Tag Archives: Netflix

Top casino films available to watch on Netflix now

Netflix makes watching movies cheaper and more convenient than any other method that existed before it, with a small monthly fee for unlimited access to its entire library on just about any device you want. While that’s great, it has another, often overlooked advantage too.

Its collection of content is so vast that there is a selection of movies and TV shows for each genre and topic. This is partly down to the company spending a lot to acquire content from other studios and it investing heavily to create its own local content.

There are few cinemas or stores that show/sell such an extensive library due to the logistics and economics of doing so being nearly impossible.

So if you want to binge-watch some great casino films, Netflix is going to be your best bet. Especially with these great titles ready to stream.

21

Released in 2008, 21 is based on the true story of the MIT Blackjack team. A group of mostly students were taught to count cards in teams to gain an advantage over the house. After rigorous training, the team made regular trips to Las Vegas in an attempt to win big.

Card counting is a genuine technique used in blackjack. While it can improve your odds, it’s still not a guarantee of success, particularly since some casinos use additional decks to make card counting more difficult. Many online casinos like 888 Casino have even offered guides to their customers on blackjack rules and strategy. It’s only possible to count cards live, so there’s nothing to lose for online companies.

Everything goes great for the MIT team, who see a lot of success from their regular weekend trips to Las Vegas, that is, until the money creates rifts between them and they begin to betray each other.

It’s a gripping film that’ll keep you on the edge of your seat throughout.

Ocean’s Eleven

It’s almost 20 years old, but Ocean’s Eleven still holds up as a great casino movie. Set in Las Vegas, you get to see plenty of casino shots as Danny Ocean’s team of 11 people prepare and enact a daring heist to steal $160 million from three casinos.

The film, which has an impressive ensemble cast of many of the biggest names in Hollywood, including George Clooney, Brad Pitt, Julia Roberts, Andy Garcia and Matt Damon, was a huge box office hit. While it received two sequels, the first in the trilogy is by far the best.

It’s a well-balanced mix of brains and brawn, with the team using clever deception techniques to break into the vault of the casinos and get the money back out again. If you’re watching it for the first time, you’ll be surprised by some of the twists and turns in the heist as the group manage to recover from what appear to be metaphorical dead-ends.

Even if you’ve seen it before (which you probably have), Ocean’s Eleven is a great watch.

You’ll see many famous Las Vegas landmarks in Ocean’s Eleven

Lock, Stock and Two Smoking Barrels

Guy Ritchie is famous for creating gangster films and one of his first was Lock, Stock and Two Smoking Barrels. This 1998 comedy movie helped to kickstart the career of both Ritchie and former diver Jason Statham.

Like Ocean’s Eleven, the film is a heist movie with an ensemble cast that included Vinnie Jones, Sting, Steven Mackintosh and Nick Moran, each with classic British gangster nicknames like “Bacon,” “Soap,” and “the Baptist.”

Instead of the glitz and glamour of Las Vegas, Lock, Stock and Two Smoking Barrels is set in London, being filmed mostly in the city’s East End. The story revolves around a skilled card player who loses £500,000 while playing in a rigged three-card brag game (which is similar to poker) against a high-ranking criminal.

While he and his friends try to recover the money, they’re caught up in more and more ridiculous scenarios, involving a traffic warden, a van loaded with contraband, and some antique shotguns.

Mississippi Grind

Mississippi Grind is one of the newest casino films available on Netflix, having first been released in 2015. Starring Ryan Reynolds, Ben Mendelsohn and Sienna Miller, it’s a comedy film about Gerry, a poker player who travels along the Mississippi River to play in casinos and bet on horses.

Gerry is joined by Curtis, who he has invited along as his “lucky charm”. They go through ups and downs as Gerry wins and loses in different games and the pair run into people from their pasts.

After some disagreements, the two rejoin at a blackjack table where they manage to win more than a quarter of a million dollars. Before calling it quits, they head to the craps table to bet it all.

Mississippi Grind is a film with many ups and downs but will keep you engrossed throughout.

