Link: Catherine Reitman and Dani Kind preview Season 5 “Season 5 definitely had its new challenges because of COVID. I joke that as producers you think the biggest challenge is ‘Wow, how am I going to make a season of a television show?’ You never think you’ll have the responsibility of people’s lives like we did this season. That was a new, complicated layer to add.” Continue reading.
But changes are afoot for the ladies when Workin’ Moms returns to CBC on Tuesday night.
Like many programs, COVID-19 impacted production on the primetime comedy both creatively and physically. Production on the show, which is usually filmed indoors, was in many instances moved outside. And, the pandemic worked its way into the Carlson’s plans: upon arriving in Cochrane, Alberta, Anne, Lionel and the girls were forced to sequester for safety. Upon things opening up intown, Anne found herself a true stranger in a strange land and unable—so far—to cope with the upheaval.
We spoke to Workin’ Moms’ co-creator, executive producer, writer, star and director Catherine Reitman and actor Dani Kind about the upcoming 10-episode season.
Catherine, did the fact you had to work around the safety issues change anything from a writing standpoint or even a filming standpoint? Were there major changes that you had to make to the fifth season because of the pandemic? Catherine Reitman: Huge. Yeah, I mean, look, we’re a summer show that goes into tiny, little real apartments. We’ve never been a real studio show. We’ve really been a location-based show. I think why Toronto loves the show, in particular, is because we’re in real buildings in Toronto. We’re in tiny apartments. We’re like an indie movie where we’re we’ve got two camera teams going up and down narrow stairwells with stairs that are about to give way.
We’ve shot in several buildings that have been since torn down because they’re derelict. So we couldn’t really go into buildings that had elevators. We had to move a lot of our interiors to exteriors. We could only shoot 10-hour days. We had to make a lot of concessions as far as we had to shoot in the fall to winter and add exteriors to that, so that was more complicated than we were used to. And then, from a creative standpoint, we were trying to figure out how much we were actually going to deal with COVID-19. The idea of a season of characters in masks and being six feet apart didn’t really interest me. And it’s not even that didn’t interest me. I mean, it’s our life, right?
I wanted the fans of the show to be able to come back and laugh at what we used to deem real problems. And I think that’s what our goal was this season, to put it in the rear view mirror. Deal with it quickly and get out.
Dani, what were your thoughts on having the pandemic impact the Carlson’s and their move out to Cochrane? Dani Kind: The impact was helpful as an actor because she’s going through so much with the move already, leaving her best friend and that main relationship in her life, leaving the circle of her job, leaving a house that she loves, and then going with Lionel to this new place, but also having the pandemic hit the moment they move in just squashed everything. I found it really helpful, and also I loved that we acknowledged it, that it was happening. We didn’t just gloss over it and pretend like it was fine. It was extremely helpful to play the anxiety of what she was already going through.
Catherine, friendship is a huge part of Workin’ Moms, and to see Kate and Anne distanced by so much is tough. How much of that friendship is going to be tested? Is that the main arc of the season, this fifth season? CR: It’s certainly one of the arcs. I know what you mean. And watching it in post, it’s funny… I think it’s Quentin Tarantino who said that you write your rough draft and then post is the last draft of the script. What worked, what didn’t work. And what was really telling to me—and to all of us—was I think we were so excited about this Anne bottle, but you do miss her friends with her. You’re so hungry for them to be together again and for Anne to get that comfort and seeing them pulled away from each other was painful. And I think it’s all too real for a lot of people.
For me personally, my friendships have taken such a back seat to my job and to my family, and to my responsibilities. To see Kate and Anne separated—this love story that we’ve been rooting for—to see them pulled away is probably a little too real for a lot of people and I don’t think I even realized that until it aired. And so challenging that is, of course, one of the big obstacles of the season. And then we sort of turn it on its head mid-season in a way that I don’t think anyone’s going to see coming.
As funny as Workin’ Moms can be, it can be very, very serious. Dani, there is an incredible scene in the season premiere where Anne isn’t saying anything, she’s just overcome with emotion. How do you feel about this storyline that has been written for Anne? DK: I think that’s one of the greatest gifts I get being on this show is that I can be and I can play her grounded and I can play the relationships more than the comedies. I don’t think that that’s mainly my strength in the show per se.
I think playing the real is and also lends itself to Anne. That’s who she is. She’s a straight shooter. But watching a straight shooter fall is where she lives. And every season that I get the scripts and I get to see those moments in all the different ways that have unraveled in the five seasons, that’s the most exciting part for me playing her.
How Anne copes with the move to Cochrane is interesting. CR: One of our writers was from Cochrane, specifically, and there was a group of women. This writer doesn’t have children, but a lot of her sister’s friends were in what they called the Pretty Committee. We turned it into the Cutie Committee on our show. We sort of showed the Alicia version in the Toronto Mommy and Me group and going to Cochrane and seeing how that’s changed because there are different mom gangs anywhere you are, right? And in this particular mom gang, they had to adjust from the sort of big city, high-pressure career lifestyles to a much slower lifestyle. And the way they chose to deal with it is by sedating themselves.
I know a lot of women my age who are opioid addicts. They’re taking pills to sedate themselves to just let those hours go by a little more quickly. And it’s an international problem truly, but seeing a character like Anne, who is a psychiatrist and is sharp and really smart and really understands the nature of the human mind, to see her slowly accept that and fall into that slippery slope makes us as an audience terrified.
And so watching her not only say goodbye to her friendships and the world we know in Toronto, but also maybe turn off the lights a little bit. That was something that was really fun to explore.
