Foundation is a nonprofit organization that supports transgender, non-binary, two-spirit and gender-diverse Canadian filmmakers. The organization works to make the TV and film industry more equitable and diverse by dismantling systemic barriers, and supports emerging filmmakers through an annual mentorship program. 

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Chaos is the new normal: Season 4 of CTV original comedy Children Ruin Everything premieres October 17

From a media release:

Parenting: it just gets weirder (and funnier) as kids grow up! CTV announced today that its original comedy CHILDREN RUIN EVERYTHING returns for its fourth season, airing Thursdays at 8:30 p.m. ET/PT on CTV, CTV.ca, and the CTV app, beginning Oct. 17. A comedic love letter to childrearing, CHILDREN RUIN EVERYTHING stars Meaghan Rath (BEING HUMAN) and Aaron Abrams (BLINDSPOT) and is created and executive produced by Emmy® Award-winner Kurt Smeaton (SCHITT’S CREEK). Set and filmed in Toronto and Hamilton, Ont., Season 4 consists of 16 half-hour episodes, with the first eight episodes airing this fall.

In Season 4 of CHILDREN RUIN EVERYTHING, Astrid (Rath) faces the pressure of being the sole breadwinner while James (Abrams) struggles with being a stay-at-home dad. Parenting is more challenging and funnier than ever as the kids grow up and their exposure to the world expands. With more influences and experiences outside of Astrid and James’ watchful eyes, parenting becomes more complicated, involving more guesswork and investigations. This season also finds Felix (Logan Nicholson) asserting more independence and attitude, Viv (Mikayla SwamiNathan) dealing with friend drama at school, and Morris, well, being a toddler. While these new complications may pull Astrid and James in different directions, they always end up on the same page – even if that page is dog-eared and stained with jam.

Also returning for Season 4 are: two-time Canadian Screen Award-winner Ennis Esmer (BLINDSPOT, SCHITT’S CREEK) as James’ best friend Ennis; Nazneen Contractor (RANSOM, HEROES REBORN) as Astrid’s sister Dawn; Dmitry Chepovetsky (KILLJOYS, DEPARTURE) as Bo, Dawn’s eccentric husband; Darius Rota as Dawn and Bo’s 13-year-old son Corey; Veena Sood (CORNER GAS ANIMATED, THE INDIAN DETECTIVE) as Astrid and Dawn’s over-sharing mother Nisha; and Lisa Codrington (LETTERKENNY, THE LAKE) as James’ ambitious former boss Marla. Bruce McCulloch (THE KIDS IN THE HALL) and Anna Hopkins (THE EXPANSE, SHADOWHUNTERS) reprise their roles as Councillor Leonard Flynn and Rachel a.k.a. “Disaster Mom”, respectively. Plus, Scott Thompson (KIDS IN THE HALL), Carolyn Taylor (BARONESS VON SKETCH SHOW), Colin Mochrie (MURDOCH MYSTERIES), and David Cronenberg (STAR TREK: DISCOVERY) are confirmed as new guest stars this season.

On the Season 4 premiere of CHILDREN RUIN EVERYTHING, titled “Respect” (Thursday, Oct. 17 at 8:30 p.m. ET/PT on CTV, CTV.ca, and the CTV app), Astrid and James realize they are at the dawning of a new era when Felix starts showing signs of pre-teen rebellion. As they struggle to manage his shifting moods, they learn this next phase of parenting might be the hardest one yet. Meanwhile, James tries to ease tensions after he rejects Bo’s job offer.

Earlier this year, CHILDREN RUIN EVERYTHING earned three Canadian Screen Awards, including a first-ever win for Meaghan Rath for Best Lead Performer, Comedy, a second consecutive win for Ennis Esmer for Best Supporting Performer, Comedy, and a win for Best Writing, Comedy for series creator Kurt Smeaton. Season 3 of CHILDREN RUIN EVERYTHING ranks as last fall’s most-watched Canadian comedy.

