Everything about Anne, eh?

CBC scheduling alert: Anne and Canada: The Story of Us changes

From a media release:

The following changes have been made to CBC’s schedule. ANNE (1×120, 6×60) fans will no longer have to wait for the return of the acclaimed new series, with the air date for the second episode moving up from Sunday, April 2 at 8 p.m. (8:30 NT) to Sunday, March 26 at 8 p.m. (8:30NT). New episodes of ANNE will continue to air Sundays at 8 pm (8:30 NT).

As a result of that change, the premiere of new docu-drama series CANADA: STORY OF US (10 x 60) will move from 8 p.m. to 9 p.m. (9:30 NT) on Sunday, March 26, with one episode airing instead of back-to-back episodes. Episode 102 will now air on Sunday, April 2 at 9 p.m. (9:30NT). New episodes of the series will continue to air Sundays at 9 p.m. (9:30NT).

Schedule changes:
Moved: Episode 102 of ANNE moves from Sunday, April 2 @ 8 p.m. to Sunday, March 26 @ 8 p.m. (8:30NT).

Moved: The premiere of CANADA: THE STORY OF US Episode 101 moves from Sunday, March 26 @ 8 p.m. to Sunday, March 26 @ 9 p.m. (9:30NT). Episode 102 will now air on Sunday, April 2 @ 9 p.m. (9:30NT).

Updated primetime schedule for Sunday, March 26 (NT time zone half-hour later for all times)

Updated 8 PM: ANNE – Episode 102 (“I am no bird, and no net ensnares me”)
Updated 9 PM: CANADA: THE STORY OF US – Series Premiere, Episode 101 (“Worlds Collide”)

Updated primetime schedule for Sunday, April 2 (NT time zone half-hour later for all times)

Updated 8 PM: ANNE – Episode 103 (“But what is so headstrong as youth?”)
9 PM: CANADA: THE STORY OF US – Episode 102 (“Hunting Treasures”)

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Link: On Set with ‘Anne’ Star Amybeth McNulty

From Melissa Girimonte of The Televixen:

Link: On Set with ‘Anne’ Star Amybeth McNulty
I got the first Anne book when I was 9 years old for my birthday, and that was all the experience I really had with it. I never watched the movies, never saw any other productions of it. It was just the book and I feel like that’s all I really needed. Then the script from Moira [Walley-Beckett] was given to me and I didn’t feel like I needed to re-read the book. I felt that I would stick with her script and any questions I had, I would go to her. That’s all I really needed for myself to picture Anne and to portray her in my sense of how she should be portrayed.” Continue reading.

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Anne of Green Gables given fresh new life in CBC’s Anne

It took me just 40 seconds into the first episode of CBC’s Anne—debuting Sunday at 8 p.m.—to realize this iteration of the Anne of Green Gables story was going to be different.

A sweeping shot of Matthew Cuthbert (R.H. Thomson) riding a thundering horse in the surf and a train whistle echoing in the distance immediately cut to the opening credits. The credits themselves are noteworthy, with Anne Shirley’s sayings scrawled into arty, enhanced tree limbs as The Tragically Hip’s “Ahead by a Century” plays. L.M. Montgomery’s iconic heroine is indeed over 100 years old, but hasn’t showed her age. Or her importance.

R.H. Thomson as Matthew Cuthbert

“What didn’t exist was an ongoing series where we got to spend more time with Anne,” says executive producer Miranda de Pencier. “The way the British repatriate their classics for new generations, we wanted to make our own version of L.M. Montgomery’s Anne of Green Gables that felt relevant to today.”

“It feels like this is the perfect moment in time to re-explore and re-examine Anne for today,” says fellow executive producer, writer and showrunner Moira Walley-Beckett. “There are such desperate issues right now, of gender parity, women’s rights—not to mention the issues that are inherent in the book of prejudice and bullying—what does it mean to be from away? To be an outsider and unaccepted? These were all issues that we thought were incredibly timely.”

