From Sadaf Ahsan of The Canadian Press:
Link: Indigenous film/TV funding needs Indigenous-led application, review process: report
A report examining how best to distribute film and television funding to Indigenous creators stresses the need for stronger application guidelines, a review process conducted by Indigenous Peoples and the potential for financial consequences or remedial action when false claims to Indigeneity are made. Continue reading.
Link: ‘Popularity Papers’ Young Adult Book Series Scores TV Adaptation From Aircraft Pictures, WexWorks Media
Scrapbook-style book series “The Popularity Papers” is getting the TV treatment. Amy Ignatow’s award-winning middle-grade novels will be adapted for the screen by Corus Media-backed Aircraft Pictures, the Oscar-nominated producers behind “The Breadwinner,” and Emmy-nominated production company WexWorks Media. Continue reading.
From a media release:
Cineflix Productions has begun development on a gripping new crime series based on the Vancouver-born author Sam Wiebe’s critically acclaimed Wakeland Novels—Invisible Dead, Cut You Down, and Hell and Gone.
The rain and blood-soaked mysteries feature Wakeland, a 29-year-old ex-cop turned P.I. as a modern-day Marlowe, fighting for justice, his clients, and the soul of Vancouver.
“Sam is one of the most exciting writers in Canada, and the Vancouver-noir world he’s created is an incredible foundation for an original series. I believe Wakeland and the gritty world he inhabits is primed for a global audience,” said Jeff Vanderwal, Executive Producer, Cineflix Productions.
“Sam’s fast-paced novels are cinematic in scope with complex stories driven by strong characters whose deep flaws only make them more seductive. We’ve been fans of Sam’s work for years,” said Lisa Baylin, Director of Development, Cineflix Productions.
“I’m thrilled to partner with Cineflix Productions and I’m excited to bring my characters to the screen while also shining a light on one of the most dynamic cities in the world,” said Sam Wiebe.
Cineflix Productions’ slate of scripted crime content continues to expand with the recent addition of movies Stolen By Their Father with Sarah Drew and Left for Dead: The Ashley Reeves Story starring Jennie Garth and Anwen O’Driscoll, along with the critically acclaimed, award-winning Believe Me: The Abduction of Lisa McVey and I Was Lorena Bobbitt.
Cineflix Productions brokered the TV rights deal with Michael Levine at Westwood Creative Artists for Chris Casuccio.
From a media release:
Today, Global announced it has greenlit a new original scripted series Robyn Hood (8×60). Created by prolific Canadian music director and renowned TV director and filmmaker Director X, and written by award-winning screenwriter Chris Roberts (Orphan Black, Frontier), the new near-fi action drama is a contemporary re-imagining of Robin Hood. The eight-episode scripted series, produced by Boat Rocker, is slated to begin production this summer in the Toronto and Hamilton area and will premiere on Global in the 2023 broadcast year. Additional information including casting and start of production for Robyn Hood will be announced at a later date.
In this modern take on the Robin Hood legend, Robyn is a fearless young woman who is not just another superhero, with abilities normal people don’t have. She is a Gen Zer driven by the injustices of today who embraces the heroic, hopeful and playful elements of the world’s most recognizable folk hero. She learns to fight for what’s right, to care for and lead her followers. And like all Robin Hoods since the first ballad, Robyn holds those in power to account by using their greed against them to help her community.
Robyn Hood follows Robyn Loxley, a young woman whose masked hip-hop band, The Hood, is known for their inventive videos and anti-authoritarian message. She lives in Sherwood Towers, a cluster of rental high-rises in a working-class corner of New Nottingham, a near-fi city where the cost of living has skyrocketed, leaving an ever-widening gap between the rich and everyone else.
When Robyn finds herself fighting for her home and her family against local property developer John Prince and The Sheriff of New Nottingham, Robyn and her band The Hood decide to fight back, righting the wrongs of the corrupt elite to give back to the people who are living under their regime.
