Everything about Industry News, eh?

Link: ‘The Outer Limits’ Scribe Sam Egan Developing Canadian Crime Drama

From Etan Vlessing of The Hollywood Reporter:

Writer and producer Sam Egan (Quincy, The Outer Limits, Continuum) and director Jeff Barnaby (Rhymes for Young Ghouls) have joined forces to develop a crime-family drama for Canadian indie Rezolution Pictures and the APTN cable channel.

Dirty Red Boys explores smuggling, violence and “crazymakers” in the world of Native Canadians. The drama is in development, and APTN has ordered eight scripts. Continue reading.

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Talk TV – Building and Repairing Bridges

If you’re keeping score, we now have had four decisions from the Talk TV hearing. The first one was issued November 6, 2014 and prohibited 30 day notice periods for cancelling television, telephone and internet services. Not a big decision but one that gave hints that consumer choice was going to continue to be a theme of Talk TV. Now we have three more small but significant decisions, announced January 29, 2015  by the Chair of the CRTC, Jean-Pierre Blais, in London, Ontario.

The first decision today was a warning that if broadcasters shut down their over the air (“OTA”) transmitters, they would lose the regulatory privileges that were originally granted with the licensing of their OTA services. The two big privileges that no broadcaster is going to want to lose is mandatory carriage on basic and simultaneous substitution (‘simsub’). Both of these two privileges are fundamental to the conventional broadcasters’ business model.

During TalkTV broadcasters expressed a desire to get rid of their OTA transmitters as a way to reduce costs. The CRTC has quoted stats from Numeris that 9.1% of Canadians access broadcasting over the air. That’s actually higher than I thought and is a significant portion of the population. They were a particularly vocal portion of the population during the online consultation part of TalkTV. Today’s decision goes further than just supporting that population though. At times in his speech Blais sounded like a commercial for OTA antennas, advocating it as a high quality, low cost solution to those nasty BDUs:

“The next few years could yield renewed interest for OTA broadcasting, especially in urban areas where eye-popping image quality, channel selection and, of course, the absence of cost, could convince more consumers that they need not be enslaved to cable and satellite service providers if they want to enjoy high-quality television programming.” – Jean-Pierre Blais

The second decision is the one getting the headlines – no more Superbowl simsub from 2017 on. Consumers complained bitterly about missing out on the Superbowl ads and it is year after year the biggest source of complaints to the CRTC. Bell Media has bought the rights to broadcast the Superbowl but we don’t know for how many years. Either way, it will have a significant financial impact on this one broadcast group. The decision also refers to enforcement to improve simsub performance – no more sleeping at the switch and having the feed cut off improperly.

Frankly, I’m surprised at the Superbowl decision. Sure, the CRTC is fed up with the cranky complaints and having to explain themselves every year but does it justify the lost revenue?

Finally, the third decision may seem the most esoteric but probably is the most important for the future. Bell and Vidéotron were directed to stop excluding their mobile broadcasting services from their customers’ monthly data caps. They were basically promoting their own services by giving them a fast lane. The CRTC has been a leader in the world in creating rules and practices for Net Neutrality and they continue to with this decision. Vertically integrated media businesses will not be allowed to favour their own services.

Blais has promised the rest of the decisions in the coming weeks and months. In his speech he compared the decisions to repairing old bridges while building new ones. Repeatedly. According to the infographic that was published with the decision, we’re only ¼ of the way there so lots more construction analogies to come.  Ultimately, we will have to look at these decisions as a whole, see the whole bridge, before we understand the real impact. And will we like what we see when we get to the other side? That’s a question for another day.

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CRTC bans simsub during Super Bowl; viewers to see U.S. ads

From a media release by the CRTC:

Ads during the Super Bowl get a lot of hype. They are an important part of the overall spectacle, and viewers look forward to watching them.

For Canadian viewers this has been a problem. They don’t see the same ads as those seen in the US because they are replaced with Canadian ads.

For a number of years, Canadians have complained to the CRTC that they want to see the American ads during the Super Bowl. Many Canadians spoke about this considerable irritation during  Let’s Talk TV: A Conversation with Canadians. The CRTC has taken action to resolve the issue.

Beginning at the end of the 2016 NFL season (i.e., the Super Bowl in 2017), simultaneous substitution will no longer be allowed during the Super Bowl. Canadian viewers will see the same ads as American viewers.

Until then, you can watch the American ads broadcast during the Super Bowl on YouTube’s AdBlitz channel.

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How was the west(ern Canadian TV industry) won? Nominate your picks

For their 30th annivesary issue, Reel West Magazine is celebrating how the west was won with a look at the movies and TV shows that made the western Canadian industry real – and they want your help.

Which films and TV shows had the greatest impact on the western Canadian industry? Which launched careers or studios or locations or… fill in the blank.

This isn’t a “best of” or a “critic’s choice” list – they’re looking for productions that had a lasting impact. Productions can be 100% made in western Canada or they might be Hollywood hits.

TV shows will likely focus on series BUT if there’s a one-off TV movie or special or live event that had an impact on the industry, make a case for it. Hit them with your top ten lists – or just make a case for the one production you think matters or mattered most.

All nominations will be reviewed by an industry advisory panel who will determine which 30 movies and which 30 shows will be featured in the anniversary issue, which hits newstands and appears online in March.

By midnight February 9, send email nominations, post to their Facebook page, or Tweet at them. Include your name and contact info so they can quote you or let them know if you’d prefer not to be quoted.

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Disney XD Canada greenlights Season 2 of Gaming Show

Disney_XD

From a media release:

Disney XD Canada announced today a season two order for its innovative original series Gaming Show (In My Parents’ Garage) from Banger Films’ kids division, B-Minors. Ten new 30-minute episodes of the Canadian Screen Award nominated, live-action show brings the series total to 20, with production set to begin in Toronto next month. The series, which debuted in November with a six-episode run, currently ranks as the network’s #1 series for boys aged 6-12.1

The commissioning decision comes as the remaining new episodes from Gaming Show (In My Parents’ Garage)’s first season bow in its new timeslot Sundays at 7:30 p.m. ET, starting February 8. Among the four all-new episodes are special appearances by Raptors’ NBA baller Jonas Valančiūnas, Billy Talent’s Ian D’Sa and Aaron Solowoniuk, and Olympian Patrick Chan. In addition to the series return, new TV and online content will be available weekly leading up to season two’s launch, which is slated for summer 2015.

Gaming Show (In My Parents’ Garage) stars newcomers and real-life video game addicts Jesse Sukunda, Julia Schwartz and Ian Duchene, a trio of quirky young teens who aspire to create a popular and inventive YouTube channel devoted to gaming. The series takes place in Jesse’s parents’ tricked out garage; this is where they hang out, debate the virtues of video games and shoot cool and informative field segments. Among those spots are reviews on the latest games, head-to-head competitions and visits to prominent gaming headquarters. Plus, the gang often receives surprise visits from high profile YouTube, sports, music and gaming celebs. Gaming Show has been recognized for its innovative format with a 2015 Canadian Screen Award nomination for Best Children’s or Youth Non-Fiction Program or Series.

Commissioned by Disney XD Canada, Gaming Show (In My Parents’ Garage) is executive produced by Sam Dunn and Scot McFadyen of Banger Films’ kids division, B-Minors (Big Ticket Summer Concert, Grizzly Cup) and was created by Jesse Shamata (Grizzly Cup, George Stroumboulopoulos Tonight, Long Story Short). Banger Films is an award-winning film and television production company based in Toronto. In its first 10 years, Banger has produced feature documentaries, TV series, live concerts and kids programs, broadcast worldwide.

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