Everything about Awards, eh?

Link: Behind-the-scenes superstars get their moment in the spotlight at 2018 Leo Awards

From Sabrina Furminger of YVR Screen Scene:

Link: Behind-the-scenes superstars get their moment in the spotlight at 2018 Leo Awards
The big winner of the night was Dead Shack. Peter Ricq’s horror film took home three awards in the Motion Picture category, including Best Production Design, Best Costume Design, and Best Make-Up.

Multiple productions received two awards apiece, among them: Ghost Wars (Best Sound and Best Costume Design); the short film, Mental (Best Sound and Best Production Design); Marie Clements’ inventive musical documentary The Road Forward (Best Cinematography and Best Picture Editing); and Indian Horse (Best Sound and Best Visual Effects). Continue reading.

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Screen Nova Scotia announces 2018 award winners

From a media release:

Screen Nova Scotia hosted its fourth annual awards show on Wednesday, May 16th, in front of a sold-out crowd at Casino Nova Scotia. Featuring the Screen Nova Scotia Awards, the ACTRA Awards, the Digital Animators of Nova Scotia Award, the Film Crew Excellence Award, and the Women in Film and Television Atlantic Award, the evening was a celebration of the incredible talent, creativity, and passion that are the trademarks of Nova Scotia’s film, television and animation industry.

The event was co-hosted by a star-studded cast that included some of Nova Scotia’s brightest talents, such as Jonathan Torrens, Cathy Jones, Bette MacDonald, and Robb Wells. Presenters included producers, directors, crew members and actors, with musical accompaniment from the Bill Stevenson Trio.

The night’s finale was the Screen Nova Scotia Award for Best Feature Film, which was awarded to the indie drama Black Cop, the debut feature film from writer/director/performer Cory Bowles and his producing partner, Aaron Horton. The film — about a Black man torn about his role as a police officer — was made with support for Telefilm Canada’s Micro-Budget Production Program (rebranded earlier this year as the Talent to Watch Program) and recently picked up for distribution in the U.S. by Samuel Goldwyn Films.

Critically acclaimed crime drama Pure was the winner of the Best TV Series Award. Produced by Two East Productions, the second season is scheduled to begin production in Nova Scotia later this month and anticipated to premiere on Super Channel in early 2019.

Double-nominee Jennie Raymond took home the ACTRA Award for Outstanding Performance by an Actor in a Leading Female Role for her portrayal of Maria Roach in the TV series Sex & Violence, while Shelley Thompson won Outstanding Performance by an Actor in a Supporting Female Role for her terrifying turn as Monica the innkeeper in the NS horror film The Child Remains.

Filmmaker Daniel Boos’ film Thug won the Best Short Film Award, with the film’s actors also taking home top prizes. Simon Paul Mutabazi was awarded Outstanding Performance by an Actor in a Leading Male Role, and Emmanuel John won Outstanding Performance by an Actor in a Supporting Male Role. The film portrays the cast’s real-life struggle to participate in the film industry stereotypes that affect their experience off-screen.

Following an emotional memorial video tribute to the iconic Nova Scotian actor John Dunsworth, ACTRA Maritimes announced the creation of the John Dunsworth Screen Actor’s Fund, which will support the professional development of Nova Scotia performers. More information on this fund will be made available shortly.

The Best Documentary Film Award went to Sickboy, directed by Andrew MacCormack and produced by Dream Street Pictures. New this year, Women in Film & Television – Atlantic presented the Best Director Award, which honours the outstanding achievement of a female director based in Nova Scotia. This inaugural award went to Donna Davies, director of the documentary High Hopes.

Digital animation was spotlighted at the awards, with Lorna Kirk winning the DANS Award for Outstanding Animation for her short film Him and Copernicus Studios taking home the trophy for Best Animated Series for their work on the Emmy-nominated Amazon show If You Give A Mouse A Cookie.

Scenic Artist Kevin Lewis (IATSE 849) won the 2018 Film Crew Excellence Award. Kevin’s recent production credits include The Lighthouse, Let’s Get Physical, Polaroid, The Mist, and several seasons of Haven. The Community Recognition Award was presented to VanEssa Roberts (Director of Community Development, Tourism & Recreation) and the Town of Windsor, Nova Scotia for their

THE FULL LIST OF AWARD WINNERS:

Screen Nova Scotia Awards:
Best Feature Film: Black Cop (Blac Op Films)
Best Television Series: Pure (Two East Productions)
Best Documentary Film: Sickboy (Dream Street Pictures)
Best Short Film: Thug (Oneiric Films / Make Your Day Productions)
Best Animated Series: If You Give A Mouse A Cookie

ACTRA Maritimes Awards:
Outstanding Performance by an Actor in a Leading Female Role: Jennie Raymond (Sex & Violence)
Outstanding Performance by an Actor in a Leading Male Role: Simon Paul Mutabazi (Thug)
Outstanding Performance by an Actor in a Supporting Female Role: Shelley Thompson (The Child Remains)
Outstanding Performance by an Actor in a Supporting Male Role: Emmanuel John (Thug)

WIFT-AT Award for Best Director: Donna Davies (High Hopes)

Film Crew Excellence Award: Kevin Lewis, Scenic Artist

Community Recognition Award: VanEssa Roberts (Director of Community Development, Tourism & Recreation) & the Town of Windsor, Nova Scotia.

