Tag Archives: Super Channel

Interview: Canadian Screen Award nominee Tiny Plastic Men returns

I had never heard of Tiny Plastic Men until it was nominated for three Canadian Screen Awards this year. That’s pretty shameful, especially since the offbeat comedy series is entering Season 3 on Super Channel this Monday night. Still, showrunner, co-writer and co-star Chris Craddock understands; his show is on a network you have to pay extra to have access to.

Nominated for Best Comedy Series, Best Writing in a Comedy Program or Series for Craddock and Best Performance by an Actor in a Continuing Leading Comedic Role for Mark Meer, Tiny Plastic Men follows the antics of Crad (Craddock), October (Meer) and Addison (Matt Alden), three misfit toy testers who get into oddball mischief at Gottfried Brothers Toy and Train Company.

In Monday’s return, “Crad Van Winkle,” Crad awakens to discover that he’s lost a year of his life and nothing at Gottfried Bros Toys is the same as it was. Can he go back to the beginning and return Gottfried Bros to the beloved status quo? Upcoming guest stars include Alan Thicke, Kevin McDonald and hockey Georges Laraque who reprises his role as Gaston LeBoeuf, Canada’s openly gay linebacker.

We caught up with Craddock (right, in the picture above with Alden, left, and Meer, centre) before the Canadian Screen Awards gala.

I have to admit and I’m ashamed to say this but I hadn’t heard of the show until the Canadian Screen Award nominations came out.
Chris Craddock: I do think we’re a bit of an obscure show because we’re on Super Channel and not a lot of people subscribe to it, unfortunately. And with so many different ways to watch television I do feel like we’re lost in the shuffle a bit. It does make me sad because we’re crazy proud of the show, we work hard on it and we think it’s funny and even a little fresh. We’d love to get some eyeballs and would love to develop an audience.

Super Channel really is a hidden gem for Canadian content. Are you happy your creation is on the air somewhere?
Very happy. It’s not easy to get past the gatekeeper in this industry and being greenlit by a Canadian broadcaster is an all too rare treat for us. Super Channel has been nothing short of amazing when it comes to supporting Edmonton folks.

Super Channel is no stranger to Canadian comedy. There are you guys and Too Much Information with Norm Sousa.
Yeah, man. Norm is hilarious and I love that guy.

What’s the comedy scene like in Edmonton?
We’re improv-based like so many other people are. There is a live improv soap opera we do here called Die Nasty and all of us have done that, and there is Edmonton Fringe too. When you’re young and an up-and-comer, you’re at that festival because it’s so accessible and a big part of what makes the comedy scene here what it is.


They could have said, ‘This is not what we ordered,’ and taken it away. But they didn’t.


You guys are heading into your third season. How did Tiny Plastic Men come about in the first place?

It was a funny thing and a really rare thing in this business. Because of the success we had with Mosaic Entertainment with Caution: May Contain Nuts on APTN, Super Channel approached them about a sketch show. And maybe we were a little cheeky or dumb, but we didn’t follow orders and created this sitcom thread that runs through it. We were passionate about it and Super Channel was cool enough to say, ‘OK.’ [Laughs.] There it is. It would have been a sketch show and I think we would have done a good job at that but I like what we have now. I love narrative. I’m a playwright, so I love characters and continuity and love the challenge of putting it together over the course of multiple episodes. It’s crazy, looking back. They could have said, ‘This is not what we ordered,’ and taken it away. But they didn’t.

What’s the writing process like on Tiny Plastic Men? Is it collaborative or do you all write and come back to the table with finished scripts?
We’re super collaborative and the three leads are the writers. I’m the head writer/showrunner if you will. Very equal voices at the table. We jam out a season arc and have our episode ideas and what genres we want to focus on. Sometimes it’s a sci-fi thing, sometimes it’s a horror thing. And we have pop culture beats in there too.

Coming from a playwright background, what was the most surprising thing that you learned?
How much things cost. In the beginning I’d write, ‘They have a car and it’s a hatchback and the back half of the car looks like the Millennium Falcon and the front of the car…’ and they’d be like, ‘Yeah, we can’t afford that.’ Things you don’t think will cost a lot will cost a ton.