Sunday’s two-hour debut is stunning visually. A cherry tree is a riot of colour against a pine forest as Anne sits outside the train station waiting for Matthew to pick her up. Waves crash against ruddy red cliffs. Big skies abound.

Geraldine James as Marilla Cuthbert

The performances are stellar too. Amybeth McNulty, of course, does most of the heavy lifting as Anne and doesn’t look out of place next to Geraldine James’ Marilla Cuthbert or Thomson’s Matthew. Anne is the creative and imaginative girl generations recognize, but Walley-Beckett’s script gives her an edge: flashbacks to abuse at the Hammonds are stark and scary. Thomson’s take on Matthew is a good one. Like the books, he’s reserved and quiet (Martin Sheen’s portrayal in the YTV TV-movies is decidedly more chatty.), and stooped shoulders make the lanky actor appear shorter than he really is. Other cast include Dalila Bela as Anne’s best bud, Diana Barry; Corrine Koslo as resident snoop Rachel Lynde; Aymeric Jett Montaz as farmhand Jerry Maynard; and Lucas Jade Zumann as Gilbert Blythe.

McNulty is simply charming in the lead role, able to exude enthusiasm, intelligence and a healthy dose of moxie without being annoying. You can’t help but smile when she utters a soliloquy that leaves Matthew nonplussed and Marilla shaking her head.

“Amybeth is fiercely bright and independent, spirited and incredibly sensitive and also has a worldly perspective, which is something we touch on again and again in Anne,” Walley-Beckett says. “She was it.”

See if you agree on Sunday.

Anne airs Sundays at 8 p.m. on CBC.

Images courtesy of CBC.

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Links: Anne

From John Doyle of The Globe and Mail:

Link: Anne of Green Gables adaptation is sublimely reinvigorated
Anne is adapted this time by Moira Walley-Beckett, who wrote some of the most striking episodes of Breaking Bad. The leap from that to Anne of Green Gables might seem an extraordinarily risky one, but it makes sense. Anne is a rebel, after all. A classic one. This version, on the evidence of Sunday’s two-hour opener, is not reverential, nor is it overcontemporized, but it affords Anne Shirley an agency that is formidable. There is such fierce, uninhibitedly direct longing and defiance in this Anne. Continue reading.

From Bill Harris of Postmedia Network:

Link: Anne, the latest take on the Green Gables saga, goes a little darker than usual
It’s a simple question, but I thought about it quite a lot while watching the first episode of the new series Anne.

This, of course, is yet another take on the well-known Anne of Green Gables story. In Anne, the young Anne Shirley, played this time by Amybeth McNulty, pauses to consider everything she has experienced, everything she has seen, and she is mulling a future which, at that moment, does not appear too bright. Continue reading.

From Victoria Ahearn of the Canadian Press:

CBC’s Anne shows darker past of “accidental feminist” from Green Gables
The chatty Canadian dreamer that is Anne of Green Gables is internationally beloved for her cheery qualities: a big imagination, bold spirit and face full of freckles.

But the new series “Anne,” debuting Sunday on CBC and later this spring on Netflix elsewhere in the world, unearths a dark chapter of her life that shaped her resilience. Continue reading. 

From Sarah Boesveld of Chatelaine:

Meet the plucky young star of the Anne of Green Gables remake
“She’s such a survivor. She’s so amazing because she’s gone through so much in her life — the bullying, the prejudice, the sexism, everything — and she still has such an incredible spirit. I love that about her so much.” Continue reading.

From Johanna Schneller of The Globe and Mail:

Breaking Bad writer brings ‘dark sensibility’ to Anne of Green Gables
So while the new limited series Anne is nowhere near as black as Breaking Bad, it’s certainly the darkest, truest rendering to date of what being a redheaded orphan in 1890s Prince Edward Island would have been like. Continue reading.

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