New episodes of CHILDREN RUIN EVERYTHING also stream Fridays on Crave, beginning Oct. 18. Past seasons of CHILDREN RUIN EVERYTHING are also currently available for streaming on CTV.ca and the CTV app with no subscription or sign-in required, and Crave. In the U.S., CHILDREN RUIN EVERYTHING airs on The CW. The first three seasons are also available on Netflix in Canada, the U.K., and German-speaking territories, including Germany, Austria, Switzerland, Liechtenstein, and Luxembourg.

CHILDREN RUIN EVERYTHING is from award-winning comedy entertainment studio New Metric Media, and is created and executive produced by Emmy®, Golden Globe®, and Canadian Screen Award-winner Kurt Smeaton (SCHITT’S CREEK, KIM’S CONVENIENCE), and executive produced by Chuck Tatham (MODERN FAMILY, ARRESTED DEVELOPMENT), multiple Canadian Screen Award-winner Mark Montefiore (LETTERKENNY, SHORESY, BRIA MACK GETS A LIFE, WHAT WOULD SAL DO?), Anita Kapila (STRAYS, SON OF A CRITCH), and Meaghan Rath. Kathleen Phillips (WORKIN’ MOMS, CRAWFORD) serves as executive producer, Andrew De Angelis (THE LAKE, KILLJOYS) as co-executive producer, with Alyson Richards (The Retreat) serving as producer and New Metric’s Max Wolfond (BRIA MACK GETS A LIFE) acting as supervising producer.

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Production now underway on the third season of CBC anthology series Plan B

From a media release:

CBC and KOTV today announced that production is now underway in Montreal on a third season of the time-bending anthology drama series PLAN B (6×60). An adaptation of the popular French-language drama series of the same name (now in its fourth season for Radio-Canada), the new season will focus on a new story, starring Carolina Bartczak (Painkiller, X-Men: Apocalypse), Arnold Pinnock (The Porter, Combat Hospital) and Ennis Esmer (Children Ruin Everything, Blindspot). Additional casting includes Arianna Shannon making her screen debut, as well as Jaeden Noel (Orphan Black: Echoes, Invasion), Carolyn Taylor (Baroness von Sketch Show, I Have Nothing) and Grace Lynn Kung (Sort Of, Fallout).

In Season 3 of PLAN B, Abigail Walker (Bartczak), the host of Canada’s top morning TV show, grapples with the devastating loss of her teenage daughter, Lucy (Shannon), to suicide. Tormented by grief and regret, Abigail uses the Plan B Agency to embark on a series of time-traveling journeys, desperate to alter the past and prevent Lucy’s tragic fate. As she attempts to protect Lucy from the toxic relationships that contributed to her downward spiral, Abigail’s actions create ripples that affect not only Lucy’s life but also the lives of those around her. Abigail’s pursuit of a better outcome for Lucy leads her to confront painful truths about her own past, her relationships, and the choices she’s made both for her daughter and for herself. She must navigate the complexities of time travel, grappling with the ethical implications of altering the lives of others. But as Abigail travels deeper into the past, she discovers that the true meaning of love and sacrifice may lie in accepting the unchangeable.

Season 1 of PLAN B, starring Patrick J. Adams and Karine Vanasse, and Season 2, starring Vinessa Antoine, offer gripping, reality-altering drama with unique storylines, showcasing characters navigating life’s what-ifs and second chances. Audiences can watch both seasons on the free CBC Gem streaming service.

A CBC original series, PLAN B is produced by Quebec-based production company KOTV. Jean-François Asselin, who co-created the original French-language series, co-directs with Marianne Farley, and also co-writes with Celeste Parr, for this English adaptation. Asselin & Parr also serve as Showrunners and Executive Producers, alongside Louis Morissette. For KOTV, Louis-Philippe Drolet, Mélanie Viau and Jacques Drolet are Executive Producers and Marie-Claude Beaulieu is Producer.

For CBC, Sally Catto is General Manager, Entertainment, Factual & Sports; Trish Williams is Executive Director, Scripted Content; Sarah Adams is Director of Current Production, Drama; and Nicola Makoway is Executive in Charge of Production.

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