At the end of its first season, Detention Adventure teased a new quest to be tackled by our heroic foursome: a map hinting at the lost treasure of Ignatius Cockshutt.
The time for that quest is nigh, as Season 2 of Detention Adventure returns to CBC Gem on Friday.
But Raign (Simone Miller), Brett (Tomaso Sanelli), Joy (Alina Prijono), and Hulk (Jack Fulton) aren’t alone this time around; quick and quirky Kelly (Lilly Bartlam) joins the fray and adds a new dimension to the web series.
“We wanted to have a history expert this season,” says co-creator, co-executive producer, co-writer and director Joe Kicak. “Having Kelly in there really became the catalyst for this season. And, as you’ll see, she very much becomes part of the story arc.”
A big part of what makes the second season of Detention Adventure so enjoyable—aside from the nods to Brantford, Ont. (my hometown) and the addition of Workin’ Moms’ Sarah McVie—is the personal stories attached to the four main characters. From dealing with divorce or the death of a parent to feeling like the odd one out or an underachiever, Raign, Brett, Joy and Hulk face reality when they aren’t hunting for Cockshutt’s treasure.
“We wanted them to feel very real,” says co-creator, co-executive producer and co-writer Carmen Albano. “The emotional arc of our characters is important, so it had to be genuine.”
Detention Adventure serves up genuine scares too. Several scenes shot in a darkened church result in very creepy moments, making this adult wonder if it was a little too scary for kids.
“CBC told us to just go for it,” Kicak says with a laugh. “We shot one scene and they said, ‘We didn’t really get a jump scare,’ so we made it even worse. Then they said, ‘OK, maybe you went a little too far.’ It might scare some kids but, at the same time, you might have other kids who really enjoy the ride.”
Principal photography has begun on the fifth season of CBC’s bold and irreverent original comedy WORKIN’ MOMS (10×30), produced by Wolf + Rabbit Entertainment. The series is created by Catherine Reitman (Black-ish, It’s Always Sunny in Philadelphia), who serves as showrunner and executive producer and stars as Kate Foster. WORKIN’ MOMS looks at the polarizing and unexpected realities of the lives of a group of friends—all working moms—and their partners, as they’ve adjusted to life as parents. They might not be able to have it all, but they’re sure as hell going to try. Production will continue in and around Toronto through late November for a winter 2021 premiere on CBC and the free CBC Gem streaming service.
Season five of WORKIN’ MOMS continues to explore careers, motherhood and the delicate balance of having it all. Kate is inspired by a formidable new client, but could it cost her everything she’s worked for? Anne leaves Kate and her old life behind, as she, Lionel and the family move to Calgary. While Frankie easily steps into a leadership role at work, she struggles to find a connection with baby Solomon at home. Meanwhile, Jenny realizes her relationship with MCP could have more strings attached than she thought. The women embark on new chapters of their lives, while striving to maintain their friendships, careers, and parenting goals.
Returning cast include Dani Kind as Anne; Juno Rinaldi as Frankie; Jessalyn Wanlim as Jenny; Philip Sternberg as Nathan; Ryan Belleville as Lionel; Olunike Adeliyi as Giselle; Sarah McVie as Val; Katherine Barrell as Alicia; Sadie Munroe as Alice; Alex Mallari Jr. as MCP; Mimi Kuzyk as Eleanor; and Peter Keleghan as Richard, among other fan favourites. Joining the ensemble cast this season is Enuka Okuma (Impulse, Caught, Rookie Blue) as razor-sharp publishing executive Sloane Mitchell.
Earlier this month, Catherine Reitman was recognized by the Alliance for Women in Media with two Gracie Awards for WORKIN’ MOMS —one for Best Lead Actress, Comedy and one for Best Direction, Comedy. The Gracies® are named after media pioneer Gracie Allen, who embodied the character of the awards, and recognize exemplary programming created by, for and about women in radio, television, and interactive media.
WORKIN’ MOMS is executive produced by Catherine Reitman, Philip Sternberg and Jonathan A. Walker. Directors for the season are Mars Horodyski (Murdoch Mysteries, This Hour Has 22 Minutes) and Aleysa Young (New Eden, Baroness von Sketch Show). The series is written by Reitman, Jessie Gabe (Frankie Drake Mysteries, Mr. D) who is also co-executive producer this season, Karen Moore (Mary Kills People, Detention Adventure) who serves as supervising producer, Daniel Gold (Workin’ Moms) and Linsey Stewart (Mr. D, The Commute). Associate producers are Karyn Nolan (Workin’ Moms, The Stork Derby) and Lisa Benedetto (Workin’ Moms). Series cinematography by Ben Lichty (TallBoyz), production design by Danielle Sahota (Workin’ Moms, TallBoyz) and costume design by Sheila Fitzpatrick (Workin’ Moms, The Padre). For CBC, Sally Catto is General Manager, Entertainment, Factual & Sports; Trish Williams is Executive Director, Scripted Content; Michelle Daly is Senior Director, Comedy, Scripted Content; and Sandra Picheca is Executive in Charge of Production.
A CBC original series, WORKIN’ MOMS is produced by Wolf + Rabbit Entertainment with the financial participation of the Canada Media Fund. The series is distributed internationally by Coldsprings Media LLC and represented by Executive Producer Tina Horwitz and her company Vanguarde Artists Management. Nominated for multiple Canadian Screen Awards and two International Emmy® Awards, the series airs in Canada on CBC and CBC Gem, and streams worldwide as a Netflix Original.