Casino Royale

Bond is one of the most famous characters from books and film, with a franchise that spans more than half a century. The 2006 Casino Royale release was the first to feature Daniel Craig as 007. The film also resets the chronology of the films, being as it is set at the start of Bond’s career with MI-6.

Bond remains as sophisticated as ever though, heading to the Casino Royale in Montenegro dressed in a tuxedo and driving his Ashton Martin. Everything goes downhill for him when he loses and he gets poisoned, and Bond has to try to use a defibrillator on himself in his car.

He’s not playing poker for fun though. Bond’s there to catch an international terrorist known as Le Chiffre, who had organised the game to recoup funds lost in a bad investment. As you’d expect from a Bond film, there’s plenty of action, including shooting and car chases.

Casino Royale is probably Daniel Craig’s best outing as 007, and it’s definitely worth a watch.

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Link: CFC and Netflix announce the creators and TV series concepts selected for Project Development Accelerator

From a media release:

The Canadian Film Centre (CFC) and Netflix are proud to announce the creators and TV series projects selected for the inaugural TV series portion of the CFC/Netflix Project Development Accelerator, an individually tailored development initiative, which runs from September to November 2020.

The CFC/Netflix Project Development Accelerator is a three-month accelerator designed to offer advanced project development and workshopping support for the four selected TV series projects. Tailored to their specific creative and business needs, the Accelerator will see these creators and projects benefit from international creative and marketplace expertise and feedback from Netflix executives, as well as a range of additional industry professionals, to help them elevate and amplify their original series on an international level.

MEET THE PARTICIPANTS AND THEIR TV SERIES PROJECTS:

 Alter Boys
Creator/Writer: Jonathan Lawrence; Producer: Ryan Wilson Cooper
Format/Genre: Half-hour drama

Alter Boys follows a group of young men who are thrust into furtive practices of conversion therapy in an isolated camp veiled by the woods. The new camp director’s aggressive program leaves the men struggling to navigate one summer’s haunting interplay of hope and ruin.

Jonathan Lawrence is a Winnipeg-based Indigiqueer filmmaker and actor who has produced several award-winning short and feature films and has appeared on both stage and screen. Most recently, Jonathan is working to expand his latest short film into a limited drama series. Jonathan aims to create evocative work that draws on a distillation of human vulnerability and brokenness amid visceral landscapes and the beauty therein.

#RELATIONSHIPGOALS
Creators/Writers: Jennifer Holness and Sudz Sutherland
Format/Genre: Half-hour comedy/drama

 #RELATIONSHIPGOALS follows Keisha Winters, a relationship blogger, podcast host and artsy divorced mom, who lives with her supremely capable daughter, Kelly, and her very Jamaican mother, Althea. Together, these women represent three generations of Black girl magic – all under the same roof, and all with strong opinions. About everything. Through the crazy stories that land in Keisha’s inbox, to the guests on her podcast and her own complicated personal life, #RelationshipGoals explores the funny side of friendship, family, life and love.

Jennifer Holness is an award-winning writer, producer and director. She created the TV series Shoot the Messenger and the award-winning mini-series Guns for CBC. She has produced numerous docs, including Stateless (PBS), which won the Hot Docs 2020 Special Jury Prize for Canadian Feature Documentary. Her dramatic feature, Home Again, was nominated for two CSAs and earned her a DGC nomination for Best Directing. Additionally, Jennifer produced Love, Sex and Eating the Bones, which won nine festival awards, including Best Canadian First Feature Film at TIFF 2003. Currently, she is directing the feature documentary Subjects of Desire and is developing the drama series Talk to Me with BellMedia.

Sudz Sutherland is an award-winning writer and director who has directed two award-winning features, Home Again and Love, Sex and Eating the Bones (Best Canadian First Feature Film, TIFF 2003), as well as more than 75 hours of television on shows including BatwomanThe Flash, BlindspotDesignated SurvivorReignMurdoch Mysteries, and many others. Additionally, Sudz co-created the series She’s the Mayor (VisionTV), Shoot the Messenger (CBC) and Guns (CBC). He has won an International Emmy for his work on The Phantoms, three CSAs for Best Direction and one CSA for Best Writing. Sudz is currently developing a drama series entitled Talk to Me with Bell Media, as well as a feature, Everything is Everything.