DANS Awards for Outstanding Achievement in Animation: Lorna Kirk (Him)

Screen Nova Scotia would like to thank our generous partners and sponsors: their support helps us to produce a world-class event that celebrates Nova Scotia’s media creativity. Special thanks to the NS Department of Communities, Culture and Heritage.

Image courtesy of Michael Tompkins.

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Link: Matt Embry’s documentary Living Proof big winner at AMPIAs

From Eric Volmers of the Edmonton Journal:

Link: Matt Embry’s documentary Living Proof big winner at AMPIAs
The 44th edition of the awards,  nicknamed the Rosies, were handed out at the Hyatt Regency in downtown Calgary to honour the best in Alberta film and television. Sixty trophies were handed out to Alberta-based productions and craftspeople who work in the industry …. CBC’s Heartland defeated Wynonna Earp for best dramatic series. Both shows are produced in Calgary by Seven24 films. Heartland also picked up a win for Ken Filewych, who won for best director for a drama over 30 minutes. Continue reading. 

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Toronto Screenwriting Conference announces winners of the Magee TV Diverse Screenwriters Award

From a media release:

The Toronto Screenwriting Conference (TSC) today announced the six winners of the second annual Magee TV Diverse Screenwriters Award, a mentorship and bursary program created to help emerging and mid-level screenwriters from diverse backgrounds to be mentored, to network with Canadian television professionals, and be exposed to leaders in the field of screen-based writing.

To achieve this objective, each of the six winners — Cara Lynn Branch, Elene Mekete, Ian Steaman, Murry Peeters, Rebecca Grenier, and Veronika Paz — will receive a complimentary registration for the highly anticipated two-day conference taking place in Toronto over the weekend of June 23-24. The winners will also join veteran Canadian producer/writer Al Magee (founder of Magee TV) for several networking events, with each receiving a one-on-one three-month mentorship with senior Canadian screenwriting professionals Alejandro Alcoba, Marsha Greene, Duana Taha, Pat Mills, Noelle Carbone and Eva Thomas.

The winners were chosen based on submissions that included the following four criteria: one concept for an original series or feature film, one writing sample, a letter of interest and intent, and a letter of reference. The TSC and Magee TV also recognize the Diverse Screenwriters Award’s seven finalists: Caitlin English, Fiona Clarke, Julia Skikavich, Kim Gonsalves, Michelle Yeo, Margaret Hoffman, and Maxine Grossman.

The Ninth Annual Toronto Screenwriting Conference (TSC) is a two-day weekend event that brings together screen-based industry professionals and offers them an advanced level of education and skills development unparalleled by any other screenwriting event on the continent. The conference takes place on June 23 and 24, 2018 at the TIFF Bell Lightbox (Conference) and Artscape Sandbox.

This year’s speakers Chip Johannessen (Homeland), Stacy Rukeyser (Unreal), and Ben Watkins (Hand of God) will present Masterclass Lectures at the conference. Returning (by popular demand) are story gurus Carole Kirshner & Corey Mandell, with more programming and speaker announcements to come. Previous conference speakers have included Andrew Stanton (Finding Dory), Moira Walley Beckett (Breaking Bad), Michael Arndt (Toy Story 3), David Webb Peoples (Blade Runner), Tim Long (The Simpsons), Leonard Dick (The Good Wife), Glen Mazzara (The Walking Dead), and Beau Willimon (House of Cards).

For more details and to register for this year’s conference, click here.

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Toronto Screenwriting Conference announces winners of Telefilm New Voices Award

From a media release:

The Toronto Screenwriting Conference (TSC) is excited to announce this year’s recipients of the Telefilm Canada New Voices Award. The emerging screenwriters were selected from a pool of over 120 applicants Canada-wide. Those receiving the 2018 honours are Davida Aronovitch, Michael Hanley, Erin Hug, Kim Morrison, and Lisa Rose Snow. (See below for bios.) Each winner receives a pass to the TSC and a meeting with representatives from Telefilm Canada.

