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Spun Out broadcast plans “indefinitely suspended”

In the wake of voyeurism charges against Spun Out actor J.P. Manoux, CTV has announced that Masterchef Canada will replace the sitcom in the post-Superbowl slot, and future broadcast plans have been “indefinitely suspended.” Season two was scheduled to premiere on March 5 after Sunday’s sneak peek.

CTV’s statement:

CTV was shocked to learn tonight of the arrest of Spun Out actor J.P. Manoux. The charges against him are serious allegations. CTV will work with Spun Out producers Project 10 Productions to assist the Toronto Police Service in any way possible in their investigation. We can confirm that all future broadcast plans for Spun Out, including this Sunday’s post Super Bowl sneak peek, have been indefinitely suspended.

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TV eh B Cs podcast 12 – Ryan Belleville Beyond the Brick Wall

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By 17 Ryan Belleville was performing comedy professionally, and was the youngest person to ever record their own CTV Comedy Now special. He is the winner of a Canadian Comedy Award and the Phil Hartman Award for his stand up.

Of his many TV appearances he has appeared 8 times at the Just for Laughs festival in Montreal where he is a crowd favorite, as well as multiple appearances on CBC’s Halifax Comedy Festival, The Winnipeg Comedy Festival, and CBC’s The Debaters. South of the border he has been seen on Comedy Central’s Live at Gotham, CBS’s The Late Late Show, and MTV’s Busted.

A respected comedic actor, he was a series regular on FOX’s sitcom Life on a Stick and CW’s The LA Complex. He was the star and co-creater of the cult show Almost Heroes, now available on Hulu. He has starred in the feature films National Lampoons Going the Distance, Disney’s Stuck in the Suburbs, Step Dogs and the award winning family film Finn on the Fly.

Most recently he was the star of CTV’s sitcom Satisfaction and hosts one of iTunes top Comedy Podcasts in Canada, The Flying Bellevilles Podcast.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

Want to become a Patron of the Podcast? We’ve got a Patreon page where you can donate a small amount per podcast and get a sneak peek of each release.

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Preview: The Pinkertons blast onto CHCH

I’m a sucker for historical dramas. Need proof? My current list of favourites includes Hell on Wheels, Vikings, Murdoch Mysteries, Downton Abbey and the upcoming X Company. Now I’m adding The Pinkertons to my list. The syndicated shoot-em-up debuts Tuesday on CHCH, and it’s one heck of a good time.

Produced by the folks at Rosetta Media and Buffalo Gal Pictures (and with Murdoch Mysteries‘ Philip Bedard and Larry Lalonde, Remedy‘s Alison Lea Bingeman, Flashpoint‘s Christina Ray and Corner Gas‘ Rhonda Baker among producers), The Pinkertons is based on the real cases of the legendary law enforcement, detective and security agency founded in 1850. Hired by President Abraham Lincoln to be his security detail during the Civil War, the company was headed by Allan Pinkerton and based out of Chicago.

Tuesday’s two-hour debut quickly introduces viewers to founder Allan (Angus Macfadyen, Turn), his son William (Jacob Blair, Dark Rising: Warrior of Worlds) and Kate Warne (Martha MacIsaac, 1600 Penn) as they team to solve the case of ex-Confederate outlaws who rob a train. Kate Warne, it turns out, really was the first female detective in the U.S., a point made early on and the source of sarcasm and laughs because William can’t handle the fact she’s better at sleuthing, disguises and infiltrating gangs than he is.

Shot in and around Winnipeg (the primary location is Grosse Isle, Man.), the first two instalments in the 22-episode season are light-hearted with the touches of drama that has made Murdoch so successful. Yes, the ex-Confederates are plotting to make a bomb, but you never feel like they’ll really get away with it. The costuming is lush, the old-timey sets suitably dusty and the three keys leads are charming, especially MacIsaac, who has canny comic timing and is able to set herself apart from her craggy co-stars.

It’s too early to be sure, but I’m pretty confident that, as time goes on, sexual tension will simmer between Kate and William. And while I’m not averse to that TV trope, I hope it’s kept on the back burner for now; to me the story is the thing and with a group like the Pinkertons, there are lots of stories to tell.

The Pinkertons airs Tuesdays at 8 p.m. ET on CHCH.

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Review: Reason and purpose on Helix

After last week’s creepy opener, Helix moved past teasing us with another, nastier virus and really started getting into the inner workings of Brother Michael’s compound on St. Germain. I’m guessing the science geeks behind the series (and those among the fans watching it) were more than a little tickled by Michael’s response that all things have a reason, not a purpose.

Applied more broadly to the season, right now it seems like each of our CDC members—past, future and present—have a reason for being on the island if not necessarily a purpose. With the lone exception of Alan, who might have a bigger scheme in the works since he’s leaving hipbone clues buried at his gravesite for Julia and telling Sarah to take his brother and get out of his way.

Since Alan has come to St. Germain by way of a long list of immortal murders, I don’t think it’s too much of a stretch to question whether the island is just the unfortunate starting point of a particularly gross infection, or whether this all has something to do with Ilaria. And since the immortals were the group responsible for the last outbreak, it also doesn’t seem like much of a stretch to suggest this is their doing too. But what their reason is and what their purpose might be are still yet to be revealed. Hatake may have wanted the chance to activate Julia’s immortal genes, but I doubt we’re going to hit any secret child beats this time around—and that line of reasoning doesn’t explain why the organization ordered a virus and a cure the first time, let alone a second.

