Everything about Tribal, eh?

Links: Tribal, Season 1

From Eric Volmers of the Calgary Herald:

Link: Calgary-filmed series Tribal mixes Indigenous storytelling with police procedural
Partway through the first season of the new Calgary-shot police series, Tribal, an investigation leads the show’s two mismatched protagonists into the tragic world of missing Indigenous people. Continue reading.

From Sabrina Furminger of the Vancouver Courier

Link: Vancouver actor tackles ugly role in APTN police procedural Tribal
““I’m drawn to the challenge of challenging an audience to empathize with characters who, on the page, may not seem terribly worthy of empathy.” Continue reading. 

From John Doyle of The Globe and Mail:

Link: Tribal is a First Nations crime drama as pugnacious as a slap in the face
Scott, a member of the Métis Nation of Alberta, has described Tribal as “more accessible,” and it certainly is that. Also admirably brisk and lacking in the superfluous melodrama that often weighs down police procedurals. Continue reading. 

Facebooktwitterredditlinkedinmail

Ron E. Scott returns to APTN with procedural drama Tribal

It’s no secret that I loved Blackstone. Created by Ron E. Scott (above right), the APTN drama series was an unflinching look at life—and death—on a Canadian First Nations reservation. Violent, dramatic and unflinching, it was very much like The Sopranos in tone while its stories were about what life is really like on reservations.

Now Scott is back with a new series. Debuting Thursday at 9 p.m. ET on APTN, Tribal is more procedural but no less dramatic. Jessica Matten (above left)—last seen on Frontier—plays Samantha Woodburn, a First Nations woman who is teamed with big-city cop Chuck “Buke” Bukansky, played by Brian Markinson (Unspeakable, Continuum), to solve crimes on and off the reservation.

We spoke to writer, creator, director and executive producer Ron E. Scott about Tribal‘s beginning and where it goes in Season 1. At press time, APTN had announced a second season of Tribal had been ordered.

How did Tribal come about? Was this something you were developing while Blackstone was going on, or did you take some time off from Blackstone and then start working on this?
Ron E. Scott: As a content creator, I’m always developing projects. I had three or four projects that I was working on, and Tribal was one of them. You just don’t know what’s going to go. We’re just so thankful that APTN saw a lot of value in the project and saw that it was going to be great for their audience, so they went ahead and greenlit the show.

Did anything change in the time between pitching APTN and them green-lighting it and then you heading into production? 
RS: They definitely had some ideas of what they wanted to deliver to their audience. And so there were discussions and there was some back and forth. We shaped it for a certain demographic, a certain time zone, time period, which is always something that of a content creator goes into, your conception of what you’re delivering to your audience.

What is the tone like? 
RS: Blackstone has its aggressive, confrontational, very kind of in your face. I think this is kind of a progression of North American native storytelling. This character has a lot of dimensions and it’s something that I don’t think we’ve seen before. In that way, I think it’s a progression. It’s not Blackstone and it’s not anything that’s really been out there. At the same time, it’s told with a Native American voice. Our lead is a Native American woman. I think the tricky part is we don’t know what to call Native People in America or Canada anymore. It’s Indigenous one week and it’s Aboriginal, First Nation.

So we’re running around, trying to figure this out, and I think that we deal with that a little bit in the show. It is a crime drama, so there’s a crime of the week, but it’s a character-driven crime drama. We’re driving characters forward and story and then we get into this really beautiful kind of arc and later in the season, where we’re starting to see a real crescendo of commentary from like I said, a Native American viewpoint.

Jessica Matten is your female lead. 
RS: Whenever we create a story world where there’s a mashup between Tribal Police and the city police, a lot of people don’t understand that the jurisdictions of any Canadian reserve is held with the Canadian government. Technically, in the traditional days, the RCMP, which is the federal government, would have control over the reserves.

And so what happened is there have been hints of corruption. It hasn’t been sustained. It’s just allegations. And so the federal government comes and goes. In this day and age, this is not looking good for us, so we’re going to take over the Tribal police, but we’re going to remove the chief who is corrupt. Let’s say he is an old boys’ club kind of thing. It’s a very interesting kind of dynamic that unfolds. It’s a story world that I don’t know how far away it would be from reality because, in this day and age, there’s still some reserves that are being third-partied by the federal government. A lot of people don’t know this, but it’s a very interesting dynamic that unfolds. Let’s put forward the most politically correct candidates and let’s go from there, but we’re still in control, which is a big part of what the government does everywhere.

Talk about working with Brian Markinson.
RS: He’s just so talented and he was very impressed with the role. He loves the writing and so he was all over it. And I can’t say enough about him and Jessica. They create this collision on screen, but there’s a chemistry that is really interesting. I’m looking forward to hearing what people think about their chemistry, too, how it develops throughout the first season.

Has it been a bit of a learning curve for you then when you’re talking about filming a more procedural show?
RS: I definitely learned a lot on Season 1, and it’s just like when you’re flexing different muscles. It’s not like you’re learning a new sport. It’s just finding opportunities to kind of get in there and have a voice.

At the same time, we’re still trying to be aware that we’re creating a dynamic of characters. And so that’s not lost whatsoever. So I’m very proud of how these two characters navigate the season and they don’t always see eye to eye. We get a perspective from the Native and a non-Native perspective on both sides. There are always two sides presented.