The Ninth Annual Toronto Screenwriting Conference (TSC) is a two-day weekend event that brings together screen-based industry professionals and offers them advanced level of education and skills development unparalleled by any other screenwriting event on the continent. The conference takes place on June 23 and 24, 2018 at the TIFF Bell Lightbox (Conference) and Artscape Sandbox.

This year’s speakers Chip Johannessen (Homeland), Stacy Rukeyser (Unreal), and Ben Watkins (Hand of God) will present Masterclass Lectures at the conference. Returning (by popular demand) are story gurus Carole Kirshner & Corey Mandell, with more programming and speaker announcements to come. Previous conference speakers have included Andrew Stanton (Finding Dory), Moira Walley Beckett (Breaking Bad), Michael Arndt (Toy Story 3), David Webb Peoples (Blade Runner), Tim Long (The Simpsons), Leonard Dick (The Good Wife), Glen Mazzara (The Walking Dead), and Beau Willimon (House of Cards).

Davida Aronovitch is a Toronto-based screenwriter and producer. Since 2012, she has overseen the reboot of the Heritage Minutes series, leading the production of 12 new one-minute vignettes. Davida has collaborated with award-winning filmmakers and writers from across Canada and has helped broaden the Minutes collection with new and diverse stories such as Viola Desmond, Residential Schools, and Lucy Maud Montgomery. Davida’s film and tv projects focus on female-driven stories and explore themes such as culture, technology, motherhood and mental health. Her animated children’s series, Who What Clara Goes to the Internet, follows the adventures of an inquisitive yet anxious young girl who finds a portal into the web and must learn to navigate its potential – and its pitfalls – safely and sanely. Davida holds an M.A. in modern and contemporary art history from the University of Toronto and a B.A. from McGill.

Michael Hanley is an award-winning screenwriter based in Toronto. He is an alumnus of the New York Film Academy and the Writers’ Lab at the Canadian Film Centre. His work has received acclaim at multiple international film festivals, and includes the short films, Tempted by the Fruit of Another (10), Offload (16), Lucas (17) and the feature Learning to Ride (14). He is currently in development on several projects, including his second feature Saltbox, which was listed on the Canadian Film Festival’s It List as well as Leaked, a one-hour dramatic television series.

Erin Hug is a Toronto-based scriptwriter originally from Vermont. She has written several award-winning one-act plays that were produced in the U.S. and Ireland, and was commissioned to write a full-length play for young actors that was produced in Florida and Pennsylvania. Her full-length play, The Big Top, is currently in development with Accidental Theatre in Northern Ireland. In 2009 and 2010, she directed and produced a tour of an all-female storytelling show featuring immigrant women in Sweden. She completed the Fishamble Playwright Mentorship Programme in Ireland in 2013, and the Second City Conservatory Program in 2014. She holds a BS in Scriptwriting from Ithaca College and a MS in International Relations from Linkoping University in Sweden.

Kim Morrison is a writer and story editor living in Toronto. She started her origin story as an Intern, both at a broadcast network (BellMedia), and literary agency (The Characters Talent Agency), before being promoted to Executive Assistant at an independent production company (Prodigy Pictures - Dark Matter, Lost Girl). The variety of these early experiences provided her with an incredibly valuable and holistic understanding of the industry. Determined to get closer to the writers’ room, she took a job as a Showrunner’s Assistant (Rogue) that culminated in performing double duty as their Script Coordinator as well. Since then, she has been a Story/Script Coordinator on 34 episodes of television (Private Eyes, Mary Kills People) and has co-written an episode of season 2B of Private Eyes (217). She is currently in a half-hour comedy development room working as a story editor, and continuing to develop her own projects. Kim is a graduate from the TV Writing & Producing post-grad program at Humber College where she received the Brian Linehan Television Writing & Producing Award for Outstanding Artistic Promise. Previously, she graduated from the University of Waterloo with a BA in Sociology, and too many add-on specializations to count.

Lisa Rose Snow is an award-winning writer/director and performer raised by the ocean and now residing in Toronto. Recent directing credits include Rogue Bridal– a new half hour pilot from Blue Ant Media, Dino Dana (2xMore Sinking Ship Director’s Lab recipient), and the bravoFACTUAL doc Meet Maurice Crosby. LRS can also be found working in writing rooms on shows like Little Dog (CBC) where she co-wrote episode 104, Ten Days in the Valley (ABC), and Frontier (Netflix). She is a graduate of the Canadian Film Centre’s Cineplex Screenwriters Program and Dalhousie University’s Acting Program, and participated in the Reykjavik Film Festival’s Talent Lab, the National Screen Institute’s Drama Prize Program, and AFCOOP’s Film5 Program. In 2013 she received a Women Making Waves Award from WIFT-Atlantic. She’s passionate about stories from underrepresented voices, food, anything woo woo, and kindness.

Get more information on the Toronto Screenwriting Conference, including registration information.

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