There’s still also the tricky issue of how Michael and his followers fit into that design (or lack thereof if we’re taking our cues from Darwin). There seems to be a strong thread of individualism to his teachings, along with the notion of abandoning your ties to others to freely be yourself—the kind of mentality that just might encourage a psychopath to unleash a virus on the world in order to gain just a touch more freedom. But Michael almost seems too benevolent to be the kind of leader keeping his followers around for gratification before ultimately reigning as one of a few kings over a devastated planet.

Despite objections from the downright creepy Anne, Michael was strangely and calmly welcoming of the CDC—willing to break the rules to look after the health of his followers when he didn’t have the resources, but at the same time pointing out just how isolated the scientists were. There’s something rotten in the state of St. Germain, but I’m not sure world annihilation is the goal. And bearing in mind the pathogen’s similarities to Narvik—the kind that had Peter freezing with flashbacks—I think there’s something to the superhuman strength and violent frenzy the diseases cause that might be the real “reason” behind their appearance.

But there’s also the problem that the virus is slowly leaking pustules all over Julia’s body 30 years down the road, which means something either went very, very wrong with its creation, or that the person responsible for this goo—looking at the people pumping it into unsuspecting followers last week and their leader—weren’t just interested in infecting mortals. Begging the question, as you’d expect, of who Michael is and whose side he’s really on.

Goo-ey goodness:

  • The title, “Réunion,” is a nice little nod to the filming location.
  • If I were the guy eating breakfast next to Alan, I would be very, very worried.
  • Watching Sarah throw caution to the wind and work in the lab without protective gear has me calling her death sometime this season.
  • “I’d be surprised if he’s here for the food.” Sarah’s getting sassy.
  • Did Julia stumble across Soren’s skeleton? I’m not sure what I’d do if it turns out there’s a Minotaur in the woods. Or a wisp of smoke.
  • Let it be known that I asked Jordan Hayes about Sarah’s pregnancy while on set and used the words “It’s been 15 months, so I’m assuming she’s no longer pregnant.” How very silly of me.

Helix airs Mondays at 10 p.m. ET/PT on Showcase.

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Review: Back to work and (much needed) levity 19-2

A lot was made of 19-2’s second season return last week and for good reason. The storyline—student goes on a shooting spree at his high school—and a 13-minute tracking shot were dramatic, shocking and stunning. But the strength of 19-2 has always been its characters, so I was glad to return to that for Episode 2.

Every week I watch this show with a mixture of excitement and dread. Excitement because it’s so fricking good and dread because I’m afraid something bad is going to happen to these characters I’ve fallen in love with.

“Disorder” picked up just over a week following the school shooting and things were slowly getting back to normal. J.M. was back to his scallywag ways, teasing Audrey that her scar made her look like a hot zombie cop. After such a heavy episode last Monday, I really appreciated the scenes between J.M. and Vince, the former because at his best J.M. makes for good comic relief and the latter because he scored with a young woman who was very appreciative to get her stolen purse back. The foot chase Vince had with the young purse thief, followed by him wrestling with the man in charge of the purse thefts was entertaining as heck.

Speaking of wrestling, Ben was doing that both figuratively and literally. Still reeling with the knowledge he killed a 15-year-old (shooter or not), Ben hasn’t been sleeping, can’t communicate with Catherine and is seeing the young deer again. The only person he feels like he can relate to is Nick and the SQ has got him keeping tabs on his own partner; can’t a guy catch a break? As soon as I saw Amelie helping the surviving high schoolers get over their grief I knew Ben would hook up with her again. What I can’t understand is why Ben and Catherine don’t have that same connection. Is it because Amelie is related to a cop, or because she deals with damaged folks all the time? Regardless, if seeing her helps Ben hold back from spearing and choking out cyclists I’m all for it. (That was some WWE-inspired spike Ben delivered to that cyclist, wasn’t it? Edge would be proud.)

As for Nick, we’re getting a wonderful peek into his past via cousin Kaz (Richard Chevolleau), with whom Nick has been staying. Hearing Kaz talk about he and Nick’s wild old days was one thing, but to see the two pair to steal Nick’s motorbike back was something to behold. I’m looking forward to more revelations at the apartment complex this season.

Audrey and Beatrice, paired for the time being, provided another few minutes of levity when they discovered a dentist doing work in the back of his car. After quizzing the prostitute he was examining, they learned the doc had a particular fetish that left them both scratching their heads … and likely fighting their gag reflexes.

Notes and quotes

  • “Sweet scar. You’re like a hot zombie cop or something.”—J.M. to Audrey
  • I’m guessing it’s hard to pull off because not many shows do it, but the dialogue on 19-2 is effortless and conversational; no one comes off like they’re acting
  • “Stop resisting arrest!”—Vince, pinned under a 500-pound perp
  • “Dentistry for jizz-breath in the face?”—Audrey’s suggestion at the charge she and Beatrice could lay on the backseat dentist

19-2 airs Mondays at 10 p.m. ET on Bravo.

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