That kind of collision, I think, is intelligent television. And I think that’s what I always strive for.

Tribal airs Thursdays at 9 p.m. ET on APTN.

Images courtesy of Prairie Dog Film + Television.

Facebooktwitterredditlinkedinmail

APTN rolls out winter programming

From a media release:

APTN presents its Winter 2020 TV schedule with exciting new shows and the latest seasons of returning favourites. Audiences can also expect new binge-worthy series to roll out all through the season on the network’s growing Indigenous-focused streaming service, APTN lumi.

Tune in to the premiere of Ron Scott’s TRIBAL, watch NHL hockey in Plains Cree and see what inspired Canada’s First Contact series this winter on APTN. The new winter season will roll out on APTN from January 2020 to the end of April and will include the following programs:

  • Spirit Talker – Season 1 (Premieres Feb. 19, 2020)
    Renowned Mi’kmaq medium Shawn Leonard travels across Canada and connects the living with the dead to bring hope, healing and closure to Indigenous communities.
  • TRIBAL – Season 1 (Premieres Feb. 20, 2020)
    Ron Scott, the producer of APTN flagship series Blackstone, brings TRIBAL to the screenThis new drama series follows an Indigenous “tribal” police force and the four First Nations communities it oversees. They must work together to prevent colonial control from resurfacing.
  • First Talk – Season 4 (Premieres March 2, 2020)
    Panel discussions, viral videos and pop quizzes: First Talk has it all. The show addresses a wide range of topics, from environmental and social issues to fitness and wellness trends.
  • First Contact (Australia) – Season 1 (Premieres March 3, 2020)
    The original Australian First Contact (2014) that inspired its successful Canadian counterpart is coming to APTN’s airwaves. This docuseries takes a diverse group of six people and immerses them into Aboriginal Australia for the first time.

Indigenous-Language Original Programming:

  • Rogers Hometown Hockey in Cree (Premieres Jan. 19, 2020 – in Plains Cree)
    Expect to hear more cries of kociw osihew, pihtokwahew! – he shoots, he scores! – across the country. Following the historic first NHL broadcast in Plains Cree last season, Sportsnet and APTN are expanding their partnership to deliver more games over the next three seasons. In total, a minimum of six games per year will be broadcast on APTN in Plains Cree.

French-Language Original Programming:

  • Orignal et marmelade – Season 4 (Premieres Jan. 6, 2020)
    Bush cook Art Napoleon and classically trained British chef Dan Hayes explore and compare Indigenous and European culture and cuisine.
  • La terre en nous – Season 1 (Premieres Jan. 13, 2020)
    While humanity is pushing the Earth to its limits, some are taking initiative to resist climate change. Christian Pilon travels across Canada to meet environmental trailblazers and learn about their inspiring projects.

APTN will also air special programming in honour of International Women’s Day, the International Day for the Elimination of Racism and National Canadian Film Day.

Facebooktwitterredditlinkedinmail

Link: Blackstone creator Ron E. Scott filming First Nations crime drama Tribal in Calgary

From Eric Volmers of the Calgary Herald:

Link: Blackstone creator Ron E. Scott filming First Nations crime drama Tribal in Calgary
There are worse dilemmas for a television creator.

But Ron E. Scott’s previous project, the Edmonton-shot TV drama Blackstone, was so dark and singular that it’s hard to imagine how he might top it with a followup. The series ran for five seasons on Showcase and APTN, offering an unflinching and often harrowing look at the corruption, addiction and violence that plagued a fictional Alberta First Nations reserve. Continue reading.

Facebooktwitterredditlinkedinmail

Ron E. Scott’s Tribal goes to camera for APTN

From a media release:

APTN and Prairie Dog Film + Television’s new one-hour crime drama series, TRIBAL begins production today in Calgary.

TRIBAL follows a First Nation Tribal Police Force as they navigate a controversial new Chief amid allegations of corruption and takeover from the federal government. TRIBAL’s award-winning cast includes Jessica Matten (Frontier, Blackstone) and Brian Markinson (Mad Men, Unspeakable). The series will also feature the talented Michelle Thrush, Justin Rain, Garry Chalk, Adam MacDonald and Julian Black Antelope.

In TRIBAL, the department of Federal Justice attempts to save political face under the mask of inclusion and collaboration as they take control of the Tribal Police Force. Interim Tribal Chief Samantha Woodburn (Matten) attempts to overcome political red tape, and must also prove herself amongst the old-white-boys club of the Metro Police. Thrust into an unfamiliar world, she navigates politics and procedure as she clashes with her new partner, Chuck “Buke” Bukansky (Markinson), a seasoned but broken-down Metro Police detective. This season examines First Nation crime stories based on real-world cases, including mistaken identity, pipeline controversy, healing lodge justice, social services, tobacco and missing Indigenous Peoples.

TRIBAL Showrunner and Director Ron E. Scott is a prolific producer and innovator, who has contributed to over 190 episodes of TV that have broadcasted globally on Netflix, including the ground-breaking one-hour dramatic series Blackstone, now streaming on APTN and CBC.

Filming locations include Calgary and the Tsuu T’ina First Nation in Alberta, Canada. TRIBAL is produced by Ron E. Scott, Janet Hamley, Adam Frost and Nancy Laing from Prairie Dog Film + Television. The series will broadcast in Canada on APTN.

Facebooktwitterredditlinkedinmail