How important is it to have a Tiny Plastic Men website where you guys can put up clips and online extras?
It’s pretty important for us, especially since not everyone gets Super Channel.

Who are you wearing at the Canadian Screen Awards?
I’ll be wearing Simons. I’m proud to be wearing Canadian.

Have you got a speech prepared?
Nope. I don’t know what I’m going to say. I may come up with something short on a just in case basis. People say it’s just an honour to be nominated and we’re just thrilled to be nominated. We’re in a  category against shows that have 10 times our budget and just to be named among all these other shows is just an honour.

Tiny Plastic Men airs Mondays at 9:30 p.m. ET on Super Channel.

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Canadian comics offer up laughs and Too Much Information

Too Much Information is not Comedy Now. It’s certainly not The Ron James Show. It’s even more ribald than Funny As Hell. Too Much Information is, as the title suggests, a lot of shocking–and mostly sexually-based–talk from some of Canada’s hottest comedians.

“That’s the kind of the beauty of having the show on something like Super Channel,” TMI host Norm Sousa says. “Obviously there are some standards that we have to uphold but for the most part anything goes.” Inspired by such English panel shows as Never Mind the Buzzcocks and 8 out of 10 Cats, Sousa introduces episode subjects like “Sex,” “Fitness” or “Porn” and then moderates the controlled chaos that spews from the mouths of homegrown comedians like Carla Collins, Lauren Ash, Mark Forward, Sitara Hewitt, Fraser Young, Aisha Alfa, Boomer Phillips, Marty Adams, Justin Landry and Nicole Arbour, to name a few. Over 30 funny folks were chosen to participate; then Kathleen Phillips, Pat Thornton, Luciano Casimiri and Sousa teamed in the writers’ room to come up with what he would say as host.

Many of the talent involved are improv performers and don’t have the opportunity to tell stories on-stage like stand-up comedians do. Sousa spotlights Ash as an example; the Second City Toronto veteran used the TMI forum to regale the live audience with her outrageous life encounters. Divided into two teams of three, the comics use the spotlight to unveil more private sides of their lives thanks to the questions Sousa opens each part of the discussion with. There is a rough points system that Sousa uses to declare a winning team, but he’s fast and loose with that power, admitting he sometimes secretly awarded a team the overall win as soon as they said something he really liked.

Production of Lone Eagle’s TMI had the air of a long stand-up road tour: 39 episodes filmed in 10 days. Sousa laughs when he recalls not being able to read the cue cards on the second Thursday during taping of the day’s fourth show. What got him through?

“What really helps you get through it is that the panelists are so fantastic and so hilarious that we were having a good time,” Sousa says. “And, at the end of the day, I knew when I went back to the dressing room there would be a beer there waiting for me.”

Catch Sousa at the Toronto’s Comedy Bar where he appears Friday nights in Catch 23.

Too Much Information debuts Tuesday at 11 p.m. ET on Super Channel.

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Super Channel Development Fund Call for Submissions

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From a media release:

Super Channel, Canada’s only national English pay-television network, is pleased to announce that submissions are now being accepted for the next round of funding through the Super Channel Development Fund.

Less than a year after its launch, the new development fund is an unqualified success. Since its November, 2013 start date, the Super Channel Development Fund has invested $1.5 million in 54 Canadian feature films, documentaries and TV series. To date, the selection process has involved 179 applications from coast to coast and three separate funding deadlines, each of which took an average of just six weeks to complete.

“We are frankly delighted to have supported such a diverse range of new and exciting film and television projects from all across Canada,” said Melissa Kajpust, Head of Creative Development for Super Channel. “We look forward to supporting many more and can’t wait to see what this next round of development funding brings.”

Super Channel’s next funding deadline is October 10, 2014, followed by a spring deadline ofMarch 27, 2015. For more information on criteria, eligibility and the selection process, please go to: http://superchannel.ca/producers.

In addition to Melissa Kajpust, the development team at Super Channel includes Julie Di Cresce, Director of Canadian Programming, Maureen Levitt, Creative Development Executive, Western Canada and the Territories, Richard Paradis, Creative Development Representative, Quebec, Carole Henson, National Liaison, in Edmonton and Development Assistant, Jane Clarke.

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