The Ageless
Creator/Writer: Faisal Lutchmedial
Format/Genre: One-hour sci-fi action/drama

The Ageless is a serialized one hour sci-fi action drama that follows an elderly WWII vet, who, once transformed by an age reversal experiment back into his young Nazi fighting prime, sets out to dismantle a fascist cult of the eternally young.

Faisal Lutchmedial is a screenwriter who most recently wrote on Endlings (CBC / Hulu) and Ransom (CBS / Global). He was invited to develop his latest feature screenplay The Voices Inside at TIFF Writers Studio in 2019. Faisal’s director credits include the short Useless Things, which won the Writers Guild of Canada English Script Prize at the Festival Nouveau Cinema Montreal, and the labour rights feature documentary My Cultural Divide.

girl
Creator/Writer: Pat Mills
Format/Genre: One-hour comedy/drama

Taylor gets ‘mistaken’ for a girl on the first day of high school. Instead of correcting everyone, Taylor runs with it and learns first-hand what it’s like to be a teenage girl – but is the perception of their gender more accurate than what Taylor is prepared for?

Pat Mills is a Toronto-based writer/director. His first feature, Guidance, was hailed as a “Grade A” comedy by the Los Angeles Times and was a New York Times Critics’ Pick. His sophomore feature, Don’t Talk to Irene, won Best Comedy Screenplay at the Austin Screenplay Competition, and two Canadian Comedy Awards (Best Feature; Best Writing in a Feature), among other festival awards. Pat was named one of MovieMaker Magazine’s 25 Screenwriters to Watch and was University of Toronto’s Universal Studios Screenwriter-in-Residence in 2018/19. He is currently in post on the queer thriller The Retreat (Alyson Richards Productions/Clique Pictures), and recently directed Queens, a drag queen comedy series for CBC Gem.

 

The CFC/Netflix Project Development Accelerator is one component of the larger Netflix/CFC Global Project, which supports Canada’s traditionally underserved creatives, including Black, Indigenous and People of Colour (BIPOC), women, LGBTQ2S+, Francophone creators (French as a first language), and creators living with disabilities.

The two additional accelerators, the Calling Card and Marketplace Accelerators, are yearlong accelerators, which, to date, have supported more than a dozen projects, ranging from shorts to features and TV series. For more information on specific projects and participants, please visit https://bit.ly/2SwOLkA.

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Links: The Order, Season 2

From Heather M. of TV Goodness:

Link: Previewing The Order Season 2
If you’re ready for a little fun supernatural diversion–and really, who isn’t–Netflix might have the cure for what ails you when the second season of The Order, the very wickedly fun and funny witches and werewolves and college, oh my, drama series drops Thursday. Continue reading.

From Bridget Liszewski of The TV Junkies:

Link: The Order’s Devery Jacobs uses art to fuel her activism
“We are a small-time Canadian show, but the reception we ended up getting, the fandom and going to Comic-Con made us a bit nervous going into Season 2.” Continue reading.

From Heather M. of TV Goodness:

Link: Dennis Heaton talks The Order, Season 2
“What I wanted to do in Season 2 was open up the sense of the world. We got into that in Season 1 when we introduced Renee and the Necromancers, the rejected members of the Order, and so I wanted to see more of that…” Continue reading. 

From Heather M. of TV Goodness:

Link: Louriza Tronco talks The Order Season 2
“Humans are obviously very complex and the fact that we were able to sort of mirror that within a TV show that seems to be hitting home with a lot of people who are watching it is really, really special and great.” Continue reading. 

From Sukriti Wahl of Elle Australia:

Link: This underrated Netflix show Is Like ‘Charmed’ meets ‘Riverdale’
If you’re in dire need of a show to binge and you’ve already worked your way through Netflix’s June lineup, then we have a series to suggest that we’re pretty sure you’ll thank us for later: The Order. Continue reading. 

From Julian Cannon of The Knockturnal:

Link: Netflix’s The Order star Louriza Tronco
I can’t believe that they’re letting me do all this stuff. So it’s really props to all the writers for such a multi-dimensional character for myself.” Continue reading. 