Robyn Hood is produced by Boat Rocker in association with Corus Entertainment. The series is executive produced by Director X (Superfly, Mister Tachyon), Chris Roberts (Orphan Black, Frontier), Kerry Appleyard (Orphan Black, X-Company) for Boat Rocker Studios, Jill Green (Alex Rider, Magpie Murders) for Eleventh Hour Films, and Luti Fagbenle (Maxxx) for Luti Media, with Boat Rocker Rights handling distribution.
From a media release:
In a competitive situation with multiple bidders, BLINK STUDIOS, the recently launched content venture backed by global film and TV studio Endeavor Content, has acquired the rights to “Hold My Girl”, the upcoming novel from emerging Canadian author Charlene Carr. BLINK STUDIOS will serve as the studio for the television adaption, which marks the company’s first project since launching in November 2021. Academy Award® and Emmy® nominated producer Michael London and Shannon Gaulding of Groundswell Productions (Snowfall, The Magicians) will executive produce the series together with Carolyn Newman and Virginia Rankin for BLINK STUDIOS.
“Hold My Girl” is a heart-wrenching, dual narrative women’s fiction novel about two women whose eggs are switched during IVF, only to be revealed over a year later when one of them has been raising the wrong daughter, and the other has been grieving a stillborn child that wasn’t hers. Centred around a moral question, the emotional story features themes of motherhood, racial identity, betrayal and ultimately hope and healing. The premise of the novel was very much inspired by Charlene’s own life – a Black woman who gave birth to a visibly white child via IVF – and stemmed from her own fears of a mix-up, that one day she too would receive a call to say her daughter wasn’t hers. “Hold My Girl” will be published by Welbeck Publishing in the UK and Harper Collins in Canada, set to release in 2023.
“We are committed to working with and discovering great Canadian voices which is why we are delighted to partner with an emerging and brilliant talent like Charlene to help bring her novel to television. Her exceptional storytelling is authentic and universal, while also embracing her Canadian roots,” commented Carolyn Newman, Executive Vice President, Global Scripted and Virginia Rankin, Executive Producer, BLINK STUDIOS. “We’re thrilled to team with Michael and Shannon, who are truly passionate about this material.”
“I am beyond thrilled to have Blink Studios and Groundswell Productions working on the screen adaptation of ‘Hold My Girl’,” commented Carr. “I was blown away by their enthusiasm, emotional connection to the story, and clear desire to keep as true to the book as possible. It is an honour to have such vastly experienced, skilled and passionate producers championing this story!”
“Charlene Carr has written the rare novel that is both a page-turning ride and a moving piece of literature that explores issues of motherhood and race in a hugely relevant way. We’re thrilled that Blink shared our passion for the material and moved so quickly and aggressively on our behalf,” Michael London, Founder/CEO Groundswell Productions.
Charlene Carr is a lover of stories. Pursuing this life-long obsession, she studied literature at university, attaining both a BA and MA in English, including a study program at Oxford. Still craving more, she attained a degree in Journalism. A bit of a nomad, she’s lived in four countries and seven Canadian provinces. After travelling the globe for several years and working as a freelance writer, editor, facilitator, and running her own Communications business, she decided the time had come to focus exclusively on her true love – novel writing. She currently lives in Nova Scotia, Canada, where she splits her time between writing, building relationships with her readers, and trying to keep up with the energy and antics of her young daughter. Recently awarded a writing grant by Arts Nova Scotia, “Hold My Girl” is Carr’s first agented novel.
BLINK STUDIOS is a newly launched content venture with Endeavor Content as its anchor investor and lead strategic partner. Focusing heavily on a creative-first approach, BLINK STUDIOS is dedicated to partnering with best-in-class writers, creators and producers, as well as aggressively pursuing IP in Canada and throughout the world. The indie studio is committed to applying significant resources to support new and diverse Canadian voices.
Charlene Carr is represented by Hayley Steed and the deal was brokered by Hannah Ladds, Dramatic Rights Agent at the Madeleine Milburn, Literary, TV & Film Agency.
