From a media release:
Leading production company Shaftesbury, along with its digital studio Smokebomb Entertainment and branded entertainment agency shift2, welcome Shaw Rocket Fund as a partner on multi-platform digital series Emerald Code (20 x 3 mins), going into production this Spring. Shaw Rocket Fund joins an exciting roster of previously announced partners including Ubisoft and Let’s Talk Science. The series, aimed at inspiring and empowering girls 8-12 to pursue their interests in STEM (Science, Technology, Engineering, and Math) subjects in school and in life, will star newcomers, and real-life best friends, Anwen O’Driscoll and Star Slade, and will be directed by Michael Seater (Life with Derek, Murdoch Mysteries). A companion docu-series is also in the works (10 x 3 mins) that will celebrate real-life kid heroes of coding.
Emerald Code follows 15-year-old Simone Lang who, after discovering web design and programming at summer camp, is amazed at everything she can create by herself with science and technology. Inspiring her friends to do the same, Simone and her pals soon realize that they have tons of ideas and inventions that can make their lives easier, more connected, and more fun. They navigate the complicated and confusing world of high school by learning new skills and exchanging ideas in order to create unique and useful tools. Soon, Simone and friends are solving problems, coming up with wild schemes, and most importantly, cracking the code to living an awesome high school life!
From a media release:
The Canada Media Fund (CMF) announced today Program Guidelines for the 2017-2018 fiscal year. The CMF also announced it is committing $349.7M to support Canada’s television and digital media industry in 2017-2018. The breakdown of the 2017-2018 program budget can be accessed here.
The CMF program budget is supported by revenue estimates for the coming year based on contributions from the Government of Canada; Canada’s cable, satellite and IPTV distributors; and recoupment and repayment revenues from funded productions. The program budget reflects a stable contribution from the Government of Canada and an expected decline in contributions from Broadcast Distribution Undertakings to the CMF for the year to come.
“We understand that a program budget decrease of 5.8 per cent will have an impact on Canada’s audiovisual industry. Faced with declining revenues, we remain committed to making our programs as efficient and accessible as possible. We have reduced the CMF’s administration budget to direct the most funds possible to our programs,” explained Valerie Creighton, President and CEO, CMF. “Our funding programs align with the CMF’s corporate objectives, requirements established by Canadian Heritage, and are the result of an analysis of results from 2016-2017 and important feedback from stakeholders.” Continue reading.
From Jim Bawden:
Link: What Canadian TV series should be revived?
The big news on American TV these days concerns the revival of past series hits. Gilmore Girls is back for a limited run and I’m, watching and enjoying it as I find out what happened to the original characters.
So I’m thinking back on all the Canadian TV sets I was on and wondering which ones could be successfully revived. The new Anne Of Green Gables is all the ratings rage on CBC-TV these days. So why not revive some other big hits over the years? Continue reading.
From Alex Epstein of Complications Ensue: The Crafty TV and Screenwriting Blog
Link: Denis McGrath
We lost one of the best writers I know tonight. A writer, and a firebrand for writers. And a good friend. And a wit, and a style, and a voice. Damn it.
I met Denis McGrath on a plane to South Africa. We were parachuting in on a show where the previous writing team, who were on a plane going the other way, had not got along too well with the showrunner. When we got there, we had to retcon some sort of sense out of the episodes that had been shot, and then rewrite the next script literally over the course of 24 hours. Continue reading.