From Dan Gentile of the San Francisco Gate:

Link: This chart-topping Netflix show is like an R-rated Harry Potter
My favorite thing about “The Order,” and a stark contrast to everything in the news, is the idea of consequences. In the world of the show, magic has a price. The bigger the spell, the higher the cost. Continue reading. 

From Charles Trapunski of Brief Take:

Link: Interview: The Order’s Jake Manley
“Dennis Heaton, the showrunner, is one of the funniest guys I have ever met and when you sprinkle the humorous on top of this vast world of magic and monsters, it becomes an incredibly fun ride, I think, like you said.” Continue reading.

 

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Links: Anne with an E, Season 3

From Magala Dilip of Meaww.com:

Link: ‘Anne with an E’ Season 3 will see a shift in aesthetics, diverse characters and a coming-of-age storyline, teases Helen Johns
The first two seasons of Netflix’s ‘Anne with an E’ has managed to impress not only all the fans of the ‘Anne of Green Gables’ book series but also those who were ignorant about this beautiful universe. Continue reading. 

From Bridget Liszewski of The TV Junkies:

Link: Anne with an E’s Amybeth McNulty previews a milestone year for Anne
“I started this role when I was 14 and had no idea what I was doing. Anne and I have grown up alongside each other now, and I feel like I really have gotten to know her. I feel like I know what I’m doing and have the right to say to the director an idea I have. It’s really nice because I have more trust in myself as an actor.” Continue reading.

From Melissa Girimonte of The Televixen:

Link: Get ready for Anne with an E Season 3 with Amybeth McNulty and Kiawenti:io Tarbell
“It’s an incredible experience for Anne, and she learns so much in a short time just from being introduced to [Ka’kwet’s] community. It’s eye-opening for Anne, but also for Matthew and Marilla. They learn over time — and it’s a slow development — that the Mi’kmaq are just humans. It was the same with Bash last season.” Continue reading.

From Melissa Girimonte of The Televixen:

Link: Moira Walley-Beckett on Anne’s bold and tumultuous third season
“It’s such a complicated time, and it’s been an interesting challenge to go back there in my imagination. I’ve been writing the character of Anne for so long in a certain way and with a certain level of maturity.” Continue reading.

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Emmy-nominated comedy Schitt’s Creek returns for sixth and final season January 7 on CBC

From a media release:

CBC today announced that its critically acclaimed original hit comedy series SCHITT’S CREEK (14×30) returns for its sixth and final season on Tuesday, January 7 at 9 p.m. (9:30 NT), airing on the same day and time across Canada and the U.S. This season, the Roses are achieving huge success in their careers and personal lives, forcing them all to contemplate their inevitable next steps. The series is also available on the free CBC Gem steaming service.

Co-created by Eugene Levy and Daniel Levy, the series is nominated for Best Comedy Series, Best Lead Actress in a Comedy Series (Catherine O’Hara), Best Lead Actor in a Comedy Series (Eugene Levy) and Outstanding Contemporary Costumes. Since its debut in 2015, SCHITT’S CREEK has been recognized with more than 95 award nominations and 35 wins to date and appeared on more than 30 ‘Best Of’ lists in 2018.  Most recently, TV Guide called SCHITT’S CREEK “the best show on TV right now.”

SCHITT’S CREEK is a half-hour, single-camera comedy starring an ensemble cast including Eugene Levy, Catherine O’Hara, Daniel Levy, Annie Murphy, Chris Elliott, Emily Hampshire, Jennifer Robertson, Noah Reid, Dustin Milligan, Sarah Levy, and Karen Robinson.

Commissioned by CBC, SCHITT’S CREEK is produced by Not A Real Company Productions Inc. and created by Eugene Levy and Daniel Levy. The executive producers are Daniel Levy, Eugene Levy, Andrew Barnsley, Fred Levy, David West Read and Ben Feigin. SCHITT’S CREEK is produced in association with CBC and Pop TV and distributed internationally by ITV Studios Global Entertainment.

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