Everything about This Life, eh?

Link: This Life’s Kristopher Turner gives us the truth behind Oliver

From Bridget Liszewski of The TV Junkies:

This Life’s Kristopher Turner gives us the Truth behind Oliver
“Oliver is the one who has isolated himself from the family. We’ve all got our eccentricities and Oliver’s connection to that is that he’s a very open and loving man. When he came out as gay to his parents, it didn’t go over well. It’s not that they were particularly mean to him about it, it’s that it made them uncomfortable enough that it made Oliver unsafe in that environment. As someone who loves so passionately and openly, he had to get away because it was shutting him down.” Continue reading.

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Link: CBC fall schedule proves ever-beleaguered public broadcaster has plenty to live for

From David Berry of the National Post:

CBC fall schedule proves ever-beleaguered public broadcaster has plenty to live for
The debut of the self-consciously steamy Romeo Section this past Wednesday marked the last premiere of the CBC’s major fall programming, though the degree to which you’re aware of that fact may depend largely on how closely you pay attention to bus shelter ads. What precisely the CBC is doing, particularly on its primetime television schedule, doesn’t often impinge on Canadians’ group consciousness, unless and until someone needs a convenient drum to bang on about why the network shouldn’t have funding or where the good Canadian television shows are. Continue reading.

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TV, eh? podcast episode 191 – Out of the Doldrums

The Canadian fall television season gets its groove on, and Greg, Diane and Anthony spend the first part of the podcast discussing two weeks-plus of primetime chock-full of goodies like This Life, Love It Or List It, 22 Minutes, Rick Mercer Report, Dragons’ Den, Continuum, Haven, House of Bryan, Forgive Me, The Romeo Section and more. Check out our handy calendars to find out when everything debuts and returns.

We also chat about Blackstone‘s final season, reveal which Canadian network will broadcast Wynonna Earp and the ratings success of homegrown sci-fi series’ Orphan Black, Between, Dark Matter and Killjoys.

Want to contribute to the discussion? Post links and discussion topics on our Reddit page.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

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Review: This Life has heart, humour … and no yelling

It’s hard to convey the tone of This Life in a quick recommendation to friends. I’ve resorted to: “It’s about a single mother with cancer, but it’s good.” And: “It’s like Parenthood without all the yelling.” It’s poignant and funny and warm, and the ensemble cast have their own storylines apart from the central fact that the central character explores what she wants from life after she’s been given a death sentence.

Based on the Radio-Canada series Nouvelle Adresse, This Life premieres tonight as CBC’s best new ratings hope this fall. It feels like a show that belongs on the public broadcaster while also feeling like a subtle move toward their cable-esque hopes. Less sharp right turn than a Strange Empire, more a curve toward complexity.

ThisLifeLawsonsThe pilot starts with single mother and newspaper columnist Natalie Lawson (Torri Higginson) finding out her cancer is back, and terminal. She’s reluctant to tell her children Caleb (James Wotherspoon), Emma (Stephanie Janusauskas) and Romy (Julia Scarlett Dan) and parents (Janet-Laine Green and Peter MacNeill). Younger sister Maggie (Lauren Lee Smith) is an unreliable confidante, spilling the news to siblings Matthew (Rick Roberts) and Oliver (Kristopher Turner) who rally around Natalie. Neighbour Danielle (Rachael Crawford) and Romy’s principal and Natalie’s new love interest Andrew (Shawn Doyle) round out the regular cast.

Developed by Michael MacLennan, the series is helmed by showrunner Joseph Kay who shows tremendous confidence in moving slowly through time and plot to linger on character. Natalie’s diagnosis slowly becomes known to some of her extended family, and the ripple effects on their lives is seen in poignant details, mostly the expressive faces of a wonderful cast.

I didn’t know of Higginson before seeing the first four episodes of the series, but she brings a warmth and natural ease to a difficult role. Natural is a word that kept popping into my mind, from the acting to the way the show is lit, and yet there’s a stylishness to the direction as well — a well-shot image at the end of the pilot is both beautiful and meaningful, for example.

Sometimes the diagnosis seems almost an afterthought to the characters in the expanding soap stories of the extended cast, and I’d find myself wondering if the reactions were too small, but then we’re hit with the quiet devastation unfolding, often beneath the surface.

Even Natalie’s story isn’t all about cancer. She’s a woman who becomes dimly aware before the prognosis that her life might not be the one she meant to lead, her identity and her writing wrapped around her children, her sister Maggie wondering if Natalie has lost herself.

Maggie herself is experimenting with sex and with being a more responsible adult, one of which tends to get in the way of the other.  The character sometimes feels like the familiar lost woman-child trope, the show teetering on judging her for her and allowing herself to own her sexuality, but Smith plays her with an awkward charm and awareness that feels fresh.

11-year-old Julia Scarlett Dan is fantastic, playing the troubled youngest child with an unaffected maturity, and there are wonderful performances from the seasoned professionals as well.

English audiences won’t likely be spoiled by foreknowledge of the French version — 19-2 in a similar position hasn’t seemed to suffer from spoilers – but it will be interesting to see if Kay and his writing team follow the same path as the original.

In a puzzling oddity of scheduling, the English and French versions appear to share a timeslot, meaning the devoted francophone audience may not have the opportunity to watch the remake live even out of curiosity.

If they did, they might find it equally puzzling that an unabashedly Montreal-set series, with French-language signs prominently displayed, is otherwise lacking evidence of French-speaking people . But the setting adds a unique visual element even if not all the cultural elements make it onscreen.

Quibble aside, This Life is a wonderfully chaotic family drama that will draw you in, quietly but firmly.

This Life airs Mondays at 9 on CBC.

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This Life Links: Torri Higginson brings her own take to This Life

From Bridget Liszewski of The TV Junkies:

Torri Higginson brings her own take to This Life
Canadian actress Torri Higginson may be best known for playing Dr. Elizabeth Weir for years on the science fiction series Stargate: Atlantis, but this fall she’ll tackle the role of single mother on CBC’s new family drama This Life. The 10-part series premieres Monday, October 5 at 9 p.m. and will see Higginson’s Natalie Lawson receive a terminal cancer diagnosis and spend the first season exploring how this affects her, her three teenage children and her close-knit family. Continue reading.

From Brendan Kelly of the Montreal Gazette:

No looking back as Torri Higginson takes the lead in CBC drama This Life
Higginson certainly impresses in the lead-off episode of This Life, bringing remarkable force to the small screen from the very first scene when she learns the bad news from her doctor. But it’s essential to underline that like Nouvelle adresse, This Life is not just a dark, depressing exploration of a woman facing death. It’s also the story of her family – her three teen kids that she’s raising as a single mom and also her siblings and her parents. Continue reading.

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